Everything to Know About Tonight’s 95th Academy Awards

In advance of tonight’s 95th Oscars (which will honor the films released in 2022), I present to you: (1) my predictions for the biggest awards of the night (Best Picture, Best Actress, Best Actor, Best Supporting Actress, and Best Supporting Actor), including a discussion of the current betting odds in each of those categories; (2) a list of Oscar acting snubs and other noteworthy performances from 2022; and (3) my personal ballot for all categories in which I have seen each film/performance (14 of the 23 total categories, with a total of 91 of the 120 nominees and 86.67% of the non-short nominees).

Rather than releasing the list of my favorite films from 2022 with this post, I will publish it separately this week. So be on the lookout for that post, which will provide reviews of my 15 favorite movies of the year and include a complete ranking of all 89 films I saw from this year’s Oscars eligibility period. With that said, check out this post in greater detail below, and make sure to tune into the 95th Academy Awards tonight at 7:00 p.m. (CST) on ABC, live from the Dolby Theatre in Hollywood, California. Enjoy the show, film fans!

Who Could, Should, and Will Take Home Film’s Biggest Awards

Best Picture

Who Could WinAll Quiet on the Western Front OR The Banshees of Inisherin OR Top Gun: Maverick

This year, the Best Picture category has a clear frontrunner: Everything Everywhere All at Once. However, if there’s a chance any film could score an upset, it is unclear which one would do it. All Quiet on the Western Front, The Banshees of Inisherin, and Top Gun: Maverick are all tied at +1400 for the second-best odds.

Who Should WinEverything Everywhere All at Once

This is now one of my favorite movies of all time. Enough said.

Who Will WinEverything Everywhere All at Once

At -1500 frontrunner odds, the Daniels have already secured this award at the British Academy Film Awards, Critics’ Choice Movie Awards, and the Golden Globe Awards. A24 is hours away from securing its second Oscar win for Best Picture, after Moonlight won six years ago.

Best Actress in a Leading Role

Who Could Win: Cate Blanchett

There is a clear two-horse race in this category, and either Michelle Yeoh or Cate Blanchett will take home the Academy Award. Blanchett won at the British Academy Film Awards, Critics’ Choice Movie Awards, and the Golden Globes (in the drama category). While Michelle Yeoh is a slight betting favorite, Blanchett is scoring +190 odds to win her third Oscar.

Who Should Win: Michelle Yeoh

This is simply a perfect movie, and one of its greatest strengths is its acting performances. The core in that department is Michelle Yeoh, who delivers one of the most exceptional performances of the year.

Who Will Win: Michelle Yeoh

I truly think this category could go either way, but in the end, with -275 betting odds, I’m taking Michelle Yeoh to land her first Oscar.

Best Actor in a Leading Role

Who Could Win: Austin Butler

Another tight race this year is for Best Actor, where Brendan Fraser (-200) and Austin Butler (+150) will duke it out. Fraser is currently the frontrunner, but don’t count Butler out—his performance as Elvis Presley has already secured him awards at the British Academy Film Awards and the Golden Globe Awards (in the drama category).

Who Should Win: Colin Farrell

Although I really did enjoy both performances from Austin Butler and Brendan Fraser this year, if I had a vote, it would go to Colin Farrell for his stellar and profound work in The Banshees of Inisherin. Although Farrell won’t land the award (he’s currently getting third-best odds at +1400), he deserves it (in my opinion).

Who Will Win: Brendan Fraser

Talk about a comeback for the ages. Brendan Fraser was sublime in The Whale, and I really think the 54-year-old will leave the ceremony tonight with his first career Academy Award.

Best Actress in a Supporting Role

Who Could Win: Jamie Lee Curtis OR Angela Bassett OR Kerry Condon

The most wide-open race this year in an acting category is Best Supporting Actress, as there is no clear betting “favorite.” One of three performers will win out for the award—Jamie Lee Curtis (+120), Angela Bassett (+135), and Kerry Condon (+260). The actresses have split the awards this season, with Curtis winning at the Screen Actors Guild Awards, Bassett taking home the prize at both the Critics’ Choice Movie Awards and the Golden Globe Awards, and Condon landing a victory at the British Academy Film Awards.

Who Should Win: Stephanie Hsu

Despite the tight race among the top three in this category, my favorite performance came courtesy of 32-year-old performer Stephanie Hsu. Everything Everywhere All at Once is a beautifully wild tale of intergenerational trauma, and although Michelle Yeoh and Ke Huy Quan are the most impressive actors in the film, Hsu is very, very close behind. At +2000 odds, Hsu won’t win tonight, but that shouldn’t diminish her shine in any way.

Who Will Win: Angela Bassett

Again, this category is a toss-up, but I think Angela Bassett ultimately wins.

Best Actor in a Supporting Role

Who Could Win: Barry Keoghan OR Brendan Gleeson

This category is all but locked up, but just for fun, the two supporting actors in The Banshees of Inisherin are getting the next-best odds at +1400. I loved this film, and I loved both performances immensely.

Who Should Win: Ke Huy Quan OR Barry Keoghan

I simply cannot decide who I’d vote for if given the chance this year. On the one hand, Ke Huy Quan is absolutely legendary in Everything Everywhere All at Once. On the other hand, Barry Keoghan is perfect in Banshees. Either of these two performers would make a worthy winner tonight.

Who Will Win: Ke Huy Quan

After tonight, Ke Huy Quan will be etched into the history books, no longer known simply for playing Short Round in 1984’s Indiana Jones and the Temple of Doom or Data in 1985’s The Goonies. At -4000 frontrunner odds, the only major award Quan didn’t land was the BAFTA, which went to Keoghan.

Snubs and Other Performances

Last year, I said the following: “If you think the nominees in the acting categories at the Academy Awards are always the five best from the previous year, you’re greatly mistaken.” That could not be truer this year. Here are my thoughts on some of the best performances of 2022, which should have landed an Oscar nomination:

Lead Actress: Not only did Mia Goth provide a wonderful performance in Ti West’s X this year, but she co-wrote and again starred in West’s prequel Pearl. In Pearl, Goth gives one of the single best performances from any actor in 2022. Further, I am stunned that Danielle Deadwyler was snubbed for her heart-wrenching performance in Till. My other favorite lead actress performances of 2022 were (alphabetically) Olivia Colman in Empire of Light, Rebecca Hall in Resurrection, Maika Monroe in Watcher, Florence Pugh in Don’t Worry Darling, Margot Robbie in Babylon, Taylor Russell in Bones and All, and Emma Thompson in Good Luck to You, Leo Grande.

Lead Actor: Despite the polarizing critic reviews, I loved Babylon, and although the film features stellar performances from Brad Pitt, Margot Robbie, Jovan Adepo, and Jean Smart, the breakthrough role was Manuel, played by Diego Calva—he delivered a lights-out performance. Another under-appreciated performance this year was Jeremy Pope in The Inspection, wherein Pope played the role of Ellis French, a gay Black man who endures a brutal experience at a Marines boot camp—the film is based on writer/director Elegance Britton’s real-life experience, and Pope played it masterfully. My other favorite lead actor performances of 2022 were (alphabetically) Christian Bale in Amsterdam, Nicolas Cage in The Unbearable Weight of Massive Talent, David Earl in Brian and Charles, Caleb Landry Jones in Nitram, Felix Kammerer in All Quiet on the Western Front, Cooper Raiff in Cha Cha Real Smooth, Adam Sandler in Hustle, Alexander Skarsgård in The Northman, and Sebastian Stan in Fresh.

Supporting Actress: I loved Jordan Peele’s newest film Nope this year, and the standout performer was Keke Palmer—she absolutely brought this film to life. Further, although I am glad Paul Mescal was nominated for Best Actor for Aftersun, the greatest performance in that film comes from the young breakthrough actress Frankie Corio. She was truly brilliant. My other favorite supporting actress performances of 2022 were (alphabetically) Jessie Buckley in Women Talking, Claire Foy in Women Talking, Thuso Mbedu in The Woman King, Sadie Sink in The Whale, and Jean Smart in Babylon.

Supporting Actor: Two actors who definitely deserved more awards love this year were Mark Rylance, who portrayed quite possibly the creepiest film character of 2022 in Bones and All, and Micheal Ward, who was a revelation in an otherwise average film Empire of Light. My other favorite supporting actor performances of 2022 were (alphabetically) Jovan Adepo in Babylon, Sean Harris in The Stranger, Rory Kinnear in Men, Daryl McCormack in Good Luck to You, Leo Grande, Pedro Pascal in The Unbearable Weight of Massive Talent, Brad Pitt in Babylon, Eddie Redmayne in The Good Nurse, Seth Rogen in The Fabelmans, and Ben Whishaw in Women Talking.

My Personal Ballot for the 95th Academy Awards

Best Picture

  1. Everything Everywhere All at Once
  2. Top Gun: Maverick
  3. All Quiet on the Western Front
  4. The Banshees of Inisherin
  5. Triangle of Sadness
  6. The Fabelmans
  7. Tár
  8. Elvis
  9. Women Talking
  10. Avatar: The Way of Water

Best Director

  1. Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once
  2. Martin McDonagh – The Banshees of Inisherin
  3. Steven Spielberg – The Fabelmans
  4. Ruben Östlund – Licorice Pizza
  5. Todd Field – Tár

Best Actor in a Leading Role

  1. Colin Farrell – The Banshees of Inisherin
  2. Brendan Fraser – The Whale
  3. Austin Butler – Elvis
  4. Paul Mescal – Aftersun
  5. Bill Nighy – Living

Best Actress in a Leading Role

  1. Michelle Yeoh – Everything Everywhere All at Once
  2. Cate Blanchett – Tár
  3. Ana de Armas – Blonde
  4. Michelle Williams – The Fabelmans
  5. Andrea Riseborough – To Leslie

Best Actor in a Supporting Role

  1. Ke Huy Quan – Everything Everywhere All at Once
  2. Barry Keoghan – The Banshees of Inisherin
  3. Brendan Gleeson – The Banshees of Inisherin
  4. Brian Tyree Henry – Causeway
  5. Judd Hirsch – The Fabelmans

Best Actress in a Supporting Role

  1. Stephanie Hsu – Everything Everywhere All at Once
  2. Kerry Condon – The Banshees of Inisherin
  3. Jamie Lee Curtis – Everything Everywhere All at Once
  4. Hong Chau – The Whale
  5. Angela Bassett – Black Panther: Wakanda Forever

Best Original Screenplay

  1. Everything Everywhere All at Once – Daniel Kwan and Daniel Scheinert
  2. The Banshees of Inisherin – Martin McDonagh
  3. Triangle of Sadness – Ruben Östlund
  4. Tár – Todd Field
  5. The Fabelmans – Steven Spielberg and Tony Kushner

Best Adapted Screenplay

  1. Top Gun: Maverick – Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie (screenplay); Peter Craig and Justin Marks (story); based on the film Top Gun (1986) written by Jim Cash and Jack Epps Jr.
  2. Living – Kazuo Ishiguro; based on the original motion picture screenplay Ikiru (1952) by Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni
  3. Women Talking – Sarah Polley; based on the 2018 novel of the same name by Miriam Toews
  4. All Quiet on the Western Front – Edward Berger, Lesley Paterson, and Ian Stokell; based on the 1929 novel of the same name by Erich Maria Remarque
  5. Glass Onion: A Knives Out Mystery – Rian Johnson; based on characters created by Johnson and the film Knives Out (2019)

Best Original Score

  1. Babylon – Justin Hurwitz
  2. All Quiet on the Western Front – Volker Bertelmann
  3. Everything Everywhere All at Once – Son Lux
  4. The Fabelmans – John Williams
  5. The Banshees of Inisherin – Carter Burwell

Best Sound

  1. Top Gun: Maverick – Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor
  2. All Quiet on the Western Front – Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel, and Stefan Korte
  3. The Batman – Stuart Wilson, William Files, Douglas Murray, and Andy Nelson
  4. Avatar: The Way of Water – Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers, and Michael Hedges
  5. Elvis – David Lee, Wayne Pashley, Andy Nelson, and Michael Keller

Best Production Design

  1. Babylon – Production Design: Florencia Martin; Set Decoration: Anthony Carlino
  2. All Quiet on the Western Front – Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
  3. Elvis – Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
  4. Avatar: The Way of Water – Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
  5. The Fabelmans – Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Makeup and Hairstyling

  1. Elvis – Mark Coulier, Jason Baird, and Aldo Signoretti
  2. The Whale – Adrien Morot, Judy Chin, and Anne Marie Bradley
  3. The Batman – Naomi Donne, Mike Marino, and Mike Fontaine
  4. Black Panther: Wakanda Forever – Camille Friend and Joel Harlow
  5. All Quiet on the Western Front – Heike Merker and Linda Eisenhamerová

Best Film Editing

  1. Everything Everywhere All at Once – Paul Rogers
  2. Top Gun: Maverick – Eddie Hamilton
  3. The Banshees of Inisherin – Mikkel E.G. Nielsen
  4. Elvis – Matt Villa and Jonathan Redmond
  5. Tár – Monika Willi

Best Visual Effects

  1. Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett
  2. Black Panther: Wakanda Forever – Geoffrey Baumann, Craig Hammack, R. Christopher White, and Dan Sudick
  3. Top Gun: Maverick – Ryan Tudhope, Seth Hill, Bryan Litson, and Scott R. Fisher
  4. All Quiet on the Western Front – Frank Petzold, Viktor Müller, Markus Frank, and Kamil Jafar
  5. The Batman – Dan Lemmon, Russell Earl, Anders Langlands, and Dominic Tuohy

The 93rd Oscars – Best Supporting Actor

In today’s post, I will review the Best Supporting Actor category for this year’s Oscars. Let’s go!

The Nominees

Sacha Baron Cohen (The Trial of the Chicago 7)

In Aaron Sorkin’s The Trial of the Chicago 7, which tells the true story of a group of anti-war activists standing trial for allegedly inciting riots at the 1968 Democratic National Convention in Chicago, Sacha Baron Cohen plays Abbie Hoffman, the outspoken Flower Power leader who co-founded the “Yippies” (i.e., the Youth International Party). Baron Cohen is exhilarating as Abbie Hoffman, and his overall fit as a performer for this role is embodied in this quote by Baron Cohen on playing Hoffman: “There’s the public persona of Abbie where he’s trying to inspire people and then there’s the private Abbie. So there’s a balance between the clown and the intellect.” Baron Cohen strikes gold in portraying this dichotomic nature of Hoffman, using his trademark funnyman skills to perfection, while also emoting the superb dramatic elements of the character. In a year where Baron Cohen dominated entertainment headlines for his Borat sequel, his true prowess as an actor was most exemplified by his turn as Abbie Hoffman.

Daniel Kaluuya (Judas and the Black Messiah)

In Judas and the Black Messiah, Daniel Kaluuya portrays Fred Hampton, the real-life chairman of the Illinois chapter of the Black Panther Party and deputy chairman of the national Black Panther Party, who was gunned down by law enforcement in 1969. This film should be required viewing as a remarkable depiction of the underlying racial, societal, and political forces which both brought Fred Hampton to prominence and resulted in his assassination by the Chicago police. And aside from the film as a whole, Judas and the Black Messiah is a must-see for Kaluuya’s awe-inspiring performance. As Fred Hampton, Kaluuya is electrifying. Hampton was clearly a gripping public speaker, and Kaluuya shines the most in the scenes depicting rallies and speeches. The film’s signature scene takes places in a church following Hampton’s release from prison, wherein Hampton delivers an iconic movie speech to his many supporters. It’s single-handedly one of my favorite scenes in movie history, and Kaluuya is front and center. During that speech, Kaluuya masterfully embodies the true essence of Fred Hampton’s vital role as a revolutionary. It’s some of the greatest acting I have ever seen, which only adds to Kaluuya’s other impressive moments in the film’s quieter, more intimate scenes. This year, there simply was not a better supporting performance by an actor than Daniel Kaluuya as the one-of-a-kind Black Panther leader.

Leslie Odom Jr. (One Night in Miami…)

Regina King’s directorial debut One Night in Miami…, written by Kemp Powers and based on his 2013 stage play of the same name, gives a fictionalized version of a meeting between civil rights icons Malcolm X (played by Kingsley Ben-Adir), Cassius Clay/Muhammad Ali (played Eli Goree), Jim Brown (played by Aldis Hodge), and Sam Cooke (played by Leslie Odom Jr.) at a motel in Miami, Florida, following Ali’s title-winning fight against Sonny Liston in 1964. I was personally impressed by each of the four central actors’ performances in this movie, but as the Academy and numerous other award shows have noted via their nominations, Leslie Odom Jr. clearly stands out as the best. Odom Jr. first became a household name a few years ago due to his transfixing performance as Aaron Burr in the critically acclaimed Broadway musical Hamilton, but in One Night in Miami…, he demonstrates why he’s a true force to be reckoned with on the silver screen. In this film, Odom Jr.’s transformation into Sam Cooke is exquisite, and his acting skills are most on display in the scenes debating and arguing with Ben-Adir’s Malcolm X about the strategic ins and outs of the civil rights movement. (Not to mention Odom Jr. utilizes his award-winning vocal skills in a beautiful performance of Cooke’s famed “A Change Is Gonna Come” toward the end of the film.) Leslie Odom Jr. put on a show as Sam Cooke, and for that, he received a deserved first Oscar nomination. (Odom Jr. is actually nominated twice this year, as he also received an Oscar nod for Best Original Song for co-writing “Speak Now” from the same film.)

Paul Raci (Sound of Metal)

Sound of Metal tells the story of Ruben (played by Riz Ahmed), a recovering drug addict and drummer in a hard metal band, who suddenly loses his hearing. Eventually, Ruben makes his way to a sober-living community for deaf people, which is run by Joe (played by Paul Raci), a recovering alcoholic who lost his hearing in the Vietnam War. If it weren’t for Daniel Kaluuya’s justified domination in the Best Supporting Actor category this awards season, I would heavily campaign for Raci to take home all the wins. His acting in Sound of Metal is incredible as he deftly portrays Joe as an unflappable, yet compassionate figure. A performer with over 30 years of acting experience, Raci’s breakout role was a match made in heaven—although Raci isn’t deaf, he is a C.O.D.A. (i.e., child of deaf adults) and is fluent in American Sign Language. This deeply personal context for Raci’s portrayal of Joe only adds to the magnetism of his performance and the authenticity of the film overall. One of the most emotional scenes in the entire movie (a heartbreaking conversation late in the film between Joe and Ruben at a kitchen table) provided Raci his Oscar moment. I couldn’t be more excited to see the Academy bestow this much-deserved nomination on Paul Raci.

Lakeith Stanfield (Judas and the Black Messiah)

In Judas and the Black Messiah, Lakeith Stanfield plays William “Bill” O’Neil (i.e., the titular Judas), the criminal-turned-informant who infiltrates the Illinois chapter of the Black Panther Party for the FBI. I am beyond frustrated by Stanfield’s nomination in the Best Supporting Actor category. It’s not because Stanfield didn’t give us an Oscar-worthy performance—he delivered in this movie some of the year’s best acting, period. Rather, my annoyance resides in the fact every movie has to have a lead, and in this film, it is Stanfield. This is his character’s story. Expectantly, the Judas and the Black Messiah folks campaigned for Stanfield in the Best Actor category (while Kaluuya received support in the Best Supporting Actor category). But apparently Stanfield received more votes from Academy voters in this category, so here we are. Regardless, Stanfield is magnificent as the controversial Bill O’Neil. The character is clearly the film’s antagonist, and yet, it’s clear O’Neil is a complex figure, progressively more tortured by his informant role as time goes by and the stakes get higher. Stanfield walks his character’s moral tightrope between good and bad, right and wrong, with absolute precision. As an audience, it’s easy to be frustrated with O’Neil one moment, while feeling great empathy for him in the next—and it is Stanfield’s expertly nuanced portrayal that makes people care about the character.

Snubs and Other Performances

Other than the Oscar-nominated actors discussed above, this past year featured a number of other noteworthy acting performances from performers in supporting roles. First, the always-impressive Barry Keoghan is fascinating in The Shadow of Violence (titled Calm with Horses outside of the United States) as Dymphna, a member of an Irish family of drug dealers who puts up the front of a tough guy, while truly being a more scared, vulnerable character—the actor plays boss/sidekick to the film’s true hardman lead, played by Cosmo Jarvis, and Keoghan again shows why he is one of the best young actors in the world. Second, in the unfortunately average The Little Things, Jared Leto is definitely one of the best parts in his portrayal of Albert Sparma, an enigmatic man suspected of multiple murders. Even if the film underwhelmed, Leto was great, truly sinking into his character. Additionally, in Minari, aside from the other outstanding performances, a couple of which garnered Oscar nominations, Alan Kim was delightful as David Yi, highlighted by his bantering scenes with his grandmother, played by Youn Yuh-jung. Kim is currently 8 years old, and we are sure to see more of him very soon.

However, the one performance I expected to receive an Oscar nomination which didn’t was veteran of comedy Bill Murray in Sofia Coppola’s Apple TV+ film On the Rocks. Murray and Coppola previous collaborated in 2003’s Lost in Translation, for which Murray received his first Academy Award nomination, and in On the Rocks, Murray is clearly back to his best. Murray plays Felix Keane, the father of Rashida Jones’s character Laura Keane. When Laura experiences some strain in her marriage, suspecting her husband of cheating, she taps Felix for help. Laura clearly gets more than she bargained for, as Felix immediately inserts himself way too far into Laura’s life. The key to Murray’s brilliance in On the Rocks is how Felix interferes with Laura’s personal life in an incredibly charismatic way. This relationship between father and daughter is clearly dynamic, and you cannot help but love Felix, despite all his flaws. And for me, that was all Bill Murray. He’s perfect in this role, almost as if he was made to play the part. And for that, I really wish he could have been rewarded with a second Oscar nomination.

Conclusion

Who Could Win: Sacha Baron Cohen

Sacha Baron Cohen is currently getting odds of +900 to render an upset in this category, better than any of the other three underdog nominees. However, I don’t anticipate a surprise for Best Supporting Actor. the Academy throws us a curveball here, look for Pesci to be the only other nominee with a chance.

Who Should Win: Daniel Kaluuya

This year, for me, who should win isn’t even a question. There were some really great performances worthy of Oscar nominations…and then there was Daniel Kaluuya—a class of his own!

Who Will Win: Daniel Kaluuya

Not only is Daniel Kaluuya currently getting -2000 odds from the bookmakers, but he’s already secured every single win at the major pre-Oscars ceremonies, including the Critics’ Choice Movie Awards, Golden Globe Awards, Screen Actors Guild Awards, and British Academy Film Awards. This is Kaluuya’s second Oscar nomination following his breakout role in 2017’s Get Out, and for his remarkable turn as Chairman Fred Hampton, he will absolutely be heading home with his first Academy Award next Sunday.

Top 10 Films of 2018, No. 8 – American Animals

American Animals is a dramatic crime film that is written and directed by Bart Layton. Based on real-life events, the film follows two friends – Spencer Reinhard (Barry Keoghan) and Warren Lipka (Evan Peters) – who plot to commit a heist of expensively rare books (including The Birds of America by John James Audubon) maintained at the library on campus at Transylvania University in Lexington, Kentucky. What starts out more like a dare quickly turns into a dangerous reality as the boys (who eventually recruit two more guys to the team – Chas Allen, portrayed by Blake Jenner, and Eric Borsuk, portrayed by Jared Abrahamson) become increasingly fixated on the prospect of doing something daring and interesting with their lives.

This movie is a thrilling experience, and the style in which it is presented is fascinating and adds significantly to its allure – the film is a hybrid that combines elements of dramatic narrative and documentary filmmaking in an exceptionally unique way. Throughout the movie, Layton skillfully mixes in interviews with the real-life characters, and these interviews aren’t in the form of archival footage – instead, Layton actually filmed new interviews with the real people behind the heist attempt and intercut those shots with the narrative being told. So essentially, the scenes starring Keoghan and Peters embody an incredibly well-crafted reenactment of the story being told through the documentary-style interviews. This technique was wildly intriguing, and it never once reached the point of being gimmicky. Layton employed this system of storytelling aptly as a way to better advance the plot and its rich themes of entitlement and delusion, and American Animals was a grittier film because of it.

As far as the story itself, it is absolutely absurd. From the very start, the plan that Spencer and Warren hatch is utterly misguided and illogical. All four of the college kids involved in the scheme come from seemingly normal middle-class families, which only adds to the silliness of their heist attempt – influenced by Tarantino movies, these guys seem to just be looking for an adrenaline rush to spice up their lives with the prospect that it might provide some sense of meaning to their existence. The entire movie is a subtle referendum on entitlement, which makes the ultimate message so deep, despite the fun and entertainment that comes along with telling a heist story. As seen in the interview scenes, the real-life Spencer Reinhard and Warren Lipka recite the events with vast contradiction, leaving the audience to guess whether certain parts of the story ever really happened. It is an engaging tale of delusion, and Layton tells it well.

The reenactment portion of the film features some impressive acting performances, particularly those of Keoghan and Peters. I have seen Keoghan in a few bit parts over the last couple of years, but he broke out in Yorgos Lanthimos’s 2017 film The Killing of a Sacred Deer – although I liked Keoghan much better in that film, where he was perfectly haunting and amusingly wicked, he is still a force in American Animals. He portrays Spencer’s apathy with precision. I was also thoroughly impressed by Peters’s performance as Warren. Despite the fact that the plan is initially concocted between both Warren and Spencer, it is Warren who pushes the heist forward at every step, including organizing a buyer for the rare books that are to be sold. Peters is remarkable in his depiction of Warren’s fixation on the heist, and his portrayal of Warren’s accompanying delusions of grandeur is spot-on. American Animals is rated R for language throughout, some drug use, and brief crude/sexual material.

American Animals trailer: https://www.youtube.com/watch?v=yAhruSwum1c&t=34s