My Review of the 92nd Academy Awards

Well, that’s a wrap on the 92nd edition of the Academy Awards. Like all years, the Oscars had some great moments, some not-so-great moments, and some hilarious quotes! Here are my reactions to some of the major highlights from this year’s Oscars:

Best Moment: Parasite wins Best Picture

Through the first 91 years of the Academy Awards, no foreign-language film had won the Oscar for Best Picture. Last night, that streak ended. As I discussed on my post yesterday analyzing the Best Picture odds, the betting lines had gotten very tight between 1917 as the favorite and Parasite as the closest challenger. Thus, Parasite’s win was not entirely surprising, although it sure made for the best moment of the night, as it was one of my very favorite films from the past decade. (Overall, Parasite dominated this year, winning four Academy Awards, the most of any other film.) Additionally, the win made history for another noteworthy reason, as it became only the second film to win both the Palme d’Or at Cannes and Best Picture at the Oscars (the first time it’s happened in 64 years).

Worst Moment: Cutting the lights off on Parasite during the Best Picture acceptance speech

As mentioned above, the Best Picture win for Parasite was historic. When it came time for the acceptance speech, it took slightly longer than most would because the producers were speaking through interpreters. In light of all this, it was extra annoying when the ceremony cut the lights off on the winners before they were finished speaking. Although this was the worst moment, it was quickly followed by the most redeeming moment, thanks to the crowd’s audible displeasure with the situation. The camera even caught the likes of Regina King, Tom Hanks, and Charlize Theron chanting for the lights to come back up. This was a huge moment for Parasite, and I am glad that ultimately, the winners were allowed extra time to celebrate the victory!

Most Surprising Moment: Eminem!

We knew about nearly all of the musical performances last night in advance. One we didn’t know about was Eminem. A video was introduced during the ceremony that paid homage to some amazing songs in film history. Toward the end of the video, scenes from 8 Mile played, accompanied by the instrumental introduction from Eminem’s “Lose Yourself,” which won for Best Original Song that year. Then, the video ended…and Eminem popped up on stage to perform a live rendition of his monster hit from the early 2000s. The moment totally caught me by surprise (as well as others in the audience, based on their reactions), but I loved every second of it. Eminem did not attend the Oscars the year “Lose Yourself” won, so it was great to finally see him on stage performing on film’s biggest night!

Sleepiest Guest: Martin Scorsese during “Lose Yourself”

Twitter was on fire last night with some hilarious reactions during Eminem’s performance, but the funniest for me was the image of The Irishman director Martin Scorsese fighting off a nap. The ceremony is long, so I get it if Marty was a bit tired. But right in the middle of a loud rap performance??

Best Jokes from the “Non-Hosts”

For the second straight year, the Oscars was without an official host. However, in the hostiest of hostless ways, comedians Steve Martin and Chris Rock (both of whom have previously hosted the show) came out following the opening musical number to deliver a monologue. Some of the highlights included an absolute roasting of Amazon boss Jeff Bezos, including his divorce (“He saw Marriage Story and thought it was a comedy”); poking fun at the long runtime of Martin Scorsese’s latest film (“I loved the first season of The Irishman“); and a hilarious discussion by Chris Rock of Ford v Ferrari (“I got a Ford, I got a Ferrari…it ain’t even close. That’s like Halle Berry versus gum disease”).

Funniest Presenters: Maya Rudolph and Kristen Wiig

Can we just hire Maya Rudolph and Kristen Wiig to host every Oscars every year? The two comedy queens co-presented the awards for Best Production Design and Best Costume Design, and per usual, hilarity ensued. Rudolph and Wiig wanted the directors in the room to know they “do more than comedy” and can “act.” Naturally, they crushed it!

Biggest Upset: Bong Joon-ho wins Best Director over Sam Mendes

Although I predicted that the Academy would award Best Picture to Parasite, I was certain Sam Mendes would win Best Director for 1917 for the immense technical achievement of the film. Leading up to the ceremony, Mendes was a -400 favorite to win, with Parasite’s Bong Joon-ho a +300 underdog. As I wrote about yesterday, in three of the previous four years, the Academy gave Best Director and Best Picture to different movies. Thus, I figured the split would be on again this year. But the Academy threw us all a curveball, giving Bong a clean sweep of the two awards. (Bong was the largest statistical underdog, from a betting perspective, to pull off an upset last night.)

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Review: My Ballot and Countdown (2015)

And just like that, my fourth annual Oscars Ballot and Countdown blogging has come to an end. And in bigger news: The Academy Awards are finally here! Per usual, in preparation for tonight’s ceremony, I am providing a review of my blog from these past few weeks. This review includes all of the winners of the 16 categories in which I have seen each nominated film/performance and have subsequently blogged about (my personal ballot), and it also includes my list of the “Top 15 Films of the Year.”

Get caught up on my picks, and feel free to look back over any of my previous posts this season, which feature much more in-depth commentary on each of these films and performances. Lastly, make sure to tune into the 88th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theatre in Hollywood, CA. Enjoy, everyone!

My Oscar Winners:

Best Picture: Mad Max: Fury Road

Actor in a Leading Role: Leonardo DiCaprio (The Revenant)

Actor in a Supporting Role: Tom Hardy (The Revenant)

Actress in a Leading Role: Brie Larson (Room)

Actress in a Supporting Role: Alicia Vikander (The Danish Girl)

Best Director: George Miller (Mad Max: Fury Road)

Best Cinematography: John Seale (Mad Max: Fury Road)

Best Costume Design: Jenny Beavan (Mad Max: Fury Road)

Best Film Editing: Margaret Sixel (Mad Max: Fury Road)

Best Original Score: Ennio Morricone (The Hateful Eight)

Best Production Design: Colin Gibson and Lisa Thompson (Mad Max: Fury Road)

Best Sound Editing: Mark A. Mangini and David White (Mad Max: Fury Road)

Best Sound Mixing: Chris Jenkins, Gregg Rudloff, and Ben Osmo (Mad Max: Fury Road)

Best Visual Effects: Mark Williams Ardington, Sara Bennett, Paul Norris, and Andrew Whitehurst (Ex Machina)

Best Adapted Screenplay: Adam McKay and Charles Randolph (The Big Short)

Best Original Screenplay: Alex Garland (Ex Machina)

Top 15 Films of the Year:

  1. Mad Max: Fury Road
  2. The Revenant
  3. The Big Short
  4. Sicario
  5. Ex Machina
  6. Spotlight
  7. Straight Outta Compton
  8. Kingsman: The Secret Service
  9. Steve Jobs
  10. Creed
  11. ’71
  12. Room
  13. Star Wars: The Force Awakens
  14. Beasts of No Nation
  15. The Martian

 

Best Director (2015)

In this year’s Best Director category, just two nominees are receiving their inaugural Oscar nomination (Adam McKay, who is also nominated for Best Adapted Screenplay; and Lenny Abrahamson). The other three directors have combined for twelve previous Academy Award nominations. Of those twelve, four are Oscar wins (three for Alejandro G. Iñárritu and one for George Miller). The following is my Oscars ballot for this category, Best Director:

WINNER: George Miller (Mad Max: Fury Road)

Miller 1George Miller is the Australian director behind the original Mad Max trilogy, as well as Happy Feet and Happy Feet Two. During this awards season, George Miller has already garnered the Critics’ Choice Award for Best Director. Miller was previously nominated for four Oscars: Best Original Screenplay (Lorenzo’s Oil), Best Adapted Screenplay (Babe), Best Animated Feature (Happy Feet), and Best Picture (Babe). Of those four nomination, Miller has just one Oscar win: Best Animated Feature for Happy Feet.

  1. Alejandro G. Iñárritu (The Revenant)

Inarritu 2Alejandro G. Iñárritu is a renowned Mexican filmmaker—he is the visionary behind the Oscar-winning film Birdman and the celebrated “Death Trilogy” (Amores perros, 21 Grams, Babel). During this awards season, Iñárritu has already won the BAFTA and Golden Globe for Best Director. Iñárritu has been previously nominated for seven Oscars: twice for Best Foreign Language Film (Amores perros and Biutiful), twice for Best Director (Babel and Birdman), once for Best Original Screenplay (Birdman), and twice for Best Picture (Babel and Birdman). Of those seven nominations, he has won three Oscars: Best Picture, Best Director, and Best Original Screenplay for Birdman.

  1. Lenny Abrahamson (Room)

Abrahamson 1Lenny Abrahamson is an Irish film director—he has previously directed What Richard Did (2012) and Frank (2014). In addition to his nomination for Room, Abrahamson has additionally been nominated for Best Director at the Irish Film & Television Awards and Satellite Awards. Abrahamson has never previously been nominated for an Academy Award in any category.

  1. Adam McKay (The Big Short)

McKay 1Adam McKay is an American filmmaker, renowned for writing and directing critically acclaimed comedies, such as Anchorman, Talladega Nights, Step Brothers, The Other Guys, and additionally producing such comedies as The Campaign, Tammy, Welcome to Me, and Get Hard. In addition to the Oscars, McKay has been nominated for Best Director at the BAFTAs and Directors Guild of America. He has also earned nominations in the Best Adapted Screenplay category at the Oscars and Golden Globes, while also winning the award at the BAFTAs, Critics’ Choice Awards, and the Writers Guild of America Awards. McKay has never previously been nominated for an Academy Award.

  1. Tom McCarthy (Spotlight)

McCarthy 1Tom McCarthy is an American actor, writer, and director. In his acting capacity, he is best known as Dr. Bob Banks in the Meet the Parents trilogy. He is a critically acclaimed director for films such as The Station Agent (2003) and The Visitor (2007). Additionally, he is an accomplished writer, penning scripts for the previously two named films, as well as the Oscar-nominated Up (2009). In fact, Up is his lone previous Oscar nomination (Best Original Screenplay). This awards season, McCarthy won the Best Director award at the Satellite Awards.

Review: My Ballot and Countdown

NomineesWith my third annual countdown in the books, we have finally reached the big day: the Academy Awards.  In preparation for tonight’s ceremony, I am providing all of you with a review of my blog from these past few weeks.  This review includes all of the winners of the 14 categories in which I have seen each nominated film/performance and have subsequently blogged about (my personal ballot), and it also includes my list of the “Top 15 Films of the Year.”

Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances.  And make sure to tune into the 87th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theatre in Los Angeles, CA.  Enjoy, everyone!

My Oscar Winners:

Best Picture: Whiplash

Actor in a Leading Role: Eddie Redmayne (The Theory of Everything)

Actor in a Supporting Role: J.K. Simmons (Whiplash)

Actress in a Leading Role: Rosamund Pike (Gone Girl)

Actress in a Supporting Role: Patricia Arquette (Boyhood)

Best Director: Alejandro G. Iñárritu (Birdman)

Best Cinematography: Emmanuel Lubezki (Birdman)

Best Film Editing: Joel Cox and Gary D. Roach (American Sniper)

Best Makeup and Hairstyling: Elizabeth Yianni-Georgiou and David White (Guardians of the Galaxy)

Best Original Score: Jóhann Jóhannsson (The Theory of Everything)

Best Production Design: Nathan Crowley and Gary Fettis (Interstellar)

Best Sound Mixing: Craig Mann, Ben Wilkins, and Thomas Curley (Whiplash)

Best Adapted Screenplay: Damien Chazelle (Whiplash)

Best Original Screenplay: Dan Gilroy (Nightcrawler)

Top 15 Films of the Year:

  1. Whiplash
  2. Locke
  3. Nightcrawler
  4. Starred Up
  5. The Theory of Everything
  6. Boyhood
  7. Blue Ruin
  8. American Sniper
  9. Guardians of the Galaxy
  10. Birdman
  11. Fury
  12. Calvary
  13. Interstellar
  14. Gone Girl
  15. The Lego Movie

 

Best Director

Best Director NomineesIn this year’s Best Director category, only one nominee is receiving his inaugural Oscar nomination (Morten Tyldum). The other four directors have combined for ten previous Academy Award nominations; however, only two of those ten nominations were in the Best Director category (Alejandro G. Iñárritu for Babel and Bennett Miller for Capote). The following is my Oscars ballot for this category, Best Director:

WINNER: Richard Linklater (Boyhood)

Boyhood8Richard Linklater is an American filmmaker with credits that include Dazed and Confused (1993) and the Before Trilogy (Before Sunrise, Before Sunset, and Before Midnight). Linklater has already garnered 31 Best Director awards at various film festivals and award shows for his work in Boyhood. Linklater was previously nominated twice at the Oscars in the Best Adapted Screenplay category (Before Sunset and Before Midnight).

  1. Alejandro G. Iñárritu (Birdman)

Birdman2Alejandro G. Iñárritu is a renowned Mexican filmmaker—he is the visionary behind the celebrated “Death Trilogy” (Amores perros, 21 Grams, Babel). Iñárritu has been previously nominated for four Oscars: twice for Best Foreign Language Film (Amores perros and Biutiful) once for Best Director (Babel), and once for Best Picture (Babel).

  1. Bennett Miller (Foxcatcher)

Bennett MillerBennett Miller is an American film director—he previously directed Capote (2005) and Moneyball (2011). At the 67th Cannes Film Festival in May 2014, Miller won the Best Director award for his work on Foxcatcher. Miller was previously nominated in the Best Director category at the Oscars for 2005’s Capote.

  1. Morten Tyldum (The Imitation Game)

Morten TyldumMorten Tyldum is a Norwegian film director, renowned internationally for his critically acclaimed, BAFTA-nominated thriller Headhunters (2011). Tyldum has never previously been nominated for an Academy Award.

  1. Wes Anderson (The Grand Budapest Hotel)

Wes AndersonWes Anderson is an American filmmaker—he is the creative genius behind movies like Rushmore (1998), Fantastic Mr. Fox (2009), and Moonrise Kingdom (2012). Wes Anderson has been previously nominated for three Oscars: Best Original Screenplay for The Royal Tenenbaums (2001) and Moonrise Kingdom (2012) and Best Animated Feature for Fantastic Mr. Fox (2009).

Review: My Ballot and Countdown

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Well, with another successful few weeks of blogging, we have finally reached the big day: the Academy Awards.  In preparation for tonight’s show, I am providing all of you with a review of my blog from these past couple of weeks.  This review includes all of the winners of the 10 categories in which I have seen each nominated film/performance and have subsequently blogged about, and it also includes my list of the “Top 15 Films of the Year.”

Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances.  And make sure to tune into the 86th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theater in Los Angeles, CA.  Enjoy, everyone!

My Oscar Winners:

Best Picture: 12 Years A Slave

Actor in a Leading Role: Matthew McConaughey (Dallas Buyers Club)

Actor in a Supporting Role: Michael Fassbender (12 Years A Slave)

Actress in a Leading Role: Meryl Streep (August: Osage County)

Actress in a Supporting Role: Lupita Nyong’o (12 Years A Slave)

Best Director: Steve McQueen (12 Years A Slave)

Best Film Editing: Joe Walker (12 Years A Slave)

Best Production Design: Catherine Martin and Beverley Dunn (The Great Gatsby)

Best Adapted Screenplay: Terence Winter (The Wolf of Wall Street)

Best Original Screenplay: Spike Jonze (Her)

Top 15 Films of the Year:

1. 12 Years A Slave

2. Short Term 12

3. The Hunt

4. Frances Ha

5. The Wolf of Wall Street

6. The World’s End

7. American Hustle

8. The Spectacular Now

9. Nebraska

10. Captain Phillips

11. Her

12. Philomena

13. Fruitvale Station

14. The Place Beyond the Pines

15. Dallas Buyers Club

Best Director

Chiwetel Ejiofor

This year, there is a broad range of Oscars experience within the group of directors nominated in this category.  Two directors have been previously nominated twice each for Best Director, while two others are receiving their first nomination in this category.  The last one is Martin Scorsese—the veteran filmmaker has been previously nominated seven times!  The following is my Oscars ballot for this category, Best Director:

WINNER: Steve McQueen (12 Years A Slave)

Steve McQueen 2In 12 Years A Slave, Steve McQueen has created one of the greatest films of all time.  He is an absolute master of his craft, and after critically acclaimed directorial efforts in Hunger (2008) and Shame (2011), he has returned with a true tour de force.  The 44-year-old British director has taken a brutally pragmatic perspective on a true story set in one of the harshest periods of American history, but his effort is commendable and exceptional.  Even though at times this movie is difficult to watch, given the ruthless behavior by many of the slave-owners, it is honest and emotionally impacting, and McQueen has created one of the more important films of our generation.  Steve McQueen has never previously been nominated for Best Director.

2. Martin Scorsese (The Wolf of Wall Street)

To put in straightforwardly, I will watch anything Martin Scorsese makes.  I have been a fan of his work for as many years as I have been passionately watching movies, and The Wolf of Wall Street ranks right up with the greatest titles on his distinguished filmography.  Marty ScorseseOne of my favorite Scorsese flicks is Goodfellas (1990), and The Wolf of Wall Street shares so many brilliant characteristics with that classic film.  Here, the 71-year-old director packs in more sex, drugs, and crime than any 3-hour film could possibly hold, but somehow, it works.  I credit this to the wealth of veteran experience Scorsese has in this business.  Although I am not quite prepared to put The Wolf of Wall Street above the likes of Goodfellas or The Departed (2006), Scorsese has nonetheless created another cinematic masterpiece.  Martin Scorsese has been previously nominated for Best Director seven times, winning his only Oscar in this category for 2006’s The Departed.

3. David O. Russell (American Hustle)

Just one year after directing Silver Linings Playbook, my favorite film of 2012, David O. Russell is back with another fantastic movie in American HustleDavid O. RussellThis is Russell’s third trip to the Oscars in the past four years, and this says a lot about where he is as a filmmaker.  He is one of the most renowned directors in the business, and he is rapidly becoming one of my favorite filmmakers.  Even though American Hustle is a magnificent film, I still think The Fighter (2010) and Silver Linings Playbook (2012) were better movies overall; however, this is not a negative reflection on David O. Russell because it shows how dominant his work has been in recent memory.  David O. Russell was previously nominated for Best Director for both The Fighter and Silver Linings Playbook.

4. Alexander Payne (Nebraska)

Similarly to David O. Russell, Alexander Payne is becoming a director that I very much enjoy.  Alexander PayneI have only seen two of his films, Election (1999) and The Descendants (2011), but they are each two of my favorites.  I was beyond pleased with Nebraska when I saw it in theaters, and even though it seems quite different than his other films, it is stimulating in many distinctive ways.  Although it does not appear Payne will come close to winning the Oscar this year, he has still made a movie that I will enjoy watching over and over again in the future.  Alexander Payne was previously nominated for Best Director for his work on Sideways (2004) and The Descendants (2011).

5. Alfonso Cuarón (Gravity)

Alfonso CuaronI will try not to waste much precious space discussing Alfonso Cuarón’s Gravity.  How on earth it has received so many Oscar nominations and award wins this season will continue to baffle me until the day I die.  Maybe the voters are smitten with the film in the way they were with Avatar (2009), but I do not believe a film should garner this much critical respect just because it “looks good.”  Both the acting and the plot are non-existent, and even though Cuarón has made a beautiful-looking movie, it is nothing more than a façade for a TERRIBLE work of cinema.  Cuarón has never previously been nominated for an Oscar.

Best Director

This year’s group of Best Director nominees includes an interesting dynamic of filmmakers.  The category features three directors with no previous Best Director nominations at the Academy Awards (Michael Haneke, Benh Zeitlin, and David O. Russell), and two experienced veterans in this category (Ang Lee and Steven Spielberg).  Between Lee and Spielberg, they have been nominated eight times for Best Director, winning three of those awards.  This will be one of the most anticipated awards throughout the entire ceremony, and I am personally thrilled to see who emerges as the winner in a category characterized by variety.  The following is my Oscars ballot for this category, Best Director:

WINNER: David O. Russell (Silver Linings Playbook)

David O. Russell’s most popular films of his career are I Heart Huckabees (2004) and The Fighter (2010), but he has truly created a masterpiece in Silver Linings Playbook—this will surely go down as his best film to date.  I was greatly impressed by the acting performances in the movie, but I was also equally fascinated by the amazing script, also written by Russell—the ways in which he recreates this story on the screen are absolutely dazzling.  To say the least, I was strongly moved by almost every scene in the film, and this is due to Russell’s outstanding directorial effort.  Russell’s motion picture also becomes the first film since 1993 to be nominated in each of the Big 5 categories at the Academy Awards (Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay).  Russell has never previously been nominated for Best Director at the Oscars.

2. Michael Haneke (Amour)

Even though Michael Haneke is up for his very first Best Director award at the Oscars, he is no stranger to accolades in the film industry.  The Austrian filmmaker has written and directed some of the world’s most admired foreign-language films, and he is one of only seven filmmakers to twice win the coveted Palme d’Or award at the Cannes Film Festival (The White Ribbon, 2009, and Amour, 2012).  Haneke’s Amour was one of the most invigorating tales of the year, and his film has received a significant amount of acclaim all around the world, including five nominations at the Academy Awards.  Haneke has never previously been nominated for Best Director at the Oscars.

3. Ang Lee (Life of Pi)

As I stated in a previous post, I was not overly thrilled to see Life of Pi because it looked like a cheesy movie for kids—that was until I finally saw it.  Ang Lee is considered one of the greatest modern filmmakers, and he has only added to his legacy with Life of Pi.  Lee employed a wonderful writer and an amazingly fresh, young cast, and the ways in which he uses his veteran filmmaking skills to tell this elaborate story is nothing short of stunning.  Lee was previously nominated for two Best Director Oscars, winning the Academy Award in this category for Brokeback Mountain (2005).

4. Benh Zeitlin (Beasts of the Southern Wild)

Benh Zeitlin has directed a momentous movie in his very first attempt at feature films.  I was quite surprised that this was his first feature film because after viewing the movie, it looked as if a world-renowned filmmaker created it.  If Zeitlin decides to make more films in the future, he is sure to become a staple at the Oscars after giving us one of 2012’s best motion pictures, Beasts of the Southern Wild.  Zeitlin has never previously been nominated for Best Director at the Oscars.

5. Steven Spielberg (Lincoln)

Steven Spielberg has garnered a substantial amount of critical acclaim for his newest film, Lincoln.  Even though it is touted as one of the year’s best and is predicted to win a slew of Oscars, I found the movie quite boring and bland, other than some great acting performances.  Personally, the movie did not seem much different, in entertainment level or filmmaking style, than Spielberg’s War Horse (2011), and I was bored to no avail by that movie.  Spielberg was previously nominated for six Best Director Oscars, winning the Academy Award in this category for two films: Schindler’s List (1993) and Saving Private Ryan (1998).

Directors snubbed in this category: Kathryn Bigelow (Zero Dark Thirty)

Top 15 Films of the Year, No. 6 – Life of Pi

Life of Pi is a film directed by Ang Lee, with a screenplay by David Magee.  The film follows Piscine Molitor “Pi” Patel, a teenage boy whose family owns a zoo in India.  After Pi’s father decides to move the family and the animals to relocate in Canada, their ship becomes caught in a bad storm.  Pi’s family dies, and he ends up stranded on a lifeboat in the middle of the Pacific Ocean with one of the Patel family’s Bengal tigers named Richard Parker.  Over the next 227 days, Pi and Richard Parker must continually fight for survival.  The movie is a magical tale of spirituality and extraordinary resilience.

A seasoned veteran in the filmmaking business, Ang Lee has created a visually appealing adventure film in Life of Pi, and it only adds to his already acclaimed directorial efforts.  Over the course of his career, Lee has shown great range as a director.  The diverse group of projects he has taken on, including Sense and Sensibility, Crouching Tiger, Hidden Dragon, and Brokeback Mountain, has demonstrated this range in a manner that has already earned him eight Academy Award wins.

To be honest, when I first watched the trailer for this film, it looked like the type of movie that I most definitely wanted to skip—it just looked too fantastical and too much like an over-the-top kid’s movie.  But when it was nominated for a vast number of Oscars, I finally decided to view the film.  I was instantly surprised at how much I really liked this movie.  Not only was it visually appealing with all of the high-tech special effects, it was also a well-made film with an amusingly humorous, but dramatic script.  Quickly, it became one of my favorite movies of the year.

I cannot help but appreciate the intricate detail Ang Lee uses when directing his movies, and Life of Pi will most definitely go down as one of his best of all time.  Ten nominations was previously Lee’s personal best for an Academy Awards ceremony (Crouching Tiger, Hidden Dragon, 2000), but this year, Life of Pi is up for a remarkable eleven Oscars.  Life of Pi is rated PG for emotional thematic content throughout, and some scary action sequences and peril.

Academy Award nominations for Life of Pi:

Best Picture (Gil Netter, Ang Lee, and David Womark, Producers)

Cinematography (Claudio Miranda)

Directing (Ang Lee)

Film Editing (Tim Squyres)

Best Original Score (Mychael Danna)

Best Original Song (“Pi’s Lullaby,” music by Mychael Danna and lyrics by Bombay Jayashri)

Production Design (David Gropman and Anna Pinnock)

Sound Editing (Eugene Gearty and Philip Stockton)

Sound Mixing (Ron Bartlett, D.M. Hemphill, and Drew Kunin)

Visual Effects (Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer, and Donald R. Elliott)

Best Adapted Screenplay (David Magee)

Previous movies on the countdown of the Top 15 Films of the Year:

7. Amour

8. Les Misérables

9. Beasts of the Southern Wild

10. Looper

11. The Perks of Being a Wallflower

12. The Dark Knight Rises

13. Flight

14. The Master

15. Argo

Top 15 Films of the Year, No. 7 – Amour

Amour is a French-language film directed and written by Austrian filmmaker Michael Haneke.  The movie follows an elderly couple, Georges (Jean-Louis Trintignant) and Anna (Emmanuelle Riva).  Both of them are retired music teachers that enjoy spending time together and listening to classical compositions.  One day, Anna suffers a stroke, and after that, nothing seems to be quite the same with her.  Their daughter, who lives abroad, comes to visit often and wants to help in any way she can, but Georges prefers to care for his wife by himself.  These two have endured a lifetime of love and compassion together, but after Anna’s incident, all factors of their relationship are drastically tested.

As I mentioned in a previous post, Michael Haneke is one of the great filmmakers of this era.  The world’s grandest film festival is the Cannes Film Festival in France, and the biggest award given out is the Palme d’Or, an award presented to the filmmaker of the best feature film at the festival.  Only seven filmmakers in the history of the competition have received this award twice, and Michael Haneke is one of those directors (The White Ribbon, 2009, and Amour, 2012).  This track record proves why Haneke is one of the greatest directors in the modern film industry.

Amour is up for many awards at this year’s Oscars, including Best Picture, becoming only the seventh foreign-language film to be nominated for this award.  A lot of people strongly dislike foreign films, but I think this characteristic makes you ignorant as a fan of film.  Some of the greatest movies ever made were not in the English language, such as The Seventh Seal (Swedish), Wings of Desire (German), Crouching Tiger, Hidden Dragon (Mandarin), Downfall (German), and Letters from Iwo Jima (Japanese).  Everyone can attain a greater level of understanding and respect for the world film industry by taking the time to watch foreign films.

In Amour, Haneke has created one of the most unique tales of true love that the film industry has ever seen, and his outstanding script and story are made to look even more dazzling due to two unbelievably powerful acting performances.  One of the most critically recognized performances is from Emmanuelle Riva as Anna.  Riva has been nominated for many awards, including Best Actress at the Oscars, and the attention her portrayal has received is very much deserved.  Her unprecedented level of skill and sentiment in this role makes her a true contender for the Oscar.

My favorite performance from the film, however, is that of Jean-Louis Trintignant as Georges, Anna’s husband.  It is easily one of the greatest portrayals from a male lead in recent memory, and the ways in which Trintignant defines love and compassion on the screen are nothing short of amazing.  Trintignant has already been nominated and won for Best Actor at numerous film awards ceremonies in Europe, but for some reason that I still cannot quite understand, he was snubbed at the Oscars.  I felt his performance was the strongest in the entire film, and that is saying a lot considering Riva clearly gave an Oscar-winning performance herself.

This film was by far one of my favorites of the year, and even though it probably won’t win for Best Picture, Haneke will most definitely be receiving his first Academy Award win for Best Foreign Language Film.  Amour is rated PG-13 for mature thematic material, including a disturbing act, and for brief language.

Academy Award nominations for Amour:

Best Picture (Margaret Menegoz, Stefan Arndt, Veit Heiduschka, and Michael Katz, Producers)

Actress in a Leading Role (Emmanuelle Riva)

Directing (Michael Haneke)

Foreign Language Film (Michael Haneke)

Best Original Screenplay (Michael Haneke)

Previous movies on the countdown of the Top 15 Films of the Year:

8. Les Misérables

9. Beasts of the Southern Wild

10. Looper

11. The Perks of Being a Wallflower

12. The Dark Knight Rises

13. Flight

14. The Master

15. Argo