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Top 15 Films of the Year, No. 9 – Beasts of the Southern Wild

Beasts of the Southern Wild is a film directed by Benh Zeitlin, with a screenplay written by Zeitlin and Lucy Alibar.  The story follows 6-year-old Hushpuppy (Quvenzhané Wallis), a young girl living with her father Wink (Dwight Henry) in an area of southern Louisiana below the levee known as “The Bathtub.”  A fierce storm is making its way towards the Bathtub, and the reality that Hushpuppy thought she knew is shifted upside down in an abrupt rage.  The storm leaves her house under water, and Hushpuppy must learn to survive while also taking care of her father who becomes gravely ill.  With the help of the tight-knit Bathtub citizens, coupled with her keen sense of imagination, Hushpuppy fights to conquer these catastrophes.

Beasts of the Southern Wild is by far one of the best films released this past year.  It is fantastical, creative, and enjoyable in every sense of the word.  Part of my fascination and appreciation for this movie is the fact that no one associated with this project is anyone I have ever heard of before.  Remarkably, this is Zeitlin’s very first feature film, having only created short films in his days as a filmmaker.  The screenplay he and Alibar wrote was also adapted from a one-act play (Juicy and Delicious) originally written by Alibar herself.

Aside from the little-known director and writer, some absolutely awe-inspiring acting performances are showcased in this film, and the two lead actors were complete amateurs entering the production of this movie.  In fact, Dwight Henry was simply a local business owner in New Orleans, and after developing a relationship with Zeitlin and the other members of his film crew prior to production of the movie, he was offered the role due to his own emotional experiences during Hurricane Katrina in 2005.  Before viewing the film, I had no knowledge Henry’s pure lack of acting experience, and quite frankly, he fooled us all.  The passion and power he brings to the role of Wink is done in a way that only veteran actors could do—but here stands Henry, someone who had never acted before, giving viewers an enthusiastically exquisite portrayal of a man that has fallen on hard times of epic proportions.

The most breathtaking performance in the film, however, is that of Quvenzhané Wallis.  Wallis, now nine years old, was only six when the movie was filmed.  That fact alone makes her brilliantly astonishing portrayal of Hushpuppy even more impressive.  In the film, Hushpuppy is driven by her creative imagination and her fascination with animals, and Wallis’ emotional depiction makes you think it is truly Quvenzhané on the screen in these disastrous circumstances and not Hushpuppy.  Her interpretation of this character has not gone unnoticed—she has been nominated for many significant awards, including Best Actress in a Leading Role at the Academy Awards.  After seeing this film, Wallis’ nomination is more than justified.  Beasts of the Southern Wild is rated PG-13 for thematic material including child imperilment, some disturbing images, language, and brief sensuality.

Academy Award nominations for Beasts of the Southern Wild:

Best Picture (Dan Janvey, Josh Penn, and Michael Gottwald, Producers)

Actress in a Leading Role (Quvenzhané Wallis)

Directing (Benh Zeitlin)

Best Adapted Screenplay (Lucy Alibar and Benh Zeitlin)

Previous movies on the countdown of the Top 15 Films of the Year:

10. Looper

11. The Perks of Being a Wallflower

12. The Dark Knight Rises

13. Flight

14. The Master

15. Argo

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Top 15 Films of the Year, No. 10 – Looper

Looper is a film written and directed by Rian Johnson.  The movie is set in Kansas City during the year 2044, thirty years before time travel is invented.  Time travel is illegal in the future, and it is only used by the mob on the black market.  When the mafia wants someone killed, they send that person back thirty years where trained assassins, called “loopers,” kill them.  The story follows Joe (Joseph Gordon-Levitt), a looper who encounters his own self when the older version of himself (Bruce Willis) is sent back from the future to be assassinated.  When a looper comes across their older self, an event known as “closing the loop,” they must kill the older version of themselves or face death by the mob.  When Joe’s older self gets away, a series of wild, electrifying events take place.  Ultimately, the deeper reason for the elder Joe’s return is revealed and the fate of human existence consequently hangs in the balance.

Looper is clearly one of the year’s most confusing films; however, in this case, confusing does not necessarily equal an immediate dislike for the movie.  In fact, Looper was one of my personal favorites released in 2012, and I rushed to buy it on Blu-ray the day it came out.  Rian Johnson (Brick, The Brothers Bloom) creates a landscape in both the past and future that resembles the darkest of dystopian societies, and his use of short, expeditious scenes plays perfectly along with this theme.  If you are a fan of sci-fi thrillers, you will definitely want to check this one out—it is essentially a mix between The Terminator (1984) and Minority Report (2002).

Since Looper was released in September, it has garnered significant critical acclaim, and it was featured on a variety of important lists of top films of the year.  With that being said, it has not been nominated for any major movie awards.  The only noteworthy nomination is for Best Original Screenplay at the Writers Guild Awards.  Even without any momentous award nominations, I still view Looper as one of the best movies of 2012.

One strong point of the film that critics across the nation have praised is the cast.  Gordon-Levitt (500 Days of Summer, Premium Rush) plays young Joe and Bruce Willis (Pulp Fiction, Die Hard) plays the elder Joe, and the two bear a striking resemblance in the film—this is because makeup artist Kazuhiro Tsuji created various prosthetics for Gordon-Levitt to wear to resemble Willis’ facial features.  In the diner scene when both versions of Joe are sitting across a table from each other, it is blatantly visible how alike they truly look.  Not only does Gordon-Levitt mimic Willis’ physical features, he also engages in the action scenes of the film in the same nature as Willis has been doing for his entire career in movies like the Die Hard and The Expendables franchises.

Solid supporting performances are given by Emily Blunt (The Devil Wears Prada, The Young Victoria) as Sara, the farmhouse owner that young Joe seeks refuge at while hiding from the mafia, and Jeff Daniels (Dumb and Dumber, The Newsroom) as Abe, the guy the mob sent back to the past to manage the loopers.  The breakout performance, however, is from Pierce Gagnon as he portrays Sara’s son Cid, a young, innocent-looking boy who ends up being more than meets the eye.  Looper is rated R for strong violence, language, some sexuality/nudity, and drug content.

Academy Award nominations for Looper:

NONE

Previous movies on the countdown of the Top 15 Films of the Year:

11. The Perks of Being a Wallflower

12. The Dark Knight Rises

13. Flight

14. The Master

15. Argo

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Best Cinematography & Best Film Editing

The Oscar for Best Cinematography is awarded to a particular film for the finest artistic and technical decisions in regards to the creation of the moving images on the screen.  The award is presented to the Director of Photography (Cinematographer) from the film.  The following is my Oscars ballot for this category, Best Cinematography:

WINNER: Skyfall (Roger Deakins)

2. Life of Pi (Claudio Miranda)

3. Anna Karenina (Seamus McGarvey)

4. Django Unchained (Robert Richardson)

5. Lincoln (Janusz Kaminski)

 

The Oscar for Best Film Editing is awarded to a particular film for the finest post-production digital editing.  The award is given to the film’s principal editor.  The following is my Oscars ballot for this category, Best Film Editing:

WINNER: Zero Dark Thirty (Dylan Tichenor and William Goldenberg)

2. Life of Pi (Tim Squyres)

3. Silver Linings Playbook (Jay Cassidy and Crispin Struthers)

4. Argo (William Goldenberg)

5. Lincoln (Michael Kahn)

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Top 15 Films of the Year, No. 11 – The Perks of Being a Wallflower

The Perks of Being a Wallflower is a film directed and written by Stephen Chbosky.  The movie follows Charlie Kelmeckis, a young teenager entering his freshman year in high school in a suburb of Pittsburgh, PA.  Charlie enters high school as a troubled and introverted kid, struggling to find anyone to become friends with.  He ultimately meets two seniors, Sam (Emma Watson) and Patrick (Ezra Miller), and they quickly bond into an inseparable trio of best friends.  Throughout the rest of the school year, Charlie engages in many of the common events associated with adolescent years, such as partying and finding his first love, but deep, dark secrets of Charlie’s past continue pulsating through his veins and attempt to lead him down a disastrous path.

This movie, as stated above, was directed and written by Stephen Chbosky.  The novel of the same name that Chbosky adapted for this screenplay was actually a book that he himself wrote in 1999.  Even though Chbosky has written screenplays before, most notably the 2005 film Rent, this was his first attempt at directing a feature film.

After viewing the film, I was impressed with so many aspects of the production.  For starters, I thought it was a near-flawless screenplay with the perfect combination of drama and comedy, mixed with some quirky, witty dialogue.  Considering Chbosky adapted his own book, which had already been described as a modern cult classic, I was expecting his screenplay to receive some award considerations.  His screenplay has been nominated for a few different awards, including Best Adapted Screenplay at the Writers Guild Awards, but I believe his work is most definitely worthy of higher praise.

Chbosky also brought together a very young, but seasoned cast to portray the roles of his multifarious characters.  Logan Lerman (3:10 to Yuma, Percy Jackson & the Olympians: The Lightning Thief) plays the role of Charlie, and on the screen, an unmistakably shaken teenager is illustrated, and this is almost entirely due to the skillful performance of Lerman.  Emma Watson takes on her biggest role since the Harry Potter franchise officially ended in 2011, and it is easy to determine from her performance in this film that she is not a one-dimensional actress—she indubitably has a bright career ahead of her in the film industry outside of Hogwarts.  Lastly, Ezra Miller (City Island, We Need to Talk About Kevin) gives an invigorating performance as Patrick.  Aside from Charlie, Patrick is one of the most complex characters of the entire film, and Miller delineates the character consummately as a kid trying to suppress the emotional, melodramatic issues in his life by providing humor to everyone around him.  The Perks of Being a Wallflower is rated PG-13 for mature thematic material, drug and alcohol use, sexual content including references, and a fight – all involving teens.

Academy Award nominated for The Perks of Being a Wallflower:

NONE

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Best Sound Editing & Best Sound Mixing

The Oscar for Best Sound Editing is awarded each year to a particular film possessing the most fine and aesthetic sound editing or sound design.  The award is generally given to the film’s Supervising Sound Editors.  The following is my Oscars ballot for this category, Best Sound Editing:

WINNER: Skyfall (Per Hallberg and Karen Baker Landers)

2. Django Unchained (Wylie Stateman)

3. Zero Dark Thirty (Paul N.J. Ottosson)

4. Life of Pi (Eugene Gearty and Philip Stockton)

5. Argo (Erik Aadahl and Ethan Van der Ryn)

The Oscar for Best Sound Mixing is awarded to a particular film featuring the finest and most melodious sound mixing and recording.  The award is usually presented to the film’s production sound mixers and re-recording mixers.  The following is my Oscars ballot for this category, Best Sound Mixing:

WINNER: Skyfall (Scott Millan, Greg P. Russell, and Stuart Wilson)

2. Les Misérables (Andy Nelson, Mark Paterson, and Simon Hayes)

3. Life of Pi (Ron Bartlett, D.M. Hemphill, and Drew Kunin)

4. Argo (John Reitz, Gregg Rudloff, and Jose Antonio Garcia)

5. Lincoln (Andy Nelson, Gary Rydstrom, and Ronald Judkins)

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Best Actor in a Supporting Role

Like the Best Supporting Actress nominees, each of the Best Supporting Actor nominees has previously been nominated for at least one Academy Award.  One of the characteristics that sticks out among these nominees, though—these men have already accumulated a combined six Oscar wins and sixteen nominations prior to this year’s ceremony; moreover, each of these nominees has at least one Academy Award victory!  This is definitely an assemblage of actors with well-established careers in the film industry, and even though the lead actors usually get all of the hype, it is the supporting roles that steal the show this year.  The following is my Oscars ballot for this category, Best Actor in a Supporting Role:

WINNER: Christoph Waltz (Django Unchained)

In Django Unchained, Christoph Waltz portrays Dr. King Schultz, a German-born bounty hunter that purchases a slave, Django (Jamie Foxx), to assist him as he hunts down white slave-owners all across the South.  Ultimately, Dr. Schultz and Django go off seeking Calvin Candie (Leonardo DiCaprio), a slave-owner that took Django’s wife Broomhilda (Kerry Washington).  Just as he did in 2009, Christoph Waltz turns in an absolutely spectacular performance in his second Tarantino-directed production.  I have seen Waltz in a couple other American movies, and he truly does a great job; however, it seems Quentin Tarantino always gets the absolute best out of him for his movies.  I believe it has to do with the dialogue Tarantino creates for Waltz’s characters.  Just as in Inglourious Basterds, the character Waltz plays is exemplified by his specific diction and unwavering wit, along with a calm determination to always get what he seeks.  The opening scene of Django Unchained, just as in the opening scene of Inglourious Basterds, is enough to rationalize awarding Christoph Waltz with this great honor of Best Supporting Actor.  Waltz was previously nominated and won Best Supporting Actor for his role in Inglourious Basterds (2009).

2. Philip Seymour Hoffman (The Master)

In The Master, Philip Seymour Hoffman plays Lancaster Dodd, the leader of a religious cult known as “The Cause.”  Even though director Paul Thomas Anderson has not come right out and said it, it is highly inferred that Hoffman’s character is based off of L. Ron Hubbard, the founder of Scientology; moreover, as the film plays out, “The Cause” begins to greatly resemble Scientology.  In the movie, Dodd and his wife Peggy (Amy Adams) take in Freddie Quell (Joaquin Phoenix), and Lancaster attempts to make Freddie a believer and promoter of the philosophical movement.  Hoffman’s character seems to be calm and inquisitive in an almost calculated manner, and this behavior lends to the dark mystique surrounding Lancaster Dodd.  This film includes critically acclaimed showings from each of the three main characters, but Hoffman still finds a way to stand out in his own way.  Philip Seymour Hoffman was previously nominated for three Academy Awards, winning Best Actor for his role in Capote (2005).

3. Tommy Lee Jones (Lincoln)

In Lincoln, Tommy Lee Jones acts as Thaddeus Stevens, the real-life Republican Congressional leader and fanatical abolitionist.  Historically, Representative Stevens was one of the most influential figures in the Reconstruction Era.  He fought for the rights of all people in the United States, but his significant efforts towards abolishing slavery engulfed much of his political focus.  From the moment Jones appears on the screen, you are mesmerized by the passion and vivacity in his voice as he pushes President Lincoln to free the slaves, end the war, and unite the nation as one.  In a film that features Daniel Day-Lewis giving a superb performance as Abraham Lincoln, Jones holds his own and rightfully deserves this nomination.  Tommy Lee Jones was previously nominated for three Academy Awards, winning Best Supporting Actor for his role in The Fugitive (1993).

4. Robert De Niro (Silver Linings Playbook)

In Silver Linings Playbook, Robert De Niro plays Pat Solitano, Sr., the father of the lead character, Pat, Jr. (Bradley Cooper).  When Pat Jr. returns home, he learns that his father has lost his job and is bookmaking in a desperate attempt to make some money with aspirations of starting a restaurant.  Pat Sr. suffers from OCD, and De Niro plays this disorder flawlessly, illustrating his character’s wild and crazy superstitions based around the Philadelphia Eagles football team.  In one of the year’s biggest films featuring bright performances from young stars like Bradley Cooper and Jennifer Lawrence, the veteran De Niro shows it does not take a serious, dramatic role for him to bring out the best in himself on the screen.  De Niro was previously nominated for six Academy Awards, winning Best Supporting Actor for his role in The Godfather Part II (1974) and Best Actor for his role in Raging Bull (1980).

5. Alan Arkin (Argo)

In Argo, Alan Arkin portrays Lester Siegel, a film producer during the late 1970s.  Siegel, along with John Chambers (John Goodman) and CIA Operative Tony Mendez (Ben Affleck), sets up a fake movie studio, creates full storyboards for the film and publicizes those plans, and makes the fictional film “Argo” seem like a full-fledged feature to help establish a credible story so that the covert operation to rescue six Americans stranded in Iran can be achieved successfully.  Even though Arkin gives a grand, witty performance in the film, I was surprised he received an Oscar nod because the character in my opinion lacked substance.  Alan Arkin was previously nominated for three Academy Awards, winning Best Supporting Actor for his role in Little Miss Sunshine (2006).

Actors snubbed in this category: Leonardo DiCaprio (Django Unchained) and Samuel L. Jackson (Django Unchained)