- Starred Up
- The Theory of Everything
- Blue Ruin
- American Sniper
- Guardians of the Galaxy
- Gone Girl
- The Lego Movie
- Edge of Tomorrow
- Into the Woods
- A Most Violent Year
- Two Days, One Night
- The Drop
- Still Alice
- Alan Partridge
- Life Itself
- Rob the Mob
- Palo Alto
- Cheap Thrills
- The Imitation Game
- The Judge
- The Railway Man
- Mr. Turner
- Night Moves
- 22 Jump Street
- The Interview
- Dom Hemingway
- The Other Woman
- The Sacrament
- Horrible Bosses 2
- God’s Not Dead
- Jersey Boys
- The Lunchbox
- Whitey: U.S.A. v. James J. Bulger
- The Hunger Games: Mockingjay Pt. 1
- The Grand Budapest Hotel
- Inherent Vice
- That Awkward Moment
- Endless Love
- Let’s Be Cops
- A Million Ways to Die in the West
- They Came Together
- The Machine
Don’t you hate when you go to see a movie that you are expecting to be awesome, and then it turns out to be absolutely dreadful? Well, that happened to me numerous times in 2014, but on three specific occasions, the difference between my expectations and the eventual outcome of viewing those films was far worse than I could have ever expected. These three movies were not the worst that I saw in 2014, but they were by far the most disappointing.
Paul Thomas Anderson’s seventh feature film Inherent Vice was a movie that I was expecting big things from. In my “Fall Preview 2014” posts, I had it listed among the top ten films that I was most looking forward to. This is because PTA is one of the five greatest living directors, and I have overwhelmingly enjoyed every single one of his movies to date. Well, that was until Inherent Vice. Despite an unbelievably talented cast, including Joaquin Phoenix, Josh Brolin, Reese Witherspoon, Katherine Waterston, Benicio del Toro, Owen Wilson, and Martin Short, the story turned out to be far too convoluted for even those Hollywood superstars to reconcile. I never once bought into any of his characters—I felt no sympathy for, nor any connection to, them. The screenplay did not seem to flow well at all, and it did not have enough to keep me interested. I still believe PTA is more than capable of making another masterpiece like Boogie Nights or There Will Be Blood, but unfortunately Inherent Vice turned out to be a major setback in that pursuit.
The Grand Budapest Hotel
I love Wes Anderson’s movies. Some people do not buy into his films because they think his filmmaking style is simply “quirk for the sake of quirk,” and even though I agree that his eccentricity is a bit heavy-handed at times, I still personally enjoy his movies. They always have a fun, interesting storyline that is delineated through the work of seriously talented actors, and his distinct stylistic approach to the film’s visuals are truly a work of art. However, with The Grand Budapest Hotel, I was bitterly disappointed. Yes, it had all of the amazing visual effects, production design, makeup and hairstyling, and music you can always expect from the 45-year-old Texas native, but the story was atrocious in my opinion. His attempt at making the movie humorous fell dreadfully flat, and for the first time, I felt his movie was boring. I never once felt engaged with the plot, and a quarter of the way through, I wanted nothing more than for it to be OVER! How on earth this movie is tied for the most Oscar nominations this year is FAR beyond me.
A Million Ways to Die in the West
The hit sitcom Family Guy suffers severely from over-repetitive jokes and gags—anything funny that creator Seth MacFarlane happens upon in his show is ruined by this misused style. However, when MacFarlane released Ted in 2012 (his first feature film), I began to believe in him as a comedian. Ted had all the best parts of Family Guy without the regrettably added horse manure that makes his TV show so extraordinarily unwatchable. Ted is one of my favorite comedies from the past few years, and thus, I was expecting more comedic genius from MacFarlane with his second film A Million Ways to Die in the West. “Expecting” is the key word—this movie was about as enjoyable as a hangover. He reverted back to his unreservedly detestable storytelling techniques of the Peter Griffin clan, and his film fails because of it. The jokes drag on way too long, and with every passing second, MacFarlane’s humor loses any luster it once had. I hate to be so childish and simplistic, but the storyline was just stupid. Charlize Theron is definitely not meant for a movie like this (what a casting error that was), and the only bright spot was Neil Patrick Harris singing about moustaches. The Ted 2 trailer just came out, and although I find it funny, I am not holding my breath for its release because of the utter failure of A Million Ways to Die in the West.
Welcome back to the red carpet, movie fans! The stage is now set for my 3rd annual “Countdown to the Oscars” blog! Each year it gets more and more exciting to delve deep into the newest additions in film history, and again I am thrilled to get back to commentating on this year’s fantastic cinematic achievements.
Starting today and continuing right up until the ceremony, I will post regularly about the Oscars. These posts will include both my “Top 15 Films of the Year” list and my own personal Oscars ballot for this year’s major categories (14 of the 24 categories, to be exact). I will also again be posting a review about the actual ceremony in late February. In addition to these perennial posts, I will also include a new post—tomorrow morning I will release my “Top 3 Most Disappointing Films of the Year.”
This year, Neil Patrick Harris will be hosting the Oscars ceremony. NPH is a decently humorous actor, but in my opinion, he has some massively large shoes to fill. Last year, Ellen DeGeneres absolutely killed it, and I would have loved to see her return to the stage. DeGeneres’s performance last year garnered universal acclaim, provided a wealth of memorable moments, and even included a “celebrity selfie” that went on to become the most retweeted tweet of all time. Needless to say, NPH will have to elevate his game to meet the new “Ellen” standard. But ultimately I think he will come through—he is a veteran awards show host, with a résumé that includes hosting four Tony Awards and two Primetime Emmy Awards. I imagine his performance will include musical numbers, mirroring the performances of Billy Crystal and Hugh Jackman in their years as hosts; obviously, this is because NPH is a talented performer, adding a Tony in 2014 for his role in Hedwig and the Angry Inch to his long list of accolades.
This year, the Oscars will be broadcasted live from the Dolby Theater in Hollywood on February 22nd, 2015—that is just 23 days away!!
Many thanks to all of you that are back again this year, and I look forward to any new readers—I really do appreciate the support. So sit back, relax, and enjoy the show—it’s OSCAR TIME!
Well, this year’s Oscars have officially come and gone, and at this point, I am already excited for next year’s show. But before I start preparing for another amazing year in film, I wanted to share my reactions of last night’s broadcast with all of you. The Academy Awards has been known in the past to be utterly long and boring. Although the show was still long (about 3 ½ hours), it was far from boring. Ellen DeGeneres was an absolutely, hysterically entertaining host, and I would have zero problem if she was asked to host the show from here on out—her monologue this year was uproarious! With the exception of only a couple, each of her jokes throughout the show were quite humorous and suitable for the Oscars, and even when she did toe the line of appropriateness, it still worked because it was done with Ellen’s trademark repartee.
This year’s Oscars had some tremendous moments, some not-so-tremendous moments, and some downright unforgettable moments, and I am pleased to share my reactions to all of the major highlights from a successful Academy Awards ceremony:
Best Moment: (12 Years A Slave wins Best Picture)
As you all probably already know from my blog, 12 Years A Slave was by far my favorite film from 2013. I have been hoping and praying that it would win Best Picture, and last night, it did! In a night where Gravity took home seven Oscars, including Best Director for Alfonso Cuarón, it was gratifying that the Academy awarded its most prestigious honor to a film that I believe is one of the greatest of all time. Both Brad Pitt and director Steve McQueen were graciously humble in accepting the award, and after the Academy flubbed last year by giving Argo the award, it was great to see them getting it right this time around. The best part of the acceptance speech, though, was when Steve McQueen began jumping around on stage in celebration of the victory. Well deserved, Mr. McQueen.
Worst Moment: (John Travolta’s mispronunciation of Idina Menzel’s name)
Every presenter at the Oscars is presented with a guide to help them master the names of anyone they must introduce. Despite this, Idina Menzel’s name is not all that hard to pronounce in the first place—it sounds just like it looks. However, John Travolta found some way possible to dastardly butcher the Let It Go-singer’s name as she was introduced to perform. His pronunciation for “Idina Menzel” was as follows: Adele Dah-zeem. HUH????
Most Endearing Moment: (Acceptance Speech for The Lady in Number 6: Music Saved My Life)
The subject matter of this Short Documentary winner is Alice Herz-Sommer, the world’s oldest Holocaust survivor, and how music had given her optimism in life. Ms. Herz-Sommer passed away at 110 years old, just one week ago. While accepting the award, director Malcolm Clarke gave an undeniably endearing acceptance speech about this strong-willed, positive-minded woman and the impact she had on the entire filmmaking crew. It was definitely a special moment last night.
Most Boring Moment (Bette Midler’s performance)
Last year, my “Most Boring Moment” went to Barbara Streisand for her musical performance following the “In Memoriam” presentation. Once again, this musical slot takes the cake for the most absolutely boring moment of the entire Academy Awards. Bette Midler performed “Wind Beneath My Wings” following the “In Memoriam” slideshow, and it nearly put me to sleep. For starters, Bette Midler simply does not have it anymore as a singer, at least not last night. She was flat, unengaged, and dreadful, and the best part of her performance was when the music ended and she walked off of the stage.
WTF Moment: (Kim Novak presenting with Matthew McConaughey)
Kim Novak is one of the most well known actresses of her generation, starring in incredible films like Alfred Hitchcock’s Vertigo and Joshua Logan’s Picnic. Now, I understand Novak is in her early eighties, but her appearance last night was simply awkward in every sense of the word. She rambled on and on in an extraordinarily incoherent manner, and she clearly was not on the same page with McConaughey; he had to continually pull her closer to the microphone, as well. Also, when they attempted to announce the category for “Best Animated Short Film” in sync, it was a disaster—McConaughey said, “Best Animated Short Film,” while Novak said, “Best Short Animated Feature.”
Best Monologue Joke: (Poking fun at Jennifer Lawrence’s Oscar “fall” last year)
As everyone may know, last year, while walking to the stage to accept the “Best Actress” award, Jennifer Lawrence tripped and fell (pictured on the right). This year, while exiting her car for the Red Carpet, Lawrence again tripped and fell. Ellen started the joke off by saying that she was not going to bring up either fall or poke fun because it is embarrassing when people bring those sorts of things up in public—she then went on to bring each of them up in greater detail, and it was hilarious. The best part was when Ellen followed up by saying, “if you win tonight, I think we should bring you the Oscar.” Jennifer Lawrence seemed to get a good kick out of it, and it was most definitely the funniest of Ellen’s many entertaining monologue jokes.
Worst Monologue Joke (the Liza Minnelli diss)
Liza Minnelli was in attendance with her siblings to honor the 75th anniversary of The Wizard of Oz, a film their mother, Judy Garland, starred in. Ellen’s worst joke came when she pointed out that one of the best Liza Minnelli impersonators she had ever seen was in attendance (referring to Minnelli herself). Then Ellen said, “good job, sir.” Liza Minnelli did NOT look impressed.
Best Ellen Moment of the Night: (Tie: Celebrity Selfie and Pizza Delivery)
Ellen definitely brought a hip new aspect to the Oscars, and the show’s entertainment value benefited significantly from this. At one point in the show, Ellen rounded up some of Hollywood’s most famous movie stars (and Lupita Nyong’o’s brother) to tweet a selfie in an attempt to break the record for most retweets, which the picture did indeed accomplish. Later in the show, Ellen had a few boxes of pizza delivered to the Dolby Theater, and she spent a few minutes passing out slices to everyone. Chiwetel Ejiofor, Kevin Spacey, Julia Roberts, Meryl Streep, Jennifer Lawrence, Christian Bale, Jared Leto, Harrison Ford, Kerry Washington, Martin Scorsese, and many others indulged in the Italian treat—Brad Pitt was actually extremely stoked for the occasion, loudly voicing to the pizza guy that he wanted pepperoni! It was a hilarious interlude during the ceremony, and it was one that has never been seen before.
Best Acceptance Speech: (Lupita Nyong’o for Best Supporting Actress)
In her film debut, Lupita Nyong’o won the Best Supporting Actress award for her role as Patsey in 12 Years A Slave. She gracefully thanked the real-life Patsey and Solomon Northup for his amazing story. She then, tearfully, thanked director Steve McQueen for the role, saying that being cast in this film was “the joy of [her] life.” With every appreciative comment about the many people that helped her reach this milestone, she spoke kindly and eloquently, and her heartfelt acceptance speech was truly remarkable.
Best Musical Performance: (Pink singing “Somewhere Over the Rainbow”)
During the Oscars, the Academy paid tribute to the 75th anniversary of “The Wizard of Oz,” and Pink performed a beautiful rendition of the infamous “Somewhere Over the Rainbow.” Pink is by far one of the most talented singers in the music industry today, and her vocals were incredible during this cover of Judy Garland’s signature song. If it were not for Pink’s amazing performance, this award would go to Pharrell Williams for his “Happy” routine earlier in the broadcast, but Pink’s breathtaking command of the stage during this earnest performance is absolutely undeniable.
Well, with another successful few weeks of blogging, we have finally reached the big day: the Academy Awards. In preparation for tonight’s show, I am providing all of you with a review of my blog from these past couple of weeks. This review includes all of the winners of the 10 categories in which I have seen each nominated film/performance and have subsequently blogged about, and it also includes my list of the “Top 15 Films of the Year.”
Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances. And make sure to tune into the 86th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theater in Los Angeles, CA. Enjoy, everyone!
My Oscar Winners:
Best Picture: 12 Years A Slave
Actor in a Leading Role: Matthew McConaughey (Dallas Buyers Club)
Actor in a Supporting Role: Michael Fassbender (12 Years A Slave)
Actress in a Leading Role: Meryl Streep (August: Osage County)
Actress in a Supporting Role: Lupita Nyong’o (12 Years A Slave)
Best Director: Steve McQueen (12 Years A Slave)
Best Film Editing: Joe Walker (12 Years A Slave)
Best Production Design: Catherine Martin and Beverley Dunn (The Great Gatsby)
Best Adapted Screenplay: Terence Winter (The Wolf of Wall Street)
Best Original Screenplay: Spike Jonze (Her)
Top 15 Films of the Year:
1. 12 Years A Slave
2. Short Term 12
3. The Hunt
4. Frances Ha
5. The Wolf of Wall Street
6. The World’s End
7. American Hustle
8. The Spectacular Now
10. Captain Phillips
13. Fruitvale Station
14. The Place Beyond the Pines
15. Dallas Buyers Club
- 12 Years A Slave
- Short Term 12
- The Hunt
- Frances Ha
- The Wolf of Wall Street
- The World’s End
- American Hustle
- The Spectacular Now
- Captain Phillips
- Fruitvale Station
- The Place Beyond the Pines
- Dallas Buyers Club
- This Is The End
- August: Osage County
- Warm Bodies
- Inside Llewyn Davis
- Blue Jasmine
- In A World…
- The Conjuring
- Saving Mr. Banks
- World War Z
- The Way, Way Back
- We’re the Millers
- The Iceman
- Side Effects
- Iron Man 3
- Stories We Tell
- Drinking Buddies
- Pacific Rim
- The Great Gatsby
- Now You See Me
- White House Down
- Only God Forgives
- The Sapphires
- Before Midnight
- Dead Man Down
- The Heat
- Olympus Has Fallen
- We Steal Secrets
- Man of Steel
- I Give It A Year
- The Family
- The Bling Ring
- Identity Thief
- Prince Avalanche
- You’re Next
- Gangster Squad
- Safe Haven
- The Hangover Part III
- Oz the Great and Powerful
- The Purge
- Temptation: Confessions of a Marriage Counselor
Hello, movie fans! And welcome back to my 2nd annual “Countdown to the Oscars” blog! After a very successful campaign last year, I am more than excited to get back to work on commenting about the many wonderful films and performances from 2013. This past year was a fantastic year for movies, and it is clearly evidenced in the fact that some of my favorite movies and acting performances were snubbed this year for the Oscars—this just means that we have a really, really competitive field this year in nearly every category, and each race is sure to be a showdown.
Starting today and continuing right up until the big day, I will once again be posting regularly about the Oscars. These posts will include both my “Top 15 Films of the Year” list and my own personal Oscars ballot for this year’s major categories. I will also be posting a review about the actual ceremony in March, and this year, I will follow that up with a preview of the films that are sure to make a big splash in 2014. I am including a new feature on many of my posts this year—there will be a poll for all of my viewers to participate in, so make sure to take advantage of this to get involved this Oscars season.
Ellen DeGeneres will be hosting this year, and I could not be more excited. Her daytime show is universally loved, and I look for her to translate that success to the Oscars from the moment she takes the stage. This is Ellen’s second time hosting the Oscars, as she previously hosted the 79th Academy Awards in February 2007. This year, the Oscars will be broadcasted live from the Dolby Theater in Hollywood on March 2nd, 2014—that is just 23 days away!!
Thank you to all of you that are back again this year, and I look forward to any new viewers—I really do appreciate the support. So sit back, relax, and enjoy the show—it’s OSCAR TIME!
Well, this year’s Oscars have officially come and gone, and at this point, I am already excited for next year’s show. But before I start preparing for another amazing year in film, I wanted to share my reactions of last night’s broadcast with all of you. Even though Seth MacFarlane provided some hilarious laughs, in the end I felt he was just another average host. I hope next year the Academy employs someone that can keep me feeling pleasantly entertained for the entire show.
Speaking of the entire show, once again, this year’s broadcast was WAY too long. This is one thing the Academy needs to continue working on fixing because by the end, most viewers were bored and tired. One of my favorite things about this year’s show, though, was dedicating the ceremony’s theme to music in film. As you probably saw in an earlier post of mine, I truly feel music is the most important part of a movie in regards to creating feeling and emotion within the viewer. The various musical performances added an authentic flare to the Oscars.
This year’s Academy Awards had some awesome moments, some not-so-awesome moments, and some downright unforgettable moments, and I am using this post to share my reactions to some of these moments with you:
Best Moment: (Les Misérables performance)
In a night centered on the theme of music in movies, the cast of Les Misérables stole the show. Hugh Jackman, Anne Hathaway, Russell Crowe, Helena Bonham Carter, Sacha Baron Cohen, Samantha Barks, Amanda Seyfried, Eddie Redmayne, and Aaron Tveit all reunited on stage to perform a combination of three songs from the film: “Suddenly,” “I Dreamed a Dream,” and “One More Day.” I enjoyed each of these songs in the actual movie, but I was quite glad to see these amazing songs performed once more by this astounding ensemble—definitely the highlight of the show for me.
Worst Moment: (Catherine Zeta-Jones’ performance)
Catherine Zeta-Jones returned to the Oscars stage a decade after her musical film Chicago took home six Academy Awards, including Best Picture. Adding to the theme of music in movies, Zeta-Jones performed “All That Jazz” from Chicago. Even though she did an amazing job in the original film and has put together a pretty successful Broadway career, her performance at the Oscars was beyond dreadful. She was clearly lip-synching and her faux singing was even more horrendous than Ashlee Simpson on Saturday Night Live a few years ago. It was most definitely a forgettable portion of the show last night.
Most Endearing Moment: (Acceptance Speech for Inocente)
When the filmmakers for the winner of Best Documentary Short gave their acceptance speech, they included a heartfelt sentiment: they brought the subject of their short film on stage. The short film is about a teenage artist, Inocente Izucar, who is living homeless in San Diego, California. Through the attention she has received from the short movie, she is no longer homeless and is making progress as a professional artist. The filmmakers brought her on stage to recognize the way she has turned her life around in such a short time, and the moment was genuinely endearing.
Most Boring Moment (Barbara Streisand’s performance)
After an already long presentation of this year’s “In Memoriam,” songstress Barbara Streisand performed “The Way We Were” in a special tribute to Marvin Hamlisch. Even though her rendition of this song originally won the Academy Award for Best Original Song nearly 40 years ago, I was bored out of my mind by her 2013 performance. I understand it is a sentimental song and added to the “In Memoriam” moment, but this portion of the show dragged on way too long and the song virtually put me to sleep.
WTF Moment: (Tie for Best Sound Editing)
Even though I am a dedicated fan of the Oscars, I was just as shocked as everyone when the Best Sound Editing category ended in a tie. Yes, a tie with two winners—the sound editors for both Zero Dark Thirty and Skyfall received the award. After doing some research, it turns out that this was actually the sixth occurrence of a tie at the Academy Awards. The first tie was in 1932 when Frederic March from Dr. Jekyll & Mr. Hyde and Wallace Beery from The Champ each shared the Oscar for Best Actor. The most recent tie was in 1995 when Frank Kafka’s It’s a Wonderful Life and Trevor tied for Best Live Action Short Film.
Best Monologue Joke: (Ben Affleck and Argo)
Seth MacFarlane began the show discussing some of the films up for major awards. He commented on the snubbing of Ben Affleck for Best Director: “Argo tells the previously classified story about an American hostage rescue in post-revolutionary Iran. The film was so top-secret that the film’s director is unknown to the Academy.”
Worst Monologue Joke (Tarantino and his usage of the “N” word)
While discussing the controversy Django Unchained has received for its usage of the “N” word, MacFarlane said, “I’m told it’s actually okay for Quentin Tarantino to use that word because he thinks he’s black.” Hardly anyone laughed and Seth quickly jumped to the next joke after realizing this one was a dud.
Monologue joke I hated to laugh at, but did anyway: (Chris Brown and Rihanna)
While explaining the storyline of Django Unchained, MacFarlane said, “This is the story of a man fighting to get back his woman, who’s been subjected to unthinkable violence. Or as Chris Brown and Rihanna call it, a date movie.”
Best Acceptance Speech: (Daniel Day-Lewis for Best Actor)
Becoming the first actor in the history of the Oscars to win the Academy Award for Best Actor three times, Daniel Day-Lewis had plenty to be happy about. His acceptance speeches have always been more than eloquent, and this one was no different; however, he showed a lighter side of himself by joking with presenter Meryl Streep, stating that he was actually supposed to play Margaret Thatcher in The Iron Lady and she was supposed to play Honest Abe in Lincoln. He has always been a stand-up professional, and even though I felt a couple other nominees should have won this award, he gave a humble speech celebrating his win.
Worst Acceptance Speech: (Claudio Miranda for Best Cinematography)
The cinematographer for Life of Pi received his first Academy Award last night. And if he wins in the future, hopefully he learns to make a better speech. He was breathing as if he had just run a marathon, and he was staring into space and making odd noises in between sentences. He started getting way too much into detail about specific camera shots from the film and could hardly get his words out. I know he was happy and overwhelmed, but it was odd to watch.
Biggest Surprise (Ang Lee for Best Director)
While most people were angry that Ben Affleck was snubbed in this category, it was a common consensus that this award was Steven Spielberg’s to lose. Lincoln has been one of the most recognized films of the year, and with Affleck out of the category, it seemed like a guarantee that Spielberg would go home with the gold. However, Ang Lee, the director of Life of Pi, shocked everyone by winning over the heavyweight favorite. Also, for the first time since the Oscars ceremony held in 2006, the winner of the Best Director award was not the winner of the Best Picture award—interestingly enough, the last time this happened, it was in fact Ang Lee who won Best Director for Brokeback Mountain but lost to Crash in the Best Picture category.
Best Quotes from my family’s Oscar Watch Party: (Leslie Froman and Marcia Towle)
While watching the Academy Awards with my family, some unforgettable quotes were uttered, and I feel the need to share these with you as an added bonus. During William Shatner’s cameo appearance in the monologue, he mentioned the Academy Awards, to which my girlfriend Leslie remarked, “Hang on, rewind that. He messed up. He said ‘Academy Awards’ instead of ‘Oscars.’” Yes, she learned last night for the first time that the Academy Awards and the Oscars were actually one in the same. The next best quote was from my own mother. As they announced the nominees for Best Supporting Actor, they showed a clip from Tommy Lee Jones’ role as Congressional leader Thaddeus Stevens in Lincoln. During the clip, my mom said, “He is an ugly Lincoln!” No, Mom, that’s not Lincoln, that’s a congressman.
It is hard to believe that after a few weeks of working hard to blog continuously about my favorite non-sports event of the year, we are finally one day away from the Oscars. In preparation for tomorrow’s show, I am providing all of you with a review of my blog from these past couple of weeks. This review includes all of the winners of the 13 categories in which I have seen each nominated film/performance and have subsequently blogged about, and it also includes my list of the “Top 15 Films of the Year.”
Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances. Make sure to tune into the 85th Academy Awards tomorrow night at 7:30pm (CST) on ABC, live from the Dolby Theater in Hollywood, CA. And don’t forget to check back here after the show to read all about my reaction to the winners, losers, and inevitably unforgettable moments from the broadcast. Enjoy, everyone!
My Oscar Winners:
Best Picture: Silver Linings Playbook
Actor in a Leading Role: Hugh Jackman (Les Misérables)
Actor in a Supporting Role: Christoph Waltz (Django Unchained)
Actress in a Leading Role: Jennifer Lawrence (Silver Linings Playbook)
Actress in a Supporting Role: Amy Adams (The Master)
Cinematography: Roger Deakins (Skyfall)
Directing: David O. Russell (Silver Linings Playbook)
Film Editing: Dylan Tichenor and William Goldenberg (Zero Dark Thirty)
Best Original Score: Thomas Newman (Skyfall)
Sound Editing: Per Hallberg and Karen Baker Landers (Skyfall)
Sound Mixing: Scott Millan, Greg P. Russell, and Stuart Wilson (Skyfall)
Best Adapted Screenplay: David O. Russell (Silver Linings Playbook)
Best Original Screenplay: Quentin Tarantino (Django Unchained)
Top 15 Films of the Year:
1. Silver Linings Playbook
2. Moonrise Kingdom
3. Zero Dark Thirty
5. Django Unchained
6. Life of Pi
8. Les Misérables
9. Beasts of the Southern Wild
11. The Perks of Being a Wallflower
12. The Dark Knight Rises
14. The Master
Hey everyone! The Oscars are only 19 days away, and this blog is about to heat up starting tomorrow. Over the next 16 days, I will be updating this page with posts nearly every singe day. Below I have provided a schedule of dates when I will post and the content that will be included each day. This way, you can make sure to visit this page on any day that provides a topic that you are interested in. These topics will include categories from my Oscars ballot and a countdown of my “Top 15 Films of the Year.” After my Oscars ballot and list of “Top 15 Films of the Year” have been revealed, I will provide additional commentary leading up to the actual ceremony. Feel free to comment and leave me any of your thoughts or suggestions. Check out the schedule and make sure to follow all of the updates.
SCHEDULE OF POSTS:
2/6: #15 on the list of Top Films, Best Supporting Actress
2/7: #14 on the list of Top Films, Best Supporting Actor
2/8: #13 on the list of Top Films
2/9: #12 on the list of Top Films, Best Sound Editing, Best Sound Mixing
2/10: #11 on the list of Top Films, Best Cinematography, Best Film Editing
2/11: #10 on the list of Top Films
2/12: #9 on the list of Top Films, Best Adapted Screenplay
2/13: #8 on the list of Top Films, Best Original Screenplay
2/14: NO POSTS
2/15: #7 on the list of Top Films, Best Original Score
2/16: #6 on the list of Top Films, Best Actress
2/17: #5 on the list of Top Films, Best Actor
2/18: #4 on the list of Top Films
2/19: #3 on the list of Top Films
2/20: #2 on the list of Top Films, Best Director
2/21: #1 on the list of Top Films, Best Picture