Top 15 Films of 2015, No. 2 – The Revenant

The Revenant is an action adventure film directed by Alejandro G. Iñárritu, with a screenplay by Iñárritu and Mark L. Smith, adapted in part from Michael Punke’s novel of the same name about the real-life Hugh Glass. Set throughout the American wilderness in the 19th century, the film follows Hugh Glass (Leonardo DiCaprio), a fur trapper who, while briefly away from his men, is attacked by a bear. Although Fitzgerald (Tom Hardy) initially agrees to part with his men and stay back with his fallen comrade, he ultimately grows tired of Glass’s “condition.” Fitzgerald slays Glass’s son Hawk in front of him, attempts to bury Glass alive, and leaves him for dead. The rest of the film charts Glass’s determination to trek across the cold, barren wilderness to get vengeance for his son’s murder.

Rev10When I bought a ticket and sat down in the audience of a dark theater over a month and a half ago to see Alejandro G. Iñárritu’s newest film, I was excited but truly did not know what to expect. What resulted was amazing: I did not merely watch a film—I experienced it! An experience is just what this film is. The Revenant is a visionary work of art, and the man behind it all is Iñárritu, a creator at the peak of his filmmaking career. In 2013, he gave us Gravity, an out-of-this-world (literally) depiction of two astronauts lost in space, which I did not enjoy initially but have grown to appreciate. In 2014, Iñárritu brought Birdman to the big screen, a film that would garner nine Oscar nominations and four wins, including Best Picture and Best Director for Iñárritu. Could the 52-year-old Mexican director really deliver another brilliant production in 2015? No matter what anyone might have thought, Iñárritu responded with a resounding, “Yes.”

THE REVENANT

With help from his loyal cinematographer Emmanuel “Chivo” Lubezki (who with The Revenant earned his third straight Oscar nomination for Best Cinematography; Chivo is going for a three-peat, having won that award the previous two times for Gravity and Birdman), Iñárritu has given us a film that will surely endure the test of time. The term “revenant” means, according to Merriam-Webster, “one that returns after death or a long absence.” DiCaprio’s Hugh Glass is just that, in both senses of the word; not only is he separated from his men for a long period of time, but he trudges back almost like a ghost, having been buried alive, seemingly left to die. Iñárritu ties this meaning of his title into a story that tells of perseverance and retribution; the only time he loses me is with his few scenes of philosophy and spirituality, but I forgive him for these brief interludes that lose focus. Rev4The opening scene features an intense battle that pits Glass and his team of fur traders against a group of violent Native Americans. This scene is remarkable—arrows whiz by the camera, bringing the viewer closer into the fold. The scene is reminiscent of classic war scenes, such as the Normandy invasion in Saving Private Ryan. At times throughout the film—especially during close-up shots—characters’ blood and sweat spew onto the camera, leaving visible spots. Most of the time this would be a reprehensible act, but in this film, it just works. You see characters’ breath fill the lens. This lends an extraordinary sense of realism to the film.

THE REVENANT

The film is beautiful and enduring, but the end result achieves even more acclaim based on the fact that the movie was a living hell for all involved. Many crewmembers abandoned ship during the production (either voluntarily or not; apparently Iñárritu axed many himself), and it was reported that the grueling schedule and terrible weather conditions were to blame. Principal photography spanned almost a year, and filming was incredibly difficult because Iñárritu and Chivo chose to shoot using natural light almost exclusively (they used only light from the sun, moon, and fires to guide production). Although this arduous process pushed everyone involved to his or her breaking point in a cold, inhospitable wasteland, the result is a gift to cinema. During his acceptance speech for Best Director at the Golden Globes in January, Iñárritu admitted the difficult nature of the film’s production, but recited one of the most poignant quotes in filmmaking: “Pain is temporary, but a film is forever.” Thank you, sir, for this beautiful movie; may it long endure as your masterpiece.

Rev2Now, let’s get to DiCaprio. My goodness, give that man an Oscar! Although his character is mostly silent throughout the film, Leo delivers a performance that will be discussed for generations. As mentioned above, the production of The Revenant was demanding, and Leo felt the brunt of that often. He admitted to being on the brink of hypothermia throughout and has openly described this film as the most difficult challenge he has ever taken on. Hugh Glass is faced with a set of circumstances that mean to deny him survival at every stage of the film, starting with his brutal bear attack early on, which, let’s be honest, is one of the most incredible scenes you will ever witness in a movie—it is the definition of an “edge-of-your-seat” experience, and it is filled with heart-pounding thrills. Rev6But he marches on. He endures. He survives. He is absolutely unrelenting in his quest for justice. He eats raw bison liver. He sleeps in a fresh horse carcass for warmth. Like I said: GIVE THIS MAN AN OSCAR! In all seriousness, Leo is the odds-on favorite to take home the Academy Award for Best Actor and rightfully so. But for everyone (which includes me) that feels Leo has been snubbed far too many times by the Academy, realize this: When Leo gets this award, it will not be a “Lifetime Achievement” award (i.e., a make-up call)—it will be because in this film, he absolutely deserves it for throwing himself into Iñárritu’s treacherous pit of film production and coming out alive, giving us a preeminent acting performance in the process.Rev7 I would be stupid not to at least mention Tom Hardy here, as he also received an Academy Award nomination for Best Supporting Actor, but I will point you to my earlier post about why Tom Hardy 100% deserves the Academy Award for his stellar performance. What I will say here is that Hardy’s portrayal of Glass’s nemesis was the glue that held this film together. Without Tom Hardy absolutely killing it in his supporting role (playing the voice of the film), this film falters. The Revenant is rated R for strong frontier combat and violence including gory images, a sexual assault, language, and brief nudity.

The Revenant trailer: https://www.youtube.com/watch?v=LoebZZ8K5N0

Academy Award nominations for The Revenant:

Best Picture (Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, and Keith Redmon)

Best Director (Alejandro G. Iñárritu)

Best Actor (Leonardo DiCaprio)

Best Supporting Actor (Tom Hardy)

Best Cinematography (Emmanuel Lubezki)

Best Costume Design (Jacqueline West)

Best Sound Editing (Martin Hernández and Lon Bender)

Best Sound Mixing (Jon Taylor, Frank A. Montaño, Randy Thom, and Chris Duesterdiek)

Best Makeup and Hairstyling (Siân Grigg, Duncan Jarman and Robert Pandini)

Best Visual Effects (Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer)

Best Film Editing (Stephen Mirrione)

Best Production Design (Jack Fisk and Hamish Purdy)

Previous movies on the countdown of the Top 15 Films of 2015:

  1. The Big Short
  2. Sicario
  3. Ex Machina
  4. Spotlight
  5. Straight Outta Compton
  6. Kingsman: The Secret Service
  7. Steve Jobs
  8. Creed
  9. ’71
  10. Room
  11. Star Wars: The Force Awakens
  12. Beasts of No Nation
  13. The Martian

Best Director (2015)

In this year’s Best Director category, just two nominees are receiving their inaugural Oscar nomination (Adam McKay, who is also nominated for Best Adapted Screenplay; and Lenny Abrahamson). The other three directors have combined for twelve previous Academy Award nominations. Of those twelve, four are Oscar wins (three for Alejandro G. Iñárritu and one for George Miller). The following is my Oscars ballot for this category, Best Director:

WINNER: George Miller (Mad Max: Fury Road)

Miller 1George Miller is the Australian director behind the original Mad Max trilogy, as well as Happy Feet and Happy Feet Two. During this awards season, George Miller has already garnered the Critics’ Choice Award for Best Director. Miller was previously nominated for four Oscars: Best Original Screenplay (Lorenzo’s Oil), Best Adapted Screenplay (Babe), Best Animated Feature (Happy Feet), and Best Picture (Babe). Of those four nomination, Miller has just one Oscar win: Best Animated Feature for Happy Feet.

  1. Alejandro G. Iñárritu (The Revenant)

Inarritu 2Alejandro G. Iñárritu is a renowned Mexican filmmaker—he is the visionary behind the Oscar-winning film Birdman and the celebrated “Death Trilogy” (Amores perros, 21 Grams, Babel). During this awards season, Iñárritu has already won the BAFTA and Golden Globe for Best Director. Iñárritu has been previously nominated for seven Oscars: twice for Best Foreign Language Film (Amores perros and Biutiful), twice for Best Director (Babel and Birdman), once for Best Original Screenplay (Birdman), and twice for Best Picture (Babel and Birdman). Of those seven nominations, he has won three Oscars: Best Picture, Best Director, and Best Original Screenplay for Birdman.

  1. Lenny Abrahamson (Room)

Abrahamson 1Lenny Abrahamson is an Irish film director—he has previously directed What Richard Did (2012) and Frank (2014). In addition to his nomination for Room, Abrahamson has additionally been nominated for Best Director at the Irish Film & Television Awards and Satellite Awards. Abrahamson has never previously been nominated for an Academy Award in any category.

  1. Adam McKay (The Big Short)

McKay 1Adam McKay is an American filmmaker, renowned for writing and directing critically acclaimed comedies, such as Anchorman, Talladega Nights, Step Brothers, The Other Guys, and additionally producing such comedies as The Campaign, Tammy, Welcome to Me, and Get Hard. In addition to the Oscars, McKay has been nominated for Best Director at the BAFTAs and Directors Guild of America. He has also earned nominations in the Best Adapted Screenplay category at the Oscars and Golden Globes, while also winning the award at the BAFTAs, Critics’ Choice Awards, and the Writers Guild of America Awards. McKay has never previously been nominated for an Academy Award.

  1. Tom McCarthy (Spotlight)

McCarthy 1Tom McCarthy is an American actor, writer, and director. In his acting capacity, he is best known as Dr. Bob Banks in the Meet the Parents trilogy. He is a critically acclaimed director for films such as The Station Agent (2003) and The Visitor (2007). Additionally, he is an accomplished writer, penning scripts for the previously two named films, as well as the Oscar-nominated Up (2009). In fact, Up is his lone previous Oscar nomination (Best Original Screenplay). This awards season, McCarthy won the Best Director award at the Satellite Awards.

Fall Preview 2015: No. 5 – No. 1

1-5 Header 2015

Happy Monday, film fans! The conclusion to my “Fall Preview 2015” is finally here. Over the past few days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2015 list. Enjoy!

No. 5 – Black Mass

Black Mass 3Black Mass tells the true story of Whitey Bulger (Johnny Depp), a notorious mobster and infamous leader of the Winter Hill Gang, an Irish-American mob in South Boston. If you have not seen this trailer, quit reading this now and click the link to it below (no, seriously…it’s worth it). Johnny Depp stars as the villainous Bulger, and by the looks of the aforementioned trailer, he knocks this performance out of the park! I will be the first to admit that Depp is by far one of the weirdest tools in the Hollywood shed. In today’s world, his filmography is marred by oddball performances in films like Charlie and the Chocolate Factory, Alice in Wonderland, The Lone Ranger, and Mortdecai. But most forget how truly talented Depp is as an artist, providing iconic performances in Donnie Brasco, Blow, Pirates of the Caribbean, and Public Enemies. I am hopeful that his portrayal of Bulger falls perfectly in line with his more acclaimed displays of acting dexterity—the trailer truly does give me hope!

Black Mass 2Other than seeing Johnny Depp own the role of a crazed, harebrained mobster, I am looking forward to Black Mass because I am hopeful that it redeems the deeply complex story of Whitey Bulger’s life that the 2014 documentary Whitey: United States of America v. James J. Bulger so drastically mucked up. I was expecting big things from that documentary, but it merely provided a bore-fest that too blatantly revealed the filmmakers’ lack of access. Beneath the surface, an incredibly captivating story bubbles with deceit, violence, lunacy, and corruption, and I am confident that director Scott Cooper and Depp will bring that to fruition. Black Mass is set for a theatrical release on September 18, 2015.

Director: Scott Cooper (Out of the Furnace, Crazy Heart)

Starring: Johnny Depp (Mortdecai, Into the Woods), Joel Edgerton (The Gift, Life), Benedict Cumberbatch (The Hobbit: The Battle of the Five Armies, The Imitation Game), Dakota Johnson (Fifty Shades of Grey, Need for Speed), and Kevin Bacon (Cop Car, R.I.P.D.)

Trailer: https://www.youtube.com/watch?v=CE3e3hGF2jc

No. 4 – The Revenant

The Revenant 2According to Entertainment Weekly, The Revenant “is inspired by the trust story of Hugh Glass (Leonardo DiCaprio), a 19th-century hunter and fur trapper who was attacked by a bear and left for dead by his comrades (Tom Hardy and Domhnall Gleeson), only to will himself across hundreds of miles of winter terrain to safety—and redemption.” This movie has SO much going for it in my eyes: the cast, the crew, and the director. For starters, it stars Leo DiCaprio, Tom Hardy, and Domhnall Gleeson. Leo is my all-time favorite actor. Hardy is the greatest currently in the business. And with films like About Time and Ex Machina in his relatively small filmography, D-Glee is becoming one of my faves in the industry. Combine the talents of all three of these practiced artists and, in my humble opinion, you have a concoction of star power with unfathomable potential—this alone makes The Revenant a massive draw for me!

The Revenant 3Notwithstanding a wealth of talent within its cast, The Revenant piques my interest because of its director and cinematographer: Alejandro G. Iñárritu and Emmanuel Lubezki. Iñárritu is an absolute genius filmmaker, as evidenced by his critically acclaimed 2014 film Birdman, winner of four Oscars (including Best Picture and Best Director for Iñárritu). He is obviously coming off an amazing year in film, and the fact that he is following up Birdman with an epic adventure that took over seven months to shoot in one of the most frigid locations in the world, Iñárritu is sure not letting off the gas pedal. Additionally, his Birdman cinematographer (Lubezki) is back for The Revenant, and that is reason alone to be excited—Lubezki has won the Oscar for Best Cinematography at each of the last two Academy Awards (Gravity and Birdman). The Revenant is set for a theatrical release on December 25, 2015.

Director: Alejandro G. Iñárritu (Birdman, Babel)

Starring: Leonardo DiCaprio (The Great Gatsby, Django Unchained) and Tom Hardy (Legend, Mad Max: Fury Road)

Trailer: https://www.youtube.com/watch?v=QRfj1VCg16Y

No. 3 – Sicario

Sicario 3Sicario, Spanish for “hitman,” follows Kate Macer (Emily Blunt), an FBI agent who is recruited onto a joint task force assigned to hunting down a drug-cartel overlord. Blunt is joined by Benicio del Toro (who plays a Mexican national) and Josh Brolin (who plays a government official). To put it simply: I absolutely cannot wait for Sicario.

Sicario 2Earning rave reviews from critics at this year’s Cannes Film Festival, Sicario is most fascinating due to Emily Blunt being cast as the lead protagonist. I have always somewhat enjoyed her work, but ever since her badass performance in last year’s Edge of Tomorrow, I am officially on Team Blunt for life. She has just as much charisma as any other leading lady, but it is her penchant for action that now truly sets her apart. Speaking to EW, director Denis Villeneuve said, “I didn’t want a woman who would act like a man. I wanted a woman who would find her strength in a masculine world.” I believe Blunt is up to the task, and that is one of the biggest reasons I am so stoked for this movie’s release.

S_D037_09788.NEFThe supporting cast is also a major draw. Benicio del Toro is a veteran in the game, and with performances in films like Traffic and 21 Grams, he knows how to most effectively evoke mystery, thrill, and suspense. Josh Brolin is another experienced actor that is sure to bring his trademark demeanor to the picture in order to add to the film’s drama. Lastly, I greatly enjoyed 2013’s Prisoners, directed by Villeneuve. He provided an unprecedented level of tension for that film’s entire duration, and I look for him to do the exact same thing in Sicario, hopefully expanding the scope of this apprehensive style of filmmaking. Sicario is set for a limited theatrical release on September 18, 2015 and a wide theatrical release on September 25, 2015.

Director: Denis Villeneuve (Prisoners, Enemy)

Starring: Emily Blunt (Into the Woods, Edge of Tomorrow), Benicio del Toro (Inherent Vice, Guardians of the Galaxy), and Josh Brolin (Inherent Vice, Sin City: A Dame to Kill For)

Trailer: https://www.youtube.com/watch?v=7XLQ1bkSLDo

No. 2 – Spectre

Spectre 2Spectre is the 24th Eon-produced 007 film, and it picks up where its predecessor, Skyfall, ended: following the fatal attack by Raoul Silva that claimed the life of M (Judy Dench), James Bond (Daniel Craig) must move on to thwart impending threats (by the criminal organization SPECTRE) at the direction of the new M, Gareth Mallory (Ralph Fiennes). I am an avid fan of the James Bond series, and although my loyalties were always to Sean Connery as the preeminent Bond, Daniel Craig has definitely won me over; I now hold Craig out to be the best 007 of all time! Skyfall set a new bar for Bond films, surpassing (almost) every single one that came before it—Goldfinger is still the, pardon the pun, “gold” standard for 007 flicks! With Bond and his cohorts back in action for a fourth installment in the Daniel Craig era, I am hard-pressed to find any reason why this film should not be regarded as one of the biggest, baddest, and most anticipated films of the fall film season!

Spectre 3What is the one thing that could possibly propel Spectre past Skyfall for the second greatest 007 movie of all time? Two words: Christoph Waltz! The two-time Oscar winner is set to play Oberhauser, the apparent mastermind of SPECTRE, who claims some sort of personal connection to Bond. Bringing into the Bond fold one of the premier actors in the film industry is simply the best news for the franchise, and with Waltz in the mix, director Sam Mendes may find a cinematic classic at his fingertips. Spectre is set for a wide theatrical release on November 6, 2015.

Director: Sam Mendes (Skyfall, Away We Go)

Starring: Daniel Craig (Skyfall, The Girl with the Dragon Tattoo), Christoph Waltz (Big Eyes, Horrible Bosses 2), Léa Seydoux (The Grand Budapest Hotel, Blue Is the Warmest Colour), Monica Bellucci (The Wonders, Love & War), and Ralph Fiennes (The Grand Budapest Hotel, Skyfall)

Trailer: https://www.youtube.com/watch?v=ashLaclKCik

No. 1 – The Hateful Eight

The Hateful Eight 2The Hateful Eight follows John “The Hangman” Ruth (Kurt Russell) as he escorts Daisy “The Prisoner” Domergue to Red Rock to face justice for murder. Along the way, the two come across six very unique characters: The Bounty Hunter (Samuel L. Jackson), The Sherriff (Walter Goggins), The Mexican (Demián Bichir), The Little Man (Tim Roth), The Cow Puncher (Michael Madsen), and The Confederate (Bruce Dern).

The Hateful Eight 3Where do I start? I have been looking forward to The Hateful Eight since late 2013 when writer/director Quentin Tarantino said that he was working on his next movie. I have long been a fan of Tarantino, and considering (1) Inglourious Basterds is my all-time favorite movie, and (2) I own every single film Tarantino has ever made, it is no surprise that The Hateful Eight finds itself at the No. 1 spot of my Fall Preview. I am stunned this movie ever got made to be honest. In 2014, after his initial script was illegally leaked, Tarantino said that he was abandoning the project. However, he later changed his mind, rewrote the script, and voilà—we get a Christmas-day release in 70 mm of The Hateful Eight!

The Hateful Eight 1One thing Tarantino has always been known for is his recurring collaborations with actors—The Hateful Eight is no exception. Other than Jennifer Jason Leigh and Demián Bichir, Tarantino has previously worked with each of his stars. The Hateful Eight will be his second collaboration with Kurt Russell, Walter Goggins, and Bruce Dern, his third with Michael Madsen, his fourth with Tim Roth, and an astounding sixth with the legendary F-bomb king Samuel L. Jackson. Tarantino’s professional rapport with these actors can only benefit the movie, and I am so eager to see what this mad scientist has cooked up next! The Hateful Eight is set for a 70 mm film release on December 25, 2015 and a digital film release on January 8, 2016.

Director: Quentin Tarantino (Django Unchained, Inglourious Basterds)

Starring: Samuel L. Jackson (Avengers: Age of Ultron, Kingsman: The Secret Service), Kurt Russell (Furious 7, The Art of the Steal), Jennifer Jason Leigh (Welcome to Me, The Spectacular Now), Walter Goggins (American Ultra, Mojave), Demián Bichir (Dom Hemingway, Machete Kills), Tim Roth (Selma, United Passions), Michael Madsen (Ashley, I’m in Love with a Church Girl), and Bruce Dern (Cut Bank, Nebraska)

Trailer: https://www.youtube.com/watch?v=gnRbXn4-Yis

Review: My Ballot and Countdown

NomineesWith my third annual countdown in the books, we have finally reached the big day: the Academy Awards.  In preparation for tonight’s ceremony, I am providing all of you with a review of my blog from these past few weeks.  This review includes all of the winners of the 14 categories in which I have seen each nominated film/performance and have subsequently blogged about (my personal ballot), and it also includes my list of the “Top 15 Films of the Year.”

Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances.  And make sure to tune into the 87th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theatre in Los Angeles, CA.  Enjoy, everyone!

My Oscar Winners:

Best Picture: Whiplash

Actor in a Leading Role: Eddie Redmayne (The Theory of Everything)

Actor in a Supporting Role: J.K. Simmons (Whiplash)

Actress in a Leading Role: Rosamund Pike (Gone Girl)

Actress in a Supporting Role: Patricia Arquette (Boyhood)

Best Director: Alejandro G. Iñárritu (Birdman)

Best Cinematography: Emmanuel Lubezki (Birdman)

Best Film Editing: Joel Cox and Gary D. Roach (American Sniper)

Best Makeup and Hairstyling: Elizabeth Yianni-Georgiou and David White (Guardians of the Galaxy)

Best Original Score: Jóhann Jóhannsson (The Theory of Everything)

Best Production Design: Nathan Crowley and Gary Fettis (Interstellar)

Best Sound Mixing: Craig Mann, Ben Wilkins, and Thomas Curley (Whiplash)

Best Adapted Screenplay: Damien Chazelle (Whiplash)

Best Original Screenplay: Dan Gilroy (Nightcrawler)

Top 15 Films of the Year:

  1. Whiplash
  2. Locke
  3. Nightcrawler
  4. Starred Up
  5. The Theory of Everything
  6. Boyhood
  7. Blue Ruin
  8. American Sniper
  9. Guardians of the Galaxy
  10. Birdman
  11. Fury
  12. Calvary
  13. Interstellar
  14. Gone Girl
  15. The Lego Movie

 

Best Director

Best Director NomineesIn this year’s Best Director category, only one nominee is receiving his inaugural Oscar nomination (Morten Tyldum). The other four directors have combined for ten previous Academy Award nominations; however, only two of those ten nominations were in the Best Director category (Alejandro G. Iñárritu for Babel and Bennett Miller for Capote). The following is my Oscars ballot for this category, Best Director:

WINNER: Richard Linklater (Boyhood)

Boyhood8Richard Linklater is an American filmmaker with credits that include Dazed and Confused (1993) and the Before Trilogy (Before Sunrise, Before Sunset, and Before Midnight). Linklater has already garnered 31 Best Director awards at various film festivals and award shows for his work in Boyhood. Linklater was previously nominated twice at the Oscars in the Best Adapted Screenplay category (Before Sunset and Before Midnight).

  1. Alejandro G. Iñárritu (Birdman)

Birdman2Alejandro G. Iñárritu is a renowned Mexican filmmaker—he is the visionary behind the celebrated “Death Trilogy” (Amores perros, 21 Grams, Babel). Iñárritu has been previously nominated for four Oscars: twice for Best Foreign Language Film (Amores perros and Biutiful) once for Best Director (Babel), and once for Best Picture (Babel).

  1. Bennett Miller (Foxcatcher)

Bennett MillerBennett Miller is an American film director—he previously directed Capote (2005) and Moneyball (2011). At the 67th Cannes Film Festival in May 2014, Miller won the Best Director award for his work on Foxcatcher. Miller was previously nominated in the Best Director category at the Oscars for 2005’s Capote.

  1. Morten Tyldum (The Imitation Game)

Morten TyldumMorten Tyldum is a Norwegian film director, renowned internationally for his critically acclaimed, BAFTA-nominated thriller Headhunters (2011). Tyldum has never previously been nominated for an Academy Award.

  1. Wes Anderson (The Grand Budapest Hotel)

Wes AndersonWes Anderson is an American filmmaker—he is the creative genius behind movies like Rushmore (1998), Fantastic Mr. Fox (2009), and Moonrise Kingdom (2012). Wes Anderson has been previously nominated for three Oscars: Best Original Screenplay for The Royal Tenenbaums (2001) and Moonrise Kingdom (2012) and Best Animated Feature for Fantastic Mr. Fox (2009).

Best Original Screenplay

Best Original Screenplay Nominees

This year, similar to the Best Adapted Screenplay category, nearly every singe nominee will be attending the Academy Awards for the first time in a screenwriting capacity. Only two writers out of the nine nominated writers have received Oscar nominations previously: Richard Linklater and Wes Anderson. The following is my Oscars ballot for this category, Best Original Screenplay:

Dan GilroyWINNER: Dan Gilroy (Nightcrawler)

Dan Gilroy has never previously been nominated in any screenwriting categories at the Academy Awards.

  1. Richard Linklater (Boyhood)

Richard Linklater 2Richard Linklater was previously nominated twice at the Oscars in the Best Adapted Screenplay category (Before Sunset and Before Midnight).

 

  1. Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., and Armando Bo (Birdman)

72nd Annual Golden Globe Awards - Press RoomAlejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., and Armando Bo have never previously been nominated for an Academy Award in a writing category.

 

  1. E. Max Frye and Dan Futterman (Foxcatcher)

Foxcatcher writersE. Max Frye has never previously been nominated for an Academy Award. However, Dan Futterman has been previously nominated for Best Adapted Screenplay for Capote (2005).

 

 

  1. Wes Anderson (The Grand Budapest Hotel)

Wes AndersonWes Anderson has been previously nominated for Best Original Screenplay twice: The Royal Tenenbaums (2001) and Moonrise Kingdom (2012).

Top 15 Films of 2014, No. 10 – Birdman or (The Unexpected Virtue of Ignorance)

Birdman - BPBirdman or (The Unexpected Virtue of Ignorance) is a black comedy directed by Alejandro G. Iñárritu with a screenplay by Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., and Armando Bo. The film follows Riggan Thompson (Michael Keaton), an actor with a wavering career (famous for portraying the superhero “Birdman”) who is looking to stage a comeback by directing and acting in a Broadway production. In the final days leading up to the show’s opening night, Riggan must battle himself as he attempts to reconcile his family and his career.

Birdman2Despite the fact that each of writer/director Alejandro G. Iñárritu’s previous four feature films (Amores perros, 21 Grams, Babel, and Biutiful) was nominated for Oscars in a range of categories, Birdman is personally my first encounter with the critically acclaimed Mexican filmmaker. Although none of Iñárritu’s films have won big on Oscar night, that is bound to change in just less than two weeks. In Birdman, Iñárritu has constructed one of the best original screenplays in the past few years, and this unique storyline flat out works on so many levels. It is an unparalleled, comeback-within-a-comeback story. Its lead character Riggan Thompson is making a comeback on Broadway after years of dormancy following his refusal to play the superhero “Birdman” in a fourth installment of the superhero series. Birdman8All the while, actor Michael Keaton, after leaving Tim Burton’s Batman franchise in between the second and third films, has endured years without commercial or critical success and is making an acting revival of sorts in his Birdman role. Considering this casting decision and Iñárritu’s storyline, I figured Birdman would ultimately be too clever for its own good—I imagined it would be way too cheeky and a bit too heavy-handed in its attempt to be self-aware. Ultimately, I was wrong. Yes, it was cognizant of its meta-like approach, but the meticulous filmmaking style of Iñárritu and his witty script allowed the movie to hurdle high above its own cliché barriers to make the story entertaining and mesmerizing. Additionally, the comedic aspects of the script are genius. From Edward Norton and Michael Keaton’s back-and-forth during a rehearsal once Norton’s character is first hired, to the scene of Keaton walking around Times Square in nothing but his white underwear, Iñárritu understands the humor he is trying to evoke, and he does so incredibly well.

Birdman3Part of the allure of Birdman is the way in which it is shot—it is absolutely masterful filmmaking. The movie appears to take place in one continuous long tracking shot. The “long take” has long (pardon the pun…I assure it was unintended) been my favorite filmmaking technique, and when one is done well, it is nothing short of exquisite. In the same vein as Alfred Hitchcock’s Rope, Iñárritu, cinematographer Emmanuel Lubezki, and the film-editing team carefully created the illusion of a single take throughout the film’s entirety—they utilized sleek, unsuspecting cuts during horizontal pans and close-up shots on the cast. The result is a film that plays out like a suspense thriller, keeping viewers on the edge of their seats as the unpredictable plot is shot “continuously.” The technique is choreographed and audacious, and it will be one of the most remembered aspects of Birdman for years to come. With its deft photographical magnetism, Lubezki will surely earn his second Oscar win for cinematography (his first was for 2013’s Gravity).

_AF_6405.CR2Considering the single “long-take” design for the film, each actor had to consistently be on his or her A-game. Michael Keaton was incredibly superb in his complicated role as the ego-driven, but lost-soul-like Riggan Thompson, and even though he may not win the Oscar for Best Actor (ain’t NOBODY beating Eddie Redmayne this year), it will long stand out (deservedly) as the magnum opus of Keaton’s career. Birdman4The supporting performances in Birdman were also superlative. Both Emma Stone and Edward Norton received Oscar nominations for their roles as Thompson’s daughter and Thompson’s Broadway co-star, respectively, and these accolades come as no surprise. I will discuss Stone’s role in more detail later today in my “Best Supporting Actress” post, but suffice it to say, her performance as a recovering addict is cerebral, and as the sole voice of reason for Riggan Thompson, Stone plays the part of his daughter dexterously. Birdman5Norton nearly steals the show with his performance as Mike Shiner, an acclaimed Broadway star that Riggan is forced to hire at the last minute, just days before the show’s premiere. Norton plays the “pompous asshole” character as scrupulously as possible, and his brilliant acting brings out the most hilarious of the film’s moments—during the show’s preview, Shiner gets drunk and tries to have actual sex with a co-star on stage! Check out Birdman. Everyone has been hyping this movie up for months, and it comes better than advertised. Birdman is rated R for language throughout, some sexual content and brief violence.

Birdman trailer: https://www.youtube.com/watch?v=uJfLoE6hanc

Academy Award nominations for Birdman:

Best Picture (Alejandro G. Iñárritu, John Lesher, and James W. Skotchdopole, producers)

Best Actor (Michael Keaton)

Best Supporting Actor (Edward Norton)

Best Supporting Actress (Emma Stone)

Best Cinematography (Emmanuel Lubezki)

Best Director (Alejandro G. Iñárritu)

Best Sound Editing (Martín Hernández and Aaron Glascock)

Best Sound Mixing (Jon Taylor, Frank A. Montaño, and Thomas Varga)

Best Original Screenplay (Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., and Armando Bo)

Previous movies on the countdown of the Top 15 Films of 2014:

  1. Fury
  2. Calvary
  3. Interstellar
  4. Gone Girl
  5. The Lego Movie