This year, one of nine nominated films will be inducted into an exclusive society of movies when it receives the Academy’s greatest honor, the Oscar for Best Picture. Some of the films that this year’s winner will be joining include Casablanca, On the Waterfront, Rocky, Schindler’s List, The Departed, Argo, and many more; needless to say, this year’s Best Picture winner will be joining an elite collection of the world’s greatest films of all time. The following is my Oscars ballot for this category, Best Picture:
This year, there is a broad range of Oscars experience within the group of directors nominated in this category. Two directors have been previously nominated twice each for Best Director, while two others are receiving their first nomination in this category. The last one is Martin Scorsese—the veteran filmmaker has been previously nominated seven times! The following is my Oscars ballot for this category, Best Director:
WINNER: Steve McQueen (12 Years A Slave)
In 12 Years A Slave, Steve McQueen has created one of the greatest films of all time. He is an absolute master of his craft, and after critically acclaimed directorial efforts in Hunger (2008) and Shame (2011), he has returned with a true tour de force. The 44-year-old British director has taken a brutally pragmatic perspective on a true story set in one of the harshest periods of American history, but his effort is commendable and exceptional. Even though at times this movie is difficult to watch, given the ruthless behavior by many of the slave-owners, it is honest and emotionally impacting, and McQueen has created one of the more important films of our generation. Steve McQueen has never previously been nominated for Best Director.
2. Martin Scorsese (The Wolf of Wall Street)
To put in straightforwardly, I will watch anything Martin Scorsese makes. I have been a fan of his work for as many years as I have been passionately watching movies, and The Wolf of Wall Street ranks right up with the greatest titles on his distinguished filmography. One of my favorite Scorsese flicks is Goodfellas (1990), and The Wolf of Wall Street shares so many brilliant characteristics with that classic film. Here, the 71-year-old director packs in more sex, drugs, and crime than any 3-hour film could possibly hold, but somehow, it works. I credit this to the wealth of veteran experience Scorsese has in this business. Although I am not quite prepared to put The Wolf of Wall Street above the likes of Goodfellas or The Departed (2006), Scorsese has nonetheless created another cinematic masterpiece. Martin Scorsese has been previously nominated for Best Director seven times, winning his only Oscar in this category for 2006’s The Departed.
3. David O. Russell (American Hustle)
Just one year after directing Silver Linings Playbook, my favorite film of 2012, David O. Russell is back with another fantastic movie in American Hustle. This is Russell’s third trip to the Oscars in the past four years, and this says a lot about where he is as a filmmaker. He is one of the most renowned directors in the business, and he is rapidly becoming one of my favorite filmmakers. Even though American Hustle is a magnificent film, I still think The Fighter (2010) and Silver Linings Playbook (2012) were better movies overall; however, this is not a negative reflection on David O. Russell because it shows how dominant his work has been in recent memory. David O. Russell was previously nominated for Best Director for both The Fighter and Silver Linings Playbook.
4. Alexander Payne (Nebraska)
Similarly to David O. Russell, Alexander Payne is becoming a director that I very much enjoy. I have only seen two of his films, Election (1999) and The Descendants (2011), but they are each two of my favorites. I was beyond pleased with Nebraska when I saw it in theaters, and even though it seems quite different than his other films, it is stimulating in many distinctive ways. Although it does not appear Payne will come close to winning the Oscar this year, he has still made a movie that I will enjoy watching over and over again in the future. Alexander Payne was previously nominated for Best Director for his work on Sideways (2004) and The Descendants (2011).
5. Alfonso Cuarón (Gravity)
I will try not to waste much precious space discussing Alfonso Cuarón’s Gravity. How on earth it has received so many Oscar nominations and award wins this season will continue to baffle me until the day I die. Maybe the voters are smitten with the film in the way they were with Avatar (2009), but I do not believe a film should garner this much critical respect just because it “looks good.” Both the acting and the plot are non-existent, and even though Cuarón has made a beautiful-looking movie, it is nothing more than a façade for a TERRIBLE work of cinema. Cuarón has never previously been nominated for an Oscar.
This year, the Best Actress category features a group of fantastic performers with a combined 33 previous Oscar nominations. On the contrary, this group of Best Actor nominees features five well-known actors that have not been so abundantly recognized by the Academy. Between the five, there is only one Oscar win on a combined five nominations. The following is my Oscars ballot for this category, Best Actor:
WINNER: Matthew McConaughey (Dallas Buyers Club)
In Dallas Buyers Club, Matthew McConaughey plays the real-life Ron Woodruff, an overtly homophobic man from Texas that begins smuggling life-saving drugs into the United States after he is shockingly diagnosed with AIDS. As many of you already know, McConaughey is receiving a wide range of attention for his role in Dallas Buyers Club, partly because of the physical transformation that took place—the 44-year-old actor dropped a staggering 47 pounds. Even though this weight loss makes McConaughey closely resemble an AIDS patient from the late 1980s, it is his impeccable acting in this film that warrants his place at the top of my list. Given his Texas roots, he always plays the Texan role with ease, but in this film, he takes on a part that is not your typical Southern gentleman. The performance he gives is bold, empowering, and utterly heart-wrenching, and in a year where he had critically-recognized performances in Mud and The Wolf of Wall Street, he stands alone at the top of the acting world thanks to an amazing portrayal of a man on the brink of death. Matthew McConaughey has never previously been nominated for an Academy Award.
2. Chiwetel Ejiofor (12 Years A Slave)
In 12 Years A Slave, Chiwetel Ejiofor plays the real-life Solomon Northup, a renowned Northern-born violinist that is abducted and sold into slavery during the pre-Civil War era. The story of Solomon Northup is incredibly heartbreaking, but Ejiofor gives the tragic story the justice it most definitely deserves. With every passing moment throughout the film, the tale seems to get worse and worse for the distinguished Solomon Northup, and in every single scene, Ejiofor gives his heart and soul to the character, evoking a wealth of emotions in the minds of each viewer. If it were not for a career-defining performance from McConaughey, Ejiofor would be far and away above the rest of the acting performances this year, and 12 Years A Slave is forever indebted to this awe-inspiring portrayal by Ejiofor of the resilient Solomon Northup. Chiwetel Ejiofor has never previously been nominated for an Academy Award.
3. Leonardo DiCaprio (The Wolf of Wall Street)
In The Wolf of Wall Street, Leonard DiCaprio portrays the real-life Jordan Belfort, a greedy stockbroker who took Wall Street by storm in the late 1980s through sex, drugs, and securities fraud. This film was definitely one of the most wild and crazy movie experiences of 2013, and the way in which DiCaprio engrossed himself so deeply into this despicable role is absolutely incredible. A year after staring in Django Unchained, Leo has again taken on a character with a serious lacking for any moral integrity, and once again, the results were certainly extraordinary. Even though I think this is one of his most thorough and well-crafted acting performances of his dignified career, I do not believe it is enough to outshine both McConaughey and Ejiofor. DiCaprio has previously been nominated for three acting Oscars, the most recent nomination being for Best Actor for his role in Blood Diamond (2007).
4. Christian Bale (American Hustle)
In American Hustle, Christian Bale plays Irving Rosenfeld, an intelligent con artist who is forced into working alongside the FBI to take down a group of corrupt politicians. Christian Bale has a long history of outstanding performances, and this role can be added to his long list of acclaimed portrayals. It would be easy to talk about the incredible acting abilities Bale elicits on the screen in American Hustle, but one thing not receiving as much attention is his very own physical transformation for the part. Similar to McConaughey in Dallas Buyers Club, Bale has lost a significant amount of weight for a role twice in the past: he lost over 60 pounds for his role in The Machinist (2004) and lost a substantial amount of weight for The Fighter (2010). However, in American Hustle, Bale went backwards, gaining 50 pounds for his role as Irving. This transformation was unbelievable, leaving Bale nearly unrecognizable for the duration of the film. Christian Bale was previously nominated and won Best Supporting Actor for his role in The Fighter (2010).
5. Bruce Dern (Nebraska)
In Nebraska, Bruce Dern plays Woody Grant, an old man who, after receiving a certificate in the mail saying he has won $1 million, embarks on a trip with his son from Montana to Nebraska to claim the prize. Bruce Dern’s portrayal of Woody is one of the highlights from Alexander Payne’s most recent film, and I could not imagine any other old actor playing this role. Dern utilizes his sprawling acting talents, made up from over fifty years of film experience, to take this character on in a manner that is more than award-worthy. Woody is a simple man, and Dern plays those characteristics to a tee, adding in some hilarious, witty dialogue along the way. In most years, a performance like this would garner a much higher ranking on my list, but this year, Dern is at a disadvantage because of four other unimpeachable performances. Bruce Dern was previously nominated for Best Supporting Actor for his role in Coming Home (1978).
Actresses snubbed in this category: Bradley Cooper (The Place Beyond the Pines), Tom Hanks (Captain Phillips), Hugh Jackman (Prisoners), Michael B. Jordan (Fruitvale Station), Mads Mikkelsen (The Hunt), and Joaquin Phoenix (Her)
This year, like in the Best Adapted Screenplay category, nearly every single writer nominated will be attending the Academy Awards for the first time. Only two writers out of the seven nominated have received Oscar nominations previously: David O. Russell and Woody Allen. The following is my Oscars ballot for this category, Best Original Screenplay:
WINNER: Spike Jonze (Her)
Spike Jonze has created in Her one of the most interesting and mischievously comedic films in his well-established career, and here, the movie truly comes alive because of his inimitable script. It is a science-fiction tale, set in the not-so-distant future, about a man who falls in love with his operating system. The loving relationship between Theodore and Samantha in the film is so incredibly vivid, jumping off the page and into our hearts, despite the fact that we never see Samantha, since she is not a real person. A main character that operates from a purely oral standpoint, lacking any visual component, must be presented with incredibly substantive dialogue in order to work, and Jonze gives Samantha more of a voice than anyone else could ever dream up in his or her mind. This screenplay is the epitome of the term “original” in “original screenplay,” and Jonze is more than deserving of this award this year. Spike Jonze has never previously been nominated in any screenwriting categories at the Academy Awards.
2. Eric Warren Singer and David O. Russell (American Hustle)
A year after penning an Oscar-nominated screenplay in Silver Linings Playbook, David O. Russell has again received an Oscar nod for his script in American Hustle, co-written by Eric Warren Singer. Silver Linings Playbook was my favorite film of 2012, and last year I personally named the script from SLP as the Best Adapted Screenplay. Again, David O. Russell has penned an incredible screenplay, and clearly the collaboration with Singer has proven worthwhile. American Hustle was a thoroughly entertaining movie with more wit than I knew what to do with, but it was this distinct characteristic from most of David O. Russell scripts that shined bright again here. Eric Warren Singer has never previously been nominated for an Academy Award; David O. Russell was previously nominated as a writer for Silver Linings Playbook (2012) in the Best Adapted Screenplay category.
3. Bob Nelson (Nebraska)
The black-and-white Nebraska was pure Alexander Payne at his best, but one of the immaculate moments from the movie was Bob Nelson’s script. Nelson created some memorable characters, some unforgettable scenes, and one incredibly exceptional journey between a father and his son. The dialogue was on point, and it gave each actor plenty of chances to make an impact on the film. I hope to see more from Nelson in the near future because this film proves he is a remarkable talent. Bob Nelson has never previously been nominated for an Academy Award.
4. Woody Allen (Blue Jasmine)
Woody Allen is one of the greatest and most critically recognized screenwriters in the history of motion pictures, and once again a script of his has made its way to cinema’s greatest night—the Oscars. Even though the bulk of Allen’s writing nominations came pre-2005, he still proves that he will always be a force to be reckoned with in the screenwriting world. In Blue Jasmine, Woody Allen created a wide range of wild and wacky characters, but his finest accomplishment in this film is the title character of Jasmine, played by Cate Blanchett. Over the course of nearly forty years, Woody Allen has become synonymous with obsession, and in Jasmine, Allen has created one of the most absolutely neurotic characters modern cinema has ever known. For this alone, Woody Allen is deserving of being back at the Oscars. Woody Allen is the most nominated screenwriter in Academy Awards history; this nomination in the Best Original Screenplay category marks his sixteenth (an Oscars record), and he has previously won on three occasions for Annie Hall (1977), Hannah and Her Sisters (1986), and Midnight in Paris (2011).
5. Craig Borten and Melisa Wallack (Dallas Buyers Club)
Even though the plot in Dallas Buyers Club is based on a true story, Craig Borten and Melisa Wallack have written an original piece about the previously unexplored subject matter of Ron Woodruff and his HIV-positive diagnosis in the mid-1980s. All of the hype surrounding this film has been focused on both Matthew McConaughey and Jared Leto’s marvelously inspirational acting performances, but without an effective script, these portrayals would carry little weight, no pun intended. This wonderfully written script gave both McConaughey and Leto’s characters an encouraging voice, and it is because of this that both Borten and Wallack have been nominated. Craig Borten and Melisa Wallack have never previously been nominated for an Academy Award.
Nebraska is a film directed by Alexander Payne, with a screenplay by Bob Nelson. The film tells the story of Woody Grant (Bruce Dern), an old man from Montana who believes he has won $1 million in a sweepstakes. Even though he does not believe his father has won any money at all, David Grant (Will Forte), Woody’s son, agrees to drive him to Nebraska to collect his winnings. Along the way, the two Grant men encounter a wide range of characters, from greedy family members to a ruthless old friend of Woody’s.
I have only seen two of Alexander Payne’s films, Election (1999) and The Descendents (2011), and I love them both; in Nebraska, Payne has created another film that I can now add to the list of his works that I greatly enjoy. The entire film is shot in black and white, and honestly, I could not see this film working in color. The characters are either tremendously brash or exceptionally bland; thus, the “black and white” style works utterly well. The film is hilariously comedic but only in the subtlest ways, and Payne brings an established reputation to this tempestuous project.
As in many of the films that I rank highly each year, Nebraska thrives on a well-assembled, tremendous-performing cast. The film is led by a wonderfully refreshing performance from one of Hollywood’s greats, Bruce Dern. His character is plainly committed to traveling to Nebraska to collect his winnings, no matter how much his family tries to convince him of it being a hoax, and the innocent, blatantly ordinary man is highlighted on the screen thanks to a triumphant portrayal by Dern. Equally as terrific is Will Forte in his portrayal of Woody’s son David. An actor only known for his long stint on Saturday Night Live and his below-average film career, Forte significantly impacted this film for the better. He uses his comedic background to illuminate his character’s witty dialogue, but it was the dramatic scenes that will stick in my head the most about Forte’s performance.
One of the best performances in the film, though, comes from June Squibb as Kate Grant, Woody’s loud-mouthed, opinionated wife. The veteran Squibb gives an absolutely hilarious performance as Kate, hysterically elucidated in many scenes, including one where she flashes her downstairs mix-up (Old Gregg reference) to the tombstone of one of Woody’s relatives. When, at times, the film seems dry or bland, Squibb’s character quickly comes to the rescue in a blaze of straight-shooting glory.
Aside from Payne’s distinct filmmaking style and each actor’s skilled performances, the film’s hidden gem is the score—if ever a film’s musical composition matched the tone and color of the movie in such a brutally perfect way, it is this one. Nebraska is rated R for some language.
Last year, each of the five women in this category had been previously nominated for at least one Academy Award, combining for a total of eight previous nominations and three Academy Award wins. This year, however, the Best Supporting Actress category is made up of mostly Oscar rookies: Sally Hawkins, Lupita Nyong’o, and June Squibb are each receiving their first Academy Award nomination. The other two nominees, Jennifer Lawrence and Julia Roberts, have combined for five nominations and two Oscar wins. The following is my Oscars ballot for this category, Best Actress in a Supporting Role:
WINNER: Lupita Nyong’o (12 Years A Slave)
In her first feature-length role, Lupita Nyong’o plays Patsey, a young slave in the South. Although she is her master’s most productive slave, she is also the object of his sexual desire and physical abuse. Steve McQueen’s 12 Years A Slave takes an incredibly realistic look at the pre-Civil War era when slavery was prominent throughout the South, and while there are some incredibly powerful acting performances that set the film’s tone, none is more commanding than the 30-year-old Lupita’s. There are times when you smile as Patsey enjoys some simple parts of life, such as making dolls out of cornhusks, but there are also times when you want to break down because of the evils being bestowed upon her by her master (Michael Fassbender) and his wife (Sarah Poulson). The vast array of emotions I felt while watching this film were truly illuminated by Lupita’s remarkable debut performance. Even though Jennifer Lawrence had another amazing acting performance in American Hustle, it is hard for me to pick against Nyong’o this year, and in my opinion, the rookie actress is very much deserving of Hollywood’s highest honor. Nyong’o has never previously been nominated for an Academy Award.
2. Jennifer Lawrence (American Hustle)
In American Hustle, Jennifer Lawrence plays Rosalyn Rosenfeld, the unpredictable wife of the lead character, Irving Rosenfeld (Christian Bale). Irving and his mistress (Amy Adams) are forced by the FBI to help set up a sting operation in order to take down corrupt politicians in New York City, but Irving’s often boozed-up, sun-burnt, stay-at-home wife may threaten the entire job. I will buy into any role Jennifer Lawrence takes on, because no matter what character she might play, she has proven that it will be played with an unparalleled level of wit, enthusiasm, and tenacity, and this performance is no exception. Lawrence is quickly becoming one of the most successful actresses in the entertainment business today, and this nomination marks the third time in the last four years that her roles have landed her at the Oscars; if she wins, she will be only the sixth performer to ever win back-to-back acting Oscars. While her role as Katniss Everdeen in The Hunger Games has helped garner her the title of “America’s Sweetheart,” Oscar-nominated performances like this one are cementing her place among the greatest young actresses in Hollywood. Lawrence was previously nominated for Best Actress on two occasions: nominated for Winter’s Bone (2010) and winning for Silver Linings Playbook (2012).
3. Julia Roberts (August: Osage County)
In August: Osage County, Julia Roberts plays Barbara, the eldest daughter of the Weston family. When Barbara’s father commits suicide, she ventures back home to northeastern Oklahoma to reunite with her two sisters, her aunt and uncle, and her pill-popping mother (Meryl Streep). I have never been a big fan of Julia Roberts, and it has been since her Oscar-winning role in Erin Brockovich that I have been even remotely impressed with her acting abilities. That being said, I was pleasantly surprised with her on-screen display in this film. If it were not for a couple extraordinary performances this year by Nyong’o and Lawrence, Julia Roberts may have found herself taking home her second Academy Award. She is great throughout the entire film, and the highlight for me was her foul-mouthed argument with her mother and sister over a plate of fish. Julia is in rare form in this film, and this performance has definitely reinvigorated my interest in her career. Roberts was previously nominated for Best Supporting Actress for her role in Steel Magnolias (1989). She was also previously nominated for Best Actress on two occasions: nominated for Pretty Woman (1990) and winning for Erin Brockovich (2000).
4. June Squibb (Nebraska)
In Nebraska, June Squibb plays Kate Grant, the blunt, opinionated wife of Woody (Bruce Dern). When Woody decides to journey to Nebraska in hopes of collecting a $1 million prize, Kate unsuccessfully attempts to convince Woody and his son (Will Forte) that it is all a hoax and a waste of time. This is my first encounter with Squibb as an actress, but she previously worked with Nebraska-director Alexander Payne on About Schmidt (2002). I greatly enjoyed the black-and-white film and its simple, yet compelling plot, and one of the movie’s most obvious high points is Squibb’s character. She curses at people and never shies away from arguing with her husband, and the single funniest scene in the film features Kate flashing the tombstone of one of Woody’s dead relatives. The woman is a straight shooter, and I found her character extremely heartwarming and hilarious. Squibb is the third oldest Best Supporting Actress nominee ever, and if she were to win the award, she would be the oldest acting winner of any kind in Oscar history. Squibb has never previously been nominated for an Academy Award.
5. Sally Hawkins (Blue Jasmine)
In Woody Allen’s Blue Jasmine, Sally Hawkins plays Ginger, the sister of the ex-socialite Jasmine (Cate Blanchett). When Jasmine is essentially kicked out of the high-class world, she moves in with Ginger. Woody Allen is the king of creating neurotic characters, and he did so again with Blanchett’s disturbed character, but the best part of the film for me was Sally Hawkins as Ginger. As a lower middle class mother of two, Ginger is struggling to deal with her sister’s erratic behavior and her own on-the-rocks relationship with her boyfriend Chili (Bobby Cannavale), and Hawkins delineates the character on the silver screen with particular brilliance. I was pleased to see Hawkins receive a nomination, but unfortunately, the field is far too packed this year for her to take home a win. Hawkins has never previously been nominated for an Academy Award.
Actresses snubbed in this category: Scarlett Johansson (Her) and Margot Robbie (The Wolf of Wall Street)