The 92nd Oscars – Best Leading Actor

In today’s post, I will review the Best Leading Actor category for this year’s Oscars. Let’s go!

The Nominees

Antonio Banderas (Pain and Glory)Banderas gif

In legendary Spanish director Pedro Almodóvar’s latest film Pain and Glory (nominated this year for Best International Feature), Antonio Banderas stars as Salvador Mallo, an aging filmmaker battling health issues and nostalgia as he reflects upon important memories and relationships throughout his past and how they’ve shaped his present. I have not seen an immense amount of Banderas’s films, but from what I have seen, his performance in Pain and Glory is certainly his best. This movie has a lot of drama and a lot of heart, all while sprinkling in some clever humor. And although the film features some wonderful supporting performances (including Penélope Cruz as Mallo’s mother and Asier Etxeandia as his former collaborator Alberto), Pain and Glory thrives most prominently because of this stunning performance by Banderas. Whether it’s the humorous moments where Mallo is, for the first time in his life, trying heroin with Alberto, or the emotional reunion with a lover from days gone by, Banderas sinks his teeth into the role and delivers a masterful performance. It is no wonder Banderas took home the Best Actor award at the Cannes Film Festival in 2019.

Leonardo DiCaprio (Once Upon a Time in Hollywood)DiCaprio gf

Quentin Tarantino’s newest masterpiece Once Upon a Time in Hollywood is set in Los Angeles in 1969 and tells the story of aging actor Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) as they work to find their place in the industry during the last days of Hollywood’s Golden Age. In my Best Supporting Actor post, I waxed poetic about the glorious reunion between Tarantino and Brad Pitt following their collaboration in my favorite film of all time, Inglourious Basterds. But Once Upon a Time also marks a spectacular reunion for Tarantino and DiCaprio, who previously joined forces to bring us one of the most well-acted, but despicable villains of all time, slave owner Calvin Candie in Django Unchained. As much as I loved Brad Pitt here as Cliff Booth, my favorite aspect of the film (aside from the brilliance of Tarantino’s storytelling as a whole) was DiCaprio. Rick Dalton is by far the funniest character DiCaprio has ever portrayed (yes, even more so than the real-life Jordan Belfort in The Wolf of Wall Street), and he delivers a performance that, in a year where Joaquin Phoenix doesn’t play the Joker, surely would be my top pick to take home the Oscar. This performance exhibits much of DiCaprio’s range, equal parts comical and earnest. The moments that will live on in my memory forever include the Basterds-esque “anyone order fried sauerkraut?” scene; the “Easy Breezy” conversation with Julia Butters’s character; yelling at the Manson hippies with a pitcher of margaritas in his hand; and most of all, that infamous trailer argument with himself on the set of Lancer.

Adam Driver (Marriage Story)Driver gif

Noah Baumbach’s Marriage Story follows a couple, Nicole (Scarlett Johansson) and Charlie (Adam Driver), as they cope with a contentious coast-to-coast divorce that involves a bitter custody dispute over their eight-year-old son. Despite the sad and depressing nature of Marriage Story as a whole, it is hard to argue with the fact that the film features two utterly tremendous performances from its leading actors. I have already discussed Johansson’s performance in my Best Leading Actress post, but with respect to Driver, his portrayal of New York-based theater director Charlie is one of the most emotionally shattering acting performances of 2019. Although the film follows both Charlie and Nicole through their separation and divorce, Marriage Story eventually homes in more distinctly on Charlie’s struggles. (The character arc of Nicole is vital to the story, but given Baumbach’s own divorce history with ex-wife Jennifer Jason Leigh, the self-reflection through via Charlie is unsurprising.) Although the scene has been turned into a bit of a meme via Twitter, the argument between Charlie and Nicole in Charlie’s LA apartment (wherein Driver angrily proclaims “Every day I wake up and hope you’re dead”) is etched in my memory forever, and it certainly provided Driver his “Oscar moment.”

Joaquin Phoenix (Joker)Phoenix gif

Joker, co-written and directed by Todd Phillips, is an origin story for the infamous Joker villain from the DC Comics. The film follows Arthur Fleck (Joaquin Phoenix), a wannabe stand-up comedian with severe emotional instability who, over the course of the story, spirals down into a dangerous and violent state of madness. Upon release, Joker polarized audiences for its depiction of mental illness and gun violence. But regardless of your take on the ethics of the film, Joaquin Phoenix’s staggering transformation into the famed super-villain is a sight to behold and deserves all the critical acclaim you can throw at him. One of the most obvious parts of Phoenix’s transformation is physical in nature, as he lost a significant amount of weight to give Fleck a disturbingly gaunt figure. Although impressive, the weight loss hardly compares to the haunting genius of Phoenix’s acting performance as a whole. Phoenix had massive shoes to fill with his portrayal of the future Joker, as Heath Ledger already gave the world one of the greatest performances in film history as the character in The Dark Knight (for which Ledger posthumously received the Oscar for Best Supporting Actor). Phoenix’s performance is incredible, but it’s also different from Ledger’s, as Phoenix only becomes the Joker during the climax of the film. As Arthur Fleck, Phoenix is chilling and terrifying, slowly creeping toward complete derangement throughout the movie. One of the major standpoint parts of Phoenix’s performances is the variety of maniacal laughs in Fleck’s repertoire—those things will haunt my ears forever. Phoenix’s embodiment of such a mentally ill character must have been taxing, both physically and emotionally, but his acceptance of the challenge provided cinematic history with one of its better performances. I expect Phoenix to take home the gold in a few days!

Jonathan Pryce (The Two Popes)Pryce gif

Netflix’s The Two Popes is about Pope Benedict’s shocking decision to resign the papacy (the first to do so in over 700 years) amidst controversy and the unlikely journey of Cardinal Jorge Mario Bergoglio (later Pope Francis) to the Chair of Saint Peter as his successor. With the exception of a couple of stray scenes, this film is comprised nearly entirely of one-on-one conversations between Pope Benedict (Anthony Hopkins) and the future Pope Francis (Jonathan Pryce). Although that does not seem like a recipe for an entertaining movie, I was thoroughly surprised in the result being just that. The two characters are both Catholic, and that is really where their similarities stop. Pope Benedict is staunchly conservative, while Pope Francis is more liberal and progressive. This dichotomy of ideologies makes for some very interesting conversations and debates throughout the film as the two discuss the future of the Church, and Pryce subtly, but quietly, steals the show, turning in a wonderfully inspired performance.

Snubs and Other Performances

This category was always going to be a bit crowded this year, as 2019 was packed with wonderful performances. In addition to the five nominees, though, there were a handful of other actors that turned in noteworthy performances this year that deserve some appreciation. First, despite the fact that both Al Pacino and Joe Pesci earned Best Supporting Actor nods this year, The Irishman’s lead, Robert De Niro, missed out on a nomination, despite giving us another very memorable performance as the titular Frank “The Irishman” Sheeran. Second, Daniel Craig was marvelous in Rian Johnson’s whodunit Knives Out as private detective Benoit Blanc—this was by far the most fun role I’ve ever seen Craig in and he killed it. Third, Eddie Murphy was absolutely hilarious in his R-rated comedy comeback Dolemite Is My Name (his first R-rated film since Life in 1999), a film about the real-life comedian and legendary blaxploitation filmmaker Rudy Ray Moore. Murphy would have been a worthy nominee for the Oscar, as he received nominations at the Golden Globes and Critics’ Choice Awards.Bale gif Additionally, Christian Bale was remarkable in Ford v Ferrari as British racecar driver Ken Miles. When I first saw the trailer for Ford v Ferrari, I thought it looked like a very paint-by-number Disney-style biopic—I was wrong. The film is fast-paced, electrifying, and extraordinarily fun, and Bale carries the film gloriously across the finish line with one of my favorite performances of his storied career.

Sandler gifThe five nominees all gave very strong performances, but I really think the Academy made a mistake by not nominating Adam Sandler for his portrayal of jeweler and gambling addict Howard Ratner in Uncut Gems. (I guess Pryce would have to lose his spot to grant a nomination to Sandler.) This was one of my very favorite movies of the year, and although it’s great for so many reasons (including, but not limited to, the raw and frenetic pace masterfully crafted by the Safdie brothers, as well as the stellar supporting performances from Kevin Garnett, Lakeith Stanfield, and Julia Fox), it is a notch better on the strength of the single greatest acting performance of Adam Sandler’s career. On paper, Howard Ratner is incredibly unlikable. Throughout the entire film, he proves to be a bit of a sleazebag who incessantly makes bad decisions at every turn. And yet, because of Sandler’s career-defining performance, it’s impossible not to root for Howard during the movie’s thrilling twists and turns. Sandler obviously has more career ahead of him, but it’s hard not to imagine this being his masterpiece—the Academy should have rewarded that.

Conclusion

Who Could Win: Adam Driver

Just like his Marriage Story co-star Scarlett Johansson, Adam Driver is currently getting +1400 odds to pull off an upset in the Best Leading Actor category. Please read the “Who Will Win” section below for proof as to why this upset isn’t happening, though. (Yes, I know I listed Driver as someone who “could” win, but I feel obligated to at least list the second best odds amongs the other nominees no matter what, even though the odds don’t suggest Driver will be winning on Sunday.)

Who Should Win: Joaquin Phoenix

Think what you want about Joker as a film, but it is patently undeniable that Joaquin Phoenix turned in one of the greatest acting performances of all time. He deserves this win more than ever before.

Who Will Win: Joaquin Phoenix

Joaquin Phoenix is currently getting the second best odds of any nominee in any category to win an Oscar this year. (Phoenix’s -5000 odds are second only to Parasite’s odds to win Best International Feature, which currently stand at an astounding -10000.) With the Golden Globe, Critics’ Choice Award, SAG Award, and BAFTA already under his belt, I fully expect Phoenix to be the actor giving his acceptance speech in this category come Sunday night. If When he wins, it will be his first Oscar win.

The 92nd Oscars – Best Leading Actress

In today’s post, I will review the Best Leading Actress category for this year’s Oscars. Let’s go!

The Nominees

Cynthia Erivo (Harriet)Harriet gif

 

In Harriet, Cynthia Erivo plays the titular character, Harriet Tubman, as the film chronicles the inspirational story of the renowned abolitionist’s escape from slavery and strenuous work to help others along the Underground Railroad. I was hoping to like Harriet much more than I actually did, as I was all in on a proper film adaptation for such a heroic American figure. However, the film as a whole was a bit mechanical and lacked depth. With that said, nothing can take away from the rousing performance by Erivo, who brilliantly assumes the mantle of this legendary heroine. Her performance is adept and moving, and Erivo absolutely deserves a nomination this year. Erivo is a multi-talented performer, and both her acting and singing gifts shine on the big screen. In addition to this acting nomination, Erivo is also up for Best Original Song for “Stand Up” from the film, and if she were to win in either category, she would complete the illustrious EGOT (Emmy, Grammy, Oscar, Tony).

Scarlett Johansson (Marriage Story)ScarJo m

 

Noah Baumbach’s Marriage Story follows a couple, Nicole (Scarlett Johansson) and Charlie (Adam Driver), as they cope with a contentious coast-to-coast divorce. As I have previously said, Marriage Story is not a fun watch. I am definitely an admirer of Baumbach’s previous work (btw, The Squid and the Whale and Frances Ha are far superior films to Marriage Story, and if you haven’t seen them, do yourself a favor and make that happen), but this movie is just so sad and depressing at its core. (With that said, it is still incredibly well made.) Regardless of my enjoyment of the movie as a whole, the acting is undoubtedly magnificent and thus, Johansson’s nomination is 100% deserved. Johansson vividly wears Nicole’s pain and suffering on her sleeves throughout the movie, and during the film’s most antagonistic moments between Nicole and Charlie, Johansson delivers a heartbreaking performance that highlights her acting superiority.

Saoirse Ronan (Little Women)Ronan gif

 

In Greta Gerwig’s film adaptation of Louisa May Alcott’s critically acclaimed book Little Women, Saoirse Ronan plays the story’s protagonist Jo March, a fiery, stubborn, and self-reliant young woman attempting to make a literary career for herself, all while balancing the stresses of her family and grappling with her loneliness, a product of her stern independence. Before Ronan, Winona Ryder played Alcott’s storied heroine in a 1994 film adaptation, which garnered three Oscar nominations, including a Best Actress nomination for Ryder. In such a famous role that already evokes nostalgia for a generation that grew up on Ryder’s version, Ronan proves her worth and makes the character her own. In fact, I think Ronan’s interpretation of and performance as Jo March is superior to that of Ryder’s—for me, this isn’t entirely surprising, as Ronan is objectively one of the most talented actresses in the film business. (This is Ronan’s fourth Oscar nomination, making her the second youngest actor/actress to reach four nominations, lagging behind Jennifer Lawrence by mere months.)

Charlize Theron (Bombshell)Theron gif

Bombshell tells the story of Fox News and the sexual harassment controversy surrounding its former CEO Roger Ailes. As I previously mentioned on my Best Supporting Actress post, I wanted to like Bombshell, but I just didn’t. The makeup work is phenomenal and the acting performances are great, but the film as a whole felt incredibly surface-level and sensationalist. In the film, Charlize Theron plays Megyn Kelly, the former Fox News host who famously drew the deranged ire of Donald Trump (then a candidate for the Republican Presidential nomination), which is depicted in the film. If you’ve seen the images of Theron as Kelly, the resemblance is unbelievably uncanny—the makeup team did a phenomenal job (they are nominated for an Oscar, too) and Theron, an expert in her craft, nailed the complete embodiment of her character, including Kelly’s distinct voice and mannerisms. Although Theron was great, her performance was simply not as moving as those of her fellow nominees, and if I had a vote, I would have given her spot to Awkwafina (discussed more in detail below), who gave a more inspired performance this year that deserved to be recognized on this level.

Renée Zellweger (Judy)Judy gif

Judy tells the story of famed actress and singer Judy Garland’s final year of life, during which she makes a professional comeback for a short residency at the Talk of the Town nightclub in London, England. With her employment prospects dwindling in the United States and her finances in disarray, Garland is convinced to make the trip across the pond to perform for a country of fans who adore her. However, despite some early success during her show’s initial run, Garland’s personal problems increasingly interfere with her professional life, as the film documents her troubles with alcoholism and drug addiction. I will admit, the only facts I really knew about Judy Garland before this movie were that she was Dorothy in The Wizard of Oz and that she died from a drug overdose. These two facts (and the complexities involved with each) bookend this film, and everything in between is incredibly informative and wonderfully crafted to make for a solidly entertaining movie. And if you haven’t seen Judy, I urge you to believe in the Renée Zellweger hype—she is radiantly flawless in her portrayal of the troubled star. Zellweger deftly navigates the dichotomy of Judy Garland—on the one hand, she’s an incredible talent with first-rate performance abilities, and on the other, she’s hobbled by debilitating substance abuse. Like the film’s story of comeback, Judy serves as a renaissance of sorts for Zellweger, too, who is spectacular.

Snubs and Other Performances

In addition to the foregoing actresses, there were a handful of other actresses that turned in performances this year that deserve some attention, including one that should have received a nomination instead of Charlize Theron. First, Lupita Nyong’o was stellar in Jordan Peele’s Us. Although I really didn’t enjoy the film (I can usually overlook a few plot holes, but goodness, that storyline just blatantly didn’t add up), it is impossible to ignore the solid work of Nyong’o as both Adelaide and her “tethered” character Red. Second, Rian Johnson’s Knives Out was creative, quirky, and a lot of fun, and Ana de Armas was one of the film’s brightest stars as a caretaker suspected of killing her employer. pugh midsommar gifAdditionally, I was wildly impressed with Florence Pugh’s chilling performance in Ari Aster’s eerie horror flick Midsommar, one of my favorite movies of the year—the image of Pugh’s character donning the May Queen crown is instantly iconic! I was more than pleased to see Pugh receive some Oscar love with her nomination in the Best Supporting Actress category for Little Women, but her performance in Midsommar was definitely her best this year.

Awk gifDespite these wonderful performances, the biggest “snub” in this category is Awkwafina for her emotionally beautiful performance in the critically acclaimed film, The Farewell. If you recall, I already discussed Zhao Shuzhen from The Farewell being the biggest snub in the Best Supporting Actress category, but it is an even bigger travesty that Awkwafina missed out on a nomination. Awkwafina has already made her mark in the industry thanks to her comedic chops (see, e.g., Neighbors 2: Sorority Rising and Crazy Rich Asians), but in The Farewell, the 31-year-old proved that she is an absolute force to be reckoned with from a dramatic perspective. Although the Golden Globes don’t historically predict the Academy Awards, insiders were confident that Awkwafina’s win would vault her to an Oscar nomination. Charlize Theron was solid as Megyn Kelly, but there is not a doubt in my mind that Awkwafina should have been nominated in her place.

Conclusion

Who Could Win: Scarlett Johansson

Like every single other acting category this year, the winner here, according to the betting lines, seems like a guarantee already. However, Scarlett Johansson is currently getting the next best odds, albeit they are +1400.

Who Should Win: Renée Zellweger

Renée Zellweger is perfect in her portrayal of Judy Garland. I believe in the hype that she is getting, and if I had a vote, I would gladly cast it for Zellweger!

Who Will Win: Renée Zellweger

Every favorite in an acting category this year has swept the Golden Globes, Critics’ Choice Awards, SAG Awards, and BAFTAs. So, for the first time in a long while, I don’t anticipate a single upset in any of these four categories. Zellweger is getting -2000 odds as the favorite, and I look for her to definitely lock in her second career Oscar win on Sunday.

The 92nd Oscars – Best Supporting Actor

In today’s post, I will be analyzing the Best Supporting Actor category for this year’s Academy Awards, the most decorated acting category at this year’s Oscars. (The five nominees combined account for 27 career Academy Award nominations in acting categories.) As I pointed out yesterday, the format for all of these post concerning the acting categories will be (1) a review of each nominee in alphabetical order; (2) a brief discussion of my other favorite performances of the year, including any “snubs”; and (3) a breakdown of who could, should, and will win the Oscar in this category.

So let’s go!

The Nominees

Tom Hanks (A Beautiful Day in the Neighborhood)hanks gif

A Beautiful Day in the Neighborhood is a biopic inspired by a real-life Esquire article about Fred Rogers (better known as Mr. Rogers) by journalist Tom Junod titled, “Can You Say…Hero?” Although the film takes inspiration from the famous theme song from Mister Rogers’ Neighborhood, Mr. Rogers, played by Tom Hanks, is merely a supporting character. Hanks is obviously one of the greatest actors of his generation, and in this film, he is great in his embodiment of the calm, soft-spoken Mr. Rogers—although not looking physically like Mr. Rogers, Hanks nails the voice and mannerisms. But although I enjoyed his performance, it didn’t feel incredible invigorating for me, especially since Hanks just played Walt Disney in 2013’s Saving Mr. Banks, which this film felt so eerily similar to. I like Tom Hanks, and I really enjoyed him here, but I couldn’t help but think name recognition played a major role in not only this nomination, but also its companions at the Critics’ Choice Awards, SAG Awards, Golden Globes, and BAFTAs.

Anthony Hopkins (The Two Popes)Hopkins gif

 

At first glance, I didn’t think Netflix’s The Two Popes was going to be a movie I’d enjoy, but in the end, I was thoroughly surprised by and taken with its charisma. The film is about Pope Benedict’s shocking decision to resign the papacy (the first to do so in over 700 years) amidst controversy and the unlikely journey of Cardinal Jorge Mario Bergoglio (later Pope Francis) to the Chair of Saint Peter as his successor. The plot is simple, and the film is executed through Sorkin-esque dialogue between the two main characters as they debate and discuss many topics, most importantly their vastly different religious ideologies. Pope Benedict is incredible conservative, while Cardinal Bergoglio (played by Jonathan Pryce, who was nominated for Best Actor) is widely progressive. Both of the actors are exquisite and authentic in their portrayal of these real-life characters on the brink of a major shift for the Catholic Church, and per usual, the legendary Sir Anthony Hopkins is masterful.

Al Pacino (The Irishman)Hoffa gif

Martin Scorsese’s The Irishman, an epic 209-minute film, tells the story of Frank “The Irishman” Sheeran (Robert De Niro) who became a hitman for the Bufalino crime family and a close associate of Jimmy Hoffa (Pacino), the leader of the Teamsters. Surprisingly, The Irishman was Pacino’s very first collaboration with Scorsese, and it definitely left me wishing the two worked together more. In his portrayal of Jimmy Hoffa, Pacino returns to his peak acting prowess. Over the years, some believe Pacino has become a caricature of himself, resorting to the loud and boisterous delivery made famous in his Oscar-winning role in A Scent of a Woman far too often. In The Irishman, Pacino taps into those infamous rowdy and ostentatious traits, but he does so in a way that is extraordinarily reinvigorating—it is the Pacino we’ve grown to know, but it never feels like old hat. This is Pacino’s 9th Oscar nomination, but it’s his first since his lone win 27 years ago. As Hoffa, Pacino was back to his best, and I couldn’t be more thrilled to see him back at the Oscars as a nominee.

Joe Pesci (The Irishman)

Pesci gifIn The Irishman, Joe Pesci plays Russell Bufalino, a mobster and crime boss of the Bufalino crime family. Pesci came out of an extended retirement to play his role in The Irishman, and some reports indicate he actually turned down the role over 50 times before finally agreeing to do it. We should all count ourselves lucky for his decision to jump in. In this film, Pesci is as we’ve never seen him before, especially in the mob genre. A frequent collaborator of Scorsese, we’ve learned to expect Pesci to embody the smack-talking, loud-mouth, larger-than-life, over-the-top character traits from Scorsese’s Goodfellas and Casino. (And oh, how I love Pesci when he’s in that zone.) But here, Pesci is distinctively restrained, exemplifying a strange sense of calmness. It is this aspect of Pesci’s performance that not only steals the show but also makes the character eerily more sinister than past Pesci characters—the guy plays a caring father figure to De Niro’s character with a great deal of compassion, all the while being someone who can call in a hit like it’s nothing. This will go down as one of Pesci’s greatest performances of all time.

Brad Pitt (Once Upon a Time in Hollywood)pitt gif

 

Quentin Tarantino’s newest masterpiece Once Upon a Time in Hollywood is set in Los Angeles in 1969 and tells the story of aging actor Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) as they work to find their place in the industry during the last days of Hollywood’s Golden Age. I am admittedly a huge fan of Tarantino and his work (Inglourious Basterds is my favorite movie of all time), and when I describe my love of Once Upon a Time to people, I tell them that it’s just a movie that was made for me. (Tarantino’s exquisite storytelling set against the backdrop of a glorious era of cinematic and cultural history is a recipe for success.) And from an acting standpoint, DiCaprio and Pitt are an amazing duo and are truly simpatico. And this film marks an outstanding return to the Tarantino set for Pitt, who dazzled in his memorable role as Lt. Aldo Raine in Inglourious Basterds. Here, Tarantino gets the absolute best out of Pitt once more. Cliff Booth is just cool, and Tarantino couldn’t have chosen a better performer to embody that swagger. Highlights for Pitt in this movie include his fight with Bruce Lee, fending off hippies in the Manson cult at Spawn Ranch, and that hilariously unrestrained ending involving Pitt high on an acid-dipped cigarette. In this movie, Brad Pitt is in his element, and oh, what a wonderful element it is.

Snubs and Other Performances

In addition to this year’s nominees, there were a handful of other noteworthy performances this year that easily could have been in contention for the Oscar. First, although The Lighthouse did not necessarily work for me (which was a surprise, as I generally love everything A24 Films puts out), there is no denying that Willem Dafoe’s gruff portrayal of lighthouse keeper Thomas Wake is superbly deranged as one half of the film’s two-man show. Second, Dolemite Is My Name was one of my favorite out-and-out comedies of the year. And not only was it the vehicle for Eddie Murphy’s spectacular R-rated renaissance, but it also provided a humorous return for Wesley Snipes, who portrayed the real-life blaxploitation star D’Urville Martin. Majors gifAdditionally, I really enjoyed The Last Black Man in San Francisco (shout out to A24 again), and although Jimmie Fails was great as the lead, I was most impressed with Jonathan Majors as Jimmie’s sidekick “Mont”—the character is eccentric, artistic, and caring, and Majors was absolutely brilliant in his execution.

Song gifOne of the single best supporting performances of the year, though, came courtesy of legendary South Korean actor Song Kang-ho in Parasite. Bong Joon-ho’s masterpiece is a darkly comedic exploration of class inequalities, and Song is extraordinary as Kim Ki-taek, the patriarch of a poor Korean family who uses ingenuity and deception to infiltrate the home of the wealthy Park family as employees. The entire acting ensemble in Parasite is collectively magnificent. (In fact, the group won the SAG Award for Outstanding Performance by a Cast in a Motion Picture.) However, Song is definitely the film’s brightest star, and he was thoroughly deserving of an Oscar nomination this year.

Conclusion

Who Could Win: Joe Pesci

Joe Pesci is currently getting odds of +1200 to render an upset in this category, better than any of the other three underdog nominees by quite a bit. (For instance, Al Pacino is next best, but his odds currently sit at +2800.) I don’t anticipate a surprise for Best Supporting Actor, but if the Academy throws us a curveball here, look for Pesci to be the only other nominee with a chance.

Who Should Win: Brad Pitt

I love Tarantino’s characters, and I love the actors and actresses he chooses to portray them. Cliff Booth is a fun and charismatic character, and I wholeheartedly believe no other actor but Brad Pitt could have breathed that energetic life into Booth. Although I thoroughly enjoyed the vintage performances from Pacino and Pesci, I find Once Upon a Time in Hollywood to be a better film than The Irishman. (Pacino and Pesci also cancel each other out a bit in this category.) So Pitt gets the nod here for me.

Who Will Win: Brad Pitt

Just like Laura Dern, Brad Pitt has executed a clean sweep this awards season, taking home this award at the BAFTAs, SAG Awards, Critics’ Choice Awards, and Golden Globes. Currently, Pitt’s odds to win the Oscar are an astounding -3335. So just like Laura Dern, it looks nearly certain that Pitt will be taking home the first Academy Award of his career in an acting category.

The 92nd Oscars – Best Supporting Actress

Welcome to this year’s edition of my annual pre-Oscars film blog. Since I started this blog seven years ago, I have always looked forward to the opportunity to talk about my favorite movies and performances of year. However, this year is going to take a slightly different shape, due in part to both the Oscars’ abbreviated schedule (the ceremony airs on February 9th this year, far earlier than usual) and my new role of dad to a (nearly) ten-month old!

This year, in terms of breaking down numerous categories of Oscar nominees, I will be examining the four acting categories, as well as the Best Picture category. Per usual, I will also reveal the list of my 10 favorite films from 2019! Then on the day of the ceremony, I will include posts that show my entire ballot for every category this year in which I have seen each film/performance and a full ranking from top to bottom of every movie I viewed from 2019.

So let’s get started with my first post—an examination of the Best Supporting Actress category. The format for this post (and all of my other reviews of the acting categories) will be (1) a review of each nominee in alphabetical order; (2) a brief discussion of my other favorite performances of the year, including any “snubs”; and (3) a breakdown of who could, should, and will win the Oscar in this category.

The Nominees

Kathy Bates (Richard Jewell)Bates 2

Richard Jewell tells the story of the titular security guard who discovers a bomb at the 1996 Olympics in Atlanta, saves a crowd of people from its blast, and is transformed from overnight hero to villain by an unfair media smear. In the film, Kathy Bates plays Richard’s mother, Bobi Jewell. Most of Bates’s time on screen is in a background capacity, and it is not really until the very end of the film where she has her “Oscar moment.” In this scene—a press conference—Bobi pleads for the FBI to discontinue its investigation of her son as a suspect and passionately lambasts the media for its role in the debacle. Although this moment is meant to be the emotional hook of the film, the entire thing felt forced in an effort to perpetuate director Clint Eastwood’s political and societal message about the press. Don’t get me wrong, Bates nails the scene. But for me, this performance was the most expendable in this category and should have gone to a more deserving candidate this year.

Laura Dern (Marriage Story)Dern Gif

Marriage Story should really be called Divorce Story. The film is wonderfully made, which I would fully expect with Noah Baumbach at the wheel. But it definitely isn’t a happy movie. The subject matter is sad and depressing and illuminates a painful slice of life for its lead characters. Despite that, the acting in the movie is marvelous, including the supporting performance by Laura Dern, who plays Nora Fanshaw, the divorce attorney representing Nicole Barber (Scarlett Johansson) in her divorce from Charlie (Adam Driver). I’ve seen Dern’s character described as a “shark” and “intense,” as Nora is a ruthless advocate for her client. Nora wants to help Nicole value her worth at every turn—and she also wants to win at all costs. Baumbach’s movies are always funny in a very particular way, and here, Dern steals the comedic moments in every scene she’s in. Her highlight reel at the Academy Awards will likely be from her monologue on fathers in her initial consultation with Nicole, which is amazing throughout.

Scarlett Johansson (Jojo Rabbit)ScarJo JoJo Gif

Writer/director Taika Waititi’s film Jojo Rabbit is a satirical black comedy set during the height of World War II in Nazi Germany. The titular character is an aspiring member of the Hitler Youth who idolizes the ideological venom spewed by the Third Reich. (For God’s sake, his imaginary friend is Hitler himself, played hilariously by Waititi.) Although the film is meant to be funny, its subject matter and underlying message are absolutely serious and touching. And the moral core is Rosie Betzler, played by Scarlett Johansson. Rosie is Jojo’s mother, and her views about life differ significantly from her son’s. While Jojo believes all of the evil propaganda about Jewish people, Rosie is simultaneously hiding a young Jewish girl in their attic, shielding her from the Nazis. And although the film is definitely hilarious, Rosie is at the center of the film’s most emotionally affecting scene, which is absolutely heartbreaking. Johansson is a vision as Rosie, and it’s her keen ability to tap into her character’s most funny and tragic moments with ease that makes her the highlight of the movie.

Florence Pugh (Little Women)Pugh LW gif

This film is the latest in a long line of film adaptations of Louisa May Alcott’s critically acclaimed book Little Women. Florence Pugh plays the youngest sister Amy March, and she is magnificent. Pugh is one of my very favorite young actresses, and in Little Women, she brings a refreshing perspective to this famed character. Amy is a character with many emotional highs and lows throughout the film, and Pugh deftly navigates Amy’s complex nature. A couple of notable highlights for Pugh are her spirited conversation with Laurie (played by Timothée Chalamet) about the transactional nature of marriage and her vengeful spat with her sister Jo (played by Saoirse Ronan) wherein she burns Jo’s writings in a fit of rage and jealousy. Pugh has been building to this acclaim for a few years now (she burst onto the scene with a clever performance in Lady Macbeth and hauntingly dazzled this year in Midsommar), and I am more than pleased to see her finally receive this kind of adulation.

Margot Robbie (Bombshell)Robbie gif

Bombshell tells the story of Fox News and the sexual harassment controversy surrounding its former CEO Roger Ailes. As much as I wanted to love this movie, I just didn’t. The makeup work is phenomenal and the acting performances are great. But for me, the entire thing failed to hit any depth with respect to its examination of a very worthy storyline. The movie felt more sensationalist than anything, which was a drag, because when I first saw the trailer, I really thought Bombshell was going to be an instant classic. Despite this general feeling about the movie, Margot Robbie is wonderful as the fictional Kayla Pospisil, an aspiring young employee starting a new career at Fox News. Charlize Theron, Nicole Kidman, and others are certainly talented in their keen imitation of real-life characters, but Robbie’s fictional character is the point through which the audience connects to this story. Robbie has carved out a place for herself among the heavyweight actresses of our time with amazing performances in The Wolf of Wall Street and I, Tonya, but I am just as impressed with her ability to make the audience feel emotionally connected in an impactful way to the gravity of the storyline in this otherwise very disjointed film.

Snubs and Other PerformancesLopez gif

In addition to this year’s nominees, there were a handful of other noteworthy performances this year that easily could have been in contention for the Oscar. First, film newcomer Da’Vine Joy Randolph (who was previously nominated for a Tony Award for her Broadway role in Ghost the Musical) was a hilarious presence as Lady Reed in Dolemite Is My Name. Second, Jennifer Lopez was truly spectacular as Ramona in Hustlers. When Oscar nominations first dropped, the Twitterverse was quite upset at Lopez’s failure to garner a nomination in this category. I tweeted that I could not yet weigh in on that debate because I had not yet seen Hustlers. However, now that I have, I completely understand people feeling miffed by her “snub,” as Lopez was at her best since Selena. It was a wonderful film, which thrived upon Lopez’s standout performance. Additionally, numerous performers from Parasite were worthy of Oscar praise, especially Cho Yeo-jeong and Park So-dam.

zhao gifHowever, for me, I think the biggest snub in this category was Zhao Shuzhen for her divine performance as Nai Nai in Lulu Wang’s breakout film The Farewell. This was one of my favorite movies from all of 2019, and it flourishes due to the superlative performances of both Awkwafina (I’ll get to her later this week as the biggest snub in the Leading Actress category) and Zhao. In the film, Nai Nai is diagnosed with terminal lung cancer, but she has no idea, as her family decides to keep the news from her. The film is a touching examination of family and culture, and Zhao’s funny, but emotionally tender, performance deserved an Oscar nomination.

Conclusion

Who Could Win: Margot Robbie

Although she is still very much an underdog in this category, Robbie is getting the best odds (+1000) of any of the category’s other underdogs to pull off an upset.

Who Should Win: Scarlett Johansson

Although nearly all of the Academy Awards hype for Scarlett Johansson is for her performance in Marriage Story, I am partial to her role as Rosie in Jojo Rabbit. Even though the movie is comedic in its satirical mocking of the Nazis, it very much has a more serious, dramatic core. Johansson’s Rosie represents the moral ground upon which the film’s unflinching message is securely fastened.

Who Will Win: Laura Dern

With her third Oscar nomination, Laura Dern will finally be taking home her first Academy Award. With a clean sweep of the year’s major award shows in this category (i.e., the BAFTAs, SAG Awards, Critics’ Choice Awards, and Golden Globes), Dern is getting an astounding -2500 odds to win the Oscar. With odds like that and in light of the hardware she’s already taken home this season, I fully expect the result here to be a foregone conclusion.

91st Academy Awards: My Ballot and Complete Ranking of 2018’s Year of Film

Well, another Oscar season of blogging about my thoughts on the previous year in film is coming to a close, and per usual, it has been a gratifying experience to share my reviews of 2018’s most remarkable films and performances with all of you. In advance of tonight’s 91st Academy Awards, I have posted this recap. Below you will find my Top 10 Films of 2018, my personal ballot for all categories in which I have seen each film/performance, and a complete ranking of every film I saw from 2018.

With that said, check out my recap and then make sure to tune into the 91st Academy Awards tonight at 7:00 p.m. (CST) on ABC, live from the Dolby Theatre in Hollywood, CA. Enjoy, film fans.

Top 10 Films of 2018

1. The Favourite
2. Spider-Man: Into the Spider-Verse
3. The Death of Stalin
4. A Star Is Born
5. Blindspotting
6. Thoroughbreds
7. Upgrade
8. American Animals
9. A Quiet Place
10. Black Panther

91st Academy Awards Ballot

Best Picture

  1. The Favourite
  2. A Star Is Born
  3. Black Panther
  4. Roma
  5. BlacKkKlansman
  6. Vice
  7. Green Book
  8. Bohemian Rhapsody

Best Actress

  1. Olivia Colman – The Favourite
  2. Glenn Close – The Wife
  3. Lady Gaga – A Star Is Born
  4. Yalitza Aparicio – Roma
  5. Melissa McCarthy – Can You Ever Forgive Me?

Best Actor

  1. Rami Malek – Bohemian Rhapsody
  2. Bradley Cooper – A Star Is Born
  3. Christian Bale – Vice
  4. Willem Dafoe – At Eternity’s Gate
  5. Viggo Mortensen – Green Book

Best Supporting Actress

  1. Emma Stone – The Favourite
  2. Rachel Weisz – The Favourite
  3. Regina King – If Beale Street Could Talk
  4. Marina de Tavira – Roma
  5. Amy Adams – Vice

Best Supporting Actor

  1. Mahershala Ali – Green Book
  2. Richard E. Grant – Can You Ever Forgive Me?
  3. Sam Elliott – A Star Is Born
  4. Sam Rockwell – Vice
  5. Adam Driver – BlacKkKlansman

Best Original Screenplay

  1. The Favourite – Deborah Davis and Tony McNamara
  2. Vice – Adam McKay
  3. First Reformed – Paul Schrader
  4. Roma – Alfonso Cuarón
  5. Green Book – Nick Vallelonga, Brian Currie, and Peter Farrelly

Best Adapted Screenplay

  1. A Star Is Born – Eric Roth, Bradley Cooper, and Will Fetters
  2. BlacKkKlansman – Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
  3. The Ballad of Buster Scruggs – Joel Coen & Ethan Coen
  4. Can You Ever Forgive Me? – Nicole Holofcener and Jeff Whitty
  5. If Beale Street Could Talk – Barry Jenkins

Best Original Score

  1. Black Panther – Ludwig Göransson
  2. Mary Poppins Returns – Marc Shaiman
  3. If Beale Street Could Talk – Nicholas Britell
  4. BlacKkKlansman – Terence Blanchard
  5. Isle of Dogs – Alexandre Desplat

Best Original Song

  1. “Shallow” from A Star Is Born – Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andew Wyatt
  2. “All the Stars” from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth, and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith, and Solana Rowe
  3. “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs –Music and Lyrics by David Rawlings and Gillian Welch
  4. “The Place Where Lost Things Go” from Mary Poppins Returns –Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman
  5. “I’ll Fight” from RBG – Music and Lyrics by Diane Warren

Best Sound Editing

  1. A Quiet Place – Ethan Van der Ryn and Erik Aadahl
  2. Roma – Sergio Díaz and Skip Lievsay
  3. First Man – Ai-Ling Lee and Mildred Iatrou Morgan
  4. Bohemian Rhapsody – John Warhurst and Nina Hartstone
  5. Black Panther – Benjamin A. Burtt and Steve Boeddeker

Best Sound Mixing

  1. Roma – Skip Lievsay, Craig Henighan, and José Antonio Garcia
  2. First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee, and Mary H. Ellis
  3. A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder, and Steve A. Morrow
  4. Bohemian Rhapsody – Paul Massey, Tim Cavagin, and John Casali
  5. Black Panther – Steve Boeddeker, Brandon Proctor, and Peter J. Devlin

Best Production Design

  1. The Favourite – Fiona Crombie (Production Design) and Alice Felton (Set Decoration)
  2. Black Panther – Hannah Beachler (Production Design) and Jay Hart (Set Decoration)
  3. Mary Poppins Returns – John Myhre (Production Design) and Gordon Sim (Set Decoration)
  4. Roma – Eugenio Caballero (Production Design) and Bárbara Enríquez (Set Decoration)
  5. First Man – Nathan Crowley (Production Design) and Kathy Lucas (Set Decoration)

Best Film Editing

  1. The Favourite – Yorgos Mavropsaridis
  2. Vice – Hank Corwin
  3. Bohemian Rhapsody – John Ottman
  4. BlacKkKlansman – Barry Alexander Brown
  5. Green Book – Patrick J. Don Vito

Complete Ranking of Films Seen from 2018

1 The Favourite
2 Spider-Man: Into the Spider-Verse
3 The Death of Stalin
4 A Star Is Born
5 Blindspotting
6 Thoroughbreds
7 Upgrade
8 American Animals
9 A Quiet Place
10 Black Panther
11 Sorry to Bother You
12 Roma
13 Isle of Dogs
14 Minding the Gap
15 Crazy Rich Asians
16 Annihilation
17 BlacKkKlansman
18 Beautiful Boy
19 Eighth Grade
20 The Wife
21 Vice
22 Won’t You Be My Neighbor?
23 First Man
24 RBG
25 Green Book
26 Monsters and Men
27 Can You Ever Forgive Me?
28 Mary Poppins Returns
29 Bohemian Rhapsody
30 The Ballad of Buster Scruggs
31 First Reformed
32 To All the Boys I’ve Loved Before
33 You Were Never Really Here
34 Hereditary
35 Bad Times at the El Royale
36 Bird Box
37 Outlaw King
38 Creed II
39 Hold the Dark
40 If Beale Street Could Talk
41 Game Night
42 Red Sparrow
43 Unsane
44 Woman Walks Ahead
45 Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders
46 A Shot in the Dark
47 Dumplin’
48 22 July
49 Paterno
50 Disobedience
51 Come Sunday
52 At Eternity’s Gate
53 On Chesil Beach
54 John McEnroe: In the Realm of Perfection
55 Blockers
56 Game Over, Man!
57 Fifty Shades Freed

Best Actress in a Leading Role (2018)

The following is my Oscars ballot for this category, Best Actress in a Leading Role:

WINNER: Olivia Colman (The Favourite)

fave

The Favourite is a film set in England in the early 18th century that follows the struggle between Sarah Churchill, Duchess of Marlborough (Rachel Weisz) and Abigail Masham (Emma Stone) as they jockey for the attention and adoration of Queen Anne (Olivia Colman). I previously mentioned in my Best Supporting Actress post that The Favourite is an amazing film that thrives in totality due to the award-worthy performances by each of its three central actresses – Colman, Weisz, and Stone – and Colman likely has the best chance of the three to upset the frontrunner in their respective Oscar categories. Colman bested Glenn Close for the BAFTA, and she has also won awards for Best Actress in a Comedy at both the Golden Globes and Screen Actors Guild Awards (although Close has won the same award in the Dramatic category at both of those latter two award shows). In The Favourite, the character of Queen Anne is both tragic and hilarious at the same time – her health is in a very volatile state, she flips back and forth between needy and irritable, and she maintains 17 pet rabbits that sorrowfully represent each of her unsuccessful pregnancies. Despite the challenge of such an unstable character, Colman executes the performance masterfully. She nails the portrayal of Queen Anne’s surreal outlandishness and sublimely commands her position as the object of both Sarah’s and Abigail’s affection. Olivia Colman delivered one of my favorite acting performances of the entire year, and I am cautiously hopeful that she can eke out a surprise Oscar win this Sunday.

2. Glenn Close (The Wife)

wifeIn The Wife, Glenn Close plays Joan Castleman, the wife of a famous novelist, Joseph Castleman (Jonathan Pryce). The film begins with the news that Joseph’s prominent writing career has earned him the Nobel Prize in Literature, and the Castlemans get the distinct honor of traveling to Sweden for the ceremony. By all accounts, Joan appears to have long ago given up her own writing career to play the role of dutiful wife, a position in the marriage that is patently secondary to that of her husband. However, as the film progresses, it becomes abundantly clear that the power in this relationship (and the true nature of Joseph’s acclaimed career) may not be all that meets the eye. The 71-year-old Close has led a long and illustrious acting career, but her performance as Joan may just be one of her very greatest. At the start of the film, Joan’s nature seems very meek and straightforward, but it is only as the story continues to slowly unfold that we discover that she really wields an immense amount of significance in the overall success of Joseph’s writing career. Close’s portrayal of Joan is poised and dexterous, and Close carefully progresses toward the unveiling of Joan’s emotional tipping point with an unbelievably striking subtlety that is award-worthy in and of itself. Prior to this nomination, Close had been nominated six times for acting Oscars with a whopping zero wins. However, that is all (most likely) about to change – Close is the clear frontrunner for the Academy Award and has already locked in key wins at the Screen Actors Guild Awards, Critics’ Choice Movie Awards, and the Golden Globes. Although I loved Colman’s performance better, it will not make me upset at all to see Close finally take home the Oscar gold this Sunday.

3. Lady Gaga (A Star Is Born)

10

In A Star Is Born, Lady Gaga portrays Ally, an aspiring singer/songwriter whose dreams of making it big in the industry start to bloom after she meets and falls in love with Jackson Maine (Bradley Cooper), a famous country musician. Ever since she broke onto the music scene in 2008 with back-to-back chart-topping singles “Just Dance” and “Poker Face,” Lady Gaga (born Stefani Joanne Angelina Germanotta) has evolved into one of the biggest and most recognizable pop stars on the planet. Recently, she started expanding her career into acting (I have heard she is very solid in American Horror Story), which never seemed like much of a stretch to me because the essence of Gaga’s strength as a musician is her proficiency as a performer. And in A Star Is Born, she has seamlessly transitioned into one of the most impressive up-and-coming actors in all of cinema – this was definitely a career-altering role. Ally is a character with a lot of vulnerabilities who, over the course of the film, achieves a greater sense of confidence in herself, and Gaga effortlessly portrays Ally’s emotional complexities to perfection. If it were not for Olivia Colman and Glenn Close delivering two career-defining performances, Gaga might have seen herself taking home the Oscar.

4. Yalitza Aparicio (Roma)

Roma

Set in the early 1970s in the Colonia Roma district of Mexico City, Roma stars Yalitza Aparicio as Cleodegaria “Cleo” Gutiérrez, a domestic worker who lives with and works for a prominent family. Aparicio’s journey to the Oscars is unbelievable – prior to auditioning for the role of Cleo, she had planned to become a preschool teacher in Mexico. In fact, before Roma, Aparicio had never acted professionally in her life. (This harkens back memories of Barkhad Abdi, who, for his debut film role in Captain Phillips, earned a BAFTA win and an Oscar nomination for Best Supporting Actor.) The fact that Aparicio was not previously an actress makes her performance in Roma that much more outstanding and noteworthy. Throughout the film, Cleo experiences a variety of events that lead to a broad range of emotions and feelings – she oscillates between happiness, sadness, loss, helplessness, and hopefulness. Aparicio’s nuanced performance was incredibly authentic and beautiful.

5. Melissa McCarthy (Can You Ever Forgive Me?)

Can You

Can You Ever Forgive Me? is a biopic starring Melissa McCarthy as the real-life, down-on-her-luck biographer Lee Israel, and it follows her attempt to revitalize her writing career by forging letters by famous celebrities and selling them for vast amounts of money. Off the top of my head, I am not confident I can think of a single time I have watched Melissa McCarthy in a sincerely dramatic role – obviously her bread and butter has always been comedies. However, if this film is any indication, McCarthy should really consider taking on more serious roles – she is absolutely spectacular here. Lee Israel is depicted as a callously cynical and insufferable woman, and McCarthy perfectly portrays these characteristics with the clever wit that she has lent to previous comedic performances. But in Israel’s darkest moments (such as when she discovers that her cat has died or as the walls come crashing down around her fraudulent scheme), McCarthy shines on an emotionally empathetic level. This was a really enjoyable film, and it was great to see McCarthy stake her claim in a new genre.

 

Best Actor in a Leading Role (2018)

The following is my Oscars ballot for this category, Best Actor in a Leading Role:

WINNER: Rami Malek (Bohemian Rhapsody)

malek

In Bohemian Rhapsody, a biopic about Queen, Rami Malek plays lead singer Freddie Mercury. Like with the Green Book, the controversy surrounding Bohemian Rhapsody is well known and has dominated the headlines for months. However, just like with my pick of Mahershala Ali for Best Supporting Actor in Green Book, the controversy simply cannot take away from the absolutely dazzling acting performance provided by Rami Malek as the notorious singer/songwriter. I always had other issues with the film as a whole outside of just the controversial director, namely the neutering of the true story, which I, like a lot of film fans, felt prevented a more-than-surface-level exploration of Mercury. However, in the end, none of this matters a whole lot, as Malek came to the rescue and saved the day. With every wild outfit worn and with every sexual strut on stage, Malek completely embodied Freddie Mercury’s passion and soul for his music, as well as his ostentatious personality. Malek delivered the performance of a lifetime in Bohemian Rhapsody, and not only is he my personal pick for Best Actor, I wholeheartedly expect him to take home the Oscar this Sunday, following vital victories at the Golden Globes, Screen Actors Guild Awards, and BAFTAs.

2. Bradley Cooper (A Star Is Born)

Cooper

In his self-directed film A Star Is Born, Bradley Cooper portrays Jackson Maine, a prominent country musician who discovers and falls in love with a young, aspiring singer named Ally. As I mentioned in my full review of the film, Cooper is tremendous behind the camera in his directorial debut (which he also co-wrote), but he is just as incredible in front of it, turning in one of the best acting performances of his career (second only to his role in Silver Linings Playbook). Jackson Maine is a deeply complex character, struggling in ongoing battles with pills, alcohol, and personal demons galore. Despite the invigoration that Ally brings to his life in terms of love and music, Jackson never can quite defeat those underlying issues, resorting to self-sabotage at every turn. Cooper’s portrayal is haunting and emotionally packed – he brings the heartbreak on screen to life in such an affecting manner. Cooper definitely gave an unforgettable performance.

3. Christian Bale (Vice)

Vice

In Vice, Christian Bale portrays the titular character, former Vice President Dick Cheney. The film tells the story of Cheney’s rise from White House intern during the Nixon years to White House Chief of Staff for President Ford and eventually from CEO of Halliburton to the most powerful second-in-command in United States history. Despite some great supporting performances by Amy Adams and Sam Rockwell, all of the buzz has generally centered around Bale’s leading role – and rightfully so. Bale has a much-admired penchant for roles requiring immense transformations (see e.g., The Machinist, The Fighter, and American Hustle), and with the help of a 40-pound weight gain, Bale’s demeanor physically embodies Cheney superbly. However, in my opinion, here the true transformation into Cheney was more due to some amazing makeup work (a category in which the film was deservedly nominated). Bale’s voice tone and mannerisms definitely exemplified the Vice President (and Bale obviously acted his ass off, as he always does), but it was still difficult to separate Bale from the character, something with which I usually don’t struggle – that is the main reason I don’t personally have Bale competing for the Oscar in this category, although I admit he is one of the actual frontrunners to take home the award this Sunday.

4. Willem Dafoe (At Eternity’s Gate)

Van Gogh

In Julian Schnabel’s At Eternity’s Gate, Willem Dafoe portrays the real-life painter Vincent van Gogh during the final years of his life in France. I genuinely didn’t enjoy this film (which sucks, because I really was looking forward to it), as Schnabel’s filmmaking techniques ended up being – although interesting – messy and distracting. However, I can definitely say that if there is any bright spot whatsoever, it is Dafoe’s performance. Depicting those last few years of van Gogh’s life, the movie focuses on the severe mental illness that the Dutch painter suffered from, highlighting his time in Arles, his stint in a mental hospital in Saint-Rémy-de-Provence, and his final months in Auvers-sur-Oise. Dafoe brilliantly portrayed van Gogh’s severely impaired mental state, offering up a truly emotional and empathy-evoking performance. For all the film’s flaws, Dafoe’s performance was unwavering – he definitely earned this Oscar nomination.

5. Viggo Mortensen (Green Book)

Green

In the film Green Book, Viggo Mortensen portrays the real-life Tony “Lip” Vallelonga, an Italian-American bouncer from New York who takes a job as a driver for Don Shirley (the real-life African-American jazz pianist) during Shirley’s 1962 concert tour through the Deep South. I previously discussed the controversy surrounding the film in the post about my ballot for Best Supporting Actor, so I won’t rehash that here. But as good as Mahershala Ali is as Don Shirley (regardless of the potential issues with the film’s story), Mortensen just seemed average for me. He is obviously a very talented actor (this is his third nomination for Best Actor), and in the film, he is very convincing in his physical depiction of Tony Lip – he even put on 40–50 pounds for the role. However, as compelling as the real-life Tony Lip may have been, I simply found his character in the film to be lacking a whole lot of depth (which was surprising, considering his own son, Nick Vallelonga, co-wrote the screenplay) – the character is too two-dimensional, simply living from worn-out trope to worn-out trope. Mortensen was good, but this spot in the nominations definitely should have gone to Ethan Hawke for First Reformed.

Best Actress in a Supporting Role (2018)

The following is my Oscars ballot for this category, Best Actress in a Supporting Role:

WINNER: Emma Stone (The Favourite)

Emma 2

The Favourite is a film, set in England in the early 18th century, that follows the struggle between Sarah Churchill, Duchess of Marlborough (Rachel Weisz) and Abigail Masham (Emma Stone) as they jockey for the attention and adoration of Queen Anne (Olivia Colman). Spoiler alert: You are going to hear a lot from me about The Favourite over the next couple of weeks in the lead-up to the Oscars – it was truly a pitch-perfect movie. And for all of director Yorgos Lanthimos’s stylistic vision and Deborah Davis’s and Tony McNamara’s snappy script, what makes this film truly sing is its three-headed monster of a cast – Olivia Colman, Emma Stone, and Rachel Weisz. Both Stone and Weisz received nominations for Best Supporting Actress (beyond deservedly so), and their performances were my two favorite on the year – Stone breaks the tie in my mind, which is why she’s pegged as my pick in this category (although I would be perfectly okay with either actress taking home the gold). While Weisz’s Sarah is the established figure in Queen Anne’s inner circle, Abigail is the newcomer – Stone was born to embody this role within the film’s dynamic, as she adeptly navigates the precise contrast between Abigail’s simultaneous innocence and cunningness. Stone has always thrived with comedic material, and in The Favourite, that experience is too obvious to ignore – she is simply at her very best!

2. Rachel Weisz (The Favourite)

WeiszAs mentioned above, if Rachel Weisz finds herself giving an acceptance speech for Best Supporting Actress on Oscars night, I will not be displeased in the least – her performance as Sarah Churchill in The Favourite is just as flawless as Stone’s. While Stone’s Abigail is the rookie in the castle, Weisz’s Sarah is Queen Anne’s recognized confidante and advisor, as well as her trusted lover. When Abigail comes along and tries to steal Sarah’s cushy position right out from under her, Sarah resorts to psychological mind games out of uncompromising devotion to Queen Anne in an effort to retake her number-one spot (*Ludacris voice*) from Abigail. These characteristics are vastly different than Abigail’s, and Weisz (a seasoned actress with prior experience mastering the art of Yorgos Lanthimos’s idiosyncratic vision – i.e., The Lobster) is the perfect person to take on the challenge. Weisz emotes steeliness in a manner that sends chills up your spine, and her ability to effectively portray Sarah’s undying commitment to Queen Anne with shrewd resolve highlights a performance to be remembered.

3. Regina King (If Beale Street Could Talk)

KingSet in Harlem in the 1970s, If Beale Street Could Talk tells the complicated love story of its two African-American leads, Clementine “Tish” Rivers (KiKi Layne) and Alonzo “Fonny” Hunt (Stephan James), as Tish (newly pregnant) and her family fight to prove Fonny’s innocence after he is arrested and wrongfully charged with sexual assault. I had very high hopes for this movie, but Barry Jenkins’s follow-up to Moonlight did not quite hit the mark for me. Notwithstanding that fact, it is undeniable that Beale Street was chock-full of supreme acting performances – Layne and James were splendid as the two protagonist lovers, Teyonah Parris is stunning as Tish’s sister Ernestine, and Brian Tyree Henry is brilliant in his limited screen time as Fonny’s friend Danny. However, it is patently obvious that King steals the show as Tish’s mother Sharon. In a career that spans nearly 30 years (commencing with a staggering performance in 1991’s Boyz n the Hood), King has made her mark as one of the better actresses in Hollywood, and in this film, she accomplishes her greatest feat. Sharon is supportive of her daughter’s pregnancy and relationship with Fonny, but as that relationship is progressively threatened by Fonny’s arrest, King’s Sharon masters her position as a mother fighting for her family. In the scene where Sharon travels to Puerto Rico to question Fonny’s accuser, King’s acting prowess is on full display. She is determined, yet apprehensive, throughout the scene, desperate to prove Fonny’s innocence, but as the confrontation unravels, King captures the heartbreaking emotion of the scene with great ease and undeniable resonance.

4. Marina de Tavira (Roma)

TaviraIn Roma, a film set in the early 1970s in the Colonia Roma district of Mexico City that follows Cleodegaria “Cleo” Gutiérrez (Yalitza Aparicio), a live-in domestic worker, Marina de Tavira plays Sofía, the mother of the family that employs Cleo. Early in the film, the patriarch of the family, Antonio (Fernando Grediaga) leaves the family as his marriage to Sofía crumbles. Throughout the remainder of the film, she struggles to keep it together as she battles her heartbreak and loneliness (including a powerful scene where she gets angry with her kids as she desperately instructs them to write letters to their father about how much they love him and miss him). Although Alfonso Cuarón’s Roma is most definitely a film about Cleo, Sofía’s character arc marvelously adds to the substance of Cleo’s journey, epitomized by this quote from Sofía to Cleo: “No matter what they tell you—women, we are always alone.” Marina de Tavira handles this delicate role – one that requires a wide range of emotions, from pure bliss to unbridled misery – with dexterity and immense vulnerability. She is definitely a major part of the reason Roma is such a great film.

5. Amy Adams (Vice)

AdamsIn Adam McKay’s film Vice, Amy Adams plays the role of former First Lady Lynne Cheney, the wife of the lead character, former Vice President Dick Cheney. As I have waxed about on this blog many times before, Amy Adams is one of my very favorite actresses in the industry, and I am not confident I have ever seen a performance by her that wasn’t laced with quality of the highest order – in Vice, that adage rings true once more. The film is clearly about Bale’s Dick Cheney, but Lynne plays a crucial role just beneath the surface. When Dick gets kicked out of Yale and begins to lead a drunken life as a lineman, it is Lynne that gives him an ultimatum that then shapes the remainder of his career. And after one of Dick’s heart attacks, it is Lynne that hits the campaign trail in an effort to secure Dick the U.S. House of Representatives seat for Wyoming. Lynne is ambitious in her own right, and Adams portrays that unmerciful desire masterfully. Bale turns in the most transformative performance in the film, but Adams also plays an important part in keeping the Vice boat afloat at all times.

Best Actor in a Supporting Role (2018)

The following is my Oscars ballot for this category, Best Actor in a Supporting Role:

WINNER: Mahershala Ali (Green Book)

AliIn the film Green Book, Mahershala Ali portrays Don Shirley, the real-life African-American jazz pianist. The film follows Shirley on his 1962 concert tour through the Deep South, escorted by his Italian-American driver, Tony “Lip” Vallelonga. In light of the Jim Crow era setting, both men are thrust into a variety of racist issues throughout the tour, and the film tells the story of their personal journey and growth as they learn about life from each other. I enjoyed Green Book, but as many of you might know, it has been marred by controversy since its release – the debate revolves around Shirley’s family’s objections to the film and its screenplay, which was co-written by Tony Lip’s real-life son Nick Vallelonga. Despite the family’s issues with the depiction of Shirley and his relationship with Tony Lip, Ali admitted that in his performance, he did his best to honor the legacy of Shirley based on the information he had – and for me, that performance was impeccable. Although this controversy has dominated the headlines, it is nonetheless impossible to ignore the remarkable acting work of Ali – his mannerisms are nuanced, his emotions shrewdly portrayed, and his ability to impressively master Shirley’s fears and insecurities in light of the overt racism plaguing the nation in the early 1960s was unimpeachable. Mahershala Ali has evolved in the past few years into one of the most talented actors in the business, and if I had it my way, he’d walk away on Oscar night with his second Academy Award for Best Supporting Actor in the past three years.

2. Richard E. Grant (Can You Ever Forgive Me?)

Richard-E-Can-You-1In Can You Ever Forgive Me?, a film about the real-life biographer Lee Israel and her attempt to invigorate her writing career by forging letters by famous celebrities and selling them for large amounts of money, Richard E. Grant plays the role of Jack Hock, a recent acquaintance of Israel who joins her in the exploitation of the fraudulent letters. In this film, Melissa McCarthy churned out probably the best dramatic acting performance of her career, but for me, Grant’s Hock stole the show. Despite not having a permanent home and appearing rather drifter-like, Jack Hock is flamboyantly lavish in his tastes and is as witty and charming as a character can be, making the film much more fun and entertaining. Mark Kermode, a film critic for The Guardian, summed up Hock brilliantly: “Jack seems to be in permanent performance mode, hiding his own insecurities behind a mask of bravado and bonhomie.” Despite being a recognizable face in the industry since his career-defining performance in his 1987 film debut Withnail and I, Grant has only ever been nominated for acting awards on a few occasions (and those were many years ago) – for his cleverly beautiful performance as Jack Hock, Richard E. Grant has justifiably reversed that history.

3. Sam Elliott (A Star Is Born)

rev-1-ASIB-06247_High_Res_JPEGIn A Star Is Born, Sam Elliott plays Bobby Maine, the manager for and older half-brother of singer Jackson Maine (Bradley Cooper). To put it simply – Sam Elliott was phenomenal during his limited on-screen time in A Star Is Born. Although Bobby Maine is the personification of a “supporting” character, Elliott – a legend in the industry – deftly executed every second of his performance. Two scenes stick out the most for me that made Elliott’s portrayal of Jackson’s brother so incredibly memorable – (1) the argument between Jackson and Bobby over their father’s land, and (2) the moment Bobby pulls out of Jackson’s driveway after dropping him off towards the end of the film. In that latter scene in particular, the passion Elliott put into portraying Bobby’s flash of emotion as he backs out of Jackson’s driveway is worth the price of admission. With a film career that has spanned over five decades, it is awesome and well-deserved to see Elliott celebrating his very first Oscar nomination.

4. Sam Rockwell (Vice)

RockwellThe setup for Sam Rockwell’s portrayal in Vice is simple – he portrays George W. Bush, the 43rd President of the United States. All the acting buzz surrounding Vice centers predominantly on Christian Bale in the lead role of Vice President Dick Cheney. But for me, one of the most underrated aspects of the movie was Rockwell’s performance. With some fantastic work from the makeup department, Rockwell did look quite a bit like Bush, way more than Josh Brolin did in Oliver Stone’s 2008 biopic W. However, what is truly more impressive about his portrayal (which also bests that of Brolin’s) is Rockwell’s seamless embodiment of Bush in terms of accent, mannerisms, and speech pattern. Rockwell nailed Bush’s trademark Texas twang, and his first-rate acting abilities (which garnered him an Oscar win last year in this category for Three Billboards outside Ebbing, Missouri) made this performance one to remember.

5. Adam Driver (BlacKkKlansman)

DriverIn Spike Lee’s BlacKkKlansman, Adam Driver portrays Det. Philip “Flip” Zimmerman, the Jewish partner of John David Washington’s lead character, Det. Ron Stallworth. As Stallworth, an African-American officer, slowly starts to infiltrate the local chapter of the Ku Klux Klan via telephone (posing as a white man), Zimmerman is tasked with being Stallworth’s physical stand-in for in-person meetings with the KKK – as famed film critic Richard Roeper of the Chicago Sun Times described it, “We’ve got a white cop impersonating a black cop impersonating a white supremacist.” Although BlacKkKlansman didn’t make it onto the list of my favorite movies from 2018, it still was an enjoyable experience with some superb acting, particularly by Washington. In terms of Driver, though, I found his performance to be simply “good” and “serviceable” – nothing extraordinary in my estimation. Truthfully, I thought his nomination should have gone to the likes of Timothée Chalamet (Beautiful Boy), Michael B. Jordan (Black Panther), or Nicholas Hoult (The Favourite) instead.

The Return of My Annual “Countdown to the Oscars” and Best Original Song and Score

Dolby TheatreLast year, after five consecutive Academy Awards seasons of active blogging here on The Reel Countdown, I was unable to devote any time at all to posting about the year in movies due to a very busy work schedule – in fact, my only post during the run-up to the Oscars last year was simply sharing my ballot and providing a ranked list of all the movies I had watched from 2017. However, I am thrilled to say that my annual “Countdown to the Oscars” is back (is this where I say “and better than ever”?), and I am looking forward to sharing my thoughts with you on the best in film from 2018 over the course of the next three weeks as we approach the 91st Academy Awards ceremony, which is set to take place on Sunday, February 24, 2019, at the Dolby Theatre in Hollywood, California.

Since it has been a couple of years since I’ve blogged through an Oscars season, here’s a recap on the structure of posts you can expect to see on The Reel Countdown: (1) my “Top 10 Films of the Year” (including an “Honorable Mentions” post within the next couple of days, which will break down the five films that just missed out on cracking my list this year), (2) my own personal Oscars ballot (i.e., not a prediction of who will win but rather how I would vote if I had one) for some of the year’s major categories, based on this year’s nominees, and (3) a recap of the 91st Academy Awards ceremony, which will highlight the most noteworthy moments from the broadcast.

I am kicking off this year’s edition of The Reel Countdown with my ballot for the two musical categories at the Oscars – Song and Score!

My ballot for Best Original Song is as follows:

WINNER: “Shallow” from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andew Wyatt

rev-1-asib-trl-9090r_high_res_jpeg-1-_wide-3afaaddfb18a9a5732dbd6843e417c693a5949fb-s800-c85In my opinion, no original song better embodied the spirit of its film’s story arc this year than “Shallow,” a beautiful ballad performed as a duet in the film by Jackson Maine (played by Bradley Cooper) and Ally (played by Lady Gaga). The lyrics and musical composition are clearly stunning, but it is the chemistry of the film’s lead characters and their undeniable harmony on the song that truly make “Shallow” one of the film’s greatest assets. Needless to say, I was very excited to see the video pop up online this week of Lady Gaga bringing Bradley Cooper on stage at a Vegas concert to perform the song with her. I cannot wait to see these two light up the stage again on Oscars night – sign me up for any chance to see Gaga belt out her now-iconic “haaa-ah-ah-ah, haaawaah, ha-ah-ah-aaah” line!

2. “All the Stars” from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth, and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith, and Solana Rowe

3. “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

4. “The Place Where Lost Things Go” from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman

5. “I’ll Fight” from RBG – Music and Lyrics by Diane Warren

 

My ballot for Best Original Score is as follows:

WINNER: Black Panther – Ludwig Göransson

Ludwig+Goransson+Los+Angeles+World+Premiere+pQZWs79_UlAlBlack Panther is obviously one of the best superhero movies of all time – the acting is superb, the story is unique and fresh, and writer/director Ryan Coogler’s vision is magnificent. But for me, the glue that held all of Black Panther‘s many incredible pieces together was Ludwig Göransson’s thrilling musical score. Göransson’s composition offers brilliance in all of the classical aspects of film scoring, but what sets Black Panther apart is his masterful incorporation of traditional African instrumentation and booming sounds influenced by today’s hip-hop (the latter of which comes as no surprise, considering Göransson is a frequent collaborator of rap’s inimitable Childish Gambino). The Black Panther score is truly magical!

2. Mary Poppins Returns – Marc Shaiman

3. If Beale Street Could Talk – Nicholas Britell

4. BlacKkKlansman – Terence Blanchard

5. Isle of Dogs – Alexandre Desplat