best picture

Posted on April 25, 2021April 25, 2021 by mistertowle2

93rd Academy Awards: Best Picture Odds, My Ballot, and a Complete Ranking of the 2020 (COVID) Year in Film

With the Oscars airing tonight, one of the wildest years in cinematic history is ending, which means my year-end film blogging is also winding up for the season. Despite the unusual nature of this past year’s film releases in light of the COVID-19 pandemic, the year was still chock-full of amazing movies. It has particularly been a blast for me to write about this unique year of cinema these past couple of weeks and share those thoughts with you all. In advance of tonight’s 93rd Academy Awards, I have posted this recap. Below you will find (1) my predictions for the Best Picture category, including a discussion of the current betting odds, (2) my Top 10 Films of 2020, (3) my personal ballot for all categories in which I have seen each film/performance (14 of the 23 total categories, with a total of 89 of the 118 nominees), and (4) a complete ranking of every film I saw from this year’s Oscars eligibility period.

With that said, check out my recap and then make sure to tune into the 93rd Academy Awards tonight at 7:00 p.m. (CST) on ABC, live from Los Angeles Union Station and the Dolby Theatre, along with a number of satellite sites around the world, including in New York City, London, and Paris. Enjoy the show, film fans.

Best Picture – Who Could, Should, and Will Take Home Film’s Biggest Award

Who Could Win: The Trial of the Chicago 7

I liked Aaron Sorkin’s The Trial of the Chicago 7, but I didn’t love it. For me, it was one of the two weakest Best Picture nominees this year. The betting odds, however, view the film quite favorably—the movie is presently getting +600 odds, the best of any challenger to Nomadland. I am personally a bit surprised by these odds, but it appears if there is the chance for an upset in the Best Picture category this year, The Trial of the Chicago 7 is likely the one to make it happen.

Who Should Win: Sound of Metal

As I described in great detail yesterday in my Top 10 post, Sound of Metal was my favorite movie of the year. If I had a vote for the biggest award of the night, this film would get it.

Who Will Win: Nomadland

So far this season, Chloé Zhao’s Nomadland has swept the major awards in the Best Picture-equivalent categories, winning the Golden Globe, Critics’ Choice Movie Award, and British Academy Film Award. Currently, the film is getting -670 frontrunner odds. I definitely think when the biggest award is announced late tonight, Nomadland will be victorious.

Top 10 Films of 2020 (COVID Year)

1.	Sound of Metal
2.	Judas and the Black Messiah
3.	The Invisible Man
4.	Tenet
5.	Palm Springs
6.	The Vast of Night
7.	Minari
8.	The White Tiger
9.	Promising Young Woman
10.	I Care A Lot

My Personal Ballot for the 93rd Academy Awards

Best Picture

Sound of Metal
Judas and the Black Messiah
Minari
Promising Young Woman
Nomadland
The Father
The Trial of the Chicago 7
Mank

Best Director

Chloé Zhao – Nomadland
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
David Fincher – Mank
Thomas Vinterberg – Another Round

Best Actor

Riz Ahmed – Sound of Metal
Anthony Hopkins – The Father
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Best Actress

Vanessa Kirby – Pieces of a Woman
Carey Mulligan – Promising Young Woman
Andra Day – The United States vs. Billie Holiday
Viola Davis – Ma Rainey’s Black Bottom
Frances McDormand – Nomadland

Best Supporting Actor

Daniel Kaluuya – Judas and the Black Messiah
Paul Raci – Sound of Metal
Lakeith Stanfield – Judas and the Black Messiah
Sacha Baron Cohen – The Trial of the Chicago 7
Leslie Odom Jr. – One Night in Miami…

Best Supporting Actress

Youn Yuh-jung – Minari
Maria Bakalova – Borat Subsequent Moviefilm
Olivia Colman – The Father
Amanda Seyfried – Mank
Glenn Close – Hillbilly Elegy

Best Original Screenplay

Promising Young Woman – Emerald Fennell
Judas and the Black Messiah – Will Berson and Chaka King (screenplay); Berson, King, Keith Lucas, and Kenny Lucas (story)
Sound of Metal – Abraham Marder and Darius Marder (screenplay); Derek Cianfrance and D. Marder (story)
Minari – Lee Isaac Chung
The Trial of the Chicago 7 – Aaron Sorkin

Best Adapted Screenplay

The Father – Christopher Hampton and Florian Zeller (based on Zeller’s play of the same name)
The White Tiger – Ramin Bahrani (based on the novel of the same name by Aravind Adiga)
Borat Subsequent Moviefilm – Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja, and Dan Swimer (screenplay); Baron Cohen, Nina Pedrad, Swimer (story); based on the character by Baron Cohen
Nomadland – Chloé Zhao, based on the book Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder
One Night in Miami… – Kemp Powers (based on his play of the same name)

Best Documentary Feature

My Octopus Teacher
Crip Camp: A Disability Revolution
Time
Collective
The Mole Agent

Best Original Score

Soul – Trent Reznor, Atticus Ross, and Jon Batiste
Minari – Emile Mosseri
Mank – Trent Reznor and Atticus Ross
News of the World – James Newton Howard
Da 5 Bloods – Terence Blanchard

Best Sound

Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés, and Michelle Couttolenc
Greyhound – Beau Borders, Michael Minkler, Warren Shaw, and David Wyman
Soul – Coya Elliot, Ren Klyce, and David Parker
Mank – Ren Klyce, Drew Kunin, Jeremy Molod, Nathan Nance, and David Parker
News of the World – William Miller, John Pritchett, Mike Prestwood Smith, and Oliver Tarney

Best Production Design

Tenet – Nathan Crawley (Production Design) and Kathy Lucas (Set Decoration)
Mank – Donald Graham Burt (Production Design) and Jan Pascale (Set Decoration)
Ma Rainey’s Black Bottom – Mark Ricker (Production Design) and Karen O’Hara and Diana Sroughton (Set Decoration)
News of the World – David Crank (Production Design) and Elizabeth Keenan (Set Decoration)
The Father – Peter Francis (Production Design) and Cathy Featherstone (Set Decoration)

Best Cinematography

Nomadland – Joshua James Richards
Judas and the Black Messiah – Sean Bobbitt
News of the World – Dariusz Wolski
Mank – Erik Messerschmidt
The Trial of the Chicago 7 – Phedon Papamichael

Best Film Editing

Sound of Metal – Mikkel E.G. Nielsen
Promising Young Woman – Frédéric Thoraval
Nomadland – Chloé Zhao
The Father – Yorgos Lamprinos
The Trial of the Chicago 7 – Alan Baumgarten

Complete Ranking of All Films Seen from 2020 (COVID Year)

1	Sound of Metal
2	Judas and the Black Messiah
3	The Invisible Man
4	Tenet
5	Palm Springs
6	The Vast of Night
7	Minari
8	The White Tiger
9	Promising Young Woman
10	I Care A Lot
11	The Climb
12	Nomadland
13	Blow the Man Down
14	Soul
15	Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
16	The Father
17	The Gentlemen
18	Da 5 Bloods
19	I’m Your Woman
20	My Octopus Teacher
21	Boys State
22	The Dissident
23	The 40-Year-Old Version
24	Rocks
25	Saint Maud
26	Another Round
27	All In: The Fight for Democracy
28	Dick Johnson Is Dead
29	Babyteeth
30	Uncle Frank
31	On the Rocks
32	The Platform
33	Extraction
34	Greyhound
35	The Trial of the Chicago 7
36	Hamilton
37	Crip Camp: A Disability Revolution
38	Borat Subsequent Moviefilm
39	Onward
40	Malcolm & Marie
41	Pieces of a Woman
42	One Night in Miami…
43	The Old Guard
44	Time
45	The Way Back
46	The Hunt
47	The Dig
48	Emma.
49	Collective
50	Blue Story
51	Bad Education
52	Totally Under Control
53	Athlete A
54	John Lewis: Good Trouble
55	The Shadow of Violence
56	The Mole Agent
57	Mank
58	The Way I See It
59	The Scheme
60	Run
61	Arkansas
62	News of the World
63	The Social Dilemma
64	His House
65	First Cow
66	I’m Thinking of Ending Things
67	Class Action Park
68	Enola Holmes
69	The One and Only Ivan
70	American Murder: The Family Next Door
71	Miss Americana
72	Ma Rainey’s Black Bottom
73	The Other Lamb
74	Never Rarely Sometimes Always
75	The United States vs. Billie Holiday
76	The Little Things
77	Swallow
78	Ammonite
79	True History of the Kelly Gang
80	Unpregnant
81	Tigertail
82	Come to Daddy
83	Big Time Adolescence
84	Hillbilly Elegy
85	An American Pickle
86	Tread
87	The Lovebirds
88	Be Water
89	Irresistible
90	Lost Girls
91	All Day and a Night
92	Synchronic
93	Eddie
94	Get Duked
95	Guns Akimbo
96	My Darling Vivian
97	Elephant
98	Uppity: The Willy T. Ribbs Story
99	Selfie
100	Capone
101	The Cat in the Wall
102	TFW No GF

Posted on February 10, 2020January 26, 2021 by mistertowle2

My Review of the 92nd Academy Awards

Well, that’s a wrap on the 92nd edition of the Academy Awards. Like all years, the Oscars had some great moments, some not-so-great moments, and some hilarious quotes! Here are my reactions to some of the major highlights from this year’s Oscars:

Best Moment: Parasite wins Best Picture

Through the first 91 years of the Academy Awards, no foreign-language film had won the Oscar for Best Picture. Last night, that streak ended. As I discussed on my post yesterday analyzing the Best Picture odds, the betting lines had gotten very tight between 1917 as the favorite and Parasite as the closest challenger. Thus, Parasite’s win was not entirely surprising, although it sure made for the best moment of the night, as it was one of my very favorite films from the past decade. (Overall, Parasite dominated this year, winning four Academy Awards, the most of any other film.) Additionally, the win made history for another noteworthy reason, as it became only the second film to win both the Palme d’Or at Cannes and Best Picture at the Oscars (the first time it’s happened in 64 years).

Worst Moment: Cutting the lights off on Parasite during the Best Picture acceptance speech

As mentioned above, the Best Picture win for Parasite was historic. When it came time for the acceptance speech, it took slightly longer than most would because the producers were speaking through interpreters. In light of all this, it was extra annoying when the ceremony cut the lights off on the winners before they were finished speaking. Although this was the worst moment, it was quickly followed by the most redeeming moment, thanks to the crowd’s audible displeasure with the situation. The camera even caught the likes of Regina King, Tom Hanks, and Charlize Theron chanting for the lights to come back up. This was a huge moment for Parasite, and I am glad that ultimately, the winners were allowed extra time to celebrate the victory!

Most Surprising Moment: Eminem!

We knew about nearly all of the musical performances last night in advance. One we didn’t know about was Eminem. A video was introduced during the ceremony that paid homage to some amazing songs in film history. Toward the end of the video, scenes from 8 Mile played, accompanied by the instrumental introduction from Eminem’s “Lose Yourself,” which won for Best Original Song that year. Then, the video ended…and Eminem popped up on stage to perform a live rendition of his monster hit from the early 2000s. The moment totally caught me by surprise (as well as others in the audience, based on their reactions), but I loved every second of it. Eminem did not attend the Oscars the year “Lose Yourself” won, so it was great to finally see him on stage performing on film’s biggest night!

Sleepiest Guest: Martin Scorsese during “Lose Yourself”

Twitter was on fire last night with some hilarious reactions during Eminem’s performance, but the funniest for me was the image of The Irishman director Martin Scorsese fighting off a nap. The ceremony is long, so I get it if Marty was a bit tired. But right in the middle of a loud rap performance??

Best Jokes from the “Non-Hosts”

For the second straight year, the Oscars was without an official host. However, in the hostiest of hostless ways, comedians Steve Martin and Chris Rock (both of whom have previously hosted the show) came out following the opening musical number to deliver a monologue. Some of the highlights included an absolute roasting of Amazon boss Jeff Bezos, including his divorce (“He saw Marriage Story and thought it was a comedy”); poking fun at the long runtime of Martin Scorsese’s latest film (“I loved the first season of The Irishman“); and a hilarious discussion by Chris Rock of Ford v Ferrari (“I got a Ford, I got a Ferrari…it ain’t even close. That’s like Halle Berry versus gum disease”).

Funniest Presenters: Maya Rudolph and Kristen Wiig

Can we just hire Maya Rudolph and Kristen Wiig to host every Oscars every year? The two comedy queens co-presented the awards for Best Production Design and Best Costume Design, and per usual, hilarity ensued. Rudolph and Wiig wanted the directors in the room to know they “do more than comedy” and can “act.” Naturally, they crushed it!

Biggest Upset: Bong Joon-ho wins Best Director over Sam Mendes

Although I predicted that the Academy would award Best Picture to Parasite, I was certain Sam Mendes would win Best Director for 1917 for the immense technical achievement of the film. Leading up to the ceremony, Mendes was a -400 favorite to win, with Parasite’s Bong Joon-ho a +300 underdog. As I wrote about yesterday, in three of the previous four years, the Academy gave Best Director and Best Picture to different movies. Thus, I figured the split would be on again this year. But the Academy threw us all a curveball, giving Bong a clean sweep of the two awards. (Bong was the largest statistical underdog, from a betting perspective, to pull off an upset last night.)

Posted on February 25, 2019January 27, 2021 by mistertowle2

My Review of the 91st Academy Awards Ceremony

Well, that’s a wrap on the 91st edition of the Academy Awards. Like all years, the Oscars had some great moments, some not-so-great moments, and some hilarious quotes! Here are my reactions to some of the major highlights from the 2019 Academy Awards ceremony:

Best Moment: “Shallow” performance by Lady Gaga and Bradley Cooper

This performance was a knockout! Like most fans of A Star Is Born, I have listened to “Shallow” from the film’s soundtrack on repeat since I first saw the movie. The performance by Lady Gaga and Bradley Cooper was probably the moment I was most looking forward to last night, and it absolutely, unequivocally did not disappoint. I will admit, after watching that recent impromptu performance of “Shallow” together at a Lady Gaga concert in Vegas, I was a little worried about Cooper’s singing abilities come Oscar night – that ended up being a total non-issue, as Cooper’s performance of his portion of the song was pitch-perfect. Obviously Gaga knocked the song out of the park, and it was such a cool moment to see these two (who had some of the best on-screen chemistry in any movie last year) light it up on Hollywood’s biggest night.

Worst Moment: Green Book wins Best Picture

Talk about a letdown to end an otherwise enjoyable night celebrating cinema. Don’t get me wrong – I enjoyed Green Book. It was a good movie. A good movie. But the best movie of the year? Not a chance. Not a damn chance. The above tweet from The A.V. Club so perfectly sums up a Green Book win for Best Picture. This year, there were some wonderful movies nominated in the Best Picture category, and I would not have been unhappy whatsoever to see a win for The Favourite, A Star Is Born, Black Panther, Roma, or BlacKkKlansman – in fact, any one of those five films would be a deserving victor. You could sense it on the broadcast that the Dolby Theatre found the win underwhelming, too, as everything seemed deflated during the acceptance speech.

Most Surprising Moment: The hostless concept wasn’t that bad

Following the Kevin Hart controversy, viewers were understandably interested in how the Academy would execute its first hostless ceremony in exactly 30 years. Although the last Oscars without a host didn’t go down in the annals of history in a positive manner, I was pleasantly surprised with how good last night’s show was despite lacking a customary ringleader. First, instead of a monologue, the Oscars kicked off with an amazing musical performance of “We Will Rock You” and “We Are the Champions” by Queen and Adam Lambert – in a year where Bohemian Rhapsody won the most Oscars, it was a fitting start to the show. Then, we got a short definitely-not-a-monologue by definitely-not-hosts Maya Rudolph, Tina Fey, and Amy Poehler – although brief, it still provided a good taste of jokes that we are used to at the Oscars. All in all, I was surprised with how enjoyable the show was without a host.

Most Awkward Moment: Vice Acceptance speech for Best Makeup and Hairstyling

Every year at the Oscars, we get some incredibly eloquent and thought-provoking acceptance speeches that are emotionally affecting and inspirational – the one for Vice’s Best Makeup and Hairstyling win by Greg Cannom, Kate Biscoe, and Patricia Dehaney was not one of those speeches. It was downright painful. The three winners constantly talked over each other while reading off a piece of paper containing names of those they wanted to thank – Greg Cannom even quipped at one point when he was told by one of his co-winners to read a particular line from the “thank you” paper, “No, I already did.” It was bumbling and awkward, and many on Twitter dubbed it the worst acceptance speech of all time. Twitter ain’t wrong.

Biggest Upset: Olivia Colman wins Best Actress

When Olivia Colman’s name was called for Best Actress, I think I might have literally fist-pumped on my couch while exclaiming, “YES! SHE DID IT!” It was such a major moment because (1) I loved Colman’s performance in The Favourite and desperately wanted her to win, and (2) Glenn Close was a MAJOR frontrunner to take home the award. I had pretty much accepted that Close would win this award after taking home nearly all of the Best Actress trophies at the major pre-Oscars award shows. (And I wasn’t even mad about it, because I loved her in The Wife.) But if ever there was an upset at this year’s Oscars, I am incredibly thankful that it was in Colman’s favor.

Best Joke: (Tie) Peeing at the Grammys and Fyre Festival

In the aforementioned brief comedy opener by Maya Rudolph, Tina Fey, and Amy Poehler, the three women alternated sharing some quick jokes about the ceremony and the nominated movies/performances. There weren’t really any that didn’t hit, but there were a couple that definitely stood out as my favorites. First, Maya Rudolph looked at Bradley Cooper and said, “Don’t worry, Bradley, after four kids, I too have peed myself at the Grammys,” harkening back to Jackson Maine’s unfortunate moment on stage in A Star Is Born. Then, Tina Fey proclaimed to the crowd, “Everyone, look under your seats, you’re all getting one of those cheese sandwiches from the Fyre Festival!”

Line of the Night: From Rayka Zehtabchi during the acceptance speech for Best Documentary – Short Subject

Last night, the Oscar for Best Documentary – Short Subject went to “Period. End of Sentence.” The film is a very serious look at revolutionary efforts by women in India to not only improve feminine hygiene, but also to empower women. I have not yet seen this short film, but from all accounts, it is tremendous and meaningful. When its creators got on stage last night to give their acceptance speech, director Rayka Zehtabchi announced, “I’m not crying because I’m on my period. I can’t believe a film about menstruation just won an Oscar!” Zehtabchi’s response to winning an Oscar about a taboo subject was brilliant, funny, and full of emotion – definitely the line of the night.

Posted on February 19, 2019January 27, 2021 by mistertowle2 · 2 Comments

Top 10 Films of 2018, No. 4 – A Star Is Born

A Star Is Born is a musical drama directed by Bradley Cooper (in his directorial debut) and co-written by Eric Roth, Bradley Cooper, and Will Fetters. The film tells the story of a country musician named Jackson Maine (Cooper) who discovers and falls in love with a young, aspiring singer named Ally (Lady Gaga). Ally’s budding musical career quickly takes off, but all the while, Jackson’s own personal demons threaten to tear his down.

This iteration of A Star Is Born is the third remake of the original 1937 film, following reincarnations in 1954 (starring Judy Garland and James Mason) and 1976 (starring Barbara Streisand and Kris Kristofferson). Despite trotting through familiar territory, the Cooper- and Gaga-led version feels undeniably new and wholly unique. As much as this film is about the music (and trust me, the music is flawless – I still listen to “Shallow” at least a few times each week), it is really much more about an exploration of Jackson and Ally and their obviously genuine, but altogether complicated, love story. These two characters clearly inspire each other in the most believable ways possible (both in life and in music), which makes their rollercoaster relationship that much more affecting for an audience. Although the ease of buying into this tale of romance has a lot to do with Cooper and Lady Gaga as actors (their chemistry was organic, unforced, and utterly convincing), it can also be credited to the dynamic screenwriting trio, the X factor of which is Eric Roth. Roth has led a critically acclaimed career behind the pen, writing the scripts (and receiving Oscar nominations) for Hollywood heavy-hitters Forrest Gump, The Insider, Munich, and The Curious Case of Benjamin Button. With such an illustrious filmography, it is patently obvious that Roth’s fingerprints were all over the script for A Star Is Born.

The movie also benefits tremendously from an exquisite directorial achievement by Cooper. Some of the most emotionally packed scenes in all of film this year came from A Star Is Born, and Cooper’s vision is at the root. Avoiding spoilers, I will say that the emotional climax of the film was, even for someone that hadn’t seen any of the previous iterations of the story, predictable. But despite that, Cooper still presented it in a way that felt raw and unexpected – it was single-handedly the most heart-wrenching scene of the year. (There wasn’t a dry eye in the theater.) Further, the main function of a director, aside from being the film’s chief visionary, is to get the best work out of the actors – in that department, Cooper far exceeded all expectations that could possibly have been set for him. As I will get into more detail about in a moment, Lady Gaga delivered an exceptional performance as Ally. Yes, she was clearly born to be a performer. Yes, she already has a small handful of acting credits. And yes, the film is about a singer, which Gaga already is in real life. But in the wrong director’s hands, a good performer could still fall flat – it happens all the time. Luckily, in A Star Is Born, the combination of Cooper’s shrewd direction and Gaga’s unquestionable talent came together beautifully to offer one of the year’s best acting performances. It also says a lot that Sam Elliott, a pioneer in the acting world with a career that spans over five decades, received his first Oscar nomination of all time in the role of Bobby Maine, Jackson’s manager and half-brother. Not only did Cooper bring out the best in Lady Gaga, but he also found a way to elicit a career-defining supporting performance from a Hollywood legend. I am still quite a bit upset that Cooper was overlooked in the Best Director category – he definitely should have received a nomination for his work behind the camera.

As alluded to above, Lady Gaga’s portrayal of Ally was amazing – given her background in music and her own rise to fame, Cooper could not have hit a more definite homerun in terms of casting than this. Gaga effortlessly commanded the complex emotional nature of Ally, portraying her vividly as a young woman who is at first apprehensive and lacking in self-esteem, and later confident and more comfortable in her own skin. However, even after Ally becomes more self-assured, she still maintains an innocent sense of vulnerability – Gaga depicts that remarkably. Even though Bradley Cooper is the film’s creative mind behind the camera, he also turns in one of the best acting performances of his own career, justifiably earning him a fourth Oscar nomination in an acting category. Jackson Maine is a complicated character – despite Ally energizing his life in terms of love and music, he still struggles to keep up with his own personal battles. A life of alcoholism and self-sabotage trips Jackson up at every turn, and Cooper’s portrayal is haunting and dramatic – it was definitely a memorable piece of acting. A Star Is Born is rated R for language throughout, some sexuality/nudity, and substance abuse.

A Star Is Born trailer: https://www.youtube.com/watch?v=nSbzyEJ8X9E&t=8s

Academy Award nominations for A Star Is Born:

Best Picture (Bill Gerber, Bradley Cooper, and Lynette Howell Taylor, producers)

Best Actor in a Leading Role (Bradley Cooper)

Best Actress in a Leading Role (Lady Gaga)

Best Actor in a Supporting Role (Sam Elliott)

Best Adapted Screenplay (Screenplay by Eric Roth, Bradley Cooper, and Will Fetters)

Best Original Song – “Shallow” (Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt)

Best Sound Mixing (Tom Ozanich, Dean Zupancic, Jason Ruder, and Steve A. Morrow)

Best Cinematography (Matthew Libatique)

Posted on February 28, 2016February 28, 2016 by mistertowle2

Review: My Ballot and Countdown (2015)

And just like that, my fourth annual Oscars Ballot and Countdown blogging has come to an end. And in bigger news: The Academy Awards are finally here! Per usual, in preparation for tonight’s ceremony, I am providing a review of my blog from these past few weeks. This review includes all of the winners of the 16 categories in which I have seen each nominated film/performance and have subsequently blogged about (my personal ballot), and it also includes my list of the “Top 15 Films of the Year.”

Get caught up on my picks, and feel free to look back over any of my previous posts this season, which feature much more in-depth commentary on each of these films and performances. Lastly, make sure to tune into the 88th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theatre in Hollywood, CA. Enjoy, everyone!

My Oscar Winners:

Best Picture: Mad Max: Fury Road

Actor in a Leading Role: Leonardo DiCaprio (The Revenant)

Actor in a Supporting Role: Tom Hardy (The Revenant)

Actress in a Leading Role: Brie Larson (Room)

Actress in a Supporting Role: Alicia Vikander (The Danish Girl)

Best Director: George Miller (Mad Max: Fury Road)

Best Cinematography: John Seale (Mad Max: Fury Road)

Best Costume Design: Jenny Beavan (Mad Max: Fury Road)

Best Film Editing: Margaret Sixel (Mad Max: Fury Road)

Best Original Score: Ennio Morricone (The Hateful Eight)

Best Production Design: Colin Gibson and Lisa Thompson (Mad Max: Fury Road)

Best Sound Editing: Mark A. Mangini and David White (Mad Max: Fury Road)

Best Sound Mixing: Chris Jenkins, Gregg Rudloff, and Ben Osmo (Mad Max: Fury Road)

Best Visual Effects: Mark Williams Ardington, Sara Bennett, Paul Norris, and Andrew Whitehurst (Ex Machina)

Best Adapted Screenplay: Adam McKay and Charles Randolph (The Big Short)

Best Original Screenplay: Alex Garland (Ex Machina)

Top 15 Films of the Year:

Mad Max: Fury Road
The Revenant
The Big Short
Sicario
Ex Machina
Spotlight
Straight Outta Compton
Kingsman: The Secret Service
Steve Jobs
Creed
’71
Room
Star Wars: The Force Awakens
Beasts of No Nation
The Martian

Posted on February 26, 2016 by mistertowle2 · 1 Comment

Best Picture (2015)

This year, one of eight nominated films will be inducted into an exclusive society of movies when it receives the Academy’s greatest honor: the Oscar for Best Picture. Some of the films that this year’s winner will be joining include It Happened One Night, The Bridge on the River Kwai, Oliver!, Driving Miss Daisy, Braveheart, No Country for Old Men, Birdman, and many more. Needless to say, this year’s Best Picture winner will be joining an elite collection of the world’s greatest films of all time. The following is my Oscars ballot for this category, Best Picture:

WINNER: Mad Max: Fury Road

2. The Revenant

3. The Big Short

4. Spotlight

5. Room

6. The Martian

7. Bridge of Spies

8. Brooklyn

Posted on February 22, 2015 by mistertowle2

Review: My Ballot and Countdown

With my third annual countdown in the books, we have finally reached the big day: the Academy Awards. In preparation for tonight’s ceremony, I am providing all of you with a review of my blog from these past few weeks. This review includes all of the winners of the 14 categories in which I have seen each nominated film/performance and have subsequently blogged about (my personal ballot), and it also includes my list of the “Top 15 Films of the Year.”

Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances. And make sure to tune into the 87th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theatre in Los Angeles, CA. Enjoy, everyone!

My Oscar Winners:

Best Picture: Whiplash

Actor in a Leading Role: Eddie Redmayne (The Theory of Everything)

Actor in a Supporting Role: J.K. Simmons (Whiplash)

Actress in a Leading Role: Rosamund Pike (Gone Girl)

Actress in a Supporting Role: Patricia Arquette (Boyhood)

Best Director: Alejandro G. Iñárritu (Birdman)

Best Cinematography: Emmanuel Lubezki (Birdman)

Best Film Editing: Joel Cox and Gary D. Roach (American Sniper)

Best Makeup and Hairstyling: Elizabeth Yianni-Georgiou and David White (Guardians of the Galaxy)

Best Original Score: Jóhann Jóhannsson (The Theory of Everything)

Best Production Design: Nathan Crowley and Gary Fettis (Interstellar)

Best Sound Mixing: Craig Mann, Ben Wilkins, and Thomas Curley (Whiplash)

Best Adapted Screenplay: Damien Chazelle (Whiplash)

Best Original Screenplay: Dan Gilroy (Nightcrawler)

Top 15 Films of the Year:

Whiplash
Locke
Nightcrawler
Starred Up
The Theory of Everything
Boyhood
Blue Ruin
American Sniper
Guardians of the Galaxy
Birdman
Fury
Calvary
Interstellar
Gone Girl
The Lego Movie

Posted on February 21, 2015 by mistertowle2

This year, one of eight nominated films will be inducted into an exclusive society of movies when it receives the Academy’s greatest honor: the Oscar for Best Picture. Some of the films that this year’s winner will be joining include Lawrence of Arabia, Kramer vs. Kramer, Platoon, Forrest Gump, Crash, 12 Years a Slave, and many more; needless to say, this year’s Best Picture winner will be joining an elite collection of the world’s greatest films of all time. The following is my Oscars ballot for this category, Best Picture:

WINNER: Whiplash

2. The Theory of Everything

3. Boyhood

4. American Sniper

5. Birdman

6. The Imitation Game

7. Selma

8. The Grand Budapest Hotel

Posted on February 11, 2015 by mistertowle2

Top 15 Films of 2014, No. 8 – American Sniper

American Sniper is a biographical war drama directed by Clint Eastwood with a screenplay, adapted from the book of the same name, by Jason Hall. The film tells the true-life story of Navy SEAL Chris Kyle (Bradley Cooper), America’s most deadly sniper in history (160 confirmed kills, according to the United States Department of Defense). During four tours in Iraq, Kyle’s marksmanship quickly earns him the nickname “Legend” among his American comrades. All the while, however, his ever-growing reputation of being the most lethal sniper has garnered the close attention of the enemy, and the insurgents have put a price on Kyle’s head. With a budding family back home that misses him and a war that demands his contribution, Kyle must reconcile what is most important in his life.

More so than I ever could have expected, American Sniper has been met with a challenging combination of critical/box-office acclaim and social controversy. Some critics have labeled it merely “right-wing” propaganda, Michael Moore has spoken out against snipers in general, and even Seth Rogen caused a stir. Everyone seems to have an extreme political/religious bias about the film’s depiction of Kyle’s life and legacy, and I do not dare allow this blog to become a forum for my political thoughts in this heated debate. I will only say this—it was a harrowing tale of war and the consequences that flow from it, but it made me proud to be an American. I appreciate every single soldier that has ever and will ever devote his or her life to protect our freedom.

Now, on to the analysis of the film. Although Clint Eastwood has had some missteps in his career as a director, American Sniper was most definitely a journey back to the top for the 84-year-old Hollywood staple. In 2012, Zero Dark Thirty became (in my opinion) the gold standard for modern warfare films. It was realistic, in the most daunting and terrorizing ways, and the lead performance by Jessica Chastain (the best actress in Hollywood) elevated it to an unreachable height. The closest thing I have ever seen in my life to that of Zero Dark Thirty’s cinematic pragmatism regarding war is American Sniper (although Zero Dark Thirty is still a superior film). It is a story of a real-life figure (told through his own eyes), and Bradley Cooper delivers the single greatest performance of his career. That says a lot about where Cooper ranks among the modern greats considering his Best Actor nomination for his portrayal of Chris Kyle is now his third consecutive Oscars nomination. Every year, it seems Bradley Cooper becomes better and better, and in this movie, he pounces on the opportunity to be hailed as the most premier American actor on the circuit. With veteran direction from Eastwood and an acting performance for the ages by Cooper, the valiant story of this American hero is thrust upon our social conscience in a way that evokes all of the most patriotic emotions out of us—it is the textbook manifestation of wrapping yourself up in the Stars and Stripes.

American Sniper, a box-office smash that has accumulated over $361 million in worldwide theater receipts, is a movie that will stay with me for a long time, and it is fully justified in receiving a spot among my Top 10 films of 2014. After viewing it in theaters, I knew this movie would be among the two or three best films of 2014. But it ended up at No. 8. Why? Sadly, it is because of that fake-baby scene that I am sure you are all familiar with at this point, whether you have seen the movie or not. In my conversations with friends and family, most are astounded at how a single scene like that can automatically drop the film’s ranking on my list so drastically. My reasoning is simple: something like that in this day in age (with a $60 million budget) is absolutely unacceptable. Sure, I understand the predicament that the filmmakers were innocently plunged into—the first baby had a fever that day and the back-up baby was a no-show. But you are Clint F’n Eastwood—get another baby!!! Stop production for half of a day and track down a baby—ANY BABY! By cutting corners to get the scene shot (i.e., settling for a plastic doll), Eastwood and the entire crew of filmmakers on set bastardized an otherwise classic picture. In 20 years, nearly everything about this movie will withstand the test of time and continue to dazzle its viewers; yet, that scene will still be there, and it will stand as a reminder of the cringe-worthy choice that the filmmakers made. Maybe you do not agree with me. Understandable. But watching Bradley Cooper blatantly moving his thumb in this scene (click now to see for yourself) to move the baby’s arm in order to make it look like it is an authentic human being will stick in my mind for ALL of the wrong reasons. Bad move, Clint.

All baby criticisms aside, Cooper and his unbelievable portrayal of Kyle outweighs any mistake that the filmmakers could have made, and this is definitely a film that will go down in history as one of the most epic tales of true-life heroism during an American war. American Sniper is rated R for strong and disturbing war violence, and language throughout including some sexual references.

American Sniper trailer: https://www.youtube.com/watch?v=5bP1f_1o-zo

Academy Award nominations for American Sniper:

Best Picture (Clint Eastwood, Robert Lorenz, Andrew Lazar, Bradley Cooper, and Peter Morgan, producers)

Best Actor (Bradley Cooper)

Best Adapted Screenplay (Jason Hall)

Best Film Editing (Joel Cox and Gary D. Roach)

Best Sound Editing (Alan Robert Murray and Bub Asman)

Best Sound Mixing (John Reitz, Gregg Rudloff, and Walt Martin)

Previous movies on the countdown of the Top 15 Films of 2014:

Guardians of the Galaxy
Birdman
Fury
Calvary
Interstellar
Gone Girl
The Lego Movie

Posted on March 3, 2014 by mistertowle2

My Review of the 86th Academy Awards

Well, this year’s Oscars have officially come and gone, and at this point, I am already excited for next year’s show. But before I start preparing for another amazing year in film, I wanted to share my reactions of last night’s broadcast with all of you. The Academy Awards has been known in the past to be utterly long and boring. Although the show was still long (about 3 ½ hours), it was far from boring. Ellen DeGeneres was an absolutely, hysterically entertaining host, and I would have zero problem if she was asked to host the show from here on out—her monologue this year was uproarious! With the exception of only a couple, each of her jokes throughout the show were quite humorous and suitable for the Oscars, and even when she did toe the line of appropriateness, it still worked because it was done with Ellen’s trademark repartee.

This year’s Oscars had some tremendous moments, some not-so-tremendous moments, and some downright unforgettable moments, and I am pleased to share my reactions to all of the major highlights from a successful Academy Awards ceremony:

Best Moment: (12 Years A Slave wins Best Picture)

As you all probably already know from my blog, 12 Years A Slave was by far my favorite film from 2013. I have been hoping and praying that it would win Best Picture, and last night, it did! In a night where Gravity took home seven Oscars, including Best Director for Alfonso Cuarón, it was gratifying that the Academy awarded its most prestigious honor to a film that I believe is one of the greatest of all time. Both Brad Pitt and director Steve McQueen were graciously humble in accepting the award, and after the Academy flubbed last year by giving Argo the award, it was great to see them getting it right this time around. The best part of the acceptance speech, though, was when Steve McQueen began jumping around on stage in celebration of the victory. Well deserved, Mr. McQueen.

Worst Moment: (John Travolta’s mispronunciation of Idina Menzel’s name)

Every presenter at the Oscars is presented with a guide to help them master the names of anyone they must introduce. Despite this, Idina Menzel’s name is not all that hard to pronounce in the first place—it sounds just like it looks. However, John Travolta found some way possible to dastardly butcher the Let It Go-singer’s name as she was introduced to perform. His pronunciation for “Idina Menzel” was as follows: Adele Dah-zeem. HUH????

Most Endearing Moment: (Acceptance Speech for The Lady in Number 6: Music Saved My Life)

The subject matter of this Short Documentary winner is Alice Herz-Sommer, the world’s oldest Holocaust survivor, and how music had given her optimism in life. Ms. Herz-Sommer passed away at 110 years old, just one week ago. While accepting the award, director Malcolm Clarke gave an undeniably endearing acceptance speech about this strong-willed, positive-minded woman and the impact she had on the entire filmmaking crew. It was definitely a special moment last night.

Most Boring Moment (Bette Midler’s performance)

Last year, my “Most Boring Moment” went to Barbara Streisand for her musical performance following the “In Memoriam” presentation. Once again, this musical slot takes the cake for the most absolutely boring moment of the entire Academy Awards. Bette Midler performed “Wind Beneath My Wings” following the “In Memoriam” slideshow, and it nearly put me to sleep. For starters, Bette Midler simply does not have it anymore as a singer, at least not last night. She was flat, unengaged, and dreadful, and the best part of her performance was when the music ended and she walked off of the stage.

WTF Moment: (Kim Novak presenting with Matthew McConaughey)

Kim Novak is one of the most well known actresses of her generation, starring in incredible films like Alfred Hitchcock’s Vertigo and Joshua Logan’s Picnic. Now, I understand Novak is in her early eighties, but her appearance last night was simply awkward in every sense of the word. She rambled on and on in an extraordinarily incoherent manner, and she clearly was not on the same page with McConaughey; he had to continually pull her closer to the microphone, as well. Also, when they attempted to announce the category for “Best Animated Short Film” in sync, it was a disaster—McConaughey said, “Best Animated Short Film,” while Novak said, “Best Short Animated Feature.”

Best Monologue Joke: (Poking fun at Jennifer Lawrence’s Oscar “fall” last year)

As everyone may know, last year, while walking to the stage to accept the “Best Actress” award, Jennifer Lawrence tripped and fell (pictured on the right). This year, while exiting her car for the Red Carpet, Lawrence again tripped and fell. Ellen started the joke off by saying that she was not going to bring up either fall or poke fun because it is embarrassing when people bring those sorts of things up in public—she then went on to bring each of them up in greater detail, and it was hilarious. The best part was when Ellen followed up by saying, “if you win tonight, I think we should bring you the Oscar.” Jennifer Lawrence seemed to get a good kick out of it, and it was most definitely the funniest of Ellen’s many entertaining monologue jokes.

Worst Monologue Joke (the Liza Minnelli diss)

Liza Minnelli was in attendance with her siblings to honor the 75th anniversary of The Wizard of Oz, a film their mother, Judy Garland, starred in. Ellen’s worst joke came when she pointed out that one of the best Liza Minnelli impersonators she had ever seen was in attendance (referring to Minnelli herself). Then Ellen said, “good job, sir.” Liza Minnelli did NOT look impressed.

Best Ellen Moment of the Night: (Tie: Celebrity Selfie and Pizza Delivery)

Ellen definitely brought a hip new aspect to the Oscars, and the show’s entertainment value benefited significantly from this. At one point in the show, Ellen rounded up some of Hollywood’s most famous movie stars (and Lupita Nyong’o’s brother) to tweet a selfie in an attempt to break the record for most retweets, which the picture did indeed accomplish. Later in the show, Ellen had a few boxes of pizza delivered to the Dolby Theater, and she spent a few minutes passing out slices to everyone. Chiwetel Ejiofor, Kevin Spacey, Julia Roberts, Meryl Streep, Jennifer Lawrence, Christian Bale, Jared Leto, Harrison Ford, Kerry Washington, Martin Scorsese, and many others indulged in the Italian treat—Brad Pitt was actually extremely stoked for the occasion, loudly voicing to the pizza guy that he wanted pepperoni! It was a hilarious interlude during the ceremony, and it was one that has never been seen before.

Best Acceptance Speech: (Lupita Nyong’o for Best Supporting Actress)

In her film debut, Lupita Nyong’o won the Best Supporting Actress award for her role as Patsey in 12 Years A Slave. She gracefully thanked the real-life Patsey and Solomon Northup for his amazing story. She then, tearfully, thanked director Steve McQueen for the role, saying that being cast in this film was “the joy of [her] life.” With every appreciative comment about the many people that helped her reach this milestone, she spoke kindly and eloquently, and her heartfelt acceptance speech was truly remarkable.

Best Musical Performance: (Pink singing “Somewhere Over the Rainbow”)

During the Oscars, the Academy paid tribute to the 75th anniversary of “The Wizard of Oz,” and Pink performed a beautiful rendition of the infamous “Somewhere Over the Rainbow.” Pink is by far one of the most talented singers in the music industry today, and her vocals were incredible during this cover of Judy Garland’s signature song. If it were not for Pink’s amazing performance, this award would go to Pharrell Williams for his “Happy” routine earlier in the broadcast, but Pink’s breathtaking command of the stage during this earnest performance is absolutely undeniable.