It is hard to believe that after a few weeks of working hard to blog continuously about my favorite non-sports event of the year, we are finally one day away from the Oscars. In preparation for tomorrow’s show, I am providing all of you with a review of my blog from these past couple of weeks. This review includes all of the winners of the 13 categories in which I have seen each nominated film/performance and have subsequently blogged about, and it also includes my list of the “Top 15 Films of the Year.”
Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances. Make sure to tune into the 85th Academy Awards tomorrow night at 7:30pm (CST) on ABC, live from the Dolby Theater in Hollywood, CA. And don’t forget to check back here after the show to read all about my reaction to the winners, losers, and inevitably unforgettable moments from the broadcast. Enjoy, everyone!
My Oscar Winners:
Best Picture: Silver Linings Playbook
Actor in a Leading Role: Hugh Jackman (Les Misérables)
Actor in a Supporting Role: Christoph Waltz (Django Unchained)
Actress in a Leading Role: Jennifer Lawrence (Silver Linings Playbook)
Actress in a Supporting Role: Amy Adams (The Master)
Cinematography: Roger Deakins (Skyfall)
Directing: David O. Russell (Silver Linings Playbook)
Film Editing: Dylan Tichenor and William Goldenberg (Zero Dark Thirty)
Best Original Score: Thomas Newman (Skyfall)
Sound Editing: Per Hallberg and Karen Baker Landers (Skyfall)
Sound Mixing: Scott Millan, Greg P. Russell, and Stuart Wilson (Skyfall)
Best Adapted Screenplay: David O. Russell (Silver Linings Playbook)
Best Original Screenplay: Quentin Tarantino (Django Unchained)
Silver Linings Playbook is a film written and directed by David O. Russell. The movie follows Pat Solitano (Bradley Cooper), a man suffering from bipolar disease, who returns home to live with his parents, Pat Sr. (Robert De Niro) and Dolores (Jacki Weaver), after spending eight months in a mental health institution. The violent episode that landed Pat in the institution is uncovered early on, and it was the reason he lost his job, house, and wife. Pat is destined to get his life back on track and hopes to reunite with his wife after she sees his positive improvements; however, things get complicated when Pat meets Tiffany Maxwell (Jennifer Lawrence), a woman with some serious issues of her own. Tiffany agrees to help Pat get back together with his wife but only if he agrees to help her in a dance competition. Pat and Tiffany form an intriguing bond, and each of their lives are forever changed.
From the moment I watched this movie in theaters, I knew immediately that it was the best movie I had seen all year. After continuing to watch other Oscar-nominated films, it sustained its position as my personal favorite of 2012. David O. Russell’s film features everything I could possibly want in a movie: mesmerizing drama, clever humor, intriguing love, and of course, sports. The combination of all of these factors creates one of the year’s most enjoyable motion pictures. Russell adapted this screenplay from Matthew Quick’s novel of the same name.
The film has received a considerable amount of acclaim, both critically and commercially. It has already been nominated and won for a handful of major movie awards, and it will be up for eight Academy Awards at the Oscars on Sunday. One of the most noteworthy accomplishments the film has already attained is being nominated for the “Big Five” Academy Awards (Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay). This feat is momentous because it is the first movie since The Remains of the Day (1993) to be nominated in all of the five major categories at the Oscars. The film is also up for each of the four acting categories, the first movie to conquer this achievement since Reds (1981).
Speaking of those four acting performances, each of the nominated actors and actresses deliver portrayals that are quite worthy of the critical praise they have received. Bradley Cooper gives the performance of his career, and the ways in which he fully engrosses himself into his character are nothing short of spectacular. There is never a moment you doubt Cooper’s character’s condition because of the heart and soul he puts into making the character authentic to the story. Jennifer Lawrence, a young actress that has already been nominated for Best Actress before (Winter’s Bone, 2010), shows us that she is destined to become one of the film industry’s most powerful actresses. This role is much more demanding in regards to emotional complexity than her role in Winter’s Bone, and Lawrence gives everything she has to a depiction that may earn her the Oscar for Best Actress.
Robert De Niro and Jacki Weaver each provide astounding supporting performances as Pat’s parents, Pat Sr. and Dolores. Pat’s father has fallen on hard times after losing his job, and he resorts to bookmaking in order to raise enough funds to ultimately open a restaurant. The two-time Oscar winning De Niro gives a veteran performance and provides some of the movie’s brightest scenes. Weaver gives a remarkable performance of her own as Pat’s mother. As the matriarch of the Solitano family, Dolores must continue being the glue that holds the family together as their personal issues threaten to tear the family unit apart, and Weaver plays the role to a tee. Silver Linings Playbook is rated R for language, some sexual content, and nudity.
Academy Award nominations for Silver Linings Playbook:
Best Picture (Donna Gigliotti, Bruce Cohen, Jonathan Gordon, Producers)
Actor in a Leading Role (Bradley Cooper)
Actor in a Supporting Role (Robert De Niro)
Actress in a Leading Role (Jennifer Lawrence)
Actress in a Supporting Role (Jacki Weaver)
Directing (David O. Russell)
Film Editing (Jay Cassidy and Crispin Struthers)
Best Adapted Screenplay (David O. Russell)
Previous movies on the countdown of the Top 15 Films of the Year:
This year, one of nine nominated films will be inducted into an exclusive society of movies that have received the Academy’s greatest honor, the Oscar for Best Picture. Some of the films that this year’s winner will be joining include Gone With the Wind, The Sound of Music, The Godfather, Rain Man, Gladiator, The Artist, and many more; needless to say, this year’s Best Picture winner will be joining an elite collection of the world’s greatest films of all time. The following is my Oscars ballot for this category, Best Picture:
Moonrise Kingdom is a film directed by Wes Anderson, with a screenplay written by Anderson and Roman Coppola. The movie is set on the fictional island of New Penzance off the coast of New England in 1965. Two 12-year-olds, Sam Shakusky and Suzy Bishop, become pen pals and eventually fall in love. They decide to run away together on the island to pursue their love for one another, but an epic storm is brewing up and is due to hit New Penzance very soon. With the combination of the storm and the runaway, the quiet, serene nature of this small island quickly turns tumultuously chaotic.
Wes Anderson has made quite a name for himself in the Hollywood as the creator and originator of a very eccentric, nonconformist style of filmmaking. Some of his most popular films include The Royal Tenenbaums, The Life Aquatic with Steve Zissou, and The Darjeeling Limited. For anyone who has seen any of his previous films, Anderson’s distinct method of filmmaking is unmistakable, and in Moonrise Kingdom, he again employs this same scheme.
Anderson collaborated on this uniquely peculiar screenplay with Roman Coppola, a writer he previously worked with on the script for The Darjeeling Limited. The two have created a brilliantly refreshing tale of young love, and the entertainingly hilarious nature of the film is brought on strongly by the wonderful piece of writing these two men have created. Their script has resulted in an Academy Award nomination for Best Original Screenplay.
After I rented this movie a while back to see it for the first time, I absolutely fell in love with it—I went and purchased it on Blu-ray mere days after watching it. It quickly became one of my favorite movies of all time, and it made me a fan of Anderson’s unusual style of filmmaking. One of my favorite aspects of the movie was the score—acclaimed composer Alexandre Desplat creates a specific tone for the movie through his music, and it truly makes the story even more gripping.
The film features some hilariously interesting characters, played by a combination of star-studded actors and Hollywood newbies. In my opinion, the two younger actors provide the movie’s brightest performances. Jared Gilman and Kara Hayward portray Sam and Suzy, respectively, and together they provide for some of the funniest and most endearing scenes in the entire film. Some great supporting performances are also contributed by some of the film industry’s most enduring performers: Bill Murray plays Suzy’s father, Frances McDormand plays Suzy’s mother, Bruce Willis plays the island’s sheriff, Edward Norton plays the local Khaki scout troop leader, Tilda Swinton plays a character known only as Social Services, Jason Schwartzman portrays Cousin Ben, Harvey Keitel plays Commander Pierce, and Bob Balaban provides the role of the narrator. This ensemble collectively shines on the screen and makes this film the illustrious piece of art it is.
Also, one of the most recognized hallmarks of any Wes Anderson film is the presence of a cast that features many previous Anderson collaborators. Moonrise Kingdom marks the sixth Anderson film featuring Bill Murray and fourth film featuring Jason Schwartzman. Moonrise Kingdom is rated PG-13 for sexual content and smoking.
Academy Award nominations for Moonrise Kingdom:
Best Original Screenplay (Wes Anderson and Roman Coppola)
Previous movies on the countdown of the Top 15 Films of the Year:
This year’s group of Best Director nominees includes an interesting dynamic of filmmakers. The category features three directors with no previous Best Director nominations at the Academy Awards (Michael Haneke, Benh Zeitlin, and David O. Russell), and two experienced veterans in this category (Ang Lee and Steven Spielberg). Between Lee and Spielberg, they have been nominated eight times for Best Director, winning three of those awards. This will be one of the most anticipated awards throughout the entire ceremony, and I am personally thrilled to see who emerges as the winner in a category characterized by variety. The following is my Oscars ballot for this category, Best Director:
WINNER: David O. Russell (Silver Linings Playbook)
David O. Russell’s most popular films of his career are I Heart Huckabees (2004) and The Fighter (2010), but he has truly created a masterpiece in Silver Linings Playbook—this will surely go down as his best film to date. I was greatly impressed by the acting performances in the movie, but I was also equally fascinated by the amazing script, also written by Russell—the ways in which he recreates this story on the screen are absolutely dazzling. To say the least, I was strongly moved by almost every scene in the film, and this is due to Russell’s outstanding directorial effort. Russell’s motion picture also becomes the first film since 1993 to be nominated in each of the Big 5 categories at the Academy Awards (Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay). Russell has never previously been nominated for Best Director at the Oscars.
2. Michael Haneke (Amour)
Even though Michael Haneke is up for his very first Best Director award at the Oscars, he is no stranger to accolades in the film industry. The Austrian filmmaker has written and directed some of the world’s most admired foreign-language films, and he is one of only seven filmmakers to twice win the coveted Palme d’Or award at the Cannes Film Festival (The White Ribbon, 2009, and Amour, 2012). Haneke’s Amour was one of the most invigorating tales of the year, and his film has received a significant amount of acclaim all around the world, including five nominations at the Academy Awards. Haneke has never previously been nominated for Best Director at the Oscars.
3. Ang Lee (Life of Pi)
As I stated in a previous post, I was not overly thrilled to see Life of Pi because it looked like a cheesy movie for kids—that was until I finally saw it. Ang Lee is considered one of the greatest modern filmmakers, and he has only added to his legacy with Life of Pi. Lee employed a wonderful writer and an amazingly fresh, young cast, and the ways in which he uses his veteran filmmaking skills to tell this elaborate story is nothing short of stunning. Lee was previously nominated for two Best Director Oscars, winning the Academy Award in this category for Brokeback Mountain (2005).
4. Benh Zeitlin (Beasts of the Southern Wild)
Benh Zeitlin has directed a momentous movie in his very first attempt at feature films. I was quite surprised that this was his first feature film because after viewing the movie, it looked as if a world-renowned filmmaker created it. If Zeitlin decides to make more films in the future, he is sure to become a staple at the Oscars after giving us one of 2012’s best motion pictures, Beasts of the Southern Wild. Zeitlin has never previously been nominated for Best Director at the Oscars.
5. Steven Spielberg (Lincoln)
Steven Spielberg has garnered a substantial amount of critical acclaim for his newest film, Lincoln. Even though it is touted as one of the year’s best and is predicted to win a slew of Oscars, I found the movie quite boring and bland, other than some great acting performances. Personally, the movie did not seem much different, in entertainment level or filmmaking style, than Spielberg’s War Horse (2011), and I was bored to no avail by that movie. Spielberg was previously nominated for six Best Director Oscars, winning the Academy Award in this category for two films: Schindler’s List (1993) and Saving Private Ryan (1998).
Directors snubbed in this category: Kathryn Bigelow (Zero Dark Thirty)
Zero Dark Thirty is a film directed by Kathryn Bigelow, with a screenplay written by Mark Boal. The film tells the story of Maya, a CIA operative who, for over a decade, is dedicated to a single mission—to find Osama bin Laden. She spends every waking moment interrogating detainees and doing intense research in order to track down the world’s most wanted man. After years of devoted work, some clues to the whereabouts of bin Laden emerge, and even though most high-ranking officials in the US government do not fully trust her about his location, Maya remains steadfast in her belief that she has finally found the infamous terrorist.
This is the second collaboration between Bigelow and Boal, the first being their Best Picture-winning film The Hurt Locker (2008). After seeing their latest partnership at work, it is clearly evident that these two have an uncanny knack for creating spellbinding war-related movies. Even though there are stark similarities between the two films, Zero Dark Thirty is based around true events of the manhunt for Osama bin Laden. The movie was met with controversy due to its take on torturing detainees, but I quite enjoyed the veracity of these scenes, and without those, I feel the movie would have been significantly lacking a punch. I truly believe this was one of the year’s most amazing films, and it will definitely be a top contender for the highest Oscar honors; with that said, it still does not quite meet the standards that The Hurt Locker originally set.
The story behind the creation of this film is fascinating. Bigelow and Boal had originally written a screenplay about the notorious Battle of Tora Bora, and they had planned to tell the story of the long, but unsuccessful hunt for Osama bin Laden. They were actually about to begin filming when news of bin Laden’s death broke. Immediately, they stopped working on their original film and began to work on a brand new original screenplay about the killing of bin Laden.
Just like The Hurt Locker focused most of the movie on one particular character and his life during the war, Zero Dark Thirty concentrates on the emotional and professional growth of a single character, Maya (Jessica Chastain). Even though there are some key supporting characters, like Dan (Jason Clarke), Patrick (Joel Edgerton), and George (Mark Strong), Maya’s character is the central figure the film uses to develop the plot.
Chastain is an actress who is rapidly gaining immense popularity due to some impressive performances in The Tree of Life (2011), The Help (2011), and Lawless (2012), and in this movie, she shows everyone why she is an Oscar-nominated actress. She begins the movie as a shy, reluctant character, but quickly she becomes a fiery force to be reckoned with. I was blown away by her portrayal of Maya, and this striking depiction may just earn her an Academy Award for Best Actress. Zero Dark Thirty is rated R for strong violence, including brutal disturbing images, and language.
Academy Award nominations for Zero Dark Thirty:
Best Picture (Mark Boal, Kathryn Bigelow, and Megan Ellison, Producers)
Actress in a Leading Role (Jessica Chastain)
Film Editing (Dylan Tichenor and William Goldenberg)
Sound Editing (Paul N.J. Ottosson)
Best Original Screenplay (Mark Boal)
Previous movies on the countdown of the Top 15 Films of the Year:
Skyfall is a film directed by Sam Mendes, with a screenplay written by Neal Purvis, Robert Wade, and John Logan. This is the 23rd James Bond film and the third in the Daniel Craig era, preceded by Casino Royale (2006) and Quantum of Solace (2008). In the newest addition to the 007 series, Bond begins the film with an intense fighting scene as he is chasing a mercenary. He ends up falling over a bridge and is presumed dead by all of MI6; however, when MI6 comes under attack by a major terrorist, Bond must reemerge from his hiding and help Britain’s intelligence agency hunt this rebel down. As more details of the terrorist and his plot are revealed, dark secrets about M are uncovered, and 007’s loyalty to his superior is greatly tested.
In the third of Craig’s Bond movies, he and Mendes have created one of the greater films in this storied franchise’s history. After Quantum of Solace, I began to think Craig would never make another 007 film as great as Casino Royale and would end up fading into history as another average Bond that could never measure up to the greatness of Sean Connery’s original portrayal. That was until I saw Skyfall. Daniel Craig clearly made a statement in this film that he is the best James Bond since Connery. Mendes and Craig have included much more dramatic elements than previous Bond films, not to mention some dazzling special effects that make the terror and destruction in the movie feel real to the viewers. I rank Skyfall as the second-best film in the franchise, ahead of Casino Royale (2006), From Russia with Love (1963), and Dr. No (1962), but I have put it behind Goldfinger (1964), which I still consider to be the top Bond movie of all time.
The cast that was assembled for Skyfall onlyadds to the sensation of the film. Dame Judi Dench reprises her role as M, giving a stellar performance as a character she has played in each consecutive film since 1995, beginning with GoldenEye. Another strong performance in the film is provided by Oscar-winning actor Javier Bardem. He plays the film’s villain, Raoul Silva, and portrays the character in such a creepy, disturbing way that it makes Anton Chigurh from No Country for Old Men (2007) look like the nicest guy in the world. The film features some other great supporting performances by Ralph Fiennes as Gareth Mallory, Ben Whishaw as Q, Naomie Harris as Eve Moneypenny, and Bérénice Marlohe as the newest Bond girl, Sévérine.
As this blog has proved, I am always excited for the Academy Awards, but this year, I have an extra layer of anticipation because the Academy plans to honor the 50-year anniversary of the first James Bond movie with a tribute to the legendary franchise, including Adele performing “Skyfall,” the newest film’s theme song, which is nominated for Best Original Song. Skyfall is rated PG-13 for intense violent sequences throughout, some sexuality, language, and smoking.
Academy Award nominations for Skyfall:
Cinematography (Roger Deakins)
Best Original Score (Thomas Newman)
Best Original Song (“Skyfall,” music and lyrics by Adele Adkins and Paul Epworth)
Sound Editing (Per Hallberg and Karen Baker Landers)
Sound Mixing (Scott Millan, Greg P. Russell, and Stuart Wilson)
Previous movies on the countdown of the Top 15 Films of the Year:
This year’s field of Best Actor nominees includes two newcomers to the ceremony and three other actors with a rich history at the show. Hugh Jackman and Bradley Cooper have each been acting for quite a while, but with their performances this year, they have each properly earned their first Oscar nomination. Joaquin Phoenix, Daniel-Day Lewis, and Denzel Washington are no strangers to the Academy Awards, having previously won a combined four Oscars on eleven nominations. With the way this year’s group has rounded out, it is sure to be a dogfight to the end, and honestly, any of these actors would be worthy of the Academy’s highest acting honor. The following is my Oscars ballot for this category, Best Actor in a Leading Role:
WINNER: Hugh Jackman (Les Misérables)
In Les Misérables, Hugh Jackman plays Jean Valjean, an ex-con on the run from Javert, the determined and relentless French policeman. Valjean eventually meets a factory worker and agrees to raise her daughter Cosette. In Tom Hooper’s interpretation of the infamous musical, Jackman leads a group of talented singers and actors, and even though the others provide us with some emotionally charged portrayals, Jackman stands alone as the film’s most valuable performer. Not only is his singing on point, the dramatic and affecting dynamism he brings to the screen is nothing short of spectacular. With strong performances from all of this year’s nominees, Jackman demonstrates why he alone gave moviegoers the best acting performance. Jackman has never previously been nominated for any Academy Awards.
2. Joaquin Phoenix (The Master)
In The Master, Joaquin Phoenix plays Freddie Quell, a World War II veteran with an alcohol dependency who struggles to make it in the post-war society. He eventually comes across Lancaster Dodd, the leader of a religious movement called “The Cause.” He joins the faction, but his complicated presence among the members of The Cause begins to create issues for everyone, and he becomes dismantled by his own doing. In Phoenix’s return to dramatic feature films, he prevails tremendously. After his horribly peculiar fake retirement and subsequent pseudo-documentary I’m Still Here, Joaquin Phoenix gives a tantalizing performance, which reminds us that he is very much still one of the heavy hitters in the realm of acting. I wish I could give him the Oscar for this performance, but Jackman’s portrayal was far too strong. Phoenix was previously nominated for Best Supporting Actor for his role in Gladiator (2000) and for Best Actor for his role in Walk the Line (2005).
3. Daniel Day-Lewis (Lincoln)
In Lincoln, Daniel Day-Lewis takes on the role of the 16th president of the United States. I was never blown away whatsoever by Spielberg’s latest endeavor, but I did respect the amazing acting performances it includes, specifically Day-Lewis’ portrayal of the title character. Even though he is one of my favorite actors and did a superb job in this film, I truly feel like all of the hype surrounding his performance was due to the makeup department making him look identical to Abraham Lincoln. If he wins, they should share this award with him. Also, being that video cameras or audio-recording devices were not around back then, we do not even know what Abraham Lincoln sounded like, so I find it amusing that critics praised his portrayal for his likeness to Lincoln’s voice. Day-Lewis was previously nominated for four Academy Awards, winning for Best Actor for his roles in My Left Foot (1989) and There Will Be Blood (2007).
4. Bradley Cooper (Silver Linings Playbook)
In Silver Linings Playbook, Bradley Cooper plays Pat Solitano, a man suffering with a severe case of bipolar disease. After leaving a mental health institution, he moves back in with his parents and becomes romantically involved with an eccentric woman with some serious mental issues of her own. In the breakout performance of Cooper’s dramatic acting career, he succeeds in every way possible. Most known for his roles in comedic films, Cooper provides an exhilarating portrayal of a man trying to survive mentally after a life-changing incident with his wife. This was one of the top movies of the year, and the performance Cooper gives only adds to its triumph. Cooper has never previously been nominated for any Academy Awards.
5. Denzel Washington (Flight)
In Flight, Denzel Washington plays Whip Whitaker, an alcoholic airline captain. Whitaker becomes an overnight celebrity after miraculously landing his plane after it malfunctions in the air and comes to a crashing halt. Little does anyone know, the day he flew that plane, he was drunk and high. Washington has a way of taking on the role of complicated characters that you as a viewer want to hate but can’t help but love, such as Alonzo Harris in Training Day and Frank Lucas in American Gangster; in Flight, he has once again provided us with this complex. Washington is most definitely one of the most incredible actors in the film industry today, and he adds to his illustrious career with this performance. Washington was previously nominated for five Academy Awards, winning for Best Supporting Actor for his role in Glory (1989) and for Best Actor for his role in Training Day (2001).
Actors snubbed in this category: John Hawkes (The Sessions)
Django Unchained is a film written and directed by Quentin Tarantino. The film is set in the South before the Civil War, and the story follows Django (Jamie Foxx), a slave who is bought by Dr. King Schultz (Christoph Waltz), a German-born bounty hunter. Django teams up with Dr. Schultz to hunt down some of the most renowned, murderous men in the slave business. Django’s main goal, though, is to search until he finds his wife Broomhilda (Kerry Washington) who was sold into slavery many years before. When Django and Schultz finally track her down, she is in the confinement of a sadistically ruthless slave owner named Calvin Candie (Leonardo DiCaprio). The two men must put on an act in order to gain the trust of Candie, but when Candie’s house slave (Samuel L. Jackson) becomes suspicious of their intentions, all hell breaks loose.
To say the very least, I absolutely, unequivocally loved this movie. I have always been a fan of Tarantino’s work, and his creation of Django ranks right up there with some of his best of all time, including Reservoir Dogs, Pulp Fiction, and Inglourious Basterds (my favorite film of all time). The film takes place during one of the most controversial periods of American history—the years of slavery before the Civil War. If you have seen the way Tarantino recreated the history of the Nazis during World War II in Inglourious Basterds, then you are in for an equally hilarious depiction of the racist slave owners of the 1800s.
His film has been met with both critical acclaim and controversy, but then again it seems most of Tarantino’s movies are met with this same mix of emotion from critics and the general public. He has been chastised by many, including the annoyingly outspoken Spike Lee, about his usage of the “N” word during the film, but in order to accurately depict this period of history, Tarantino would have been doing everyone a disservice by avoiding the word and sugarcoating the times. His script is violently gruesome, but honest, and like most of his films, it is downright hilarious—the scene with the white-hooded horsemen will forever go down as one of the funniest I have ever seen in a movie.
The tour de force that is Tarantino’s screenplay for Django Unchained is assisted by an ensemble of actors and actresses creating unique and illustrious portrayals of their dynamic characters on the screen. Jamie Foxx gives one of the best performances of his career, ranking behind only his roles in Collateral and Ray, in my opinion. Surprisingly, Foxx was not nominated for any of the major awards despite his excellent performance. Christoph Waltz once again collaborates with Tarantino, and like in his role as Col. Hans Landa in Tarantino’s Inglourious Basterds, Waltz brings his incomparable and articulate diction to the role, coupled with his fascinatingly comical wit. His performance makes him a strong frontrunner for the Best Supporting Actor Oscar for which he is nominated.
Some other strong examples of exceptional acting are illustrated by Samuel L. Jackson as Stephen the house slave, Kerry Washington as Broomhilda, Don Johnson as Big Daddy, and Leonardo DiCaprio as Calvin Candie. I was quite upset when both Jackson and DiCaprio were snubbed for Oscars because after seeing nearly every nominated film this year, their performances stood out way above the rest. DiCaprio has turned in a very triumphant career thus far, but he has yet to receive an Academy Award, and before nominations were announced, I was sure this would be his year. Django Unchained is rated R for strong graphic violence throughout, a vicious fight, language, and some nudity.
Academy Award nominations for Django Unchained:
Best Picture (Stacey Sher, Reginald Hudlin, and Pilar Savone, Producers)
Actor in a Supporting Role (Christoph Waltz)
Cinematography (Robert Richardson)
Sound Editing (Wylie Stateman)
Best Original Screenplay (Quentin Tarantino)
Previous movies on the countdown of the Top 15 Films of the Year:
One of the most talked about categories at this year’s Oscars, and one of my personal favorites, is the Academy Award for Best Actress in a Leading Role. This year features one of the most unique fields the category has ever known. Not only does Emmanuelle Riva (Amour) become the oldest Best Actress nominee of all time (85 years, 321 days), but Quvenzhané Wallis (Beasts of the Southern Wild) also becomes the youngest Best Actress nominee of all time (9 years, 135 days). An even more impressive fact about Wallis’ nomination—she was actually only six years old when the movie was made! The rest of this year’s group features actresses that have previously been nominated for Academy Awards. The following is my Oscars ballot for this category, Best Actress in a Leading Role:
WINNER:Jennifer Lawrence (Silver Linings Playbook)
In Silver Linings Playbook, Jennifer Lawrence plays Tiffany Maxwell, an eccentric widow with emotional issues due to her husband’s death. In every way possible, Lawrence gives a performance that everyone will remember for a long time. She plays a character that is oddly twisted and severely bizarre, but the emotion and dexterity she brings to this portrayal is something I watched in absolute awe. In a year with some startlingly remarkable female performances, Lawrence stands out and deserves this great honor. Lawrence was previously nominated for the Academy Award for Best Actress for her breakout role in Winter’s Bone (2010).
2. Jessica Chastain (Zero Dark Thirty)
In Zero Dark Thirty, Jessica Chastain plays Maya, a CIA agent that devotes a decade to hunting down the world’s most dangerous man—Osama bin Laden. Even though this film has been met with great criticism over the content, one thing that has not received anything but sheer admiration is the performance Chastain gives as the determined agent. I went back and forth about who I thought truly gave the better performance this year, but even though Chastain would probably win this Oscar in any other year, I concluded that it was not as dominate as Lawrence’s performance. Chastain was previously nominated for the Academy Award for Best Supporting Actress for her role in The Help (2011).
3. Emmanuelle Riva (Amour)
In Amour, Emmanuelle Riva plays Anna, a retired music teacher that suffers a stroke. After her incident, she is never quite the same, and the enduring, loving relationship with her husband is tested in every way. As the oldest nominee of all time for Best Actress, Riva takes on one of the most complex roles of the year. The role is not just multifarious for the emotional requirements of the performance but also for the physical characteristics that it mandates. I was more than impressed with her portrayal, and as a fan of film, I am lucky to have seen Riva’s astounding performance this year. Riva has not previously been nominated for any Academy Awards.
4. Quvenzhané Wallis (Beasts of the Southern Wild)
In Beasts of the Southern Wild, Quvenzhané Wallis plays Hushpuppy, a 6-year-old girl living with her father Wink in an area known as “The Bathtub” below the levee in southern Louisiana. A deadly storm is on its way to the region, and Hushpuppy and her father must fight to survive. Wallis gives one of the brightest performances of any actor or actress this year, and it is amazing to think someone so young could provide us with a gem like this. Some absolutely stellar performances will more than likely beat out Wallis for this Oscar, but if her future portrayals are anything like this one, she is sure to be back at the Academy Awards many times in the future. Wallis has not been previously nominated for any Academy Awards.
5. Naomi Watts (The Impossible)
In The Impossible, Naomi Watts plays Maria Bennett, a woman on vacation in Thailand with her family when a devastating tsunami comes ashore and demolishes everything in its sight. The film is based on the true experiences of the Belón family during the 2004 Indian Ocean tsunami. While Watts does give an emotional performance, and arguably one of the better portrayals of her career, I was more than surprised when she received a nomination. She did a good job, but it was nothing spectacular by any means. There were a handful of non-nominated performances this year that justifiably should have received a nomination in her place. Watts was previously nominated for the Academy Award for Best Actress for her role in 21 Grams (2003).
The Reel Countdown 