This year, one of eight nominated films will be inducted into an exclusive society of movies when it receives the Academy’s greatest honor: the Oscar for Best Picture. Some of the films that this year’s winner will be joining include It Happened One Night, The Bridge on the River Kwai, Oliver!, Driving Miss Daisy, Braveheart, No Country for Old Men, Birdman, and many more. Needless to say, this year’s Best Picture winner will be joining an elite collection of the world’s greatest films of all time. The following is my Oscars ballot for this category, Best Picture:
The Oscar for Best Production Design recognizes achievement in art direction. Since 1947, the award has been shared with both a film’s art director and set decorator. Aside from the acting, directing, and musical compositions within a film, the production design and set decoration help illuminate the visual image depicted on the screen. The following is my Oscars ballot for this category, Best Production Design:
WINNER: Colin Gibson and Lisa Thompson (Mad Max: Fury Road)
Michael Standish and Eve Stewart (The Danish Girl)
Jack Fish and Hamish Purdy (The Revenant)
Celia Bobak and Arthur Max (The Martian)
Adam Stockhausen, Rena DeAngelo, and Bernhard Henrich (Bridge of Spies)
This year’s Best Original Screenplay category features a wide variety of previous Oscar experience. A handful of the writers nominated will be attending the Academy Awards for the first time, while others will be making repeat appearances. The most experienced writers nominated are the Coen brothers, who received their 14th nomination as a duo for Bridge of Spies. The following is my Oscars ballot for this category, Best Original Screenplay:
WINNER: Alex Garland (Ex Machina)
Alex Garland has never previously been nominated in any screenwriting categories at the Academy Awards.
Tom McCarthy and Josh Singer (Spotlight)
Tom McCarthy, also the director of Spotlight, was previously nominated for Best Original Screenplay for his work on Pixar’s Up (2009). Josh Singer has never previously been nominated in any screenwriting categories at the Academy Awards.
Jonathan Herman, Andrea Berloff, S. Leigh Savidge, and Alan Wenkus (Straight Outta Compton)
None of the Straight Outta Compton writers have previously been nominated for an Academy Award in any screenwriting category.
Matt Charman, Joel Coen, and Ethan Coen (Bridge of Spies)
Joel and Ethan Coen have each been nominated for 13 Academy Awards (26 total), five of which were in writing categories. The Coen brothers have been nominated in the Best Original Screenplay category twice, winning for Fargo (1996). Additionally, they have been nominated in the Best Adapted Screenplay category three times, winning for No Country for Old Men (2007). Matt Charman has never previously been nominated for an Oscar in any screenwriting category.
Pete Docter, Meg LeFauve, Josh Cooley, and Ronnie del Carmen (Inside Out)
Pete Docter has previously been nominated for five Academy Awards, three of which were for Best Original Screenplay (Toy Story (1995), WALL-E (2008), and Up (2009)). None of the other three writers for Inside Out have previously been nominated for an Oscar in a screenwriting category.
The Oscar for Best Original Score is awarded to a musical composer for the best body of musical work in the form of underscoring for a particular film. This is perennially one of my favorite Academy Award categories because in my opinion, music is essentially what makes or breaks a film. A movie is just a bunch of images and words, but with the addition of a musical score, the film develops feeling and emotion in a way that better connects with the viewers. The following is my Oscars ballot for this category, Best Original Score:
The Oscar for Best Sound Mixing is awarded to a particular film featuring the finest and most melodious sound mixing and recording. The award is usually presented to the film’s production sound mixers and re-recording mixers. The following is my Oscars ballot for this category, Best Sound Mixing:
WINNER: Mad Max: Fury Road (Chris Jenkins, Gregg Rudloff, and Ben Osmo)
2. Star Wars: The Force Awakens (Andy Nelson, Christopher Scarabosio, and Stuart Wilson)
3. The Revenant (Jon Taylor, Frank A. Montaño, Randy Thom, and Chris Duesterdiek)
4. The Martian (Paul Massey, Mark Taylor, and Mac Ruth)
5. Bridge of Spies (Andy Nelson, Gary Rydstrom, and Drew Kunin)
The media predicts, “Sly, Sly…and, oh yeah, Sly” to win the Academy Award for Best Supporting Actor. According to the major awards ceremonies that have taken place so far, that prediction is spot on. I, on the other hand, take a different view on this category. Even though Sylvester Stallone will most definitely take home Oscar gold later this month, my vote goes to someone else. With stellar performances in 2015’s Mad Max: Fury Road, Legend, and The Revenant, this other actor gets my vote! The following is my Oscars ballot for this category, Best Actor in a Supporting Role:
WINNER: Tom Hardy (The Revenant)
After doing some research, it appears that no one—seriously, no one—pegs Tom Hardy to finish anywhere but last place in the Oscar voting for Best Supporting Actor. They are probably absolutely correct. As I read this week, this could be due to Hardy’s standoff-ish nature when it comes to awards, the media, or anything else outside his own private, personal life; in fact, he has actively avoided any sort of Oscar “campaign” like most nominees take part in. To that, I say: So what? If this award is truly about the best acting performance, then Hardy deserves to win—which is why he has my vote. In The Revenant, Hardy plays John Fitzgerald, the film’s antagonist who leaves his men to stay behind with Hugh Glass (Leonardo DiCaprio) after the latter’s bear attack. Fitzgerald eventually deceives his men by killing Glass’s son and leaving Hugh Glass for dead. DiCaprio is most likely going to win the Oscar for Best Actor (rightfully so), but his performance throughout is mostly silent. Hardy is the film’s voice, albeit an evil one. Hardy is traditionally thought of as the “pretty boy.” But in The Revenant, much like in Bronson (Hardy’s greatest role to date), Hardy revels in his malevolent, bad-boy role. He lies, he misleads, and he kills unemotionally; this takes a complete transformation for an actor to sell this kind of character, if it is to work on a grand scale. Obviously Hardy succeeded in that challenge: The Revenant is up for 12 (the most nominations for any film this year) Oscars and is considered the frontrunner for Best Picture. Does a lot of that have to do with DiCaprio and director Alejandro Iñárritu? Absolutely! But is Tom Hardy’s performance the key to its ultimate success? I argue that it is. Hardy outperformed DiCaprio in my mind, and although he will not win the award, I truly believe he is the most worthy. Hardy has never previously been nominated for an Academy Award.
Sylvester Stallone (Creed)
If I were to rank the greatest sports movies in the history of film, I would be hard-pressed to track down anything more gritty, raw, inspiring, or altogether masterful than Rocky. I am a die-hard fan of the franchise (except for Rocky V—let’s pretend that never happened), and I was on Cloud Nine the moment I heard Sylvester Stallone would be reprising his role in the seventh installment in the franchise, Creed. In the film, Rocky Balboa trains the son of his longtime rival and friend, the deceased Apollo Creed. The Balboa in Creed is as we have never seen him before: aging, wounded, lonely, and, most of all, vulnerable. Stallone is a household name because of his beloved Balboa character, and to see him reprise this role nearly 40 years after the original film (and almost ten years since Rocky Balboa) would have been enough for me and many fans of the franchise. However, Stallone shocked us all by delivering one of his greatest performances of his long and storied career, rivaling only—you guessed it—his Oscar-nominated performance in the original Rocky. The 69-year-old looked like an actor in his prime, providing us with a memorable performance that will live on in film history. Anywhere you look, Stallone is the favorite to win this Academy Award, and rightfully so—he has already taken home hardware from the Golden Globes and Critics’ Choice Awards. I also believe he will win the Oscar, but for me, Tom Hardy simply delivered the year’s best, which is why Sly does not get my vote. Stallone was previously nominated for both Best Actor and Best Original Screenplay for his work on Rocky (1976).
Mark Ruffalo (Spotlight)
In Spotlight, Mark Ruffalo portrays the real-life Michael Rezendes, one of the investigative journalists on The Boston Globe’s “Spotlight” team, which worked to uncover a vile child-abuse scandal within the Catholic Church in the early 2000s. A couple of days ago, I wrote about how Rachel McAdams delivered one of the more surprisingly effective performances in one of the year’s best films. But Spotlight succeeds at its core because of Ruffalo’s remarkably emotional and heart-wrenching performance. Throughout the film, Ruffalo is unrelenting in his journey to uncover one of Boston’s most horrifying scandals. His efforts are unyielding and his devotion is indomitable, and Ruffalo owns his scenes with determined gravitas. At first I thought the only annoying part of Ruffalo’s portrayal was the odd mannerisms, but a quote from Entertainment Weekly put me in my place: “And for those who know the real-life Rezendes, the resounding consensus is that Ruffalo nailed both the man’s physical nuances and his character traits without turning the performance into a caricature.” Bravo, Mark Ruffalo; your third Best Supporting Actor nomination in six years is, per usual, well deserved! Ruffalo has been previously nominated two times in the Best Supporting Actor category, for The Kids Are All Right (2010) and Foxcatcher (2014).
Mark Rylance (Bridge of Spies)
In Bridge of Spies, Mark Rylance portrays the real-life Rudolf Abel, a Soviet spy who is captured by the CIA and ultimately sent back to the Soviet Union in exchange for American spy pilot Francis Gary Powers. As I mentioned in yesterday’s post, Bridge of Spies was a tremendous film, and Rylance is one of the key figures behind its success. For those of you feeling unfamiliar with Rylance’s previous work, do not fret—most of us are! Rylance has not acted in many popular feature films, as his true love is the theater; in fact, he is critically acclaimed in that arena, winning two Tony Awards for Best Actor in a Play. I sure hope to see him appear in more films in the future because his acting performance in Spielberg’s latest feature was top-notch. He portrayed Abel as quiet and unassuming, but all the while wise and unwearied—his subtleties shone brightly! Rylance has never previously been nominated for an Academy Award.
Christian Bale (The Big Short)
In Adam McKay’s The Big Short, Christian Bale plays the real-life Dr. Michael Burry, an incredibly eccentric hedge-fund manager who predicted the housing market collapse of 2007-08, making millions of dollars in the process. Simply put: Christian Bale is one of the best and most talented actors in Hollywood. But despite his impeccable performance in The Big Short, I was quite surprised to see him receive an Oscar nod. I am not knocking his performance because, per usual, Bale nails it—Burry is a reclusive, socially awkward savant, and Bale crushed the portrayal. However, I cannot get on board with his nomination because in my opinion, Bale gave the third-best performance in the film; Steve Carell and Ryan Gosling absolutely stole the show. Bale was previously nominated for Best Actor for his role in American Hustle (2013), and he won his lone Academy Award in the Best Supporting Actor category for 2010’s The Fighter.
Actors snubbed in this category: Benicio del Toro (Sicario), Jason Mitchell (Straight Outta Compton), Steve Carell (The Big Short), Ryan Gosling (The Big Short), Idris Elba (Beasts of No Nation), Abraham Attah (Beasts of No Nation), and Jacob Tremblay (Room)
Although I love writing about all of the major Academy Awards categories, my favorite part of this blog is revealing my favorite films from the past year. Over the next few weeks, I will announce each of the movies on my “Top 15 Films of 2015” list; however, today I start by announcing my “Honorable Mentions.” Therefore, I present you with the five films that just missed out on making my list of the Top 15 Films of 2015:
No. 16 – Legend
Legend is a British crime thriller written and directed by Brian Helgeland. The film tells the true-life story of Reggie and Ronald Kray, identical twin brothers who headed the preeminent organized-crime gang in London’s East End in the 1950s and 60s. Full disclosure: the story and direction as a whole lose focus two-thirds through the film, which is what prevents this movie from being much higher on my list of 2015’s best films. However, Legend still stands tall as a worthy leader of my Honorable Mentions because of Tom Hardy and Oscar-nominated cinematographer Dick Pope. Tom Hardy plays Reggie Kray. Tom Hardy plays Ronald Kray. That’s right—the most talented actor in world cinema leads the film in both main roles. His acting alone is reason to see this movie. Reggie can be violent and dangerous, but he has a softer, more romantic side. Ronald, on the other hand, is the walking example of mental instability, and his violent side is worn much more openly on his sleeves. Hardy’s performance is one of the more amazing things I have ever witnessed in film. You truly forget early on that Hardy is playing both roles—you connect with these characters on a completely individualized basis, as if two actors pulled this off. This visceral exposition was inherently complex, and Dick Pope deserves mounds of credit for making it happen from a cinematography perspective. I highly recommend this movie because of Tom Hardy alone, and it is additionally worth your time to read this article about how, technically, the double-performance by Hardy was created.
No. 17 – Southpaw
Southpaw is a boxing drama directed by Antoine Fuqua, with a screenplay by Kurt Sutter. The film follows world champion boxer Billy Hope as he attempts to get his career back on track after seemingly losing everything in life: his wife is killed in a tragic shooting, and his daughter is stripped from Billy’s care by Child Protective Services. I only saw Southpaw recently, and since I saw Creed beforehand, my expectations for Gyllenhaal’s boxing movie were not high—I mean, how could there be TWO great boxing movies in one year? Boy, was I wrong. Creed (which will come up much later on my blog…wink, wink) and Southpaw are vastly different films, each with its own identity.
Gyllenhaal nailed his leading role, even if the character appeared a bit too dark for me at times. Sutter’s story was fantastic and hard-hitting, which comes as no surprise after I found out that he created FX’s critically acclaimed Sons of Anarchy. I have been incredibly disappointed with Antoine Fuqua’s directorial efforts since Training Day (a top-20 film for me of all time), so I am thrilled to see him back to making remarkable movies. Although I wish I could have seen Eminem in the lead role (the story was based on his life and the rapper was attached to the film for years), I was glad he still crept into the finished product: one of the best scenes features Gyllenhaal training while Eminem’s “Phenomenal” blasts through the speakers—it was glorious!
No. 18 – The Gift
The Gift is a psychological thriller written, directed, and produced by Joel Edgerton. The film follows a married couple, Simon (Jason Bateman) and Robyn (Rebecca Hall), as their lives are turned upside down with the introduction of Gordo (Joel Edgerton), a mysterious acquaintance from Simon’s past. This movie went decently under the radar throughout its limited release towards the end of summer, and I was lucky to have come across it—it was one of the more surprising film experiences of 2015 for me. I have always enjoyed Edgerton as an actor, but my respect for his acting abilities has wildly intensified after seeing this movie. The character evokes the epitome of creepy-crawly emotions, and Edgerton nailed every nuanced look and gesture. What really surprised me was how impressive Edgerton is as a filmmaker—plus, this is his directorial debut. Wow, what a way to start off with a bang! I have seen The Gift twice at this point (once in theaters, once at home), and with a second view, the thrills and chills were still aplenty. Need a good Redbox suggestion? Here you go. You’re welcome!
No. 19 – Black Mass
Black Mass is a crime drama directed by Scott Cooper, with a screenplay by Jez Butterworth and Mark Mallouk. The film follows the true-life events surrounding one of the most notorious American mobsters: Boston-native James “Whitey” Bulger. If you like gangster movies, then this is a must-see; Cooper has created a worthy entry into one of film’s best genres. The direction is great, the story is well crafted, and the movie is thrilling, but the standout feature of Black Mass is the ensemble cast (and the performances that flow therefrom). As I pointed out in my Fall Preview in August, Johnny Depp is (despite his many flaws) at his core an incredibly talented performer—all of that talent is on full display in this movie. There are also wonderful supporting performances from Benedict Cumberbatch, Rory Cochrane, Kevin Bacon, Jesse Plemons, Peter Sarsgaard, Adam Scott, Dakota Johnson, and Corey Stoll. However, my favorite part of the film was Joel Edgerton as FBI agent John Connolly. Edgerton’s character had by far the biggest character arc, and Edgerton knocked every aspect of that journey out of the park. For that performance alone, Black Mass is one you need to check out.
No. 20 – Bridge of Spies
Bridge of Spies is a Cold War drama directed by Steven Spielberg, with a screenplay written by Matt Charman and the Coen brothers (Joel and Ethan). The film follows the true-life story of James Donavon (Tom Hanks), an American attorney tasked with defending Soviet spy Rudolf Abel (Mark Rylance). Additionally, Donavon helps the CIA negotiate for and assist in the exchange of Rudolf Abel for Francis Gary Powers, an American spy-plane pilot captured by the Soviets. No one is happier than I am to see a Spielberg movie among the ranks of my favorite films from the past year. Movies like Jaws, E.T., Jurassic Park, Schindler’s List, Saving Private Ryan, and Catch Me If You Can are incredible, absolutely incredible. However, recent films like Indiana Jones and the Kingdom of the Crystal Skull, War Horse, and Lincoln forced me into a state of lost hope for Spiely as a filmmaker. I included Bridge of Spies on my Fall Preview because I had high hopes for the movie, considering Spielberg employed the Coen brothers to write the script. The Coen brothers are some of the most masterful screenwriters in the industry, and they brought their A-game to this movie. With a superb script, vintage directing, and skilled acting by Hanks and Rylance, Bridge of Spies turned out to be one of the year’s best—obviously the Academy agreed, as it nominated the film for six Oscars, including Best Picture.
“Pain is temporary, film is forever.” – John Milius, co-writer of Apocalypse Now. Welcome back, everyone. This year has already been an incredible journey playing out on the silver screen, and I am ecstatic to be back to blogging about the greatest medium in the world: FILM! As of today, we are 184 days away from the 88th Academy Awards. Per usual, the bulk of my research and preparation for the release of a decent chunk of potential Oscar-worthy movies begins now!
With that, it is time to get the Fall Movie Season started. For the third consecutive year, I have compiled a list of my most anticipated movies of the season. Below is the schedule for my three Fall Preview posts, so make sure to be on the lookout this week:
Today: Honorable Mentions
Saturday: No. 10 – No. 6
Monday: No. 5 – No. 1
Kicking off this year’s Fall Preview are the five films that just missed out on making my list of the Top 10 movies I am most looking forward to seeing (in alphabetical order). Enjoy!
Bridge of Spies
Bridge of Spies, set during the Cold War, tells the true story of James Donovan (Tom Hanks), an American attorney tasked with negotiating the release of Francis Gary Powers (Alan Alda), an imprisoned U-2 pilot, in exchange for Rudolf Abel (Mark Rylance), a Soviet spy. With Steven Spielberg directing and Tom Hanks playing the lead, my interest is obviously piqued. Bridge of Spies is the 29th feature film for Spiely as a director, and it is also he and Hanks’s fourth collaboration (Saving Private Ryan, Catch Me If You Can, The Terminal). Although I truly have not enjoyed a Spielberg-directed film since 2002’s Catch Me If You Can, I am holding out hope that the visionary behind the likes of Jaws, E.T., and Jurassic Park, can get back to making award-worthy films. In an interview with Entertainment Weekly, supporting actress Amy Ryan gives me that hope: “Watching [Spielberg] create a shot, he looks like the young boy who discovered film for the first time.”
The trailer is incredibly tense, and it showcases Tom Hanks in what appears to be another memorable performance by the 2-time Oscar winner. Despite the fact that the film features supporting performances by seasoned veterans Rylance, Alda, and Ryan, film fans will likely flock to the theaters in droves simply because of Hanks. Bridge of Spies is set for a theatrical release on October 16, 2015.
Director: Steven Spielberg (Lincoln, War Horse)
Starring: Tom Hanks (Saving Mr. Banks, Captain Phillips), Mark Rylance (The Gunman, Days and Nights), Amy Ryan (Birdman, Devil’s Knot), and Alan Alda (The Longest Ride, Tower Heist)
Carol, set in 1950s New York City, follows Therese (Rooney Mara), a twentysomething shop-girl who falls in love with the titular character Carol (Cate Blanchett), a much older, married woman. Carol debuted at Cannes this year, receiving critical acclaim from all in attendance. Ever since I first heard the buzz about the film, I was instantly drawn in. Cate Blanchett is squarely within my top five favorite actresses in the business, and Rooney Mara has continued to grow on me with her innate acting adroitness.
What struck me most about this film was director Todd Haynes’s artistic and genuinely humanistic approach to taking on this taboo subject matter. He told Entertainment Weekly, “[o]f course, it’s a story about a lesbian relationship. But it’s really about how love itself makes you feel at a loss for language, and every gesture is weighted with anticipation and meaning.” Further, Blanchett told the publication that “[i]rrespective of sexual preference, [the film] is honest about the feeling of falling in love.” That is something everyone can get on board with, and I look forward to seeing this love story evolve on the screen.
Back to Blanchett and Mara: wow, what a duo! Blanchett is a two-time Oscar winner, and Mara took home a co-Best Actress award at Cannes for her portrayal in this film. These two hard-hitting, deftly impressive actresses seem sure to give women a powerful presence this fall film season, and I am definitely up to see it all in action. Carol is set for a theatrical release on November 20, 2015.
Director: Todd Haynes (I’m Not There, Far from Heaven)
Starring: Cate Blanchett (Cinderella, The Hobbit: The Battle of the Five Armies), Rooney Mara (Her, Side Effects), Sarah Paulson (The Runner, 12 Years a Slave), and Kyle Chandler (The Wolf of Wall Street, The Spectacular Now)
Creed is a spin-off/continuation of the famed Rocky franchise, and it follows Adonis Creed (Michael B. Jordan), the son of the late, great Apollo Creed (portrayed by Carl Weathers in the Rocky series). Rocky himself (Sylvester Stallone) appears in the film, and as the trailer depicts, he will come into the picture just in time to train Adonis. In, in, in—I am in! Of course I love the Rocky franchise (not including Rocky V—BLAH), but I was wary of another addition to the storied series following the not-so-revolutionary Rocky Balboa. However, when I found out Ryan Coogler was directing, I was immediately sold. Coogler, making only his second feature film as a director, debuted on the scene in 2013 with one of the best films of that year, Fruitvale Station. It was a harrowing depiction of a horrible shooting, and it was crafted carefully and executed without blemish—his directorship alone gets me pumped to be back in the “Rocky” ring again.
Additionally, the casting of Michael B. Jordan in the lead role is the icing on top of the sundae. Jordan continues to grow as an actor, but it was his heartfelt, dramatic depiction of the lead character in Coogler’s Fruitvale Station that made me sit back and think, “Wow…this guy is good!” Even though they only have the single film collaboration, Coogler’s casting of Jordan in his sophomore effort leads me to believe that these guys get along great and make a fantastic team behind the scenes. For all fans of the Rocky series, this dynamic relationship between Coogler and Jordan is sure to make life enjoyable for us in this much-anticipated film. Creed is set for a theatrical release on November 25, 2015.
Director: Ryan Coogler (Fruitvale Station)
Starring: Michael B. Jordan (Fantastic Four, That Awkward Moment), Sylvester Stallone (The Expendables 3, Grudge Match), Tessa Thompson (Selma, Dear White People), and Phylicia Rashād (Good Deeds, For Colored Girls)
The Good Dinosaur
The story behind The Good Dinosaur is incredibly simple and yet so intriguing: what would have happened if the asteroid that (reportedly) killed the dinosaurs missed Earth? That question will be answered this fall in a story that follows Arlo (Raymond Ochoa), an apatsosaurus, and his relationship with a feral child, Spot (Jack Bright). An animated movie? On my list of films I am most anticipating this fall? Seriously? Absolutely!
Although I generally have enjoyed all of the Pixar movies that I have seen, I have never been too enthusiastic about animated films that have been made subsequent to my childhood. However, that all changed this year when I saw Pixar’s 15th feature, Inside Out. It is one of my favorite movies of 2015, and it brought out the kid in me again. With that said, ever since I saw the trailer for The Good Dinosaur, I was smitten with its story. It is a story about an innocent youth (stricken with tragedy—his father dies early on) and his relationship with a newfound companion. Usually the human is the one taking on a companion (usually in the form of another kid or a dog), but this simple twist in the classic storyline seems to be a good-natured treat for movies fans of all ages. I look for Pixar to knock it out of the (Jurassic) park again! The Good Dinosaur is set for a wide theatrical release on November 25, 2015.
Director: Peter Sohn (Partly Cloudy)
Starring: Raymond Ochoa (Lovesick, Mars Needs Moms), Jack Bright (Monsters University), Frances McDormand (Promised Land, Madagascar 3: Europe’s Most Wanted), Jeffrey Wright (The Hunger Games: Mockingjay – Parts 1&2, Only Lovers Left Alive), Sam Elliott (I’ll See You in My Dreams, Draft Day), Anna Paquin (True Blood, X-Men: Days of Future Past), and Steve Zahn (Dallas Buyers Club, Escape from Planet Earth)
The Walk chronicles the true-life story of Philippe Petit (Joseph Gordon-Levitt), a French high-wire artist, who strung a tightrope across the Twin Towers in New York City in 1974 and spectacularly (and dangerously) performed a high-wire routine for 45 minutes, whilst a quarter-mile above the ground. If you know this story, then you know how incredibly amazing it truly is. If you are unfamiliar with it, then boy, are you in for a treat!
My main interest in this film has nearly nothing to do with either Jo-Go playing Petit or legendary director Robert Zemeckis at the helm; instead, I am dying to see this movie because of the 2008 Oscar-winning documentary Man on Wire, directed by The Theory of Everything-director James Marsh. That documentary is by far one of my favorites of all time, and before ever seeing The Walk, I suggest you go check out Man on Wire first—you will not regret it (and it is currently streaming on Netflix). It allows you to get inside the head of this polarizing high-wire artist, and it delves deep into his life-long desires to pull off the NYC stunt. On the strength of Petit’s story, as delineated in Man on Wire, I anticipate The Walk being a memorable experience in theaters.
Notwithstanding my Man on Wire fandom, I am still excited to see JGL take on the role of such a captivating figure, and I know that Zemeckis will bring the same dramatic vigor and breathtaking trepidation to the actual high-wire scene that he did in Flight’s opening plane-crash scene in 2012. The Walk is set for a theatrical release on September 30, 2015.
Director: Robert Zemeckis (Flight, The Christmas Carol)
Starring: Joseph Gordon-Levitt (Sin City: A Dame to Kill For, Don Jon), Ben Kingsley (Self/less, Night at the Museum: Secret of the Tomb), and Charlotte Le Bon (The Hundred-Foot Journey, Yves Saint Laurent)