Top 10 Films of 2018, No. 5 – Blindspotting

Blindspotting, a film directed by Carlos Lopez Estrada and co-written by Rafael Casal and Daveed Diggs, follows Collin (Diggs), an African-American in present-day Oakland who has just three days left on probation. Collin and his best friend Miles (Casal), a white guy with a propensity for being a troublemaker, work together for a moving company. One night after work, Collin witnesses a police officer shoot an African-American suspect in the back when the latter is fleeing. This incident creates a captivating change in reality that Collin must now cope with, riddled with questions about race, the class system, and gentrification, which ultimately threatens to splinter his friendship with Miles.

dmyz3pThis movie is set at the intersection of ‘buddy comedy’ and ‘profound drama,’ and it uses humor in a manner that makes the film’s emotionally affecting explication of deep social issues that much more poignant and impactful – its mastering of this blend of storytelling makes it not only one of the best films about race in the present era, but one of the best movies of the entire year. Period. At the center of the story is a thriving interracial friendship between Collin and Miles, which is used throughout the film as a conduit for the exploration of privilege. The friendship is remarkably authentic, which exceptionally evokes an innate sense of empathy from the audience for the test that this friendship endures as the movie’s social issues begin to complicate the relationship between the two leads. giphy4The genuineness of Collin’s and Miles’s friendship can be credited to the real-life relationship between Diggs and Casal, who co-wrote the film – the two are childhood friends from Oakland. The film’s funniest and most heart-wrenching moments feature Collin and Miles at center stage, and their banter throughout the movie (which includes some witty freestyle rapping while packing up clients’ belongings) is outstanding.  I truly think the movie thrives in a beautiful manner because of the believability of the close friendship between Collin and Miles.

tenor5Casal is wonderful in his comical, yet layered portrayal of Miles (he is at his best in one of the film’s greatest moments, where Miles is attempting to sell a sailboat), but in this film, Daveed Diggs steals the show. Diggs rose to fame in 2015 for his portrayal of both Marquis de Lafayette and Thomas Jefferson in the award-winning musical Hamilton, which featured a great deal of rapping and garnered Diggs a Tony for Best Featured Actor in a Musical. Prior to Hamilton, Diggs had already established himself as a rapper of the highest quality via his experimental hip-hop group Clipping. With this background, Diggs prepared himself for an enrapturing on-screen acting performance in Blindspotting, which earned him a nomination for Best Male Lead at this year’s Independent Spirit Awards. Not only is Diggs’s acting on point, but his execution of the film’s dialogue is masterful. There are parts of the film where Diggs actually raps his character’s dialogue, but even in the moments where the words are not meant to be rapped, Diggs’s cadence is still incredibly melodic and poetic. tenorIn the film’s climatic scene, Diggs’s character stares right into the camera with a gun drawn (for what feels like forever), delivering an emotionally packed monologue that feels less like traditional rap and more like performance art. The scene is the film’s most powerful, and it stands as the pinnacle of Diggs’s acting achievement in the movie.

MV5BNDdiZDkzZmUtODVkZi00MTFiLWI0MGQtMjM3ZjA4ZDQyMmJiXkEyXkFqcGdeQXVyMTgwMjA2MDg@._V1_The serious themes at issue in Blindspotting benefit from the complete package of first-rate filmmaking, and Carlos Lopez Estrada (in his directorial debut) commands the movie’s direction precisely. The movie is constantly shifting from funny to dramatic and from heartwarming to violent, and Estrada carefully constructs and intricately weaves these divergent tones into an overall great movie. The film features a set of dream sequences that Collin grapples with following the police shooting, and Estrada brilliantly tempers those sequences’ surrealism with the perfect touch of fidelity. Estrada definitely brought his ‘A game’ to this film, and I look forward to watching anything else he creates in the future. Blindspotting is rated R for language throughout, some brutal violence, sexual references, and drug use.

Blindspotting trailer: https://www.youtube.com/watch?v=-9-HBqVbtTo&t=89s

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Top 10 Films of 2018, No. 6 – Thoroughbreds

Thoroughbreds is a film, written and directed by Cory Finley in his feature debut, set in an upper-class suburban area in Connecticut. At the beginning of the film, two high-school girls who used to be friends but eventually grew apart have reconnected – Amanda (Olivia Cooke) comes over to Lily’s (Anya Taylor-Joy) house, a sprawling mansion, in order for Lily to provide tutoring lessons. It takes the girls a little while to grow accustomed to one another again, but after more and more time spent together, they begin to warm up to each other. Eventually they hatch an ominous plan to kill Lily’s controlling and domineering stepfather, Mark (Paul Sparks), which also includes contracting with a local drug dealer, Tim (Anton Yelchin), for help with the deed.

source3One of my favorite genres of film is “black comedy,” and Thoroughbreds epitomizes the term. After my wife and I first watched it a few months ago, I distinctly recall leaning over to her and stating, “If I could make a movie, this is exactly the kind of movie I’d make.” For me, there is something so appealing and satisfying about a humorous, yet dramatic and thought-provoking, exploration of twisted topics – and in that sense, Thoroughbreds absolutely delivered. To give you a taste: We learn early on that Amanda has recently euthanized her prize horse, which resulted in animal cruelty charges and the scorn of the community. T3The creative mind behind Thoroughbreds is writer/director Cory Finley. Although new to the feature film world, Finley’s debut is a smash and a sign of great things to come. The entire movie feels a lot like a Yorgos Lanthimos film (see The Lobster, The Killing of a Sacred Deer, and The Favourite), but in his own way, Finley still provides something unique here. Thoroughbreds is suspenseful and profoundly unsettling, and Finley uses all aspects of filmmaking to accomplish this – with the combination of a haunting score, organic cinematography, and a script that perfectly utilizes pauses and periods of outright silence, Thoroughbreds builds tension in an exquisite way as the film grows darker every minute.

giphyMy favorite part of the movie is its exceptionally interesting characters and accompanying acting performances. For starters, the two leads are phenomenal. Amanda and Lily could not appear more opposite – Amanda is blunt and emotionless (and with respect to the latter, that is a literal personality trait, as it is revealed that Amanda actually lacks the ability to feel any emotions), and Lily is nervy but mannerly. However, as the film progresses, we start to see cracks in Lily’s façade begin to develop, as she slowly reveals a sense of narcissism and manipulation deep within. giphy2The vast differences in Amanda’s and Lily’s physical and emotional temperaments are striking, and to best depict these distinctive characteristics on the screen, Finley could not have done better than Cooke and Taylor-Joy. Anton Yelchin also gave a noteworthy performance in one of the late actor’s final film roles – the actor, who died just a couple of weeks after principal photography wrapped, skillfully portrayed Tim as a wittily arrogant drug dealer with a lot of underlying vulnerabilities. It was a wonderful performance to cap off a brilliant career that was cut too short. Thoroughbreds is rated R for strong violence, grisly images, and language.

Thoroughbreds trailer: https://www.youtube.com/watch?v=TPcV_3D3V2A

Top 10 Films of 2018, No. 10 – Black Panther

Black Panther is a superhero film produced by Marvel Studios based on the Marvel Comic character of the same name. Directed by Ryan Coogler and written by Coogler and Joe Robert Cole, Black Panther tells the story of T’Challa (Chadwick Boseman) as he becomes the new king of Wakanda, an isolated but technologically advanced African nation that is powered by a mysterious metal called vibranium. Soon after becoming Wakanda’s king and Black Panther, T’Challa is faced with an enemy (Killmonger, played by Michael B. Jordan) who challenges his reign, and he must rally both friend and foe among the nation’s tribes in an effort to secure the safety and longevity of Wakanda.

BP2I must confess at the outset that I am not a big fan of the live-action Marvel movies – I have only seen roughly half of the franchise’s films. But of the ones I have seen, Black Panther reigns supreme in the Marvel universe (sorry Guardians of the Galaxy). In fact, after my initial viewing, it quickly became one of my top five favorite superhero movies of all time. My lack of passion for most superhero movies (especially in the Marvel universe) is due in significant part to what I view as cookie-cutter plots and characters – yes, most of these films are very well acted and produced, but they generally involve low stakes and follow the same tropes that are trotted out in every predecessor. With Black Panther, the story is much more intimate, and unlike its Marvel counterparts, it has a truly distinct style and personality, both in terms of the plot and the characters.

BP5What sticks out the most for me in terms of Black Panther setting itself apart from most other Marvel films is its writer/director – Ryan Coogler was the perfect choice to be the film’s creative visionary. The 32-year-old filmmaker has built his budding career on the foundation of captivating stories about African-Americans – in his debut Fruitvale Station, Coogler created a thought-provoking sense of anger and heartbreak, and in Creed, he reinvigorated the Rocky franchise with storytelling that was simultaneously nostalgic and fresh. In Black Panther, Coogler takes his creative abilities to new heights, constructing a movie that fits the mold for a superhero movie (e.g., action, suspense, and triumph), while also bringing a certain intimacy and sensitivity to its plotline that induces a beautiful connection between the audience and the characters. Black Panther is a movie about identity, and this is, at its core, a product of Coogler’s imaginative excellence.

BP4As discussed above, Black Panther features some fantastic characters, which were brought to life by wonderful performances. In supporting roles, the film had many outstanding performances, including those from Lupita Nyong’o, Danai Gurira, Daniel Kaluuya, Martin Freeman, Angela Bassett, Forest Whitaker, and Winston Duke. However, the standout supporting performance was delivered by Letitia Wright, who was magnificent as Shuri, T’Challa’s younger sister – Shuri is both spunky and fierce, and Wright’s superb performance helped land her the EE Rising Star Award at this year’s BAFTAs. Further, I enjoyed Chadwick Boseman as T’Challa, but he didn’t blow me away. This is likely due to the fact that Michael B. Jordan simply stole the show – in fact, for his performance as the villain Killmonger, I believe Jordan should have been nominated for Best Supporting Actor. Aided by a deep backstory that slowly becomes more evident and emotional as the film progresses, Killmonger became one of the greatest Marvel film characters of all time – this is due unequivocally to Jordan’s marvelous performance. Black Panther is rated PG-13 for prolonged sequences of action violence, and a brief rude gesture.

Black Panther trailer: https://www.youtube.com/watch?v=xjDjIWPwcPU

Academy Award nominations for Black Panther:

Best Picture (Kevin Feige, producer)

Best Original Score (Ludwig Göransson)

Best Original Song – “All the Stars” (Music by Mark Spears, Kendrick Lamar Duckworth, and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith, and Solána Rowe)

Best Sound Editing (Benjamin A. Burtt and Steve Boeddeker)

Best Sound Mixing (Steve Boeddeker, Brandon Proctor, and Peter J. Devlin)

Best Production Design (Production Design: Hannah Beachler; Set Decoration: Jay Hart)

Best Costume Design (Ruth E. Carter)

The Best Films of 2018 – Honorable Mentions (11-15)

Before I start revealing my ten favorite movies of the year later this week, I want to take some time to talk briefly about five fantastic films that just missed out on making my year-end list – here are my Honorable Mentions:

No. 11 – Sorry to Bother You

STBYSorry to Bother You is Boots Riley’s directorial debut, a dystopian dark comedy that follows Cassius “Cash” Green (Lakeith Stanfield), a young African-American in Oakland working as a telemarketer at RegalView. After a veteran co-worker (Danny Glover) teaches Cash that the secret to success in this business is using your “white voice,” Cash quickly excels as he strives for the coveted promotion to “Power Caller.” All the while, Cash’s friends – and his girlfriend Detroit (Tessa Thompson) – plot to unionize the RegalView workplace in an effort to protest for better working conditions, which creates conflict with Cash as he continues to climb the ranks as a Power Caller. Life as a Power Caller begins to slowly unravel, and when a corporate conspiracy exposes itself, Cash is left to make a vital decision about his life.

In this film, Boots Riley takes a very simple concept (i.e., character comes from nothing, character gets success, character faces moral conundrum that pits that success against true happiness) and turns it into one of the most entertaining and unique movies I have ever seen. The dialogue pops, the characters are amusing, the acting is impeccable, and the satirical themes are absolutely spot-on. Riley’s story is one that brilliantly examines the concepts of “white privilege” and “capitalism” through its darkly comedic tone, and the satire reminded me a lot of Mike Judge’s Idiocracy. However, Idiocracy made its comedy much more direct (and it really worked in that film), and after having seen both films, I much prefer Riley’s more natural comedic tendencies. This movie is a fantastic referendum on some very important social issues, and it just missed out on cracking my Top 10. Trailer: https://www.youtube.com/watch?v=PQKiRpiVRQM.

No. 12 – Roma

RomaRoma is a Spanish-language film directed, co-produced, written, co-edited, and shot by Alfonso Cuarón. Set in the early 1970s in the Colonia Roma district of Mexico City, the film (described as a semi-autobiographical story based on Cuarón’s childhood) follows Cleodegaria “Cleo” Gutiérrez (Yalitza Aparicio), a domestic worker who lives with and works for the family of Antonio (Fernando Grediaga) and Sofia (Marina de Tavira).

Roma is slow movie (like, really slow), although this sort of movie doesn’t always work, the cinematic style of Roma undeniably impresses – this is predominantly because Cuarón is its creator. In Roma, Cuarón’s dialogue is poetically deliberate, his camerawork is stunningly cautious, and his pace is delightfully unhurried. The Oscar-winning filmmaker – who has written and directed an amazing collection of films, including Y Tu Mamá También, Children of Men, and Gravity – has developed a film in Roma that tells a story that is deeply genuine and features plot points that are both heartwarming and heartrending. Aparicio is utterly outstanding in the lead role of Cleo – as various life events cause Cleo to endure a wide range of feelings, including happiness, sadness, loss, helplessness, and hopefulness, you feel each and every one of them right along with her throughout the entire journey. Trailer: https://www.youtube.com/watch?v=6BS27ngZtxg.

No. 13 – Isle of Dogs

Isle of DogsIsle of Dogs is a stop-motion-animated film by writer/director Wes Anderson. The film is set in a dystopian-version of Japan in the not-so-distant future where all dogs – following a canine flu outbreak – have been exiled to an unenviable island. Against that backdrop, the story follows a young boy named Atari Kobayashi (Koyu Rankin) as he joins forces with a few dogs on the island – including Chief (Bryan Cranston), Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray), and Duke (Jeff Goldblum) – to find his lost dog Spots.

At last, Wes Anderson is back – and by “back,” I mean “wow, Wes Anderson has finally returned to the wonderful storytelling and filmmaking that made me a fan of his in the first place.” I know Anderson’s last film, The Grand Budapest Hotel, was nominated for nine Oscars and won four of them, but I hated it – I found the story to be bland, the dialogue to be stilted, and the film as a whole to be too heavily reliant on Anderson’s signature style. But in Isle of Dogs, Anderson has won me back over – it is essentially a combination of the distinctive stop-motion-animated style that made Fantastic Mr. Fox so remarkable and the sweet, funny, and selfless depiction of childhood innocence that made Moonrise Kingdom one of my favorite movies of all time. Trailer: https://www.youtube.com/watch?v=dt__kig8PVU.

No. 14 – Minding the Gap

Minding the Gap

Minding the Gap is a documentary by filmmaker Bing Liu. Filmed over the course of more than a decade, Minding the Gap chronicles the lives of Liu and his two friends, Keire Johnson and Zack Mulligan, with the common thread being their shared love of skateboarding. Although the movie starts out with this simple premise, it slowly evolves into a deep and emotional exploration of the lasting traumatic effects of issues relating to race, economic hardship, and domestic abuse.

For me, the best documentaries are those that make you think and make you feel in a unique way – Minding the Gap definitely checks those boxes with ease. One of the most intriguing parts of this film is the fact that the director is personal friends with his film’s subjects – but Liu pulls no punches. Instead, he examines the complicated lives of Keire and Zack with raw emotion and undeniable honesty, and it is this aspect of purity in Liu’s filmmaking that makes Minding the Gap so emotionally affecting. Despite the remarkable exploration of his friends’ lives, the highlight of the film was when Liu turned the camera (and the plot of the film) back onto himself and his own upbringing – what a moment! This film is currently streaming on Hulu, and I encourage everyone to go check it out – you will not be disappointed. Trailer: https://www.youtube.com/watch?v=n5Vm_Awe3bw.

No. 15 – Crazy Rich Asians

asians6.0Crazy Rich Asians is a romantic dramedy (directed by Jon M. Chu and written by Peter Chiarelli and Adele Lim) based on the bestselling novel of the same name, which follows Rachel Chu (Constance Wu), a Chinese American economics professor at NYU who travels overseas with her boyfriend Nick Young (Henry Golding) to meet his family. Unbeknownst to Rachel, Nick’s family turns out to be among the wealthiest in all of Singapore. Dating one of Singapore’s most eligible bachelors, Rachel finds herself having to fend off envious women within Asian high society. But the more imposing task for Rachel is vying for the approval of Nick’s domineering mother (Michelle Yeoh).

I will be honest – generally speaking, romantic dramedies aren’t my cup of tea. Unless they are done exceptionally well, I just can’t get into them. With all of that said, Crazy Rich Asians is definitely one of the best I’ve seen in the genre (ranking up there near my favorites, such as Love Actually and Crazy, Stupid, Love). Although I have not read the film’s source material, director Jon Chu’s vision in bringing this unique story to the screen was magnificent – this beautiful movie was the first from a major Hollywood studio in 25 years to feature an Asian director and a mostly Asian cast, all helmed by an Asian director. The story was refreshing, the visuals were colorful and arresting, and the movie’s cast of characters was absolutely entertaining – aside from the superb performances by the film’s leads, Awkwafina nearly stole the show as the wacky sidekick Goh Peik Lin, Rachel’s best friend from college. Trailer: https://www.youtube.com/watch?v=ZQ-YX-5bAs0.

The Return of My Annual “Countdown to the Oscars” and Best Original Song and Score

Dolby TheatreLast year, after five consecutive Academy Awards seasons of active blogging here on The Reel Countdown, I was unable to devote any time at all to posting about the year in movies due to a very busy work schedule – in fact, my only post during the run-up to the Oscars last year was simply sharing my ballot and providing a ranked list of all the movies I had watched from 2017. However, I am thrilled to say that my annual “Countdown to the Oscars” is back (is this where I say “and better than ever”?), and I am looking forward to sharing my thoughts with you on the best in film from 2018 over the course of the next three weeks as we approach the 91st Academy Awards ceremony, which is set to take place on Sunday, February 24, 2019, at the Dolby Theatre in Hollywood, California.

Since it has been a couple of years since I’ve blogged through an Oscars season, here’s a recap on the structure of posts you can expect to see on The Reel Countdown: (1) my “Top 10 Films of the Year” (including an “Honorable Mentions” post within the next couple of days, which will break down the five films that just missed out on cracking my list this year), (2) my own personal Oscars ballot (i.e., not a prediction of who will win but rather how I would vote if I had one) for some of the year’s major categories, based on this year’s nominees, and (3) a recap of the 91st Academy Awards ceremony, which will highlight the most noteworthy moments from the broadcast.

I am kicking off this year’s edition of The Reel Countdown with my ballot for the two musical categories at the Oscars – Song and Score!

My ballot for Best Original Song is as follows:

WINNER: “Shallow” from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andew Wyatt

rev-1-asib-trl-9090r_high_res_jpeg-1-_wide-3afaaddfb18a9a5732dbd6843e417c693a5949fb-s800-c85In my opinion, no original song better embodied the spirit of its film’s story arc this year than “Shallow,” a beautiful ballad performed as a duet in the film by Jackson Maine (played by Bradley Cooper) and Ally (played by Lady Gaga). The lyrics and musical composition are clearly stunning, but it is the chemistry of the film’s lead characters and their undeniable harmony on the song that truly make “Shallow” one of the film’s greatest assets. Needless to say, I was very excited to see the video pop up online this week of Lady Gaga bringing Bradley Cooper on stage at a Vegas concert to perform the song with her. I cannot wait to see these two light up the stage again on Oscars night – sign me up for any chance to see Gaga belt out her now-iconic “haaa-ah-ah-ah, haaawaah, ha-ah-ah-aaah” line!

2. “All the Stars” from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth, and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith, and Solana Rowe

3. “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

4. “The Place Where Lost Things Go” from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman

5. “I’ll Fight” from RBG – Music and Lyrics by Diane Warren

 

My ballot for Best Original Score is as follows:

WINNER: Black Panther – Ludwig Göransson

Ludwig+Goransson+Los+Angeles+World+Premiere+pQZWs79_UlAlBlack Panther is obviously one of the best superhero movies of all time – the acting is superb, the story is unique and fresh, and writer/director Ryan Coogler’s vision is magnificent. But for me, the glue that held all of Black Panther‘s many incredible pieces together was Ludwig Göransson’s thrilling musical score. Göransson’s composition offers brilliance in all of the classical aspects of film scoring, but what sets Black Panther apart is his masterful incorporation of traditional African instrumentation and booming sounds influenced by today’s hip-hop (the latter of which comes as no surprise, considering Göransson is a frequent collaborator of rap’s inimitable Childish Gambino). The Black Panther score is truly magical!

2. Mary Poppins Returns – Marc Shaiman

3. If Beale Street Could Talk – Nicholas Britell

4. BlacKkKlansman – Terence Blanchard

5. Isle of Dogs – Alexandre Desplat

Fall Film Preview – 2018

We are nearly one month into my favorite time of the year for movies – the fall film season. Each year from September through December, most of the year’s heaviest hitters start making their way to the big screen in hopes of garnering an abundance of buzz for the Academy Awards – and indeed, Oscars success is generally tied to a fall release.  In fact, the last Best Picture winner that wasn’t released theatrically during the fall film season was The Hurt Locker in June 2009.  Which films will steal the show this fall? Only time will tell.  But in the meantime, here is my list of the films I am most looking forward to seeing over the course of the next few months!

No. 1 – First Man (October 12)

Film Title: First Man

First Man is a biographical drama that follows the story of Apollo 11’s famed mission to the Moon in 1969.  I am incredibly excited to see First Man due to the two men behind the direction and screenplay of the film – Damien Chazelle and Josh Singer, respectively.  Chazelle’s first two films (Whiplash and La La Land) have been some of the very best made in the past few years (in fact, Whiplash was my favorite film of 2014), and I have been patiently awaiting his next directorial endeavor.  This time, instead of penning his own screenplay, which he did for his first two films, Chazelle has employed a script by Singer, who won the Oscar for Best Original Screenplay for Spotlight and was nominated for a Golden Globe last year for The Post.  Starring Ryan Gosling in the lead role as Neil Armstrong and The Crown’s Claire Foy as his wife, this film looks set to attract some serious Oscar buzz this fall. Trailer – https://www.youtube.com/watch?v=PSoRx87OO6k&t=20s

No. 2 – If Beale Street Could Talk (December 14)

If Beale Street Could TalkIf Beale Street Could Talk, based on the 1974 novel of the same name, is a drama set in Harlem during the 1970s and follows an African-American family’s enduring spirit of love and humanity as they navigate a racially charged era in American history.  This film is Barry Jenkins’s follow-up effort to his Best Picture-winning drama Moonlight, and although the trailer does not give too much away, it is evident that Jenkins looks to passionately pull at the heartstrings of moviegoers everywhere once more – I cannot wait to see what he has in store this time. Trailer – https://www.youtube.com/watch?v=N4m3t3G3Zqc

No. 3 – Bad Times at the El Royale (October 12)

BAD TIMES AT THE EL ROYAL

Bad Times at the El Royale is a thriller that follows seven strangers whose lives and dark secrets intersect at a rundown hotel in Lake Tahoe.  Bad Times is immediately intriguing due to its ensemble cast, which features the likes of Jeff Bridges, Dakota Johnson, Jon Hamm, and Chris “Thor” Hemsworth.  But aside from this stellar group of actors, I am personally looking forward to this film due to its writer/producer/director, Drew Goddard.  The 43-year-old filmmaker has previously penned the scripts for Cloverfield, World War Z, and The Martian, but it was his directorial debut in 2012 with The Cabin in the Woods (Goddard also wrote the screenplay) that has me looking forward to Bad Times the most – the trailer reeks of Cabin-like imagery and obscurities (which is definitely a good thing), and I can’t wait to see if Goddard can capture that same rousing energy again.  Trailer – https://www.youtube.com/watch?v=y7wzBVARwaU

No. 4 – Hold the Dark (September 28 – Netflix)

Jeffrey Wright in the new film Hold the Dark. Photo credit: Netflix

Hold the Dark is a thriller set against the backdrop of the Alaskan tundra, and it follows the aftermath of the mysterious death of a young boy by a pack of wolves. From an acting standpoint, this film brings together some of my current favorites in the game – Jeffrey Wright (Westworld), Riley Keough (Mad Max: Fury Road), and Alexander Skarsgård (Big Little Lies).  However, the factor that weighs most heavily in terms of my anticipation for the film is its director and writer – Jeremy Saulnier and Macon Blair, respectively.  Saulnier wrote and directed two of my favorite films from the past few years (Blue Ruin in 2014 and Green Room in 2016, both of which featured Blair as an actor), and Blair wrote and directed one of my favorite movies from last year, I don’t feel at home in this world anymore. All three of those films were thrilling and unique, and I expect nothing less from Hold the Dark.  Trailer – https://www.youtube.com/watch?v=OFAwDO6b5KI

No. 5 – The Favourite (November 23)

The FavouriteThe Favourite is a drama (set in England in the early 18th century) that follows the struggle between Sarah Churchill, Duchess of Marlborough (Rachel Weisz) and her cousin Abigail Masham (Emma Stone) as they jockey for the attention and adoration of Queen Anne (Olivia Colman, aka the new QEII in The Crown).  The Favourite is the newest film by the inimitable Greek filmmaker Yorgos Lanthimos.  If you haven’t seen any of Lanthimos’s films yet, go watch the trailer for The Favourite ­– it will absolutely give you a taste of this man’s distinctive style. Lanthimos broke out among American audiences in 2015 with his film The Lobster – although the first act of that movie had me hooked, he simply couldn’t keep that momentum going for me throughout the entire film.  No matter – Lanthimos returned last year with The Killing of a Sacred Deer, which was thrilling, compelling, and darkly hilarious for its entire two-hour runtime.  Because of my deep appreciation for that film, I am very much optimistic that his newest endeavor will be a great achievement.  Trailer –https://www.youtube.com/watch?v=hqYlnvghV-U

No. 6 – Widows (November 16)

WidowsWidows is a thriller that tells the story of a group of women who attempt a heist after their criminal husbands are killed.  The uber-talented British filmmaker Steve McQueen is back with his first feature film since 12 Years a Slave, the Best Picture winner that I named my favorite film of 2013.  McQueen is such a unique storyteller, and if the critical success of his complete filmography (Hunger, Shame, and 12 Years a Slave) gives us any indication, Widows is sure to be a fantastic piece of cinema.  Oscar winner Viola Davis also stars as the lead, which is another reason this film is likely to impress. Trailer – https://www.youtube.com/watch?v=nN2yBBSRC78

 No. 7 – A Star Is Born (October 5)

A Star Is BornA Star Is Born is a musical drama about a country musician (Bradley Cooper) who discovers and falls in love with a young singer (Lady Gaga).  This iteration of A Star Is Born (which marks Cooper’s directorial debut) is the third remake to the original 1937 film (it was remade with Judy Garland and James Mason in 1954 and with Barbara Streisand and Kris Kristofferson in 1976). Truthfully, the trailers for this film that have been playing repeatedly on TV lately have me hooked – I love the sound of the music, I love the apparent chemistry between the two leads, and I love the style in which it is shot.  And I am already buying into the hype surrounding Lady Gaga’s performance, simply based on what I can see from the trailer.  No one would doubt that Lady Gaga is a standout performer in general, not just as a singer, and I look forward to seeing her acting talents on the big screen in what has already been characterized by many in the industry as an early Best Picture darling.  Trailer – https://www.youtube.com/watch?v=nSbzyEJ8X9E

 No. 8 – Outlaw King (November 9 – Netflix)

Outlaw KingOutlaw King is an epic historical film about Robert the Bruce, one of the most famous Scottish warriors and eventual King of Scotland.  David Mackenzie directed this film, which is the very reason that it is on my list.  Mackenzie’s previous two films both ranked in the top 4 on my year-end lists (I ranked Starred Up as my No. 4 film in 2014 and Hell or High Water as my No. 2 film in 2016) – based on that track record, I am obviously looking forward to his newest film.  I will admit that a couple of weeks ago, this film was trending toward the top of my most anticipated list – however, early critical reviews have not been jaw-dropping, which is why its position has slipped a bit here.  Regardless of those early reviews, I am still confident that Mackenzie will bring a quality picture to the big Netflix screen – his cast of Chris Pine (fantastic in Hell or High Water), Aaron Taylor-Johnson (wonderful in everything he touches), and Florence Pugh (a vision in last year’s Lady Macbeth) will surely add some definite firepower.  Trailer – https://www.youtube.com/watch?v=Q-G1BME8FKw

No. 9 – Welcome to Marwen (December 21)

Welcome to MarwenWelcome to Marwen is a dramatic film inspired by the true-life story of Mark Hogancamp, a victim of a brutal assault, who undertakes an enormous effort to build a miniature World War II village in his backyard in an effort to cope with the trauma he has endured.  Yes, this movie features a great cast, including Steve Carrell as Hogancamp. Yes, the film is directed by Robert Zemeckis, who always seems to turn in quality work, year after year.  And yes, the film’s mixture of live-action and animation looks incredibly unique and charming.  But for me, my anticipation for this film stems solely from my profound reverence for the 2010 documentary that it is based on, Marwencol.  When I first saw Marwencol, I was enthralled by Mark’s story and utterly fascinated by his artistry and imagination.  Marwencol is definitely one of my all-time favorites, and I hope that Zemeckis’s film provides a great companion piece to the documentary.  Trailer – https://www.youtube.com/watch?v=W6dy7xQ8NeE

No. 10 – The Ballad of Buster Scruggs (November 16 – Netflix)

Buster ScruggsThe Ballad of Buster Scruggs is a western anthology film by the Coen brothers that features six separate chapters, each with its own cast.  I won’t lie – I have generally fallen out of love with the Coen brothers.  In terms of their directorial efforts, I really haven’t enjoyed many of their films from the past decade, outside of A Serious Man in 2009.  However, I continue to hold out hope that these cinematic visionaries can again replicate the success of their past hits (e.g., Raising Arizona, Fargo, The Big Lebowski, No Country for Old Men).  The trailer here has me genuinely intrigued by what the Coen brothers can do with the anthology concept, and given their established résumé in the business, I am willing to keep giving them chances.  Trailer –  https://www.youtube.com/watch?v=_2PyxzSH1HM

HONORABLE MENTIONS

Creed IICreed II (November 21) – The sequel to Creed is set to follow Adonis Creed as he prepares for his next big fight – a bout against the son of Ivan Drago, the man that killed Adonis’s father in the ring so many decades ago.  I am always down for more from the Rocky universe, and I expect Michael B. Jordan to dominate the screen again in Round 2. Trailer – https://www.youtube.com/watch?v=cPNVNqn4T9I

Fantastic BeastsFantastic Beasts: The Crimes of Grindelwald (November 16) – The sequel to Fantastic Beasts and Where to Find Them will follow Newt Scamander as he looks to take down Gellert Grindelwald, one of the wizarding world’s most powerful dark wizards.  The previews for this film have already revealed a return to Hogwarts, Jude Law as a young Albus Dumbledore, and the origin of Nagini – all of that is plenty to overcome the casting of Johnny Depp as Grindelwald.  I am very optimistic about this film, as I will always put my faith in J.K. Rowling and David Yates. Trailer – https://www.youtube.com/watch?v=8bYBOVWLNIs

Mary, Queen of ScotsMary, Queen of Scots (December 7) – This historical drama tells the story of the “Rising of the North,” an infamous conflict that pitted two half-sisters, Queen Elizabeth I and Mary Stuart, against one another in an epic struggle for power in England.  This film has a lot going for it.  First, Beau Willimon (creator of the Netflix hit House of Cards) wrote the script. Second, and most importantly, Saoirse Ronan and Margot Robbie star as Mary, Queen of Scots and Queen Elizabeth I, respectively. Trailer – https://www.youtube.com/watch?v=wnqjSgMU36U

Under the Silver LakeUnder the Silver Lake (December 7) – This is a neo-noir film that follows Sam (Andrew Garfield) as he searches the seamy depths of Los Angeles to solve the disappearance of Sarah (Riley Keough), a mysterious woman he met at an apartment swimming pool.  This movie is director David Robert Mitchell’s follow-up effort to 2014’s It Follows, an incredible film that re-wrote the rules of horror flicks.  Based on my love for It Follows, I have a lot of confidence in Under the Silver Lake’s potential.  Trailer – https://www.youtube.com/watch?v=mwgUesU1pz4

UPDATE: Sadly, it was announced on November 1 that Under the Silver Lake would be pushed back to an April 18, 2019 release, which does not bode well for the movie’s potential success.

ViceVice (December 25) – This biopic follows the political rise of former Vice President Dick Cheney.  This is the only film on this list that still does not have a trailer yet released, but that doesn’t mean I still don’t expect big things from it.  Adam McKay – the comedic genius behind Anchorman, Step Brothers, and The Other Guys – directs, but it is his directorial work on The Big Short that has me most pumped for this movie.  Christian Bale completely transformed his body (again – see The Machinist, American Hustle) to play Cheney, and one of my favorite actresses of all time (Amy Adams) is set to play Lynne Cheney. Trailer – NONE

UPDATE: The trailer for Vice was released less than a week after I posted this article. Needless to say, had it been available prior to this post going live, Vice would have been VERY high on this list!! Check out the trailer here: https://youtu.be/g09a9laLh0k

90th Academy Awards: My Ballot and Countdown of the Best Films of 2017

As you have probably noticed, my annual “Countdown to the Oscars” blog was a bit nonexistent this year – and by “a bit,” I mean completely!  Due to an incredibly busy work schedule over the past year, I have been unable to see quite the number of films I usually prefer to see or devote a chunk of time to blogging about them – next year I hope to get right back on the review train for a complete season of best-of-the-year blogging!  Nonetheless, with tonight’s Academy Awards quickly approaching, I still wanted to share with you my thoughts on the past year in film.

https---blogs-images.forbes.com-johnarcher-files-2018-01-BladeRunner2049CarSmoke.jpg?width=960.jpgAlthough I surely missed some movies this year that many have loved, such as Wonder Woman, War for the Planet of the Apes, and Coco, I was lucky enough to watch a large number of incredible films that made me laugh, made me cry, and certainly made me think.  Below, you will find my Top 10 Films of 2017, as well as a more complete ranking of each movie I watched from this past year at the end (45 in total).  As you will see below, my favorite film of the year was Blade Runner 2049 – visually arresting and cinematically stunning.

shapeAdditionally, you will find below my personal Oscars ballot for this year – per usual, it includes my ranking of each nominee in the fourteen categories in which I have seen each nominated film/performance.  This year, although it ranks as No. 3 on my list of the year’s best movies (the top two were not nominated for Best Picture), my pick for Best Picture is The Shape of Water.

So, check out my ballot and list of my favorite movies from 2017, and make sure to tune into the 90th Academy Awards tonight at 7:00pm (CST) on ABC, live from the Dolby Theatre in Hollywood, CA. Enjoy, film fans.

Top 10 Films of 2017

1. Blade Runner 2049
2. The Big Sick
3. The Shape of Water
4. Get Out
5. Three Billboards outside Ebbing, Missouri
6. Good Time
7. The Disaster Artist
8. Call Me by Your Name
9. Wind River
10. Dunkirk

90th Academy Awards Ballot

Best Picture

  1. The Shape of Water
  2. Three Billboards outside Ebbing, Missouri
  3. Get Out
  4. Call Me by Your Name
  5. Dunkirk
  6. Lady Bird
  7. Darkest Hour
  8. Phantom Thread
  9. The Post

Best Actor

  1. Gary Oldman – Darkest Hour
  2. Timothée Chalamet – Call Me by Your Name
  3. Daniel Kaluuya – Get Out
  4. Daniel Day-Lewis – Phantom Thread
  5. Denzel Washington – Roman J. Israel, Esq.

Best Actress

  1. Frances McDormand – Three Billboards outside Ebbing, Missouri
  2. Sally Hawkins – The Shape of Water
  3. Saoirse Ronan – Lady Bird
  4. Margot Robbie – I, Tonya
  5. Meryl Streep – The Post

Best Supporting Actor

  1. Sam Rockwell – Three Billboards outside Ebbing, Missouri
  2. Richard Jenkins – The Shape of Water
  3. Woody Harrelson – Three Billboards outside Ebbing, Missouri
  4. Willem Defoe – The Florida Project
  5. Christopher Plummer – All the Money in the World

Best Supporting Actress

  1. Allison Janney – I, Tonya
  2. Laurie Metcalf – Lady Bird
  3. Lesley Manville – Phantom Thread
  4. Octavia Spencer – The Shape of Water
  5. Mary J. Blige – Mudbound

Best Director

  1. Guillermo del Toro – The Shape of Water
  2. Christopher Nolan – Dunkirk
  3. Jordan Peele – Get Out
  4. Greta Gerwig – Lady Bird
  5. Paul Thomas Anderson – Phantom Thread

Best Original Screenplay

  1. Jordan Peele – Get Out
  2. Emily V. Gordon and Kumail Nanjiani – The Big Sick
  3. Guillermo del Toro and Vanessa Taylor – The Shape of Water
  4. Martin McDonagh – Three Billboards outside Ebbing, Missouri
  5. Greta Gerwig – Lady Bird

Best Adapted Screenplay

  1. Scott Neustadter and Michael H. Weber – The Disaster Artist
  2. James Ivory – Call Me by Your Name
  3. Aaron Sorkin – Molly’s Game
  4. Virgil Williams and Dee Rees – Mudbound
  5. Scott Frank, James Mangold, and Michael Green – Logan

Best Original Score

  1. Alexandre Desplat – The Shape of Water
  2. Carter Burwell – Three Billboards outside Ebbing, Missouri
  3. Jonny Greenwood – Phantom Thread
  4. John Williams – Star Wars: The Last Jedi
  5. Hans Zimmer – Dunkirk

Best Cinematography

  1. Roger Deakins – Blade Runner 2049
  2. Hoyte van Hoytema – Dunkirk
  3. Dan Laustsen – The Shape of Water
  4. Bruno Delbonnel – Darkest Hour
  5. Rachel Morrison – Mudbound

Best Film Editing

  1. Sidney Wolinsky – The Shape of Water
  2. Paul Machliss and Jonathan Amos – Baby Driver
  3. Jon Gregory – Three Billboards outside Ebbing, Missouri
  4. Lee Smith – Dunkirk
  5. Tatiana S. Riegel – I, Tonya

Best Production Design

  1. Dennis Gassner (Production Design) and Alessandra Querzola (Set Decoration) – Blade Runner 2049
  2. Paul Denham Austerberry (Production Design) and Shane Vieau and Jeff Melvin (Set Decoration) – The Shape of Water
  3. Nathan Crowley (Production Design) and Gary Fettis (Set Decoration) – Dunkirk
  4. Sarah Greenwood (Production Design) and Katie Spencer (Set Decoration) – Darkest Hour
  5. Sarah Greenwood (Production Design) and Katie Spencer (Set Decoration) – Beauty and the Beast

Best Sound Editing

  1. Mark Mangini and Theo Green – Blade Runner 2049
  2. Richard King and Alex Gibson – Dunkirk
  3. Julian Slater – Baby Driver
  4. Nathan Robitaille and Nelson Ferreria – The Shape of Water
  5. Matthew Wood and Ren Klyce – Star Wars: The Last Jedi

Best Sound Mixing

  1. Ron Bartlett, Dough Hemphill, and Marc Ruth – Blade Runner 2049
  2. Mark Weingarten, Gregg Landaker, and Gary A. Rizzo – Dunkirk
  3. Julian Slater, Tim Cavagin, and Mary H. Ellis – Baby Driver
  4. Christian Cooke, Brad Zoern, and Glen Gauthier – The Shape of Water
  5. David Parker, Michael Semanick, Ren Klyce, and Stuart Wilson – Star Wars: The Last Jedi

Complete Ranking of Films Seen from 2017

1. Blade Runner 2049
2. The Big Sick
3. The Shape of Water
4. Get Out
5. Three Billboards outside Ebbing, Missouri
6. Good Time
7. The Disaster Artist
8. Call Me by Your Name
9. Wind River
10. Dunkirk
11. I don’t feel at home in this world anymore.
12. Lady Bird
13. Lady Macbeth
14. The Work
15. Darkest Hour
16. Phantom Thread
17. I, Tonya
18. Molly’s Game
19. The Beguiled
20. I, Daniel Blake
21. Dealt
22. Baby Driver
23. The Girl with All the Gifts
24. The Meyerowitz Stories
25. The Post
26. Spielberg
27. Burning Sands
28. All the Money in the World
29. Berlin Syndrome
30. To the Bone
31. Brawl in Cell Block 99
32. Logan
33. Star Wars Episode VII: The Last Jedi
34. Nobody Speak: Trials of the Free Press
35. Guardians of the Galaxy Vol. 2
36. The Hero
37. The Florida Project
38. Unrest
39. Score: A Film Music Documentary
40. Roman J. Israel, Esq.
41. Beauty and the Beast
42. Oklahoma City
43. Split
44. Fifty Shades Darker
45. The Little Hours

Review: My Oscars Ballot and Countdown (2016)

For the fifth consecutive year, my annual “Countdown to the Oscars” has concluded. And, the Oscars are TONIGHT! In preparation for tonight’s ceremony, I have provided below my personal Oscars ballot—it includes my ranking of each nominee in the eleven categories in which I have seen each nominated film/performance. I have also included my final list of the Top 10 Films of 2016.

Check out my ballot, revisit my reviews of the year’s best films, and make sure to tune into the 89th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theatre in Hollywood, CA. Enjoy, film fans!

89th Academy Awards Nominations (My Ballot)

Best Picture

  1. Manchester by the Sea
  2. Hell or High Water
  3. Arrival
  4. Moonlight
  5. Lion
  6. La La Land
  7. Fences
  8. Hidden Figures
  9. Hacksaw Ridge

Best Actor

  1. Casey Affleck (Manchester by the Sea)
  2. Denzel Washington (Fences)
  3. Viggo Mortensen (Captain Fantastic)
  4. Ryan Gosling (La La Land)
  5. Andrew Garfield (Hacksaw Ridge)

Best Actress

  1. Natalie Portman (Jackie)
  2. Emma Stone (La La Land)
  3. Isabelle Huppert (Elle)
  4. Ruth Negga (Loving)
  5. Meryl Streep (Florence Foster Jenkins)

Best Supporting Actor

  1. Mahershala Ali (Moonlight)
  2. Jeff Bridges (Hell or High Water)
  3. Lucas Hedges (Manchester by the Sea)
  4. Dev Patel (Lion)
  5. Michael Shannon (Nocturnal Animals)

Best Supporting Actress

  1. Naomie Harris (Moonlight)
  2. Michelle Williams (Manchester by the Sea)
  3. Viola Davis (Fences)
  4. Octavia Spencer (Hidden Figures)
  5. Nicole Kidman (Lion)

Best Director

  1. Damien Chazelle (La La Land)
  2. Kenneth Lonergan (Manchester by the Sea)
  3. Barry Jenkins (Moonlight)
  4. Denis Villeneuve (Arrival)
  5. Mel Gibson (Hacksaw Ridge)

Best Original Screenplay

  1. Manchester by the Sea (Kenneth Lonergan)
  2. Hell or High Water (Taylor Sheridan)
  3. La La Land (Damien Chazelle)
  4. 20th Century Women (Mike Mills)
  5. The Lobster (Yorgos Lanthimos and Efthimis Filippou)

Best Adapted Screenplay

  1. Moonlight (Barry Jenkins and Tarell Alvin McCraney)
  2. Fences (August Wilson)
  3. Arrival (Eric Heisserer)
  4. Lion (Luke Davies)
  5. Hidden Figures (Allison Schroeder and Theodore Melfi)

Best Original Score

  1. La La Land (Justin Hurwitz)
  2. Lion (Dustin O’Halloran and Hauschka)
  3. Moonlight (Nicholas Britell)
  4. Jackie (Mica Levi)
  5. Passengers (Thomas Newman)

Best Cinematography

  1. Arrival (Bradford Young)
  2. La La Land (Linus Sandgren)
  3. Moonlight (James Laxton)
  4. Lion (Greig Fraser)
  5. Silence (Rodrigo Prieto)

Best Film Editing

  1. La La Land (Tom Cross)
  2. Arrival (Joe Walker)
  3. Hell or High Water (Jake Roberts)
  4. Moonlight (Nat Sanders and Joi McMillon)
  5. Hacksaw Ridge (John Gilbert)

Top 10 Films of the Year:

  1. Manchester by the Sea
  2. Hell or High Water
  3. Arrival
  4. Moonlight
  5. Lion
  6. O.J.: Made in America
  7. La La Land
  8. Fences
  9. Zootopia
  10. Nocturnal Animals

 

Full List of Films I Saw from 2016: Ranked from 1 – 53

1 Manchester by the Sea
2 Hell or High Water
3 Arrival
4 Moonlight
5 Lion
6 O.J.: Made in America
7 La La Land
8 Fences
9 Zootopia
10 Nocturnal Animals
11 13th
12 Gleason
13 Hidden Figures
14 Hacksaw Ridge
15 Green Room
16 Captain Fantastic
17 Don’t Breathe
18 Rogue One: A Star Wars Story
19 Sully
20 Jackie
21 Weiner
22 20th Century Women
23 Morris from America
24 Finding Dory
25 Hands of Stone
26 Popstar: Never Stop Never Stopping
27 Elle
28 The Birth of a Nation
29 Tickled
30 The Program
31 Silence
32 The Witch
33 Amanda Knox
34 Loving
35 The Shallows
36 Bad Moms
37 Florence Foster Jenkins
38 Allied
39 Keanu
40 Office Christmas Party
41 Nerve
42 The Lobster
43 Passengers
44 The Brothers Grimsby
45 The Neon Demon
46 Sausage Party
47 Me Before You
48 The Girl on the Train
49 Suicide Squad
50 The Secret Life of Pets
51 Moonwalkers
52 The Choice
53 The Divergent Series: Allegiant

Top 10 Films of 2016, No. 1 – Manchester by the Sea

Manchester by the Sea is a drama written and directed by Kenneth Lonergan. The film tells the story of Lee Chandler (Casey Affleck). Following the sudden and unexpected death of Lee’s older brother Joe (Kyle Chandler), Lee becomes the legal guardian of Patrick, Joe’s son. The story then follows Lee back to his hometown of Manchester-by-the-Sea, Massachusetts, as he must deal with his new role while balancing issues with his ex-wife Randi (Michelle Williams) and the North Shore community.

In every single way, Manchester by the Sea is an absolutely and unequivocally perfect movie—and it all starts with its visionary filmmaker, writer/director Kenneth Lonergan. As I wrote when I briefly previewed the film on the Honorable Mentions post of my Fall Preview last August, until Manchester by the Sea, I was completely unfamiliar with Lonergan as a director. However, I did have some understanding of Lonergan as a screenwriter, as he was previously nominated for Best Original Screenplay for penning the dramatically intense and entertainingly sharp script for Martin Scorsese’s Gangs of New York (2002). It was this fact that originally piqued my interest in the film. man8Although Gangs of New York was stunningly imaginative in its storytelling, it is in Manchester by the Sea that Lonergan has penned his magnum opus. I will not sugarcoat anything, though—this story is sad, distressing, and emotionally heart-wrenching, and it had me crying throughout. However, Lonergan spectacularly mixes in the perfect dose of humor. In Manchester by the Sea, Lonergan has crafted one of the most comedic melodramas known to cinema—although that sounds like a textbook oxymoron, Lonergan embraces the contradiction and defies all traditional notions of screenwriting principles.

Lonergan’s storytelling techniques in Manchester by the Sea are nothing short of incredibly effective and manifestly felicitous.man5 The story is simple: Lee, a dejected handyman living in a basement apartment in Boston, must return to his hometown following his brother Joe’s death, where he learns that Joe has chosen him to be the legal guardian of Patrick, Joe’s teenage son. We quickly learn that Lee is angst-ridden with the return to his hometown, and Lonergan brilliantly refuses to give the audience any quick answers as to why Lee is so particularly apprehensive about coming back—all that we know is that Lee lives a despondent life due to some family tragedy. Over the course of the film, Lonergan slowly unveils the heartrending truth behind Lee’s downward spiral, impeccably utilizing flashbacks to tell that story. To say anything more about the plot would give away far too much—but I assure you, the truth is more painful than you can imagine, and Lonergan tugs at the audience’s heartstrings relentlessly.

In order for Lonergan to most effectively tell his story, he assembled a cast of performers who far exceeded any expectations I could ever have had. In the lead role, Casey Affleck is superlative as Lee. man4In the present, Lee is as miserable and melancholy as one could be, but in the flashbacks, he is an upbeat and enthusiastic family man. Lee is truly a tale of two men, and Affleck is better than ever in this divergent portrayal. I have always been a fan of Affleck’s work, especially in Gone Baby Gone and The Assassination of Jesse James by the Coward Robert Ford, the latter of which earned him his first Oscar nomination, but in Manchester by the Sea, Affleck has cemented himself as one of the elites. He is quite deserving of the Oscar he will surely win for Best Actor.

Michelle Williams is also nominated for an Academy Award (in the Best Supporting Actress category), and her performance as Lee’s ex-wife Randi was emotionally driven and vital to the story. Although her screen time comes at a premium, Williams, who has previously been nominated for two Oscars, brings an emotionally packed punch to every scene she is in.

MBTS_3869.CR2

One of the single greatest scenes in the film, which truly captures the pain and sorrow of its plotline, depicts Lee and Randi unintentionally encountering one another in town. Again, to speak about the scene in any more detail would reveal far too much about the story, but trust me when I say that it makes for the textbook tear-jerker. Both actors bring a keen sense of virtuosity to the scene, and it stands out as one of the biggest highlights of the film.

Further, the film features exquisite supporting performances from Kyle Chandler and star-in-the-making Lucas Hedges. Chandler is a seasoned film veteran, and as Lee’s brother Joe, he is superb—each flashback scene benefits greatly from his presence and acting prowess. But Lucas Hedges nearly steals the show as Patrick, Joe’s teenage son. Patrick tries to hide his emotions about his father’s death by focusing on hockey, his rock band, and his two (yes, two) girlfriends. 636149906567091653-mbts-1236-rHedges brings a refreshing sense of innocence to his character, but he does so with spectacular deftness, as if his filmography was busting at the seams with experience. His apt for acting is particularly elucidating in scenes where Patrick is at his most vulnerable—when he finally comes to grips with father’s death, the moment hits you like a ton of bricks, all thanks to Hedges’s passionate commitment to the role. This kid is sure to do big things in the years to come. Manchester by the Sea is rated R for language throughout and some sexual content.

Manchester by the Sea trailer: https://www.youtube.com/watch?v=gsVoD0pTge0

Academy Award nominations for Manchester by the Sea:

Best Picture (Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, and Kevin J. Walsh)

Best Director (Kenneth Lonergan)

Best Actor in a Leading Role (Casey Affleck)

Best Actor in a Supporting Role (Lucas Hedges)

Best Actress in a Supporting Role (Michelle Williams)

Best Original Screenplay (Kenneth Lonergan)

Previous movies on the countdown of my Top 10 Films of 2016:

  1. Hell or High Water
  2. Arrival
  3. Moonlight
  4. Lion
  5. O.J.: Made in America
  6. La La Land
  7. Fences
  8. Zootopia
  9. Nocturnal Animals