A Quiet Place is a horror film directed by John Krasinski and co-written by Krasinski, Bryan Woods, and Scott Beck. Set in a post-apocalyptic world that has been overtaken by mysterious blind creatures that attack their prey utilizing their acute sense of hearing, A Quiet Place follows the Abbott family as they live in silence in an attempt to survive.
Over time, the cinematic landscape has become more and more saturated with horror films, more so than most other genres. However, every so often, a movie comes along that injects something unique and refreshing into the genre, and I tend to gravitate to those remarkable adventures. For example, I really enjoyed the 2015 film It Follows, which didn’t really break the rules of traditional horrors films as much as it uncompromisingly set its own distinctive and memorable rubric for the genre. Further, in 2017, Jordan Peele’s Best Picture-nominated Get Out became the gold standard for mixing horror with invigorating social commentary. In the same vein as some of its noteworthy predecessors, John Krasinski’s A Quiet Place not only redefines what makes a film scary and suspenseful, but it breathes life into a premise that builds upon both classic elements of horror and an infusion of inventive plot devices.
In this film, sound is dangerous, noises breed vulnerability, and safety resides in silence. In that sense, A Quiet Place is similar to the 2016 horror film Don’t Breathe – however, in Don’t Breathe, only some of the movie utilizes silence as a plot point (i.e., the scenes in the blind man’s house), as the remainder of the film includes ordinary dialogue. This is what makes Krasinski’s filmmaking here so impressive – the central foundation of this post-apocalyptic world is that, from the get-go, noise is bad. Thus, Krasinski can’t use ordinary character dialogue to progress the story or create tension at any point – instead, he must rely on visuals and non-verbal cues. In this aspect, Krasinski was masterful in A Quiet Place. Using the silence as a tool, Krasinski constantly tugs at the audience’s nerves, creating an edge-of-your-seat adventure. I also greatly enjoyed the fundamental theme of the story – as Krasinski explained, “The scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood.”
From an acting perspective, A Quiet Place is wonderful. In particular, I was thoroughly impressed with Emily Blunt and Millicent Simmonds. Blunt (Krasinski’s real-life wife) plays Evelyn, the mother of the family, and her performance was incredibly balanced and emotive. The scene that sticks out the most to me as evidence of Blunt’s fantastic acting is when Evelyn (who is pregnant and nearly full-term) must attempt to remain silent despite her contractions – it was definitely one of the tensest scenes in the movie. Simmonds was also tremendous as Regan, the eldest daughter of the family. Simmonds is deaf, which lends a great deal of authenticity to her portrayal of Regan, who is deaf in the film and wears a cochlear implant. Obviously Regan’s deafness plays a key part in the development of the story, and Simmonds’s performance packs some of the film’s most vital emotional punches. A Quiet Place is ratedPG-13 for terror and some bloody images.
Time to go up…cause it’s TUESDAY! More importantly, the conclusion to my “Fall Preview 2016” is finally here. Over the past few days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2016 list. Enjoy!
No. 5 – La La Land
La La Land is a film set in Los Angeles where aspiring actress Mia (Emma Stone) serves lattes to movie stars in between auditions, while dedicated jazz musician Sebastian (Ryan Gosling) plays in dingy bars in order to scrape by. The two meet and fall in love, but, as success mounts, the dreams they worked so hard to maintain threaten to rip them apart.
I have been awaiting the release of La La Land for quite some time because of the man sitting in the director’s chair: Damien Chazelle. In 2014, Chazelle broke out with his critically acclaimed debut Whiplash, one of the best movies I have seen in years (Whiplash ranked No. 1 on my list of Top 15 Films of 2014). Considering Chazelle’s masterful filmmaking in Whiplash, it was impossible for me not to be excited for his sophomore effort. La La Land finds itself in the No. 5 slot on my list on the strength of Chazelle’s previous film, so I truly hope that it does not fall flat due to failing to meet expectations. However, rumors are that La La Land is just as good as Whiplash, garnering an immense amount of Oscar support months in advance of its release. If this thing turns out to be as good as it is being hyped up to be, Damien Chazelle will cement himself as one of the very elite filmmakers in the business today.
Part of Whiplash’s success was due to wonderful performances from its cast: J.K. Simmons delivered an Oscar-winning performance that will forever be one of my all-time favorites, and Miles Teller portrayed a determined, yet wildly intense jazz student with absolute precision. I am optimistic about La La Land’s potential because Chazelle has again assembled a top-notch cast. The aforementioned Simmons is back in a supporting role, but the film’s leads have a history of on-screen chemistry, which gives the film an extra boost. Ryan Gosling and Emma Stone previously starred together in a romantic capacity in Crazy, Stupid, Love and Gangster Squad, and their relationships in these films were incredibly real and believable—I cannot wait to watch them interact again here. La La Land is set for a theatrical release on December 2, 2016.
Director: Damien Chazelle (Whiplash)
Starring: Ryan Gosling (The Nice Guys, The Big Short), Emma Stone (Aloha, Birdman), and J.K. Simmons (Zootopia, Whiplash)
No. 4 – Passengers
Passengers follows the spaceship, Starship Avalon, on its 120-year voyage to a distant colony planet known as “Homestead II.” The Starship Avalon, transporting 5,259 people, has a malfunction in two of its sleep chambers. As a result, two hibernation pods open prematurely and the two people (Chris Pratt and Jennifer Lawrence) that awoke are stranded on the spaceship, still 90 years from their destination. The two soon discover that the malfunction that caused them to be awoken prematurely is not the only problem afflicting the huge spaceship.
Passengers is one of those movies that has blockbuster hit written all over it. Jennifer Lawrence and Chris Pratt are arguably two of the most “big time” actors currently in the business, and their collaboration here is sure to drive up ticket sales this Christmas. And rightfully so—Lawrence is a three-time Oscar-nominated actress and Pratt has ascended to mainstream stardom with performances in Guardians of the Galaxy and Jurassic World. Notwithstanding the hype that this duo has and will to continue to garner in the lead up to the film’s release, I truly believe this pairing will make waves via pure acting ability, too. Lawrence is easily one of the top three or four actresses in Hollywood, and here I expect her to combine her proficient dramatic/comedic acting skills (see Silver Linings Playbook and American Hustle) with her knack for adventure (see The Hunger Games). And although he has not garnered any award-worthy praise yet, Chris Pratt is definitely one of the brightest stars in Hollywood. I expect the same sharp wit from Pratt that we have grown accustomed to seeing (see Guardians of the Galaxy), and that is never a bad thing.
As far as the filmmaking, Passengers has plenty going for it. Manning the director’s chair is Morten Tyldum, the filmmaker behind the Norwegian hit Headhunters and the Oscar-nominated The Imitation Game. Headhunters is absolutely incredible and, although I was not a massive fan of The Imitation Game, I simply cannot deny the stunning meticulousness with which Tyldum crafted the film; thus, I feel comfortable with him leading Passengers, a big-budget sci-fi thriller. The fact that Jon Spaihts penned the screenplay only adds to my excitement, as he wrote the screenplay for 2012’s Prometheus, one of my favorite science-fiction films in recent memory. Passengers is set for a theatrical release on December 21, 2016.
Director: Morten Tyldum (Midnight Special, Mud)
Starring: Jennifer Lawrence (X-Men Apocalypse, Joy), Chris Pratt (The Magnificent Seven, Jurassic World), and Michael Sheen (Nocturnal Animals, Far from the Madding Crowd)
No. 3 – Silence
Set in the 17th century, Silence tells the story of two Jesuit priests (Andrew Garfield and Adam Driver) who face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Christianity.
Without a doubt, Martin Scorsese is one of the greatest directors of all time. From Taxi Driver to Goodfellas, Gangs of New York to The Wolf of Wall Street, Scorsese has been lighting up the silver screen for decades with remarkable, high-quality films. Clearly, it is not hard to see why Silence finds itself in the top three of my list of most anticipated films this fall. In Silence, we have what can only be described as Scorsese’s true “passion project”—he began developing the film in 1990! Very few people—let alone filmmakers—could retain an interest in something for over 20 years, but that is what sets Martin Scorsese apart. The man is a cinematic visionary, and he has never once let me down with a project—I do not expect him to start now.
Aside from his filmmaking skills in general, Scorsese’s movies work on so many levels because of his ability to always get the most out of his actors. From Robert De Niro to Leonardo DiCaprio, Scorsese has worked with the best actors in the business, and those stars always seem to shine their brightest while working at Scorsese’s direction. With that said, I cannot wait to see what this iconic filmmaker has done with the pieces that he has assembled (i.e., Andrew Garfield, Adam Driver, and Liam Neeson). Garfield and Driver are two of the most polished up-and-comers in Hollywood, and both of their careers have produced a number of outstanding performances—I am hopeful that they both deliver their best ones to date in Silence. What I am most excited for from a casting standpoint, however, is Liam Neeson. The Oscar-nominated actor had a supporting role in Scorsese’s Gangs of New York and knocked his limited time on the screen out of the park—I cannot wait to see the two reunite with Neeson in a starring role. It goes without saying: I expect big things! Silence is set for a theatrical release on December 23, 2016.
Director: Martin Scorsese (The Wolf of Wall Street, Hugo)
Starring: Andrew Garfield (Hacksaw Ridge, 99 Homes), Liam Neeson (A Monster Calls, Non-Stop), and Adam Driver (Paterson, Midnight Special)
No. 2 – The Girl on the Train
The Girl on the Train follows Rachel Watson (Emma Blunt), an alcoholic who divorced her husband Tom (Justin Theroux) after she caught him cheating on her. Rachel takes the train to work daily. She fantasizes about the relationship of her neighbors, Scott and Megan Hipwell (Luke Evans and Haley Bennett), during her commute. That all changes when she witnesses something from the train window and Megan is found to be missing, presumed dead.
Back in 2014, the number one movie on this very list was Gone Girl, the film adaptation of Gillian Flynn’s best-selling novel. Two years later (albeit in the number two spot), here I am writing about The Girl on the Train. Now I know, they are two separate movies with two separate premises. But it is hard not to want to compare them in some form: They are both mystery thrillers with similar themes derived from books that took the world by storm. Gone Girl was one of the best movies I saw in 2014, and it definitely lived up to the hype for me—I sure hope The Girl on the Train does this year, too.
Aside from the attention the film is getting due to its source material’s acclaim, I have been awaiting the release of The Girl on the Train because of Emily Blunt. For those that have read my reviews in the past for Looper, Edge of Tomorrow, and Sicario, what I am about to say is old news: Emily Blunt is one of my top two favorite actresses currently in the movie business, and I have gotten to the point where I will watch anything she makes. This is not (just) because of some love affair with her on a purely shallow basis; rather, I believe she has developed into one of the premier female talents in Hollywood. On the strength of my fandom for Blunt, I am more than ready to plop down in a seat at my local theater this Friday to see what I hope turns out to be a thrilling ride (on a train, of course). The Girl on the Train is set for a theatrical release on October 7, 2016.
Director: Tate Taylor (Get On Up, The Help)
Starring: Emily Blunt (The Huntsman: Winter’s War, Sicario), Rebecca Ferguson (Florence Foster Jenkins, Missions: Impossible – Rogue Nation), Haley Bennett (The Magnificent Seven, Hardcore Henry), Justin Theroux (Zoolander 2, Wanderlust), and Luke Evans (High-Rise, Furious 7)
No. 1 – Arrival
Arrival follows an elite team that is put together to investigate when multiple mysterious spacecraft touch down across the globe. Mankind teeters on the verge of global war as everyone scrambles for answers—and to find them, team members Louise Banks (Amy Adams), Ian Donnelly (Jeremy Renner), and US Army Colonel Weber (Forest Whitaker) will take a chance that could threaten their lives, and, quite possibly, humanity.
Science-fiction is nowhere near the top of my list of favorite film genres. Don’t get me wrong, I do like them—but if I had to pick a range of 4-5 types of movies to watch on a Friday night, science-fiction would not be one of them. But Arrival is peak alien sci-fi…so how can it rank so high on this list? The answer is simple: Denis Villeneuve. Although I still have not seen Villeneuve’s Maelstrom (the winner of the International Federation of Film Critics Award at the Berlin Film Festival) or Incendies (the Oscar-nominated foreign language film), I still view the French-Canadian filmmaker to be one of the best in the business—this is because of Prisoners and Sicario. While in Prisoners Villeneuve crafted a film that was emotionally complex and disturbing at times, yet all the while encapsulating, he truly blew me away with last year’s Sicario, a tightly wound drug cartel thriller that put Villeneuve’s brazen filmmaking on full display for the world to see. Needless to say, his involvement with Arrival makes it a no-brainer for me to be so interested!
In Prisoners, Villeneuve truly directed his balls off in getting the most from his actors (Hugh Jackman, Jake Gyllenhaal, Paul Dano, and Terrence Howard absolutely killed it), and in Sicario, the very same was true (Emily Blunt and Benicio Del Toro delivered unbelievably outstanding performances). Here, I am anxious to see what Villeneuve does with another stellar cast. Amy Adams is one of my favorite actresses (and by far one of the best in the business), Jeremy Renner always does a great job, and Forest Whitaker is a veteran in the game who still treats every performance as if it is his last. The talent is there from both an acting and directorial standpoint—I am confident that the two will intersect beautifully and Arrival will meet all of its undeniably high expectations. Arrival is set for a theatrical release on November 11, 2016.
Director: Denis Villeneuve (Sicario, Prisoners)
Starring: Amy Adams (Nocturnal Animals, Big Eyes), Jeremy Renner (Captain America: Civil War, Mission: Impossible – Rogue Nation), and Forest Whitaker (Rogue One: A Star Wars Story, Southpaw)
Sicario is an action crime thriller directed by Denis Villeneuve, with a screenplay by Taylor Sheridan. Set within the drug war that spreads across both sides of the US-Mexico border, Sicario follows Kate Macer (Emily Blunt), a by-the-books FBI agent who is recruited to participate on a special governmental task force for a black-ops mission behind enemy lines. Joining Matt Graver (Josh Brolin), a stress-free special agent, and Alejandro Gillick (Benicio del Toro), a mysterious “consultant” with unknown motivations, Kate sets out on a mission that questions everything she believes in.
This film is not about the US’s “war on drugs.” Sicario is 100% about the drug war—a meticulous difference that must be recognized. This subject matter has become more and more popular for the film industry in recent memory, but that was not always the case. In 2000, Steven Soderbergh gave us Traffic, an Oscar-winning film that broke new ground as it pertained to the drug-cartel crisis at the border; however now, in present day, this topic is seen quite often. In 2013, there was the critically acclaimed documentary Narco Cultura, which was nominated for the Grand Jury Prize at the 2013 Sundance Film Festival. And aside from Sicario, 2015 also brought us Cartel Land, a gripping documentary about vigilante groups on each side of the border fighting back against the cartels—this film earned an Academy Award nomination for Best Documentary. I mention the recent history of this genre to highlight the fact that director Denis Villeneuve does not tackle some innovative topic with Sicario. However, this film quickly became one of my absolute favorites from the year because Villeneuve and his cinematographer (Roger Deakins) have made the trek to the well of Mexican-American drug-war films and come back with a unique perspective that is both spine tingling and visually stunning.
Villeneuve and Deakins begin the film with incredibly horrific images, and these same types of gruesome illustrations are pervasive throughout. We see the walls in a seemingly empty house on the Arizona-Mexico border torn down to reveal tens of dead bodies; when the task force strolls through downtown Juarez, dead bodies hang from bridges. These moments set the tone for Villeneuve’s film. We as Americans have many anxieties and speculative expectations about our border relations with Mexico as they relate to the drug war—via these visceral images, Villeneuve and Deakins validate those fears. This is war; it is real, and it is not pretty! Another aspect of the film that stands out is its take on deceit and duality. With the exception of Kate, it is difficult to pinpoint or even comprehend the characters’ motives. It is never revealed who Matt Graver even really works for—he is a “special agent,” but for who? And Alejandro is as enigmatic as they come. Villeneuve previously tackled morally duplicitous characters in Prisoners (2013), but he expands upon that examination with far more depth in Sicario. All in all, Villeneuve crafts an inimitable vision in Sicario, and cinematographer Roger Deakins paints that picture with his camera in the most instinctive ways possible.
The acting in Sicario is absolutely first-rate. The stars are an incredibly talented trio: Emily Blunt, Benicio del Toro, and Josh Brolin. Brolin portrays special agent Matt Graver, a seemingly relaxed soldier who has apparently found his calling in the drug war. When he first meets Kate, he strolls into FBI offices wearing the epitome of casual dress: flip-flops. Behind his laid-back exterior, though, is a menacing man—Matt takes his actual work serious, and if you are not on board, then in his mind, GTFO! Brolin has made a pretty solid career out of playing this type of character—the ostensible douche—but that is because he is such a talented actor. I always bought into Brolin in this role, and although his significance is laconic, his performance is adroit.
The film’s best performances come from Blunt and del Toro. Emily Blunt is by far one of my favorite actresses (she is incredibly talented and undeniably fetching), and in 2014, she made her mark as a cinematic badass with her role as Sergeant Rita Vrataski in Edge of Tomorrow. That performance gained her action-star credibility, but her character could not be more different in Sicario. Kate Macer plays by the rules. She needs formulaic process and boundaries. She needs a clear-cut objective. Thus, Kate is in for a rude awakening when her mission with Matt and Alejandro blurs the mechanical lines she so desperately requires. In one scene, Kate asks Matt, “What’s our objective?” Matt responds, “To dramatically overreact.” This really is the task, and it makes Kate uncomfortable. In another scene, Kate discusses tracking down the leader of the cartels, to which Alejandro responds, “Every day I cross that border, people are kidnapped with or killed with his blessing. To find him would be like discovering a vaccine.” In this moment, Kate realizes not only the gravity of her mission, but also the confliction of it—the drug cartels keep these task forces in business, so at some point they are necessary. Although I initially thought Blunt’s character was a bit too dry and unappealing, I now realize how important she is. Blunt’s performance was not showy and dramatic—the kind that will garner you Oscars. But she was calculated—effective and honest. Blunt succeeded in that endeavor. As far as Benicio del Toro, he absolutely should have been nominated for an Oscar for Best Supporting Actor. The complexity of his character required not panache, but enigma; it needed not loquaciousness, but quiet subtleties. Del Toro delivered with perfection. Two scenes stood out for me in regards to his performance. At one point in the film, there is a wildly gripping moment during a traffic jam on the drive back to the US from Mexico. As the tension builds, Alejandro is at the center of the commotion. Benicio del Toro thrived in this moment. Additionally, the climax of the film (which I will not spoil here) features del Toro at his best—that one scene makes the entire viewing experience worth it! Sicario is rated R for strong violence, grisly images, and language.
Happy Monday, film fans! The conclusion to my “Fall Preview 2015” is finally here. Over the past few days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2015 list. Enjoy!
No. 5 – Black Mass
Black Mass tells the true story of Whitey Bulger (Johnny Depp), a notorious mobster and infamous leader of the Winter Hill Gang, an Irish-American mob in South Boston. If you have not seen this trailer, quit reading this now and click the link to it below (no, seriously…it’s worth it). Johnny Depp stars as the villainous Bulger, and by the looks of the aforementioned trailer, he knocks this performance out of the park! I will be the first to admit that Depp is by far one of the weirdest tools in the Hollywood shed. In today’s world, his filmography is marred by oddball performances in films like Charlie and the Chocolate Factory, Alice in Wonderland, The Lone Ranger, and Mortdecai. But most forget how truly talented Depp is as an artist, providing iconic performances in Donnie Brasco, Blow, Pirates of the Caribbean, and Public Enemies. I am hopeful that his portrayal of Bulger falls perfectly in line with his more acclaimed displays of acting dexterity—the trailer truly does give me hope!
Other than seeing Johnny Depp own the role of a crazed, harebrained mobster, I am looking forward to Black Mass because I am hopeful that it redeems the deeply complex story of Whitey Bulger’s life that the 2014 documentary Whitey: United States of America v. James J. Bulger so drastically mucked up. I was expecting big things from that documentary, but it merely provided a bore-fest that too blatantly revealed the filmmakers’ lack of access. Beneath the surface, an incredibly captivating story bubbles with deceit, violence, lunacy, and corruption, and I am confident that director Scott Cooper and Depp will bring that to fruition. Black Mass is set for a theatrical release on September 18, 2015.
Director: Scott Cooper (Out of the Furnace, Crazy Heart)
Starring: Johnny Depp (Mortdecai, Into the Woods), Joel Edgerton (The Gift, Life), Benedict Cumberbatch (The Hobbit: The Battle of the Five Armies, The Imitation Game), Dakota Johnson (Fifty Shades of Grey, Need for Speed), and Kevin Bacon (Cop Car, R.I.P.D.)
No. 4 – The Revenant
According to Entertainment Weekly, The Revenant “is inspired by the trust story of Hugh Glass (Leonardo DiCaprio), a 19th-century hunter and fur trapper who was attacked by a bear and left for dead by his comrades (Tom Hardy and Domhnall Gleeson), only to will himself across hundreds of miles of winter terrain to safety—and redemption.” This movie has SO much going for it in my eyes: the cast, the crew, and the director. For starters, it stars Leo DiCaprio, Tom Hardy, and Domhnall Gleeson. Leo is my all-time favorite actor. Hardy is the greatest currently in the business. And with films like About Time and Ex Machina in his relatively small filmography, D-Glee is becoming one of my faves in the industry. Combine the talents of all three of these practiced artists and, in my humble opinion, you have a concoction of star power with unfathomable potential—this alone makes The Revenant a massive draw for me!
Notwithstanding a wealth of talent within its cast, The Revenant piques my interest because of its director and cinematographer: Alejandro G. Iñárritu and Emmanuel Lubezki. Iñárritu is an absolute genius filmmaker, as evidenced by his critically acclaimed 2014 film Birdman, winner of four Oscars (including Best Picture and Best Director for Iñárritu). He is obviously coming off an amazing year in film, and the fact that he is following up Birdman with an epic adventure that took over seven months to shoot in one of the most frigid locations in the world, Iñárritu is sure not letting off the gas pedal. Additionally, his Birdman cinematographer (Lubezki) is back for The Revenant, and that is reason alone to be excited—Lubezki has won the Oscar for Best Cinematography at each of the last two Academy Awards (Gravity and Birdman). The Revenant is set for a theatrical release on December 25, 2015.
Director: Alejandro G. Iñárritu (Birdman, Babel)
Starring: Leonardo DiCaprio (The Great Gatsby, Django Unchained) and Tom Hardy (Legend, Mad Max: Fury Road)
No. 3 – Sicario
Sicario, Spanish for “hitman,” follows Kate Macer (Emily Blunt), an FBI agent who is recruited onto a joint task force assigned to hunting down a drug-cartel overlord. Blunt is joined by Benicio del Toro (who plays a Mexican national) and Josh Brolin (who plays a government official). To put it simply: I absolutely cannot wait for Sicario.
Earning rave reviews from critics at this year’s Cannes Film Festival, Sicario is most fascinating due to Emily Blunt being cast as the lead protagonist. I have always somewhat enjoyed her work, but ever since her badass performance in last year’s Edge of Tomorrow, I am officially on Team Blunt for life. She has just as much charisma as any other leading lady, but it is her penchant for action that now truly sets her apart. Speaking to EW, director Denis Villeneuve said, “I didn’t want a woman who would act like a man. I wanted a woman who would find her strength in a masculine world.” I believe Blunt is up to the task, and that is one of the biggest reasons I am so stoked for this movie’s release.
The supporting cast is also a major draw. Benicio del Toro is a veteran in the game, and with performances in films like Traffic and 21 Grams, he knows how to most effectively evoke mystery, thrill, and suspense. Josh Brolin is another experienced actor that is sure to bring his trademark demeanor to the picture in order to add to the film’s drama. Lastly, I greatly enjoyed 2013’s Prisoners, directed by Villeneuve. He provided an unprecedented level of tension for that film’s entire duration, and I look for him to do the exact same thing in Sicario, hopefully expanding the scope of this apprehensive style of filmmaking. Sicario is set for a limited theatrical release on September 18, 2015 and a wide theatrical release on September 25, 2015.
Director: Denis Villeneuve (Prisoners, Enemy)
Starring: Emily Blunt (Into the Woods, Edge of Tomorrow), Benicio del Toro (Inherent Vice, Guardians of the Galaxy), and Josh Brolin (Inherent Vice, Sin City: A Dame to Kill For)
No. 2 – Spectre
Spectre is the 24th Eon-produced 007 film, and it picks up where its predecessor, Skyfall, ended: following the fatal attack by Raoul Silva that claimed the life of M (Judy Dench), James Bond (Daniel Craig) must move on to thwart impending threats (by the criminal organization SPECTRE) at the direction of the new M, Gareth Mallory (Ralph Fiennes). I am an avid fan of the James Bond series, and although my loyalties were always to Sean Connery as the preeminent Bond, Daniel Craig has definitely won me over; I now hold Craig out to be the best 007 of all time! Skyfall set a new bar for Bond films, surpassing (almost) every single one that came before it—Goldfinger is still the, pardon the pun, “gold” standard for 007 flicks! With Bond and his cohorts back in action for a fourth installment in the Daniel Craig era, I am hard-pressed to find any reason why this film should not be regarded as one of the biggest, baddest, and most anticipated films of the fall film season!
What is the one thing that could possibly propel Spectre past Skyfall for the second greatest 007 movie of all time? Two words: Christoph Waltz! The two-time Oscar winner is set to play Oberhauser, the apparent mastermind of SPECTRE, who claims some sort of personal connection to Bond. Bringing into the Bond fold one of the premier actors in the film industry is simply the best news for the franchise, and with Waltz in the mix, director Sam Mendes may find a cinematic classic at his fingertips. Spectre is set for a wide theatrical release on November 6, 2015.
Director: Sam Mendes (Skyfall, Away We Go)
Starring: Daniel Craig (Skyfall, The Girl with the Dragon Tattoo), Christoph Waltz (Big Eyes, Horrible Bosses 2), Léa Seydoux (The Grand Budapest Hotel, Blue Is the Warmest Colour), Monica Bellucci (The Wonders, Love & War), and Ralph Fiennes (The Grand Budapest Hotel, Skyfall)
No. 1 – The Hateful Eight
The Hateful Eight follows John “The Hangman” Ruth (Kurt Russell) as he escorts Daisy “The Prisoner” Domergue to Red Rock to face justice for murder. Along the way, the two come across six very unique characters: The Bounty Hunter (Samuel L. Jackson), The Sherriff (Walter Goggins), The Mexican (Demián Bichir), The Little Man (Tim Roth), The Cow Puncher (Michael Madsen), and The Confederate (Bruce Dern).
Where do I start? I have been looking forward to The Hateful Eight since late 2013 when writer/director Quentin Tarantino said that he was working on his next movie. I have long been a fan of Tarantino, and considering (1) Inglourious Basterds is my all-time favorite movie, and (2) I own every single film Tarantino has ever made, it is no surprise that The Hateful Eight finds itself at the No. 1 spot of my Fall Preview. I am stunned this movie ever got made to be honest. In 2014, after his initial script was illegally leaked, Tarantino said that he was abandoning the project. However, he later changed his mind, rewrote the script, and voilà—we get a Christmas-day release in 70 mm of The Hateful Eight!
One thing Tarantino has always been known for is his recurring collaborations with actors—The Hateful Eight is no exception. Other than Jennifer Jason Leigh and Demián Bichir, Tarantino has previously worked with each of his stars. The Hateful Eight will be his second collaboration with Kurt Russell, Walter Goggins, and Bruce Dern, his third with Michael Madsen, his fourth with Tim Roth, and an astounding sixth with the legendary F-bomb king Samuel L. Jackson. Tarantino’s professional rapport with these actors can only benefit the movie, and I am so eager to see what this mad scientist has cooked up next! The Hateful Eight is set for a 70 mm film release on December 25, 2015 and a digital film release on January 8, 2016.
Starring: Samuel L. Jackson (Avengers: Age of Ultron, Kingsman: The Secret Service), Kurt Russell (Furious 7, The Art of the Steal), Jennifer Jason Leigh (Welcome to Me, The Spectacular Now), Walter Goggins (American Ultra, Mojave), Demián Bichir (Dom Hemingway, Machete Kills), Tim Roth (Selma, United Passions), Michael Madsen (Ashley, I’m in Love with a Church Girl), and Bruce Dern (Cut Bank, Nebraska)
Looper is a film written and directed by Rian Johnson. The movie is set in Kansas City during the year 2044, thirty years before time travel is invented. Time travel is illegal in the future, and it is only used by the mob on the black market. When the mafia wants someone killed, they send that person back thirty years where trained assassins, called “loopers,” kill them. The story follows Joe (Joseph Gordon-Levitt), a looper who encounters his own self when the older version of himself (Bruce Willis) is sent back from the future to be assassinated. When a looper comes across their older self, an event known as “closing the loop,” they must kill the older version of themselves or face death by the mob. When Joe’s older self gets away, a series of wild, electrifying events take place. Ultimately, the deeper reason for the elder Joe’s return is revealed and the fate of human existence consequently hangs in the balance.
Looper is clearly one of the year’s most confusing films; however, in this case, confusing does not necessarily equal an immediate dislike for the movie. In fact, Looper was one of my personal favorites released in 2012, and I rushed to buy it on Blu-ray the day it came out. Rian Johnson (Brick, The Brothers Bloom) creates a landscape in both the past and future that resembles the darkest of dystopian societies, and his use of short, expeditious scenes plays perfectly along with this theme. If you are a fan of sci-fi thrillers, you will definitely want to check this one out—it is essentially a mix between The Terminator (1984) and Minority Report (2002).
Since Looper was released in September, it has garnered significant critical acclaim, and it was featured on a variety of important lists of top films of the year. With that being said, it has not been nominated for any major movie awards. The only noteworthy nomination is for Best Original Screenplay at the Writers Guild Awards. Even without any momentous award nominations, I still view Looper as one of the best movies of 2012.
One strong point of the film that critics across the nation have praised is the cast. Gordon-Levitt (500 Days of Summer, Premium Rush) plays young Joe and Bruce Willis (Pulp Fiction, Die Hard) plays the elder Joe, and the two bear a striking resemblance in the film—this is because makeup artist Kazuhiro Tsuji created various prosthetics for Gordon-Levitt to wear to resemble Willis’ facial features. In the diner scene when both versions of Joe are sitting across a table from each other, it is blatantly visible how alike they truly look. Not only does Gordon-Levitt mimic Willis’ physical features, he also engages in the action scenes of the film in the same nature as Willis has been doing for his entire career in movies like the Die Hard and The Expendables franchises.
Solid supporting performances are given by Emily Blunt (The Devil Wears Prada, The Young Victoria) as Sara, the farmhouse owner that young Joe seeks refuge at while hiding from the mafia, and Jeff Daniels (Dumb and Dumber, The Newsroom) as Abe, the guy the mob sent back to the past to manage the loopers. The breakout performance, however, is from Pierce Gagnon as he portrays Sara’s son Cid, a young, innocent-looking boy who ends up being more than meets the eye. Looper is rated R for strong violence, language, some sexuality/nudity, and drug content.
Academy Award nominations for Looper:
Previous movies on the countdown of the Top 15 Films of the Year: