Top 10 Films of 2019

With only a single day left to go before the Academy Awards ceremony (which marks the official close of awards season for the previous year’s movies), the time is ripe to reveal my Top 10 Films of 2019. Enjoy!

My Top 10 Films of 2019

No. 10 – Ready or NotReady or not gif

Ready or Not is a comedic horror film directed by Matt Bettinelli-Olpin and Tyler Gillett, with a script from Guy Busick and R. Christopher Murphy. The film focuses on Grace (Samara Weaving) as she marries Alex (Mark O’Brien), a member of the wealthy Le Domas family who made its fortune in the board game business. On their wedding night, Grace must take part in a Le Domas family ritual: To welcome her to the family, everyone gathers around a table and lets a mysterious antique box choose a game for the family to play. The box chooses the one game Alex did not want to play—hide and seek. Grace thinks nothing of it, but soon she realizes that “hide and seek” is an affair akin to The Most Dangerous Game, wherein the Le Domas family must find Grace and kill her before sunrise or perish themselves. Aside from Once Upon a Time in Hollywood, this was by far the most fun I had watching any movie this year. The premise is unique and its execution is excellent, packed with plenty of jump scares, smart laughs, and amusing gore. The film deftly blends comedy, drama, horror, and satire, and its frenetic pace and high energy make for one of 2019’s most underrated film experiences. (Not to mention, Samara Weaving is sensational as the film’s breakout star.) Streaming available for purchase or rent on most major platforms. Trailer: https://www.youtube.com/watch?v=ZtYTwUxhAoI.

No. 9 – The IrishmanIrish gif

Martin Scorsese’s The Irishman, an epic 209-minute film, tells the story of Frank “The Irishman” Sheeran (Robert De Niro), who became a hitman for the Bufalino crime family (led by crime boss Russell Bufalino, played by Joe Pesci) and a close associate of Jimmy Hoffa (Pacino), the leader of the Teamsters. Martin Scorsese may not have invented the mob movie, but he’s sure responsible for perfecting it. (The gold standard for the genre is his 1990 film Goodfellas.) Part of Scorsese’s mob success is the effortless connection between him and his frequent collaborators, including Robert De Niro, Joe Pesci, and Harvey Keitel. All three actors return for The Irishman (De Niro and Pesci in central roles, Keitel in more of a cameo appearance), which serves as a wonderful final chapter in Scorsese’s storied saga of mob crime films with these actors. With respect to acting, it is one of The Irishman’s central strengths, which makes sense in light of the fact that its principal performers are three Oscar-winning legends: De Niro, Pesci, and Al Pacino. As I mentioned in my Best Supporting Actor post, Pesci and Pacino are incredible—Pesci flips the script on his usual characters to play a much quieter and reserved role, while Pacino thrives as Jimmy Hoffa in his trademark bravado. This was also the first Pacino-Scorsese collaboration, and it was well worth the wait. One aspect of the film that has gotten the most attention is Scorsese’s use of expensive de-aging effects to make the three main actors look younger. At first, it is a real shock to see the actors look like young guys. But for me, after a short while, I stopped noticing, so the effect didn’t become a distraction for my viewing experience. Although Scorsese has already made the perfect mob film in Goodfellas, his work here (with the assistance of a solid screenplay from Gangs of New York co-writer Steven Zaillian) is still marvelous and goes to show that when it comes to this genre, Scorsese will always reign supreme. Streaming for free for subscribers to Netflix. Trailer: https://www.youtube.com/watch?v=RS3aHkkfuEI.

No. 8 – Ford v FerrariFvF gif

Based on a true story, Ford v Ferrari tells the story of Ford Motor Company’s journey building a racecar to defeat the dominant Ferrari racing team in 1966 at the famous 24 Hours of Le Mans, a prestigious staple of endurance racing held each year outside of Le Mans, France. In order to defy expectations and truly challenge Ferrari for the crown, Ford enlists American racing legend and sports car designer Carroll Shelby (Matt Damon) and the brash British driver Ken Miles (Christian Bale) to turn its dream into a reality. When I first saw the trailer for this film, I thought it looked cheesy. Even though it isn’t a Disney movie, I was worried it might fall victim to tired tropes as seen in many Disney sports biopics, such as Miracle or Invincible. But I was wrong. Against a long list of great narrative features about racing (such as Rush, Le Mans, and Grand Prix), James Mangold’s Ford v Ferrari takes the checkered flag. Part of the movie’s appeal is its intricate balance of racing and humanism. Yes, the actual story of Ford’s racing team taking on Ferrari at the ’66 Le Mans is compelling, and in that respect, the film’s thunderous sights and sounds (perfected via first-rate sound editing/mixing and film editing) can’t be beat by any other racing movie. But the film’s focus on its characters is equally as impressive. Carroll Shelby and Ken Miles are interesting characters, and the exquisite acting from Matt Damon and Christian Bale, respectively, makes you care about their story, both on and off the track. Streaming available for purchase on most major platforms (not yet available for rent). Trailer: https://www.youtube.com/watch?v=I3h9Z89U9ZA.

No. 7 – MidsommarMidsommar gif

Ari Aster’s follow up to his acclaimed 2018 film Hereditary, Midsommar tells the story of Dani (Florence Pugh) and Christian (Jack Reynor), a young couple whose relationship is on the rocks. When Dani’s family tragically dies, Christian begrudgingly lets her join him and his friends for a summer trip to a small village in Sweden to take part in the community’s midsummer festival. What starts out as a fun, cheerful experience soon turns ominous and terrifying as the village’s rituals grow more unsettling. Although Hereditary laid the foundation for Ari Aster’s twisted filmmaking prowess, Midsommar perfected it. There is nothing conventional about this movie—some scenes left me absolutely gobsmacked, but I couldn’t look away. The sights and sounds of Midsommar absolutely sink their teeth into you. In addition to the vibrant colors and magnificent set design, the film’s main strength is Florence Pugh, who turned in one of the best acting performances of the entire year. Pugh is definitely one of my favorite rising stars in cinema, and Midsommar features her best performance yet. Dani is an emotional wreck throughout the film for a variety of reasons, and Pugh plays it seamlessly. Do yourself a favor and give this film a chance! Streaming for free for subscribers to Amazon Prime. Trailer: https://www.youtube.com/watch?v=1Vnghdsjmd0.

No. 6 – Jojo RabbitJojo gif

Writer/director Taika Waititi’s film Jojo Rabbit is a satirical black comedy set during the height of World War II in Nazi Germany. The titular character (Roman Griffin Davis) is an aspiring member of the Hitler Youth who idolizes the ideological views of the Third Reich—these prejudices are then encouraged by his imaginary friend, Hitler himself, played hilariously by Waititi. However, Jojo is forced to confront his intolerance when he discovers that his mother (Scarlett Johansson) is hiding a Jewish girl (Thomasin McKenzie) in their attic. In Jojo Rabbit, filmmaker Taika Waititi is as brazen as could be. Tackling a serious subject matter like this via satire is always daring, and Waititi certainly takes risks with an irreverent sense of humor. But the result is a beautiful cinematic experience. Waititi’s dialogue is sharp and witty, both in its humor and its solemnity, and he deftly juxtaposes the laughs with more serious tones and themes that make you think. I was particularly impressed with the performances of the film’s younger actors, namely Roman Griffin Davis and Thomasin McKenzie—the evolution of their relationship throughout the movie was touching, and the chemistry between the actors was palpable. And although I already discussed it thoroughly on my Best Supporting Actress post, it is worth mentioning again that Johansson is a vision as Rosie Betzler, Jojo’s mom. She serves as the moral core and emotional hook of the film, and Johansson definitely nails it. Streaming available for purchase on most major platforms (not yet available for rent). Trailer: https://www.youtube.com/watch?v=tL4McUzXfFI.

No. 5 – The FarewellFarwell gif

In Lulu Wang’s The Farewell, a Chinese family’s cherished grandmother Nai Nai (Zhao Shuzhen) is diagnosed with terminal cancer. However, Nai Nai has no clue of the diagnosis. The entire family decides to shield Nai Nai from the news and convene in China to spend time with her before she dies under the premise of a spontaneous wedding involving one of the cousins. Billi (Awkwafina), who lives in New York City but still maintains an incredibly close relationship with her grandmother, cherishes her time back in China with Nai Nai but struggles considerably with her family’s decision to keep up the ruse. The Farewell was one of the darlings of the 2019 Sundance Film Festival and justifiably so. It is a touching examination of family and culture, with an impeccable balance of laughs and tears. On this blog, I previously discussed why Zhao Shuzhen and Awkwafina were the two biggest snubs in the Best Supporting Actress and Best Leading Actress categories, respectively. Their performances are tender and beautiful, and although the underlying story and themes are compelling enough, their acting packs an inspirational punch, bringing it all home in such a relatable way. If you’re looking for a film to give you all the feels, look no further than The Farewell. Streaming available for purchase or rent on most major platforms. Trailer: https://www.youtube.com/watch?v=RofpAjqwMa8.

No. 4 – 19171917 gif

Sam Mendes’s 1917, set during World War I, tells the story of two British soldiers, Schofield (George MacKay) and Blake (Dean-Charles Chapman), who must relay a message across enemy lines to another battalion in order to call off a scheduled attack that will surely result in the casualties of 1,600 soldiers. For me, 1917 is one of the greatest technical film achievements of all time. The main unique storytelling device Mendes uses to tell this story is a single long take. Casual film audiences may find the use of the single tracking shot to be a bit gimmicky, but knowing everything that must go into flawlessly executing such a feat (including elaborate production design, careful character blocking, and precise cinematography), I was wildly impressed. (Check out this featurette detailing just how much work went into crafting this film.) The meticulous art of legendary cinematographer Roger Deakins’s photography is breathtaking, and honestly, his long take creates an incredible sense of suspense and anxiety—it really is a masterful piece of cinema. If the movie stood only on the shoulders of its technical proficiency, it would probably still be on this list but wouldn’t be as high. 1917’s extra boost comes from the story’s incredible themes of humanism and resolve. Based on the war stories told to Mendes from his grandfather’s first-hand accounts, 1917 is an amazing war epic. Streaming not yet available for purchase or rent. Trailer: https://www.youtube.com/watch?v=gZjQROMAh_s.

No. 3 – Uncut GemsUncut Gems gif

Uncut Gems is a one-of-a-kind movie. The film follows Howard Ratner (Adam Sandler), a New York City jeweler who imports a rare Ethiopian opal (under clearly unethical circumstances) and looks to sell it to land a big payday. However, Howard has a debilitating gambling addiction (probably not in his own eyes, though) and owes money all over town. Thus, while trying to secure a profit from the opal, Howard’s poor decisions and rather sleazy personality land him in the stickiest of wickets, which serve as the driving force for the film’s conflict. In 2017, my No. 6 movie of the year was Good Time, the previous film from the Safdie brothers. And while Good Time has the same general frenetic style of Uncut Gems, it was a bit more disjointed. I obviously still enjoyed it, but here, the Safdie brothers deliver a much more coherent purpose for the plot. The Safdie brothers’ chaotic filmmaking style is raw and anxiety-inducing, but it fits the story like a glove. The most impressive feat from the young filmmakers, though, is their collaboration here with Adam Sandler. Howard Ratner is deranged and delusional, and above all, he is arrogantly unfazed by the consequences of his many disastrous choices. Adam Sandler embodies the role marvelously, turning in a career-best performance. I enjoyed the supporting performances from Lakeith Stanfield (one of this generation’s most talented actors) and Julia Fox, but I was also thoroughly captivated by Kevin Garnett’s acting debut. (The movie is set in 2012 during the Eastern Conference Finals between the Celtics and 76ers, and the future hall of famer plays a fictionalized version of himself who is obsessed with Howard’s opal, believing it to be his good luck charm on the court.) Uncut Gems is 2019’s most exhilarating thrill ride—you’ll never forget it! Streaming not yet available for purchase or rent. Trailer: https://www.youtube.com/watch?v=vTfJp2Ts9X8.

No. 2 – ParasiteParasite gift

Bong Joon-ho’s Parasite follows the Kim family as they work to infiltrate the home of the Park family in order to attain financial stability. The Kims occupy a place near the bottom of the South Korean class system, living in a shabby semi-basement and attempting various hustles for income (like folding pizza boxes for a local business). Conversely, the Park family is incredibly wealthy and live in a luxurious home. The Kim children, Ki-woo and Ki-jeong, eventually hatch a plan to serve as tutor and “art therapist,” respectively, for the Park family’s children. Once they’ve successfully done so, the family devises additional plots to secure employment for their parents—their mother, Chung-sook, eventually lands a coveted spot as the Parks’ housekeeper, and their father, Ki-taek, takes up the role of the Parks’ valet. Bong’s film, which won the Palme d’Or at the Cannes Film Festival in 2019, is amazing. Absolutely brilliant. Not only is it my second favorite film of 2019, but I recently ranked it as my fifth favorite movie from the 2010s. The production design is outstanding, the cinematography is beautifully captivating, and the darkly comedic script is flawless. And then there is the film’s title. Merriam-Webster defines “parasite” both as “a person who exploits the hospitality of the rich and earns welcome by flattery” and “an organism living in, with, or on another organism.” Bong shrewdly explores the full extent of the “parasite” theme throughout this film, which pairs seamlessly with his broader examination of the inequities of the social class system. In addition to Bong’s filmmaking, Parasite is a shining example of superlative acting. The entire cast is great (in fact, the group won the SAG Award for Outstanding Performance by a Cast in a Motion Picture), but the standout performers are Song Kang-ho as Ki-taek Kim and Cho Yeo-jeong as Yeon-gyo Park. Streaming available for purchase or rent on most major platforms. Trailer: https://www.youtube.com/watch?v=5xH0HfJHsaY.

No. 1 – Once Upon a Time in HollywoodOnce uPon a Time gif

Once Upon a Time in Hollywood, the ninth feature film by Quentin Tarantino, is set in Los Angeles in 1969 and tells the story of aging actor Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) as they work to find their place in the industry during the last days of Hollywood’s Golden Age. I’ll get this out of the way at the outset: I am an unabashed fan of Quentin Tarantino as a filmmaker. (Inglourious Basterds is my favorite movie of all time.) I think he is one of the most influential cinematic craftsmen of all time, and his unparalleled brand of storytelling (which features a distinct sense of humor) always connects well with me. With Once Upon a Time, Tarantino is at his very best concerning a subject matter he’s incredibly passionate about—Hollywood. This film truly immerses you in the times. Although I obviously wasn’t around in 1969, I left the theater feeling as if I’d actually experienced the real-life Hollywood from that era—the production design and set decoration from Barbara Ling and Nancy Haigh, respectively, was masterful. At its core, this movie is about friendship, and in that respect, DiCaprio and Pitt make it all the more authentic. The chemistry between the two veteran performers is unmistakable, and you’d be hard-pressed to find too many acting duos in film history that did it as well as Leo and Brad did here. Rick Dalton and Cliff Booth couldn’t be more different, but therein lies the charm of their loyal companionship. Dalton is unsure of himself, while Booth is fearlessly confident and cool. (For instance, Dalton gets into an all-out screaming match with himself in his trailer when he botches some lines on the set of Lancer, while Booth comfortably, without hesitation, beats the living daylights out of a hippie at Spawn Ranch for slashing his tires.) These were truly two of the most memorable performances of the year, and Pitt is more than likely going to take home an Oscar for his part. The last thing worth mentioning is Tarantino’s decision to use Charles Manson and Sharon Tate (played wonderfully by Margot Robbie) as an underpinning to the film’s plot. I was not sure where Tarantino was going to take that subplot, as we all know how the real thing ended on that fateful night at 10050 Cielo Drive. In the end, I was a bit surprised and thoroughly satisfied—it all came together in a manner that only could have come from the twisted mind of Quentin Tarantino. This movie is provocative and without restraint, and all I want to do right now is watch it again! Streaming available for purchase or rent on most major platforms. Trailer: https://www.youtube.com/watch?v=ELeMaP8EPAA.

 

 

Top 10 Films of 2019 – Honorable Mentions

Soon I will finally reveal the list of my ten favorite films from 2019. But before I do, it’s worth mentioning a handful of others that just missed out on cracking that list.

Honorable Mentions

No. 15 – High Flying BirdHigh Flying Bird gif

High Flying Bird, director Steven Soderbergh’s second consecutive film shot on an iPhone, is a small movie with big ideas. The film, which stars Moonlight’s André Holland as professional basketball agent Ray Burke, takes place during the middle of an NBA lockout and focuses on Burke’s unique business plans to benefit his firm and his prized client Erick Scott during this tumultuous time. High Flying Bird is a scant 91 minutes in duration, but I assure you, that entire hour and a half is packed full of snappy dialogue that will suck you into the story. The movie is beautifully shot and depicts the incredibly important intersection of sports/entertainment and race/politics. Streaming for free for subscribers to Netflix. Trailer: https://www.youtube.com/watch?v=0iL1K_l8Jyo.

No. 14 – Avengers: EndgameEndgame gif

Avengers: Endgame is the 22nd movie in the Marvel Cinematic Universe’s “Infinity Saga” and serves as the closing chapter of this particular story of the Avengers. This particular saga is the most commercially and critically successful superhero movie franchise of all time, and thus, Endgame had a massive challenge to wrap up this story in a way that satisfied fans. It went above and beyond that challenge and succeeded spectacularly. The film was complex at times and the story was intricate, but Endgame stayed true to the essence of its Marvel predecessors and provided the perfect cocktail of laughs, tears, action, and entertainment to make this final ride worth it for the audience. (In fact, the 182-minute runtime never felt like a chore for a single second.) Streaming for free for subscribers to Disney+. Trailer: https://www.youtube.com/watch?v=TcMBFSGVi1c.

No. 13 – Dolemite Is My NameDolemite gif

In Dolemite Is My Name, Eddie Murphy returns to his raunchy comedy sweet spot (his first Rated-R film since Life in 1999) in his portrayal of the real-life comedian and legendary blaxploitation filmmaker Rudy Ray Moore. Eddie Murphy is one of the greatest comedians of all time, but from the perspective of cinema, his career has been off track since his Oscar-nominated performance in Dreamgirls. In Dolemite, Murphy has absolutely gotten his swagger back. I also loved the supporting performance by Wesley Snipes as the real-life blaxploitation star D’Urville Martin—Snipes’s hysterical depiction of Martin completed a noteworthy comeback of his own. This film is equal parts hilarious and charming, and I reveled in the core themes of hope and perseverance. Streaming for free for subscribers to Netflix. Trailer: https://www.youtube.com/watch?v=Ws1YIKsuTjQ.

No. 12 – JokerJoker gif

Joker serves as an origin story for the infamous Joker villain from the DC Comics. The film follows Arthur Fleck (Joaquin Phoenix), a wannabe stand-up comedian with severe emotional instability who, over the course of the story, spirals down into a dangerous and violent state of madness. This film has obviously been fodder for people wanting to debate the ethics of depicting gun violence and mental illness. But although I felt a bit uncomfortable during some of Arthur’s emotional outbursts and episodes, I can’t imagine watching a movie about someone struggling with mental illness and feeling anything other than a sense of uncomfortableness. Todd Phillips’s story is raw and unrestricted, and I appreciated the social and political commentary on society’s consistent rejection of those that are different, especially in light of the present times. The film is beautiful in terms of costumes, production design, musical score, and cinematography, but the single greatest strength of Joker is Phoenix’s acting performance—a true tour de force. The storyline is eerily reminiscent of two Martin Scorsese films, The King of Comedy and Taxi Driver, and Phoenix channels those brilliant Robert De Niro performances in crafting his one-of-a-kind character. (The fact that De Niro plays a role in Jokeris almost poetic.) Streaming available for purchase or rent on most major platforms. Trailer: https://www.youtube.com/watch?v=t433PEQGErc.

No. 11 – Apollo 11Apollo 11 gif

In a year filled with many great documentaries, my favorite was Apollo 11. The film documents the famous Apollo 11 space mission in 1969 that resulted in the first spacewalk. Some of my favorite documentaries in recent memory (such as Senna and Amy) create gripping narratives utilizing only archival footage. Apollo 11 does the same here, but it goes a step further, refusing to use even interviews—the entire story is told through glorious archival footage, much of which was previously unreleased. The whole world knows this story and how it ends, and yet, the breathtaking footage and unique storytelling devices create a mesmerizing sense of adventure and suspense. Streaming for free for subscribers to Hulu. Trailer: https://www.youtube.com/watch?v=3Co8Z8BQgWc.

91st Academy Awards: My Ballot and Complete Ranking of 2018’s Year of Film

Well, another Oscar season of blogging about my thoughts on the previous year in film is coming to a close, and per usual, it has been a gratifying experience to share my reviews of 2018’s most remarkable films and performances with all of you. In advance of tonight’s 91st Academy Awards, I have posted this recap. Below you will find my Top 10 Films of 2018, my personal ballot for all categories in which I have seen each film/performance, and a complete ranking of every film I saw from 2018.

With that said, check out my recap and then make sure to tune into the 91st Academy Awards tonight at 7:00 p.m. (CST) on ABC, live from the Dolby Theatre in Hollywood, CA. Enjoy, film fans.

Top 10 Films of 2018

1. The Favourite
2. Spider-Man: Into the Spider-Verse
3. The Death of Stalin
4. A Star Is Born
5. Blindspotting
6. Thoroughbreds
7. Upgrade
8. American Animals
9. A Quiet Place
10. Black Panther

91st Academy Awards Ballot

Best Picture

  1. The Favourite
  2. A Star Is Born
  3. Black Panther
  4. Roma
  5. BlacKkKlansman
  6. Vice
  7. Green Book
  8. Bohemian Rhapsody

Best Actress

  1. Olivia Colman – The Favourite
  2. Glenn Close – The Wife
  3. Lady Gaga – A Star Is Born
  4. Yalitza Aparicio – Roma
  5. Melissa McCarthy – Can You Ever Forgive Me?

Best Actor

  1. Rami Malek – Bohemian Rhapsody
  2. Bradley Cooper – A Star Is Born
  3. Christian Bale – Vice
  4. Willem Dafoe – At Eternity’s Gate
  5. Viggo Mortensen – Green Book

Best Supporting Actress

  1. Emma Stone – The Favourite
  2. Rachel Weisz – The Favourite
  3. Regina King – If Beale Street Could Talk
  4. Marina de Tavira – Roma
  5. Amy Adams – Vice

Best Supporting Actor

  1. Mahershala Ali – Green Book
  2. Richard E. Grant – Can You Ever Forgive Me?
  3. Sam Elliott – A Star Is Born
  4. Sam Rockwell – Vice
  5. Adam Driver – BlacKkKlansman

Best Original Screenplay

  1. The Favourite – Deborah Davis and Tony McNamara
  2. Vice – Adam McKay
  3. First Reformed – Paul Schrader
  4. Roma – Alfonso Cuarón
  5. Green Book – Nick Vallelonga, Brian Currie, and Peter Farrelly

Best Adapted Screenplay

  1. A Star Is Born – Eric Roth, Bradley Cooper, and Will Fetters
  2. BlacKkKlansman – Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
  3. The Ballad of Buster Scruggs – Joel Coen & Ethan Coen
  4. Can You Ever Forgive Me? – Nicole Holofcener and Jeff Whitty
  5. If Beale Street Could Talk – Barry Jenkins

Best Original Score

  1. Black Panther – Ludwig Göransson
  2. Mary Poppins Returns – Marc Shaiman
  3. If Beale Street Could Talk – Nicholas Britell
  4. BlacKkKlansman – Terence Blanchard
  5. Isle of Dogs – Alexandre Desplat

Best Original Song

  1. “Shallow” from A Star Is Born – Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andew Wyatt
  2. “All the Stars” from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth, and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith, and Solana Rowe
  3. “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs –Music and Lyrics by David Rawlings and Gillian Welch
  4. “The Place Where Lost Things Go” from Mary Poppins Returns –Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman
  5. “I’ll Fight” from RBG – Music and Lyrics by Diane Warren

Best Sound Editing

  1. A Quiet Place – Ethan Van der Ryn and Erik Aadahl
  2. Roma – Sergio Díaz and Skip Lievsay
  3. First Man – Ai-Ling Lee and Mildred Iatrou Morgan
  4. Bohemian Rhapsody – John Warhurst and Nina Hartstone
  5. Black Panther – Benjamin A. Burtt and Steve Boeddeker

Best Sound Mixing

  1. Roma – Skip Lievsay, Craig Henighan, and José Antonio Garcia
  2. First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee, and Mary H. Ellis
  3. A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder, and Steve A. Morrow
  4. Bohemian Rhapsody – Paul Massey, Tim Cavagin, and John Casali
  5. Black Panther – Steve Boeddeker, Brandon Proctor, and Peter J. Devlin

Best Production Design

  1. The Favourite – Fiona Crombie (Production Design) and Alice Felton (Set Decoration)
  2. Black Panther – Hannah Beachler (Production Design) and Jay Hart (Set Decoration)
  3. Mary Poppins Returns – John Myhre (Production Design) and Gordon Sim (Set Decoration)
  4. Roma – Eugenio Caballero (Production Design) and Bárbara Enríquez (Set Decoration)
  5. First Man – Nathan Crowley (Production Design) and Kathy Lucas (Set Decoration)

Best Film Editing

  1. The Favourite – Yorgos Mavropsaridis
  2. Vice – Hank Corwin
  3. Bohemian Rhapsody – John Ottman
  4. BlacKkKlansman – Barry Alexander Brown
  5. Green Book – Patrick J. Don Vito

Complete Ranking of Films Seen from 2018

1 The Favourite
2 Spider-Man: Into the Spider-Verse
3 The Death of Stalin
4 A Star Is Born
5 Blindspotting
6 Thoroughbreds
7 Upgrade
8 American Animals
9 A Quiet Place
10 Black Panther
11 Sorry to Bother You
12 Roma
13 Isle of Dogs
14 Minding the Gap
15 Crazy Rich Asians
16 Annihilation
17 BlacKkKlansman
18 Beautiful Boy
19 Eighth Grade
20 The Wife
21 Vice
22 Won’t You Be My Neighbor?
23 First Man
24 RBG
25 Green Book
26 Monsters and Men
27 Can You Ever Forgive Me?
28 Mary Poppins Returns
29 Bohemian Rhapsody
30 The Ballad of Buster Scruggs
31 First Reformed
32 To All the Boys I’ve Loved Before
33 You Were Never Really Here
34 Hereditary
35 Bad Times at the El Royale
36 Bird Box
37 Outlaw King
38 Creed II
39 Hold the Dark
40 If Beale Street Could Talk
41 Game Night
42 Red Sparrow
43 Unsane
44 Woman Walks Ahead
45 Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders
46 A Shot in the Dark
47 Dumplin’
48 22 July
49 Paterno
50 Disobedience
51 Come Sunday
52 At Eternity’s Gate
53 On Chesil Beach
54 John McEnroe: In the Realm of Perfection
55 Blockers
56 Game Over, Man!
57 Fifty Shades Freed

Top 10 Films of 2018, No. 1 – The Favourite

The Favourite is an historical black comedy/drama directed by Yorgos Lanthimos, with a screenplay by Deborah Davis and Tony McNamara. The film is set in England in the early 18th century and follows the power struggle between Sarah Churchill, Duchess of Marlborough (Rachel Weisz) and Abigail Masham (Emma Stone) as they jockey for the attention and adoration of Queen Anne (Olivia Colman).

tf_02908It may seem a bit too on the nose that my favorite movie from 2018 is called The Favourite – but here we are! This film has so much going for it, and all of its spectacular areas of filmmaking combined to create the best movie of the year. The ringleader is Yorgos Lanthimos, a Greek director that has mastered his own vision and voice in filmmaking, producing a uniquely idiosyncratic blend of black comedy and drama (see e.g., Dogtooth, The Lobster, and The Killing of a Sacred Deer). I personally enjoy Lanthimos’s distinctive style of filmmaking, and in The Favourite, he is definitely at his peak. Although Lanthimos did not write the script, his customary deadpan vision (built on a sense of ridiculousness and uneasiness) undoubtedly permeates the film. In a year filled with some great dark comedies (such The Death of Stalin and Thoroughbreds), Lanthimos’s The Favourite indisputably stands out as the finest.

Fave3One of the most noteworthy aspects of the movie is the team Lanthimos assembled to execute his eccentric vision. Deborah Davis and Tony McNamara wrote the screenplay, and my goodness, it was stellar. The dialogue is snappy and razor sharp in its ability to take hold of a scene. I knew the film was going to be fantastic in an early scene depicting Abigail riding in a packed carriage, which featured one creepy individual staring at her while pleasuring himself – it was so shockingly hilarious, and it definitely set the tone for many other great scenes/lines. One of my favorite scenes from the entire year featured a completely out-of-place dance medley from Joe Alwyn and Rachel Weisz as they utilized modern dance moves in the middle of a fairly stuffy 18th-century ball – it was sidesplitting!

Fave Gif 2The movie’s cinematography is also outstanding, and the unique way in which Robbie Ryan shot the film added to the film’s comical nature. Ryan’s style here featured lots of experimental shots with a fish-eye lens, which added a wonderful layer of surrealism to the landscape within the castle. Further, Ryan’s propensity to switch views/perspectives with sharp panning was exquisite.

giphyIn terms of acting, The Favourite features a forceful trio of Olivia Colman, Rachel Weisz, and Emma Stone. Colman’s portrayal of Queen Anne is flawless and perfectly captures the character’s proclivities for being both childishly needy and wickedly sinister. Queen Anne is an emotional rollercoaster, but we see that some of it is of her own doing – she propagates the battle between Sarah and Abigail for her affection, which ultimately leads to more depression for her character. Colman absolutely nailed her performance as Queen Anne.

Fave Gif 4Although Colman was impressive, I was even more taken with Stone’s and Weisz’s performances. Under Queen Anne’s roof, Weisz’s Sarah is Queen Anne’s established confidante and advisor, as well as her trusted lover, while Stone’s Abigail is the newcomer to the royal inner circle. These distinct roles have distinct personality traits associated with them, and each actress performs extraordinarily – Stone and Weisz were built for their respective characters. Abigail appears unassuming at first, but we quickly learn that she has an almost innate ability to balance that sense of innocence with disturbing cunningness – Stone thrives in this role, tapping into her comedic roots to bring Abigail’s amusingly menacing personality to life. On the other hand, Sarah finds herself having to desperately protect her position from Abigail, resorting to psychological mind games out of uncompromising devotion to Queen Anne. Weisz chillingly emotes steeliness in this role, and her portrayal of Sarah’s endless loyalty to Queen Anne is shrewdly memorable.

giphyAnother fantastic performance in The Favourite was Nicholas Hoult as Robert Harley, a member of Parliament who opposes some of Queen Anne’s economic policies. Harley is the embodiment of pretentiousness, and Hoult’s portrayal of the scheming politician was magnificent – it was an underrated part of the movie, and I was disappointed that Hoult wasn’t in greater contention for a nomination in the Best Supporting Actor category. The Favourite is rated R for strong sexual content, nudity, and language.

The Favourite trailer: https://www.youtube.com/watch?v=SYb-wkehT1g&t=2s

Academy Award nominations for The Favourite:

Best Picture (Ceci Dempsey, Ed Guiney, Lee Magiday, and Yorgos Lanthimos, producers)

Best Director (Yorgos Lanthimos)

Best Actress (Olivia Colman)

Best Supporting Actress (Emma Stone)

Best Supporting Actress (Rachel Weisz)

Best Original Screenplay (Deborah Davis and Tony McNamara)

Best Cinematography (Robbie Ryan)

Best Production Design (Fiona Crombie and Alice Felton)

Best Costume Design (Sandy Powell)

Best Film Editing (Yorgos Mavropsaridis)

Top 10 Films of 2018, No. 2 – Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse is an animated superhero movie directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman, and written by Phil Lord and Rothman. This film follows Miles Morales (voiced by Shameik Moore), a teenager growing up in Brooklyn with his Puerto Rican mother Rio Morales (voiced by Luna Lauren Velez) and African-American father Jefferson Davis (Brian Tyree Henry). Miles is an aspiring artist, specializing in graffiti, but one night when he is painting in an abandoned subway station with his Uncle Aaron (voiced by Mahershala Ali), he is bitten by a radioactive spider, which ultimately provides him spider-like capabilities. Miles eventually crosses paths with the infamous Peter Parker/Spider-Man (initially voiced by Chris Pine), but then Parker is murdered.

Spider Gif 4Miles then decides to purchase a Spider-Man costume and assume the mantle in an effort to take town the crazed Kingpin (voiced by Liev Schreiber) before he and his mad-scientist cohort, Doctor Octopus (voiced by Kathryn Hahn), can destroy the world via an unstable technology that creates a hole in the multi-verse. This hole eventually causes multiple timelines from alternate universes to intersect, bringing Miles face to face with five other versions of the webslinging superhero, who team up with Miles to defeat Kingpin.

tumblr_plegq4boAw1y38s31o5_500Obviously when I was younger, I loved animated movies. But throughout my college years and even thereafter, I was admittedly slow to embrace them anymore. However, over the past few years, I’ve found myself opening up to animation a bit more again – especially with the undeniable prowess of Pixar’s products, the unique usage of the technique in stop-motion fashion in Wes Anderson’s Fantastic Mr. Fox and Isle of Dogs, and the refreshing storylines in films like The Lego Movie. Mentioning The Lego Movie is especially noteworthy here because that film was written and directed by Phil Lord and Christopher Miller (who also teamed up to direct 21 Jump Street and 22 Jump Street), while Into the Spider-Verse was co-written by Lord and produced by a team that included both Lord and Miller. These two truly revolutionized superhero animation with their Lego franchise, and Spider-Verse benefits profoundly from their involvement.

Spider Gif 6As I mentioned in my review of Black Panther, I have never really been a huge fan of the live-action Marvel movies (with the exception of a few), but in this animated story, I believe I have found my new favorite movie from the entire Marvel Universe. Not only is the storytelling an exhilarating, witty, and refreshing take on the classic Spider-Man narrative (based on the Miles Morales character that was first introduced to the Marvel Comic-Book Universe in 2011), but the production value of the animation is unbelievable. The animation has a smashingly vivid look and is essentially a combination of modern street art and classic pop art. This movie epitomizes the phrase “visually arresting,” and its highly stylized (but undeniably mesmerizing) action is ambitious and innovative.

Spider Gif 3With the help of this amazing animation, Into the Spider-Verse builds an entertaining storyline (which includes an exploration of dimensional physics) around some of the year’s most amusing characters (and voice actors). At the center of the action, Miles Morales is a compelling young character that stands for the proposition that in this universe, anyone can be a superhero – Shameik Moore knocks the voice acting out of the park in his portrayal. As alluded to above, the story also injects five other versions of Spider-Man into the fold: Jake Johnson voices another version of the Peter Parker character, but instead of resembling the customary Spider-Man that we meet toward the beginning of the film (voiced by Chris Pine), this one is a bit washed up; Hailee Steinfeld voices the famed Gwen Stacy/Spider-Woman; Nicolas Cage brilliantly voices a noir version of Spider-Man; Kimiko Glenn voices the anime-inspired Peni Parker (SP//dr); and John Mulaney nearly steals the show as the hilarious Peter Porker/Spider-Ham. Each iteration of the superhero has unique animation variations that mimic their respective personality and universe, and these characters set the stage for many potential spin-offs in the future. (In fact, the first spin-off is already in development, centered around Gwen Stacy and other female characters from the Spider-Man universe.)

Spider Gif 1I fully expect this film to not only withstand the test of time, but also to enter legendary status within the Marvel Universe’s complete catalog of films. Spider-Man: Into the Spider-Verse is rated PG for frenetic sequences of animated action violence, thematic elements, and mild language.

Spider-Man: Into the Spider-Verse trailer: https://www.youtube.com/watch?v=nSbzyEJ8X9E&t=8s

Academy Award nominations for Spider-Man: Into the Spider-Verse:

Best Animated Feature (Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord, and Christopher Miller)

Top 10 Films of 2018, No. 3 – The Death of Stalin

The Death of Stalin is a black comedy and political satire directed by Armando Iannucci and co-written by Iannucci, David Schneider, Ian Martin, and Peter Fellows. The film is set in 1953 and tells the story of the struggle for power among members of the Central Committee of the Communist Party of the Soviet Union following the death of the tyrannical dictator Joseph Stalin.

The-Death-of-StalinOver the years, there have been some tremendous political satire films, including classics like Charlie Chaplin’s The Great Dictator (1940) and Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), as well as more recent films like 2009’s In the Loop (which I will mention again later). And with The Death of Stalin, Scottish filmmaker Armando Iannucci has created an exceptional addition to the genre, which I hope will live on among the aforementioned greats. If you have read my blog before, you will likely know that one of my favorite types of film is black comedy – as I have mentioned before, there is something captivating about the amalgamation of darkly serious issues and wickedly funny storytelling. Stalin Gif 3This movie is set during an obviously horrifying time in world history – at that time in the Soviet Union, the government (led by Stalin and his cronies) was impulsively torturing and jailing its citizens, even executing many. The film is thus blunt and dark about those events, including characters insouciantly bantering about having people killed mercilessly. Luckily, the basic plot devices and dialogue are both entertaining and hilarious, which makes the film’s political satire as a whole brilliantly comedic. The cast of characters at the center of the story’s power struggle are constantly trying to get one step ahead of the others, which makes for an amusing series of loyalties and betrayals pursuant to the film’s many schemes and counter-schemes for supremacy.

Death2At the center of this dark farce is the film’s creator, director and co-writer Armando Iannucci. As mentioned above, Iannucci is no stranger to brilliant political satire, directing and co-writing In the Loop, an outstanding satire about politics and, particularly, the political relationship between the United States and the United Kingdom. This film was an instant classic and one of the best political satires of the 2000s, earning Iannucci and his co-writers an Oscar nomination for Best Adapted Screenplay. More recently, Iannucci is known as the creator of HBO’s Veep. He obviously has a rich background in black comedy and political satire, and his skills are radiantly on display in The Death of Stalin as he skillfully balances the film’s silliness and malevolence.MV5BMmEyNDYyM2ItODRmOC00M2Q4LTk3ODUtYTliMmUyMDJhNmFjXkEyXkFqcGdeQXVyNzI1NzMxNzM@._V1_ To give you a taste of Iannucci’s humor, the film begins with one of my favorite scenes in all of cinema from 2018. At the start of the movie, there is a concert of classical music being performed live, with a Soviet radio station broadcasting the concert. The radio director then gets a call from Stalin’s office indicating that the dictator would like a copy of the concert’s recording and will be sending men to pick that copy up in person. There’s only one problem – the radio station was not recording the broadcast. In a frantic effort to still satisfy Stalin’s wishes, the radio director (played frenetically by Paddy Considine) attempts to stop everyone in the concert hall from leaving, explaining that they are about to have an encore performance of the entire concert. The scene is chock-full of comical dialogue, including Considine’s character hurriedly telling the audience, “take your seats, take your fucking seats,” and nervously proclaiming to everyone, “don’t worry, nobody’s gonna get killed, I promise you.” The scene is the epitome of life under Stalin’s rule, and Iannucci plays it perfectly.

Stalin Gif 2The last thing I want to mention is the film’s ensemble cast, which spectacularly brings Iannucci’s vision to life. The main characters are: Lavrentiy Beria (Simon Russell Beale), the callous and calculating chief of Stalin’s secret police force; Nikita Khrushchev, played as seemingly, but riotously, incompetent by Steve Buscemi; Georgy Malenkov, Stalin’s temporary successor, depicted as spineless and unassertive by Jeffrey Tambor; Vyacheslav Molotov (Michael Palin), a seasoned diplomat in the Communist Party; and Georgy Zhukov (Jason Isaacs), an intense high-ranking official in the Societ military. The film also features wonderful supporting performances from Rupert Friend and Andrea Riseborough as Stalin’s adult children.giphy7 One of the most noteworthy parts of the film is Iannucci’s decision to have his cast speak in their native accents. Although this technique was polarizing for film fans, I loved it and consider it one of the best things about the movie. Having the actors in Bryan Singer’s 2008 film Valkyrie speak in neutral accents rather than the German ones associated with their characters was something I found distracting because the film was an intense drama. Here, Iannucci is affirmatively striving to make a film that is darkly comedic and politically satirizing, so the actors’ use of their own accents made the entire charade that much more hysterical. The Death of Stalin is rated R for language throughout, violence, and some sexual references.

The Death of Stalin trailer: https://www.youtube.com/watch?v=E9eAshaPvYw

Top 10 Films of 2018, No. 4 – A Star Is Born

A Star Is Born is a musical drama directed by Bradley Cooper (in his directorial debut) and co-written by Eric Roth, Bradley Cooper, and Will Fetters.  The film tells the story of a country musician named Jackson Maine (Cooper) who discovers and falls in love with a young, aspiring singer named Ally (Lady Gaga). Ally’s budding musical career quickly takes off, but all the while, Jackson’s own personal demons threaten to tear his down.

Star Gif 4This iteration of A Star Is Born is the third remake of the original 1937 film, following reincarnations in 1954 (starring Judy Garland and James Mason) and 1976 (starring Barbara Streisand and Kris Kristofferson). Despite trotting through familiar territory, the Cooper- and Gaga-led version feels undeniably new and wholly unique. As much as this film is about the music (and trust me, the music is flawless – I still listen to “Shallow” at least a few times each week), it is really much more about an exploration of Jackson and Ally and their obviously genuine, but altogether complicated, love story. These two characters clearly inspire each other in the most believable ways possible (both in life and in music), which makes their rollercoaster relationship that much more affecting for an audience. Star Gif 1Although the ease of buying into this tale of romance has a lot to do with Cooper and Lady Gaga as actors (their chemistry was organic, unforced, and utterly convincing), it can also be credited to the dynamic screenwriting trio, the X factor of which is Eric Roth. Roth has led a critically acclaimed career behind the pen, writing the scripts (and receiving Oscar nominations) for Hollywood heavy-hitters Forrest Gump, The Insider, Munich, and The Curious Case of Benjamin Button. With such an illustrious filmography, it is patently obvious that Roth’s fingerprints were all over the script for A Star Is Born.

Star Gif 3The movie also benefits tremendously from an exquisite directorial achievement by Cooper. Some of the most emotionally packed scenes in all of film this year came from A Star Is Born, and Cooper’s vision is at the root. Avoiding spoilers, I will say that the emotional climax of the film was, even for someone that hadn’t seen any of the previous iterations of the story, predictable. But despite that, Cooper still presented it in a way that felt raw and unexpected – it was single-handedly the most heart-wrenching scene of the year. (There wasn’t a dry eye in the theater.) Further, the main function of a director, aside from being the film’s chief visionary, is to get the best work out of the actors – in that department, Cooper far exceeded all expectations that could possibly have been set for him. As I will get into more detail about in a moment, Lady Gaga delivered an exceptional performance as Ally. Yes, she was clearly born to be a performer. Yes, she already has a small handful of acting credits. And yes, the film is about a singer, which Gaga already is in real life. But in the wrong director’s hands, a good performer could still fall flat – it happens all the time. Luckily, in A Star Is Born, the combination of Cooper’s shrewd direction and Gaga’s unquestionable talent came together beautifully to offer one of the year’s best acting performances. Star Gif 5It also says a lot that Sam Elliott, a pioneer in the acting world with a career that spans over five decades, received his first Oscar nomination of all time in the role of Bobby Maine, Jackson’s manager and half-brother. Not only did Cooper bring out the best in Lady Gaga, but he also found a way to elicit a career-defining supporting performance from a Hollywood legend. I am still quite a bit upset that Cooper was overlooked in the Best Director category – he definitely should have received a nomination for his work behind the camera.

Star Gif 2As alluded to above, Lady Gaga’s portrayal of Ally was amazing – given her background in music and her own rise to fame, Cooper could not have hit a more definite homerun in terms of casting than this. Gaga effortlessly commanded the complex emotional nature of Ally, portraying her vividly as a young woman who is at first apprehensive and lacking in self-esteem, and later confident and more comfortable in her own skin. However, even after Ally becomes more self-assured, she still maintains an innocent sense of vulnerability – Gaga depicts that remarkably. tumblr_pg469awrKr1qjde42o8_400Even though Bradley Cooper is the film’s creative mind behind the camera, he also turns in one of the best acting performances of his own career, justifiably earning him a fourth Oscar nomination in an acting category. Jackson Maine is a complicated character – despite Ally energizing his life in terms of love and music, he still struggles to keep up with his own personal battles. A life of alcoholism and self-sabotage trips Jackson up at every turn, and Cooper’s portrayal is haunting and dramatic – it was definitely a memorable piece of acting. A Star Is Born is rated R for language throughout, some sexuality/nudity, and substance abuse.

A Star Is Born trailer: https://www.youtube.com/watch?v=nSbzyEJ8X9E&t=8s

Academy Award nominations for A Star Is Born:

Best Picture (Bill Gerber, Bradley Cooper, and Lynette Howell Taylor, producers)

Best Actor in a Leading Role (Bradley Cooper)

Best Actress in a Leading Role (Lady Gaga)

Best Actor in a Supporting Role (Sam Elliott)

Best Adapted Screenplay (Screenplay by Eric Roth, Bradley Cooper, and Will Fetters)

Best Original Song – “Shallow” (Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt)

Best Sound Mixing (Tom Ozanich, Dean Zupancic, Jason Ruder, and Steve A. Morrow)

Best Cinematography (Matthew Libatique)

Top 10 Films of 2018, No. 5 – Blindspotting

Blindspotting, a film directed by Carlos Lopez Estrada and co-written by Rafael Casal and Daveed Diggs, follows Collin (Diggs), an African-American in present-day Oakland who has just three days left on probation. Collin and his best friend Miles (Casal), a white guy with a propensity for being a troublemaker, work together for a moving company. One night after work, Collin witnesses a police officer shoot an African-American suspect in the back when the latter is fleeing. This incident creates a captivating change in reality that Collin must now cope with, riddled with questions about race, the class system, and gentrification, which ultimately threatens to splinter his friendship with Miles.

dmyz3pThis movie is set at the intersection of ‘buddy comedy’ and ‘profound drama,’ and it uses humor in a manner that makes the film’s emotionally affecting explication of deep social issues that much more poignant and impactful – its mastering of this blend of storytelling makes it not only one of the best films about race in the present era, but one of the best movies of the entire year. Period. At the center of the story is a thriving interracial friendship between Collin and Miles, which is used throughout the film as a conduit for the exploration of privilege. The friendship is remarkably authentic, which exceptionally evokes an innate sense of empathy from the audience for the test that this friendship endures as the movie’s social issues begin to complicate the relationship between the two leads. giphy4The genuineness of Collin’s and Miles’s friendship can be credited to the real-life relationship between Diggs and Casal, who co-wrote the film – the two are childhood friends from Oakland. The film’s funniest and most heart-wrenching moments feature Collin and Miles at center stage, and their banter throughout the movie (which includes some witty freestyle rapping while packing up clients’ belongings) is outstanding.  I truly think the movie thrives in a beautiful manner because of the believability of the close friendship between Collin and Miles.

tenor5Casal is wonderful in his comical, yet layered portrayal of Miles (he is at his best in one of the film’s greatest moments, where Miles is attempting to sell a sailboat), but in this film, Daveed Diggs steals the show. Diggs rose to fame in 2015 for his portrayal of both Marquis de Lafayette and Thomas Jefferson in the award-winning musical Hamilton, which featured a great deal of rapping and garnered Diggs a Tony for Best Featured Actor in a Musical. Prior to Hamilton, Diggs had already established himself as a rapper of the highest quality via his experimental hip-hop group Clipping. With this background, Diggs prepared himself for an enrapturing on-screen acting performance in Blindspotting, which earned him a nomination for Best Male Lead at this year’s Independent Spirit Awards. Not only is Diggs’s acting on point, but his execution of the film’s dialogue is masterful. There are parts of the film where Diggs actually raps his character’s dialogue, but even in the moments where the words are not meant to be rapped, Diggs’s cadence is still incredibly melodic and poetic. tenorIn the film’s climatic scene, Diggs’s character stares right into the camera with a gun drawn (for what feels like forever), delivering an emotionally packed monologue that feels less like traditional rap and more like performance art. The scene is the film’s most powerful, and it stands as the pinnacle of Diggs’s acting achievement in the movie.

MV5BNDdiZDkzZmUtODVkZi00MTFiLWI0MGQtMjM3ZjA4ZDQyMmJiXkEyXkFqcGdeQXVyMTgwMjA2MDg@._V1_The serious themes at issue in Blindspotting benefit from the complete package of first-rate filmmaking, and Carlos Lopez Estrada (in his directorial debut) commands the movie’s direction precisely. The movie is constantly shifting from funny to dramatic and from heartwarming to violent, and Estrada carefully constructs and intricately weaves these divergent tones into an overall great movie. The film features a set of dream sequences that Collin grapples with following the police shooting, and Estrada brilliantly tempers those sequences’ surrealism with the perfect touch of fidelity. Estrada definitely brought his ‘A game’ to this film, and I look forward to watching anything else he creates in the future. Blindspotting is rated R for language throughout, some brutal violence, sexual references, and drug use.

Blindspotting trailer: https://www.youtube.com/watch?v=-9-HBqVbtTo&t=89s

Top 10 Films of 2018, No. 6 – Thoroughbreds

Thoroughbreds is a film, written and directed by Cory Finley in his feature debut, set in an upper-class suburban area in Connecticut. At the beginning of the film, two high-school girls who used to be friends but eventually grew apart have reconnected – Amanda (Olivia Cooke) comes over to Lily’s (Anya Taylor-Joy) house, a sprawling mansion, in order for Lily to provide tutoring lessons. It takes the girls a little while to grow accustomed to one another again, but after more and more time spent together, they begin to warm up to each other. Eventually they hatch an ominous plan to kill Lily’s controlling and domineering stepfather, Mark (Paul Sparks), which also includes contracting with a local drug dealer, Tim (Anton Yelchin), for help with the deed.

source3One of my favorite genres of film is “black comedy,” and Thoroughbreds epitomizes the term. After my wife and I first watched it a few months ago, I distinctly recall leaning over to her and stating, “If I could make a movie, this is exactly the kind of movie I’d make.” For me, there is something so appealing and satisfying about a humorous, yet dramatic and thought-provoking, exploration of twisted topics – and in that sense, Thoroughbreds absolutely delivered. To give you a taste: We learn early on that Amanda has recently euthanized her prize horse, which resulted in animal cruelty charges and the scorn of the community. T3The creative mind behind Thoroughbreds is writer/director Cory Finley. Although new to the feature film world, Finley’s debut is a smash and a sign of great things to come. The entire movie feels a lot like a Yorgos Lanthimos film (see The Lobster, The Killing of a Sacred Deer, and The Favourite), but in his own way, Finley still provides something unique here. Thoroughbreds is suspenseful and profoundly unsettling, and Finley uses all aspects of filmmaking to accomplish this – with the combination of a haunting score, organic cinematography, and a script that perfectly utilizes pauses and periods of outright silence, Thoroughbreds builds tension in an exquisite way as the film grows darker every minute.

giphyMy favorite part of the movie is its exceptionally interesting characters and accompanying acting performances. For starters, the two leads are phenomenal. Amanda and Lily could not appear more opposite – Amanda is blunt and emotionless (and with respect to the latter, that is a literal personality trait, as it is revealed that Amanda actually lacks the ability to feel any emotions), and Lily is nervy but mannerly. However, as the film progresses, we start to see cracks in Lily’s façade begin to develop, as she slowly reveals a sense of narcissism and manipulation deep within. The vast differences in Amanda’s and Lily’s physical and emotional temperaments are striking, and to best depict these distinctive characteristics on the screen, Finley could not have done better than Cooke and Taylor-Joy. giphy2Anton Yelchin also gave a noteworthy performance in one of the late actor’s final film roles – the actor, who died just a couple of weeks after principal photography wrapped, skillfully portrayed Tim as a wittily arrogant drug dealer with a lot of underlying vulnerabilities. It was a wonderful performance to cap off a brilliant career that was cut too short. Thoroughbreds is rated R for strong violence, grisly images, and language.

Thoroughbreds trailer: https://www.youtube.com/watch?v=TPcV_3D3V2A

Top 10 Films of 2018, No. 7 – Upgrade

Upgrade is a film, written and directed by Leigh Whannell, that is set in the not-so-distant future where autonomous cars dominate the roadways (in a much more technologically advanced fashion than anything currently existing, like Tesla’s autopilot system) and artificial intelligence far exceeds the likes of our modern-day Alexa or Siri. The film follows Grey Trace (Logan Marshall-Green), who spends his days refurbishing old muscle cars for high-end clients and listening to music on vinyl (such as the classic blues song “Smokestack Lightning” by Howlin’ Wolf) – he is “vintage” and proud of it. When Grey and his wife Asha (Melanie Vallejo) get into a car accident, a group of criminals kill Asha and leave Grey paralyzed. Grey is then offered a unique opportunity by Eron Keen (Harrison Gilbertson), one of Grey’s clients and a wealthy whiz-kid technology innovator. Eron offers to implant Grey with a biomechanical enhancement chip called STEM that will allow Grey full functionality of his body again. This quickly proves to be the miracle Grey was waiting for, but upon discovering a wealth of additional abilities that are afforded to him via STEM, Grey sets out on a revenge spree in the name of his wife to bring the men who killed her to some form of justice. Chaos ensues as STEM (voiced by Simon Maiden) begins taking more and more control over Grey’s actions.

Upgrade5I will point out for you now that Upgrade is not a cinematic masterpiece or a film that will go down in the history books as a “classic.” However, the movies finds itself in my personal Top 10 this year because it is visually stimulating and energetic and simply provides some of the very most fun I have had watching a movie this past year – that experience I had was worth the entry at No. 7. The movie is produced by Blumhouse Productions, a studio which has notably put out horror franchises like Insidious, Paranormal Activity, and The Purge – it has also produced the likes of Whiplash, Get Out, and 2018’s BlacKkKlansman.  Additionally, the writer/director has a rich background in horror, penning the scripts for the first three installments of the Saw franchise and all three Insidious films (the most recent of which he also directed). I recite the filmographies of Upgrade’s creative vessels to point out that in Upgrade, this vast horror/thriller acumen plays a central role in the film’s success.

UpgradeUpgrade consists of an interesting mixture of film genres that all come together spectacularly to form an exhilarating movie – it is equal parts science-fiction, horror, action, and thriller. (It also features a dose of an appropriate amount of humor, most notably via sarcastic and witty banter between Grey and the inner voice of STEM that only Grey can hear.) Although this movie highlights these elements of various genres in a way that builds upon tropes that you will have no doubt seen many times over in previous films, I assure you that Upgrade still feels new and refreshing. AngelicOrganicCoelacanth-size_restrictedThe movie is premised on the classic theme of “humans vs. robots,” and the technological advances depicted on screen are enjoyable, which includes characters with guns built into their arms, making for some action-packed shooting scenes. Whannell’s exploration of this theme is vivid and presents a world in which the rapid advancement of technology becomes increasingly dangerous. This is where Upgrade thrives the most – the film employs high-tech weaponry and artificial intelligence to tap into rousing scenes of adventure and gore, with the help of active cinematography and visually arresting action stunts/choreography.

upgradejuliThe film’s casting is also spot-on for a movie of this nature. Logan Marshall-Green is fantastic in his role as Grey, authentically depicting the character’s immense resistance to modern technology – Marshall-Green skillfully executes Grey’s sardonic dialogue and demeanor. Although only featured in a supporting role, I was notably impressed by Harrison Gilbertson’s performance as Eron Keen – Eron is eccentric to the point that it borders on creepy, and Gilbertson neatly portrays Eron’s tendencies to appear both vainly confident and frantically vulnerable. Upgrade is rated R for strong violence, grisly images, and language.

Upgrade trailer: https://www.youtube.com/watch?v=G9fXbkiKfmY