Top 10 Films of 2018, No. 4 – A Star Is Born

A Star Is Born is a musical drama directed by Bradley Cooper (in his directorial debut) and co-written by Eric Roth, Bradley Cooper, and Will Fetters.  The film tells the story of a country musician named Jackson Maine (Cooper) who discovers and falls in love with a young, aspiring singer named Ally (Lady Gaga). Ally’s budding musical career quickly takes off, but all the while, Jackson’s own personal demons threaten to tear his down.

Star Gif 4This iteration of A Star Is Born is the third remake of the original 1937 film, following reincarnations in 1954 (starring Judy Garland and James Mason) and 1976 (starring Barbara Streisand and Kris Kristofferson). Despite trotting through familiar territory, the Cooper- and Gaga-led version feels undeniably new and wholly unique. As much as this film is about the music (and trust me, the music is flawless – I still listen to “Shallow” at least a few times each week), it is really much more about an exploration of Jackson and Ally and their obviously genuine, but altogether complicated, love story. These two characters clearly inspire each other in the most believable ways possible (both in life and in music), which makes their rollercoaster relationship that much more affecting for an audience. Star Gif 1Although the ease of buying into this tale of romance has a lot to do with Cooper and Lady Gaga as actors (their chemistry was organic, unforced, and utterly convincing), it can also be credited to the dynamic screenwriting trio, the X factor of which is Eric Roth. Roth has led a critically acclaimed career behind the pen, writing the scripts (and receiving Oscar nominations) for Hollywood heavy-hitters Forrest Gump, The Insider, Munich, and The Curious Case of Benjamin Button. With such an illustrious filmography, it is patently obvious that Roth’s fingerprints were all over the script for A Star Is Born.

Star Gif 3The movie also benefits tremendously from an exquisite directorial achievement by Cooper. Some of the most emotionally packed scenes in all of film this year came from A Star Is Born, and Cooper’s vision is at the root. Avoiding spoilers, I will say that the emotional climax of the film was, even for someone that hadn’t seen any of the previous iterations of the story, predictable. But despite that, Cooper still presented it in a way that felt raw and unexpected – it was single-handedly the most heart-wrenching scene of the year. (There wasn’t a dry eye in the theater.) Further, the main function of a director, aside from being the film’s chief visionary, is to get the best work out of the actors – in that department, Cooper far exceeded all expectations that could possibly have been set for him. As I will get into more detail about in a moment, Lady Gaga delivered an exceptional performance as Ally. Yes, she was clearly born to be a performer. Yes, she already has a small handful of acting credits. And yes, the film is about a singer, which Gaga already is in real life. But in the wrong director’s hands, a good performer could still fall flat – it happens all the time. Luckily, in A Star Is Born, the combination of Cooper’s shrewd direction and Gaga’s unquestionable talent came together beautifully to offer one of the year’s best acting performances. Star Gif 5It also says a lot that Sam Elliott, a pioneer in the acting world with a career that spans over five decades, received his first Oscar nomination of all time in the role of Bobby Maine, Jackson’s manager and half-brother. Not only did Cooper bring out the best in Lady Gaga, but he also found a way to elicit a career-defining supporting performance from a Hollywood legend. I am still quite a bit upset that Cooper was overlooked in the Best Director category – he definitely should have received a nomination for his work behind the camera.

Star Gif 2As alluded to above, Lady Gaga’s portrayal of Ally was amazing – given her background in music and her own rise to fame, Cooper could not have hit a more definite homerun in terms of casting than this. Gaga effortlessly commanded the complex emotional nature of Ally, portraying her vividly as a young woman who is at first apprehensive and lacking in self-esteem, and later confident and more comfortable in her own skin. However, even after Ally becomes more self-assured, she still maintains an innocent sense of vulnerability – Gaga depicts that remarkably. tumblr_pg469awrKr1qjde42o8_400Even though Bradley Cooper is the film’s creative mind behind the camera, he also turns in one of the best acting performances of his own career, justifiably earning him a fourth Oscar nomination in an acting category. Jackson Maine is a complicated character – despite Ally energizing his life in terms of love and music, he still struggles to keep up with his own personal battles. A life of alcoholism and self-sabotage trips Jackson up at every turn, and Cooper’s portrayal is haunting and dramatic – it was definitely a memorable piece of acting. A Star Is Born is rated R for language throughout, some sexuality/nudity, and substance abuse.

A Star Is Born trailer: https://www.youtube.com/watch?v=nSbzyEJ8X9E&t=8s

Academy Award nominations for A Star Is Born:

Best Picture (Bill Gerber, Bradley Cooper, and Lynette Howell Taylor, producers)

Best Actor in a Leading Role (Bradley Cooper)

Best Actress in a Leading Role (Lady Gaga)

Best Actor in a Supporting Role (Sam Elliott)

Best Adapted Screenplay (Screenplay by Eric Roth, Bradley Cooper, and Will Fetters)

Best Original Song – “Shallow” (Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt)

Best Sound Mixing (Tom Ozanich, Dean Zupancic, Jason Ruder, and Steve A. Morrow)

Best Cinematography (Matthew Libatique)

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Best Actor in a Supporting Role (2018)

The following is my Oscars ballot for this category, Best Actor in a Supporting Role:

WINNER: Mahershala Ali (Green Book)

AliIn the film Green Book, Mahershala Ali portrays Don Shirley, the real-life African-American jazz pianist. The film follows Shirley on his 1962 concert tour through the Deep South, escorted by his Italian-American driver, Tony “Lip” Vallelonga. In light of the Jim Crow era setting, both men are thrust into a variety of racist issues throughout the tour, and the film tells the story of their personal journey and growth as they learn about life from each other. I enjoyed Green Book, but as many of you might know, it has been marred by controversy since its release – the debate revolves around Shirley’s family’s objections to the film and its screenplay, which was co-written by Tony Lip’s real-life son Nick Vallelonga. Despite the family’s issues with the depiction of Shirley and his relationship with Tony Lip, Ali admitted that in his performance, he did his best to honor the legacy of Shirley based on the information he had – and for me, that performance was impeccable. Although this controversy has dominated the headlines, it is nonetheless impossible to ignore the remarkable acting work of Ali – his mannerisms are nuanced, his emotions shrewdly portrayed, and his ability to impressively master Shirley’s fears and insecurities in light of the overt racism plaguing the nation in the early 1960s was unimpeachable. Mahershala Ali has evolved in the past few years into one of the most talented actors in the business, and if I had it my way, he’d walk away on Oscar night with his second Academy Award for Best Supporting Actor in the past three years.

2. Richard E. Grant (Can You Ever Forgive Me?)

Richard-E-Can-You-1In Can You Ever Forgive Me?, a film about the real-life biographer Lee Israel and her attempt to invigorate her writing career by forging letters by famous celebrities and selling them for large amounts of money, Richard E. Grant plays the role of Jack Hock, a recent acquaintance of Israel who joins her in the exploitation of the fraudulent letters. In this film, Melissa McCarthy churned out probably the best dramatic acting performance of her career, but for me, Grant’s Hock stole the show. Despite not having a permanent home and appearing rather drifter-like, Jack Hock is flamboyantly lavish in his tastes and is as witty and charming as a character can be, making the film much more fun and entertaining. Mark Kermode, a film critic for The Guardian, summed up Hock brilliantly: “Jack seems to be in permanent performance mode, hiding his own insecurities behind a mask of bravado and bonhomie.” Despite being a recognizable face in the industry since his career-defining performance in his 1987 film debut Withnail and I, Grant has only ever been nominated for acting awards on a few occasions (and those were many years ago) – for his cleverly beautiful performance as Jack Hock, Richard E. Grant has justifiably reversed that history.

3. Sam Elliott (A Star Is Born)

rev-1-ASIB-06247_High_Res_JPEGIn A Star Is Born, Sam Elliott plays Bobby Maine, the manager for and older half-brother of singer Jackson Maine (Bradley Cooper). To put it simply – Sam Elliott was phenomenal during his limited on-screen time in A Star Is Born. Although Bobby Maine is the personification of a “supporting” character, Elliott – a legend in the industry – deftly executed every second of his performance. Two scenes stick out the most for me that made Elliott’s portrayal of Jackson’s brother so incredibly memorable – (1) the argument between Jackson and Bobby over their father’s land, and (2) the moment Bobby pulls out of Jackson’s driveway after dropping him off towards the end of the film. In that latter scene in particular, the passion Elliott put into portraying Bobby’s flash of emotion as he backs out of Jackson’s driveway is worth the price of admission. With a film career that has spanned over five decades, it is awesome and well-deserved to see Elliott celebrating his very first Oscar nomination.

4. Sam Rockwell (Vice)

RockwellThe setup for Sam Rockwell’s portrayal in Vice is simple – he portrays George W. Bush, the 43rd President of the United States. All the acting buzz surrounding Vice centers predominantly on Christian Bale in the lead role of Vice President Dick Cheney (and rightfully so – more on that in a later post). But for me, one of the most underrated aspects of the movie was Rockwell’s performance. With some fantastic work from the makeup department, Rockwell did look quite a bit like Bush, way more than Josh Brolin did in Oliver Stone’s 2008 biopic W. However, what is truly more impressive about his portrayal (which also bests that of Brolin’s) is Rockwell’s seamless embodiment of Bush in terms of accent, mannerisms, and speech pattern. Rockwell nailed Bush’s trademark Texas twang, and his first-rate acting abilities (which garnered him an Oscar win last year in this category for Three Billboards outside Ebbing, Missouri) made this performance one to remember.

5. Adam Driver (BlacKkKlansman)

DriverIn Spike Lee’s BlacKkKlansman, Adam Driver portrays Det. Philip “Flip” Zimmerman, the Jewish partner of John David Washington’s lead character, Det. Ron Stallworth. As Stallworth, an African-American officer, slowly starts to infiltrate the local chapter of the Ku Klux Klan via telephone (posing as a white man), Zimmerman is tasked with being Stallworth’s physical stand-in for in-person meetings with the KKK – as famed film critic Richard Roeper of the Chicago Sun Times described it, “We’ve got a white cop impersonating a black cop impersonating a white supremacist.” Although BlacKkKlansman didn’t make it onto the list of my favorite movies from 2018, it still was an enjoyable experience with some superb acting, particularly by Washington. In terms of Driver, though, I found his performance to be simply “good” and “serviceable” – nothing extraordinary in my estimation. Truthfully, I thought his nomination should have gone to the likes of Timothée Chalamet (Beautiful Boy), Michael B. Jordan (Black Panther), or Nicholas Hoult (The Favourite) instead.

The Return of My Annual “Countdown to the Oscars” and Best Original Song and Score

Dolby TheatreLast year, after five consecutive Academy Awards seasons of active blogging here on The Reel Countdown, I was unable to devote any time at all to posting about the year in movies due to a very busy work schedule – in fact, my only post during the run-up to the Oscars last year was simply sharing my ballot and providing a ranked list of all the movies I had watched from 2017. However, I am thrilled to say that my annual “Countdown to the Oscars” is back (is this where I say “and better than ever”?), and I am looking forward to sharing my thoughts with you on the best in film from 2018 over the course of the next three weeks as we approach the 91st Academy Awards ceremony, which is set to take place on Sunday, February 24, 2019, at the Dolby Theatre in Hollywood, California.

Since it has been a couple of years since I’ve blogged through an Oscars season, here’s a recap on the structure of posts you can expect to see on The Reel Countdown: (1) my “Top 10 Films of the Year” (including an “Honorable Mentions” post within the next couple of days, which will break down the five films that just missed out on cracking my list this year), (2) my own personal Oscars ballot (i.e., not a prediction of who will win but rather how I would vote if I had one) for some of the year’s major categories, based on this year’s nominees, and (3) a recap of the 91st Academy Awards ceremony, which will highlight the most noteworthy moments from the broadcast.

I am kicking off this year’s edition of The Reel Countdown with my ballot for the two musical categories at the Oscars – Song and Score!

My ballot for Best Original Song is as follows:

WINNER: “Shallow” from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andew Wyatt

rev-1-asib-trl-9090r_high_res_jpeg-1-_wide-3afaaddfb18a9a5732dbd6843e417c693a5949fb-s800-c85In my opinion, no original song better embodied the spirit of its film’s story arc this year than “Shallow,” a beautiful ballad performed as a duet in the film by Jackson Maine (played by Bradley Cooper) and Ally (played by Lady Gaga). The lyrics and musical composition are clearly stunning, but it is the chemistry of the film’s lead characters and their undeniable harmony on the song that truly make “Shallow” one of the film’s greatest assets. Needless to say, I was very excited to see the video pop up online this week of Lady Gaga bringing Bradley Cooper on stage at a Vegas concert to perform the song with her. I cannot wait to see these two light up the stage again on Oscars night – sign me up for any chance to see Gaga belt out her now-iconic “haaa-ah-ah-ah, haaawaah, ha-ah-ah-aaah” line!

2. “All the Stars” from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth, and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith, and Solana Rowe

3. “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

4. “The Place Where Lost Things Go” from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman

5. “I’ll Fight” from RBG – Music and Lyrics by Diane Warren

 

My ballot for Best Original Score is as follows:

WINNER: Black Panther – Ludwig Göransson

Ludwig+Goransson+Los+Angeles+World+Premiere+pQZWs79_UlAlBlack Panther is obviously one of the best superhero movies of all time – the acting is superb, the story is unique and fresh, and writer/director Ryan Coogler’s vision is magnificent. But for me, the glue that held all of Black Panther‘s many incredible pieces together was Ludwig Göransson’s thrilling musical score. Göransson’s composition offers brilliance in all of the classical aspects of film scoring, but what sets Black Panther apart is his masterful incorporation of traditional African instrumentation and booming sounds influenced by today’s hip-hop (the latter of which comes as no surprise, considering Göransson is a frequent collaborator of rap’s inimitable Childish Gambino). The Black Panther score is truly magical!

2. Mary Poppins Returns – Marc Shaiman

3. If Beale Street Could Talk – Nicholas Britell

4. BlacKkKlansman – Terence Blanchard

5. Isle of Dogs – Alexandre Desplat

Fall Film Preview – 2018

We are nearly one month into my favorite time of the year for movies – the fall film season. Each year from September through December, most of the year’s heaviest hitters start making their way to the big screen in hopes of garnering an abundance of buzz for the Academy Awards – and indeed, Oscars success is generally tied to a fall release.  In fact, the last Best Picture winner that wasn’t released theatrically during the fall film season was The Hurt Locker in June 2009.  Which films will steal the show this fall? Only time will tell.  But in the meantime, here is my list of the films I am most looking forward to seeing over the course of the next few months!

No. 1 – First Man (October 12)

Film Title: First Man

First Man is a biographical drama that follows the story of Apollo 11’s famed mission to the Moon in 1969.  I am incredibly excited to see First Man due to the two men behind the direction and screenplay of the film – Damien Chazelle and Josh Singer, respectively.  Chazelle’s first two films (Whiplash and La La Land) have been some of the very best made in the past few years (in fact, Whiplash was my favorite film of 2014), and I have been patiently awaiting his next directorial endeavor.  This time, instead of penning his own screenplay, which he did for his first two films, Chazelle has employed a script by Singer, who won the Oscar for Best Original Screenplay for Spotlight and was nominated for a Golden Globe last year for The Post.  Starring Ryan Gosling in the lead role as Neil Armstrong and The Crown’s Claire Foy as his wife, this film looks set to attract some serious Oscar buzz this fall. Trailer – https://www.youtube.com/watch?v=PSoRx87OO6k&t=20s

No. 2 – If Beale Street Could Talk (December 14)

If Beale Street Could TalkIf Beale Street Could Talk, based on the 1974 novel of the same name, is a drama set in Harlem during the 1970s and follows an African-American family’s enduring spirit of love and humanity as they navigate a racially charged era in American history.  This film is Barry Jenkins’s follow-up effort to his Best Picture-winning drama Moonlight, and although the trailer does not give too much away, it is evident that Jenkins looks to passionately pull at the heartstrings of moviegoers everywhere once more – I cannot wait to see what he has in store this time. Trailer – https://www.youtube.com/watch?v=N4m3t3G3Zqc

No. 3 – Bad Times at the El Royale (October 12)

BAD TIMES AT THE EL ROYAL

Bad Times at the El Royale is a thriller that follows seven strangers whose lives and dark secrets intersect at a rundown hotel in Lake Tahoe.  Bad Times is immediately intriguing due to its ensemble cast, which features the likes of Jeff Bridges, Dakota Johnson, Jon Hamm, and Chris “Thor” Hemsworth.  But aside from this stellar group of actors, I am personally looking forward to this film due to its writer/producer/director, Drew Goddard.  The 43-year-old filmmaker has previously penned the scripts for Cloverfield, World War Z, and The Martian, but it was his directorial debut in 2012 with The Cabin in the Woods (Goddard also wrote the screenplay) that has me looking forward to Bad Times the most – the trailer reeks of Cabin-like imagery and obscurities (which is definitely a good thing), and I can’t wait to see if Goddard can capture that same rousing energy again.  Trailer – https://www.youtube.com/watch?v=y7wzBVARwaU

No. 4 – Hold the Dark (September 28 – Netflix)

Jeffrey Wright in the new film Hold the Dark. Photo credit: Netflix

Hold the Dark is a thriller set against the backdrop of the Alaskan tundra, and it follows the aftermath of the mysterious death of a young boy by a pack of wolves. From an acting standpoint, this film brings together some of my current favorites in the game – Jeffrey Wright (Westworld), Riley Keough (Mad Max: Fury Road), and Alexander Skarsgård (Big Little Lies).  However, the factor that weighs most heavily in terms of my anticipation for the film is its director and writer – Jeremy Saulnier and Macon Blair, respectively.  Saulnier wrote and directed two of my favorite films from the past few years (Blue Ruin in 2014 and Green Room in 2016, both of which featured Blair as an actor), and Blair wrote and directed one of my favorite movies from last year, I don’t feel at home in this world anymore. All three of those films were thrilling and unique, and I expect nothing less from Hold the Dark.  Trailer – https://www.youtube.com/watch?v=OFAwDO6b5KI

No. 5 – The Favourite (November 23)

The FavouriteThe Favourite is a drama (set in England in the early 18th century) that follows the struggle between Sarah Churchill, Duchess of Marlborough (Rachel Weisz) and her cousin Abigail Masham (Emma Stone) as they jockey for the attention and adoration of Queen Anne (Olivia Colman, aka the new QEII in The Crown).  The Favourite is the newest film by the inimitable Greek filmmaker Yorgos Lanthimos.  If you haven’t seen any of Lanthimos’s films yet, go watch the trailer for The Favourite ­– it will absolutely give you a taste of this man’s distinctive style. Lanthimos broke out among American audiences in 2015 with his film The Lobster – although the first act of that movie had me hooked, he simply couldn’t keep that momentum going for me throughout the entire film.  No matter – Lanthimos returned last year with The Killing of a Sacred Deer, which was thrilling, compelling, and darkly hilarious for its entire two-hour runtime.  Because of my deep appreciation for that film, I am very much optimistic that his newest endeavor will be a great achievement.  Trailer –https://www.youtube.com/watch?v=hqYlnvghV-U

No. 6 – Widows (November 16)

WidowsWidows is a thriller that tells the story of a group of women who attempt a heist after their criminal husbands are killed.  The uber-talented British filmmaker Steve McQueen is back with his first feature film since 12 Years a Slave, the Best Picture winner that I named my favorite film of 2013.  McQueen is such a unique storyteller, and if the critical success of his complete filmography (Hunger, Shame, and 12 Years a Slave) gives us any indication, Widows is sure to be a fantastic piece of cinema.  Oscar winner Viola Davis also stars as the lead, which is another reason this film is likely to impress. Trailer – https://www.youtube.com/watch?v=nN2yBBSRC78

 No. 7 – A Star Is Born (October 5)

A Star Is BornA Star Is Born is a musical drama about a country musician (Bradley Cooper) who discovers and falls in love with a young singer (Lady Gaga).  This iteration of A Star Is Born (which marks Cooper’s directorial debut) is the third remake to the original 1937 film (it was remade with Judy Garland and James Mason in 1954 and with Barbara Streisand and Kris Kristofferson in 1976). Truthfully, the trailers for this film that have been playing repeatedly on TV lately have me hooked – I love the sound of the music, I love the apparent chemistry between the two leads, and I love the style in which it is shot.  And I am already buying into the hype surrounding Lady Gaga’s performance, simply based on what I can see from the trailer.  No one would doubt that Lady Gaga is a standout performer in general, not just as a singer, and I look forward to seeing her acting talents on the big screen in what has already been characterized by many in the industry as an early Best Picture darling.  Trailer – https://www.youtube.com/watch?v=nSbzyEJ8X9E

 No. 8 – Outlaw King (November 9 – Netflix)

Outlaw KingOutlaw King is an epic historical film about Robert the Bruce, one of the most famous Scottish warriors and eventual King of Scotland.  David Mackenzie directed this film, which is the very reason that it is on my list.  Mackenzie’s previous two films both ranked in the top 4 on my year-end lists (I ranked Starred Up as my No. 4 film in 2014 and Hell or High Water as my No. 2 film in 2016) – based on that track record, I am obviously looking forward to his newest film.  I will admit that a couple of weeks ago, this film was trending toward the top of my most anticipated list – however, early critical reviews have not been jaw-dropping, which is why its position has slipped a bit here.  Regardless of those early reviews, I am still confident that Mackenzie will bring a quality picture to the big Netflix screen – his cast of Chris Pine (fantastic in Hell or High Water), Aaron Taylor-Johnson (wonderful in everything he touches), and Florence Pugh (a vision in last year’s Lady Macbeth) will surely add some definite firepower.  Trailer – https://www.youtube.com/watch?v=Q-G1BME8FKw

No. 9 – Welcome to Marwen (December 21)

Welcome to MarwenWelcome to Marwen is a dramatic film inspired by the true-life story of Mark Hogancamp, a victim of a brutal assault, who undertakes an enormous effort to build a miniature World War II village in his backyard in an effort to cope with the trauma he has endured.  Yes, this movie features a great cast, including Steve Carrell as Hogancamp. Yes, the film is directed by Robert Zemeckis, who always seems to turn in quality work, year after year.  And yes, the film’s mixture of live-action and animation looks incredibly unique and charming.  But for me, my anticipation for this film stems solely from my profound reverence for the 2010 documentary that it is based on, Marwencol.  When I first saw Marwencol, I was enthralled by Mark’s story and utterly fascinated by his artistry and imagination.  Marwencol is definitely one of my all-time favorites, and I hope that Zemeckis’s film provides a great companion piece to the documentary.  Trailer – https://www.youtube.com/watch?v=W6dy7xQ8NeE

No. 10 – The Ballad of Buster Scruggs (November 16 – Netflix)

Buster ScruggsThe Ballad of Buster Scruggs is a western anthology film by the Coen brothers that features six separate chapters, each with its own cast.  I won’t lie – I have generally fallen out of love with the Coen brothers.  In terms of their directorial efforts, I really haven’t enjoyed many of their films from the past decade, outside of A Serious Man in 2009.  However, I continue to hold out hope that these cinematic visionaries can again replicate the success of their past hits (e.g., Raising Arizona, Fargo, The Big Lebowski, No Country for Old Men).  The trailer here has me genuinely intrigued by what the Coen brothers can do with the anthology concept, and given their established résumé in the business, I am willing to keep giving them chances.  Trailer –  https://www.youtube.com/watch?v=_2PyxzSH1HM

HONORABLE MENTIONS

Creed IICreed II (November 21) – The sequel to Creed is set to follow Adonis Creed as he prepares for his next big fight – a bout against the son of Ivan Drago, the man that killed Adonis’s father in the ring so many decades ago.  I am always down for more from the Rocky universe, and I expect Michael B. Jordan to dominate the screen again in Round 2. Trailer – https://www.youtube.com/watch?v=cPNVNqn4T9I

Fantastic BeastsFantastic Beasts: The Crimes of Grindelwald (November 16) – The sequel to Fantastic Beasts and Where to Find Them will follow Newt Scamander as he looks to take down Gellert Grindelwald, one of the wizarding world’s most powerful dark wizards.  The previews for this film have already revealed a return to Hogwarts, Jude Law as a young Albus Dumbledore, and the origin of Nagini – all of that is plenty to overcome the casting of Johnny Depp as Grindelwald.  I am very optimistic about this film, as I will always put my faith in J.K. Rowling and David Yates. Trailer – https://www.youtube.com/watch?v=8bYBOVWLNIs

Mary, Queen of ScotsMary, Queen of Scots (December 7) – This historical drama tells the story of the “Rising of the North,” an infamous conflict that pitted two half-sisters, Queen Elizabeth I and Mary Stuart, against one another in an epic struggle for power in England.  This film has a lot going for it.  First, Beau Willimon (creator of the Netflix hit House of Cards) wrote the script. Second, and most importantly, Saoirse Ronan and Margot Robbie star as Mary, Queen of Scots and Queen Elizabeth I, respectively. Trailer – https://www.youtube.com/watch?v=wnqjSgMU36U

Under the Silver LakeUnder the Silver Lake (December 7) – This is a neo-noir film that follows Sam (Andrew Garfield) as he searches the seamy depths of Los Angeles to solve the disappearance of Sarah (Riley Keough), a mysterious woman he met at an apartment swimming pool.  This movie is director David Robert Mitchell’s follow-up effort to 2014’s It Follows, an incredible film that re-wrote the rules of horror flicks.  Based on my love for It Follows, I have a lot of confidence in Under the Silver Lake’s potential.  Trailer – https://www.youtube.com/watch?v=mwgUesU1pz4

UPDATE: Sadly, it was announced on November 1 that Under the Silver Lake would be pushed back to an April 18, 2019 release, which does not bode well for the movie’s potential success.

ViceVice (December 25) – This biopic follows the political rise of former Vice President Dick Cheney.  This is the only film on this list that still does not have a trailer yet released, but that doesn’t mean I still don’t expect big things from it.  Adam McKay – the comedic genius behind Anchorman, Step Brothers, and The Other Guys – directs, but it is his directorial work on The Big Short that has me most pumped for this movie.  Christian Bale completely transformed his body (again – see The Machinist, American Hustle) to play Cheney, and one of my favorite actresses of all time (Amy Adams) is set to play Lynne Cheney. Trailer – NONE

UPDATE: The trailer for Vice was released less than a week after I posted this article. Needless to say, had it been available prior to this post going live, Vice would have been VERY high on this list!! Check out the trailer here: https://youtu.be/g09a9laLh0k