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The 92nd Oscars – Best Supporting Actor

In today’s post, I will be analyzing the Best Supporting Actor category for this year’s Academy Awards, the most decorated acting category at this year’s Oscars. (The five nominees combined account for 27 career Academy Award nominations in acting categories.) As I pointed out yesterday, the format for all of these post concerning the acting categories will be (1) a review of each nominee in alphabetical order; (2) a brief discussion of my other favorite performances of the year, including any “snubs”; and (3) a breakdown of who could, should, and will win the Oscar in this category.

So let’s go!

The Nominees

Tom Hanks (A Beautiful Day in the Neighborhood)

A Beautiful Day in the Neighborhood is a biopic inspired by a real-life Esquire article about Fred Rogers (better known as Mr. Rogers) by journalist Tom Junod titled, “Can You Say…Hero?” Although the film takes inspiration from the famous theme song from Mister Rogers’ Neighborhood, Mr. Rogers, played by Tom Hanks, is merely a supporting character. Hanks is obviously one of the greatest actors of his generation, and in this film, he is great in his embodiment of the calm, soft-spoken Mr. Rogers—although not looking physically like Mr. Rogers, Hanks nails the voice and mannerisms. But although I enjoyed his performance, it didn’t feel incredible invigorating for me, especially since Hanks just played Walt Disney in 2013’s Saving Mr. Banks, which this film felt so eerily similar to. I like Tom Hanks, and I really enjoyed him here, but I couldn’t help but think name recognition played a major role in not only this nomination, but also its companions at the Critics’ Choice Awards, SAG Awards, Golden Globes, and BAFTAs.

Anthony Hopkins (The Two Popes)

At first glance, I didn’t think Netflix’s The Two Popes was going to be a movie I’d enjoy, but in the end, I was thoroughly surprised by and taken with its charisma. The film is about Pope Benedict’s shocking decision to resign the papacy (the first to do so in over 700 years) amidst controversy and the unlikely journey of Cardinal Jorge Mario Bergoglio (later Pope Francis) to the Chair of Saint Peter as his successor. The plot is simple, and the film is executed through Sorkin-esque dialogue between the two main characters as they debate and discuss many topics, most importantly their vastly different religious ideologies. Pope Benedict is incredible conservative, while Cardinal Bergoglio (played by Jonathan Pryce, who was nominated for Best Actor) is widely progressive. Both of the actors are exquisite and authentic in their portrayal of these real-life characters on the brink of a major shift for the Catholic Church, and per usual, the legendary Sir Anthony Hopkins is masterful.

Al Pacino (The Irishman)

Martin Scorsese’s The Irishman, an epic 209-minute film, tells the story of Frank “The Irishman” Sheeran (Robert De Niro) who became a hitman for the Bufalino crime family and a close associate of Jimmy Hoffa (Pacino), the leader of the Teamsters. Surprisingly, The Irishman was Pacino’s very first collaboration with Scorsese, and it definitely left me wishing the two worked together more. In his portrayal of Jimmy Hoffa, Pacino returns to his peak acting prowess. Over the years, some believe Pacino has become a caricature of himself, resorting to the loud and boisterous delivery made famous in his Oscar-winning role in A Scent of a Woman far too often. In The Irishman, Pacino taps into those infamous rowdy and ostentatious traits, but he does so in a way that is extraordinarily reinvigorating—it is the Pacino we’ve grown to know, but it never feels like old hat. This is Pacino’s 9th Oscar nomination, but it’s his first since his lone win 27 years ago. As Hoffa, Pacino was back to his best, and I couldn’t be more thrilled to see him back at the Oscars as a nominee.

Joe Pesci (The Irishman)

In The Irishman, Joe Pesci plays Russell Bufalino, a mobster and crime boss of the Bufalino crime family. Pesci came out of an extended retirement to play his role in The Irishman, and some reports indicate he actually turned down the role over 50 times before finally agreeing to do it. We should all count ourselves lucky for his decision to jump in. In this film, Pesci is as we’ve never seen him before, especially in the mob genre. A frequent collaborator of Scorsese, we’ve learned to expect Pesci to embody the smack-talking, loud-mouth, larger-than-life, over-the-top character traits from Scorsese’s Goodfellas and Casino. (And oh, how I love Pesci when he’s in that zone.) But here, Pesci is distinctively restrained, exemplifying a strange sense of calmness. It is this aspect of Pesci’s performance that not only steals the show but also makes the character eerily more sinister than past Pesci characters—the guy plays a caring father figure to De Niro’s character with a great deal of compassion, all the while being someone who can call in a hit like it’s nothing. This will go down as one of Pesci’s greatest performances of all time.

Brad Pitt (Once Upon a Time in Hollywood)

Quentin Tarantino’s newest masterpiece Once Upon a Time in Hollywood is set in Los Angeles in 1969 and tells the story of aging actor Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) as they work to find their place in the industry during the last days of Hollywood’s Golden Age. I am admittedly a huge fan of Tarantino and his work (Inglourious Basterds is my favorite movie of all time), and when I describe my love of Once Upon a Time to people, I tell them that it’s just a movie that was made for me. (Tarantino’s exquisite storytelling set against the backdrop of a glorious era of cinematic and cultural history is a recipe for success.) And from an acting standpoint, DiCaprio and Pitt are an amazing duo and are truly simpatico. And this film marks an outstanding return to the Tarantino set for Pitt, who dazzled in his memorable role as Lt. Aldo Raine in Inglourious Basterds. Here, Tarantino gets the absolute best out of Pitt once more. Cliff Booth is just cool, and Tarantino couldn’t have chosen a better performer to embody that swagger. Highlights for Pitt in this movie include his fight with Bruce Lee, fending off hippies in the Manson cult at Spawn Ranch, and that hilariously unrestrained ending involving Pitt high on an acid-dipped cigarette. In this movie, Brad Pitt is in his element, and oh, what a wonderful element it is.

Snubs and Other Performances

In addition to this year’s nominees, there were a handful of other noteworthy performances this year that easily could have been in contention for the Oscar. First, although The Lighthouse did not necessarily work for me (which was a surprise, as I generally love everything A24 Films puts out), there is no denying that Willem Dafoe’s gruff portrayal of lighthouse keeper Thomas Wake is superbly deranged as one half of the film’s two-man show. Second, Dolemite Is My Name was one of my favorite out-and-out comedies of the year. And not only was it the vehicle for Eddie Murphy’s spectacular R-rated renaissance, but it also provided a humorous return for Wesley Snipes, who portrayed the real-life blaxploitation star D’Urville Martin. Additionally, I really enjoyed The Last Black Man in San Francisco (shout out to A24 again), and although Jimmie Fails was great as the lead, I was most impressed with Jonathan Majors as Jimmie’s sidekick “Mont”—the character is eccentric, artistic, and caring, and Majors was absolutely brilliant in his execution.

One of the single best supporting performances of the year, though, came courtesy of legendary South Korean actor Song Kang-ho in Parasite. Bong Joon-ho’s masterpiece is a darkly comedic exploration of class inequalities, and Song is extraordinary as Kim Ki-taek, the patriarch of a poor Korean family who uses ingenuity and deception to infiltrate the home of the wealthy Park family as employees. The entire acting ensemble in Parasite is collectively magnificent. (In fact, the group won the SAG Award for Outstanding Performance by a Cast in a Motion Picture.) However, Song is definitely the film’s brightest star, and he was thoroughly deserving of an Oscar nomination this year.

Conclusion

Who Could Win: Joe Pesci

Joe Pesci is currently getting odds of +1200 to render an upset in this category, better than any of the other three underdog nominees by quite a bit. (For instance, Al Pacino is next best, but his odds currently sit at +2800.) I don’t anticipate a surprise for Best Supporting Actor, but if the Academy throws us a curveball here, look for Pesci to be the only other nominee with a chance.

Who Should Win: Brad Pitt

I love Tarantino’s characters, and I love the actors and actresses he chooses to portray them. Cliff Booth is a fun and charismatic character, and I wholeheartedly believe no other actor but Brad Pitt could have breathed that energetic life into Booth. Although I thoroughly enjoyed the vintage performances from Pacino and Pesci, I find Once Upon a Time in Hollywood to be a better film than The Irishman. (Pacino and Pesci also cancel each other out a bit in this category.) So Pitt gets the nod here for me.

Who Will Win: Brad Pitt

Just like Laura Dern, Brad Pitt has executed a clean sweep this awards season, taking home this award at the BAFTAs, SAG Awards, Critics’ Choice Awards, and Golden Globes. Currently, Pitt’s odds to win the Oscar are an astounding -3335. So just like Laura Dern, it looks nearly certain that Pitt will be taking home the first Academy Award of his career in an acting category.

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Fall Preview 2015: No. 5 – No. 1

Happy Monday, film fans! The conclusion to my “Fall Preview 2015” is finally here. Over the past few days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2015 list. Enjoy!

No. 5 – Black Mass

Black Mass tells the true story of Whitey Bulger (Johnny Depp), a notorious mobster and infamous leader of the Winter Hill Gang, an Irish-American mob in South Boston. If you have not seen this trailer, quit reading this now and click the link to it below (no, seriously…it’s worth it). Johnny Depp stars as the villainous Bulger, and by the looks of the aforementioned trailer, he knocks this performance out of the park! I will be the first to admit that Depp is by far one of the weirdest tools in the Hollywood shed. In today’s world, his filmography is marred by oddball performances in films like Charlie and the Chocolate Factory, Alice in Wonderland, The Lone Ranger, and Mortdecai. But most forget how truly talented Depp is as an artist, providing iconic performances in Donnie Brasco, Blow, Pirates of the Caribbean, and Public Enemies. I am hopeful that his portrayal of Bulger falls perfectly in line with his more acclaimed displays of acting dexterity—the trailer truly does give me hope!

Other than seeing Johnny Depp own the role of a crazed, harebrained mobster, I am looking forward to Black Mass because I am hopeful that it redeems the deeply complex story of Whitey Bulger’s life that the 2014 documentary Whitey: United States of America v. James J. Bulger so drastically mucked up. I was expecting big things from that documentary, but it merely provided a bore-fest that too blatantly revealed the filmmakers’ lack of access. Beneath the surface, an incredibly captivating story bubbles with deceit, violence, lunacy, and corruption, and I am confident that director Scott Cooper and Depp will bring that to fruition. Black Mass is set for a theatrical release on September 18, 2015.

Director: Scott Cooper (Out of the Furnace, Crazy Heart)

Starring: Johnny Depp (Mortdecai, Into the Woods), Joel Edgerton (The Gift, Life), Benedict Cumberbatch (The Hobbit: The Battle of the Five Armies, The Imitation Game), Dakota Johnson (Fifty Shades of Grey, Need for Speed), and Kevin Bacon (Cop Car, R.I.P.D.)

No. 4 – The Revenant

According to Entertainment Weekly, The Revenant “is inspired by the trust story of Hugh Glass (Leonardo DiCaprio), a 19th-century hunter and fur trapper who was attacked by a bear and left for dead by his comrades (Tom Hardy and Domhnall Gleeson), only to will himself across hundreds of miles of winter terrain to safety—and redemption.” This movie has SO much going for it in my eyes: the cast, the crew, and the director. For starters, it stars Leo DiCaprio, Tom Hardy, and Domhnall Gleeson. Leo is my all-time favorite actor. Hardy is the greatest currently in the business. And with films like About Time and Ex Machina in his relatively small filmography, D-Glee is becoming one of my faves in the industry. Combine the talents of all three of these practiced artists and, in my humble opinion, you have a concoction of star power with unfathomable potential—this alone makes The Revenant a massive draw for me!

Notwithstanding a wealth of talent within its cast, The Revenant piques my interest because of its director and cinematographer: Alejandro G. Iñárritu and Emmanuel Lubezki. Iñárritu is an absolute genius filmmaker, as evidenced by his critically acclaimed 2014 film Birdman, winner of four Oscars (including Best Picture and Best Director for Iñárritu). He is obviously coming off an amazing year in film, and the fact that he is following up Birdman with an epic adventure that took over seven months to shoot in one of the most frigid locations in the world, Iñárritu is sure not letting off the gas pedal. Additionally, his Birdman cinematographer (Lubezki) is back for The Revenant, and that is reason alone to be excited—Lubezki has won the Oscar for Best Cinematography at each of the last two Academy Awards (Gravity and Birdman). The Revenant is set for a theatrical release on December 25, 2015.

Director: Alejandro G. Iñárritu (Birdman, Babel)

Starring: Leonardo DiCaprio (The Great Gatsby, Django Unchained) and Tom Hardy (Legend, Mad Max: Fury Road)

No. 3 – Sicario

Sicario, Spanish for “hitman,” follows Kate Macer (Emily Blunt), an FBI agent who is recruited onto a joint task force assigned to hunting down a drug-cartel overlord. Blunt is joined by Benicio del Toro (who plays a Mexican national) and Josh Brolin (who plays a government official). To put it simply: I absolutely cannot wait for Sicario.

Earning rave reviews from critics at this year’s Cannes Film Festival, Sicario is most fascinating due to Emily Blunt being cast as the lead protagonist. I have always somewhat enjoyed her work, but ever since her badass performance in last year’s Edge of Tomorrow, I am officially on Team Blunt for life. She has just as much charisma as any other leading lady, but it is her penchant for action that now truly sets her apart. Speaking to EW, director Denis Villeneuve said, “I didn’t want a woman who would act like a man. I wanted a woman who would find her strength in a masculine world.” I believe Blunt is up to the task, and that is one of the biggest reasons I am so stoked for this movie’s release.

The supporting cast is also a major draw. Benicio del Toro is a veteran in the game, and with performances in films like Traffic and 21 Grams, he knows how to most effectively evoke mystery, thrill, and suspense. Josh Brolin is another experienced actor that is sure to bring his trademark demeanor to the picture in order to add to the film’s drama. Lastly, I greatly enjoyed 2013’s Prisoners, directed by Villeneuve. He provided an unprecedented level of tension for that film’s entire duration, and I look for him to do the exact same thing in Sicario, hopefully expanding the scope of this apprehensive style of filmmaking. Sicario is set for a limited theatrical release on September 18, 2015 and a wide theatrical release on September 25, 2015.

Director: Denis Villeneuve (Prisoners, Enemy)

Starring: Emily Blunt (Into the Woods, Edge of Tomorrow), Benicio del Toro (Inherent Vice, Guardians of the Galaxy), and Josh Brolin (Inherent Vice, Sin City: A Dame to Kill For)

No. 2 – Spectre

Spectre is the 24th Eon-produced 007 film, and it picks up where its predecessor, Skyfall, ended: following the fatal attack by Raoul Silva that claimed the life of M (Judy Dench), James Bond (Daniel Craig) must move on to thwart impending threats (by the criminal organization SPECTRE) at the direction of the new M, Gareth Mallory (Ralph Fiennes). I am an avid fan of the James Bond series, and although my loyalties were always to Sean Connery as the preeminent Bond, Daniel Craig has definitely won me over; I now hold Craig out to be the best 007 of all time! Skyfall set a new bar for Bond films, surpassing (almost) every single one that came before it—Goldfinger is still the, pardon the pun, “gold” standard for 007 flicks! With Bond and his cohorts back in action for a fourth installment in the Daniel Craig era, I am hard-pressed to find any reason why this film should not be regarded as one of the biggest, baddest, and most anticipated films of the fall film season!

What is the one thing that could possibly propel Spectre past Skyfall for the second greatest 007 movie of all time? Two words: Christoph Waltz! The two-time Oscar winner is set to play Oberhauser, the apparent mastermind of SPECTRE, who claims some sort of personal connection to Bond. Bringing into the Bond fold one of the premier actors in the film industry is simply the best news for the franchise, and with Waltz in the mix, director Sam Mendes may find a cinematic classic at his fingertips. Spectre is set for a wide theatrical release on November 6, 2015.

Director: Sam Mendes (Skyfall, Away We Go)

Starring: Daniel Craig (Skyfall, The Girl with the Dragon Tattoo), Christoph Waltz (Big Eyes, Horrible Bosses 2), Léa Seydoux (The Grand Budapest Hotel, Blue Is the Warmest Colour), Monica Bellucci (The Wonders, Love & War), and Ralph Fiennes (The Grand Budapest Hotel, Skyfall)

No. 1 – The Hateful Eight

The Hateful Eight follows John “The Hangman” Ruth (Kurt Russell) as he escorts Daisy “The Prisoner” Domergue to Red Rock to face justice for murder. Along the way, the two come across six very unique characters: The Bounty Hunter (Samuel L. Jackson), The Sherriff (Walter Goggins), The Mexican (Demián Bichir), The Little Man (Tim Roth), The Cow Puncher (Michael Madsen), and The Confederate (Bruce Dern).

Where do I start? I have been looking forward to The Hateful Eight since late 2013 when writer/director Quentin Tarantino said that he was working on his next movie. I have long been a fan of Tarantino, and considering (1) Inglourious Basterds is my all-time favorite movie, and (2) I own every single film Tarantino has ever made, it is no surprise that The Hateful Eight finds itself at the No. 1 spot of my Fall Preview. I am stunned this movie ever got made to be honest. In 2014, after his initial script was illegally leaked, Tarantino said that he was abandoning the project. However, he later changed his mind, rewrote the script, and voilà—we get a Christmas-day release in 70 mm of The Hateful Eight!

One thing Tarantino has always been known for is his recurring collaborations with actors—The Hateful Eight is no exception. Other than Jennifer Jason Leigh and Demián Bichir, Tarantino has previously worked with each of his stars. The Hateful Eight will be his second collaboration with Kurt Russell, Walter Goggins, and Bruce Dern, his third with Michael Madsen, his fourth with Tim Roth, and an astounding sixth with the legendary F-bomb king Samuel L. Jackson. Tarantino’s professional rapport with these actors can only benefit the movie, and I am so eager to see what this mad scientist has cooked up next! The Hateful Eight is set for a 70 mm film release on December 25, 2015 and a digital film release on January 8, 2016.

Director: Quentin Tarantino (Django Unchained, Inglourious Basterds)

Starring: Samuel L. Jackson (Avengers: Age of Ultron, Kingsman: The Secret Service), Kurt Russell (Furious 7, The Art of the Steal), Jennifer Jason Leigh (Welcome to Me, The Spectacular Now), Walter Goggins (American Ultra, Mojave), Demián Bichir (Dom Hemingway, Machete Kills), Tim Roth (Selma, United Passions), Michael Madsen (Ashley, I’m in Love with a Church Girl), and Bruce Dern (Cut Bank, Nebraska)

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Top 15 Films of the Year, No. 5 – Django Unchained

Django Unchained is a film written and directed by Quentin Tarantino.  The film is set in the South before the Civil War, and the story follows Django (Jamie Foxx), a slave who is bought by Dr. King Schultz (Christoph Waltz), a German-born bounty hunter.  Django teams up with Dr. Schultz to hunt down some of the most renowned, murderous men in the slave business.  Django’s main goal, though, is to search until he finds his wife Broomhilda (Kerry Washington) who was sold into slavery many years before.  When Django and Schultz finally track her down, she is in the confinement of a sadistically ruthless slave owner named Calvin Candie (Leonardo DiCaprio).  The two men must put on an act in order to gain the trust of Candie, but when Candie’s house slave (Samuel L. Jackson) becomes suspicious of their intentions, all hell breaks loose.

To say the very least, I absolutely, unequivocally loved this movie.  I have always been a fan of Tarantino’s work, and his creation of Django ranks right up there with some of his best of all time, including Reservoir Dogs, Pulp Fiction, and Inglourious Basterds (my favorite film of all time).  The film takes place during one of the most controversial periods of American history—the years of slavery before the Civil War.  If you have seen the way Tarantino recreated the history of the Nazis during World War II in Inglourious Basterds, then you are in for an equally hilarious depiction of the racist slave owners of the 1800s.

His film has been met with both critical acclaim and controversy, but then again it seems most of Tarantino’s movies are met with this same mix of emotion from critics and the general public.  He has been chastised by many, including the annoyingly outspoken Spike Lee, about his usage of the “N” word during the film, but in order to accurately depict this period of history, Tarantino would have been doing everyone a disservice by avoiding the word and sugarcoating the times.  His script is violently gruesome, but honest, and like most of his films, it is downright hilarious—the scene with the white-hooded horsemen will forever go down as one of the funniest I have ever seen in a movie.

The tour de force that is Tarantino’s screenplay for Django Unchained is assisted by an ensemble of actors and actresses creating unique and illustrious portrayals of their dynamic characters on the screen.  Jamie Foxx gives one of the best performances of his career, ranking behind only his roles in Collateral and Ray, in my opinion.  Surprisingly, Foxx was not nominated for any of the major awards despite his excellent performance.  Christoph Waltz once again collaborates with Tarantino, and like in his role as Col. Hans Landa in Tarantino’s Inglourious Basterds, Waltz brings his incomparable and articulate diction to the role, coupled with his fascinatingly comical wit.  His performance makes him a strong frontrunner for the Best Supporting Actor Oscar for which he is nominated.

Some other strong examples of exceptional acting are illustrated by Samuel L. Jackson as Stephen the house slave, Kerry Washington as Broomhilda, Don Johnson as Big Daddy, and Leonardo DiCaprio as Calvin Candie.  I was quite upset when both Jackson and DiCaprio were snubbed for Oscars because after seeing nearly every nominated film this year, their performances stood out way above the rest.  DiCaprio has turned in a very triumphant career thus far, but he has yet to receive an Academy Award, and before nominations were announced, I was sure this would be his year.  Django Unchained is rated R for strong graphic violence throughout, a vicious fight, language, and some nudity.

Academy Award nominations for Django Unchained:

Best Picture (Stacey Sher, Reginald Hudlin, and Pilar Savone, Producers)

Actor in a Supporting Role (Christoph Waltz)

Cinematography (Robert Richardson)

Sound Editing (Wylie Stateman)

Best Original Screenplay (Quentin Tarantino)

Previous movies on the countdown of the Top 15 Films of the Year:

6. Life of Pi

7. Amour

8. Les Misérables

9. Beasts of the Southern Wild

10. Looper

11. The Perks of Being a Wallflower

12. The Dark Knight Rises

13. Flight

14. The Master

15. Argo

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Best Original Screenplay

The Oscar for Best Original Screenplay is awarded to the writer(s) of a particular screenplay that is not based upon any prior published work.  This year’s group of nominees features some established, acclaimed writers and a couple Academy Award newcomers.  Between the nominated writers, they have been nominated for four writing Oscars and have won two.  Although there are some great scripts up for the award this year, one writer has already been sweeping the award shows for his screenplay, winning the BAFTA, Golden Globe, and Critics’ Choice Award—this year, it just so happens that I am in full agreement with the major award shows on this category.  The following is my Oscars ballot for this category, Best Original Screenplay:

WINNER: Quentin Tarantino (Django Unchained)

Tarantino, also the director of the film, has created one of the greater scripts in modern cinema.  It has created a significant amount of controversy, but it has also been met with rave reviews from the critics—Quentin would not want it any other way.  Even though he did not win the Oscar in this category for Inglourious Basterds, which is by far my favorite movie of all time, he still has penned another masterpiece in Django.  Tarantino has a knack for creating some of the most remembered characters in the history of film, such as Mr. Blonde in Reservoir Dogs, Vincent Vega in Pulp Fiction, and Col. Hans Landa in Inglourious Basterds, and in Django, he does not disappoint, creating unbelievably dynamic characters like Dr. King Schultz and Calvin Candie.  I will never know how the inner workings of Tarantino’s mind operate, but I am most unquestionably thankful for the written work he has given us.  Tarantino was previously nominated for two writing Academy Awards, both in the Best Original Screenplay category, and he won for Pulp Fiction (1994).

2. Wes Anderson and Roman Coppola (Moonrise Kingdom)

Wes Anderson, also the director of the film, and Roman Coppola have collaborated for their second screenplay together—their first was The Darjeeling Limited, a film they also co-wrote with Jason Schwartzman.  The end result of their most recent work together is an incredibly hilarious, wildly entertaining script.  This screenplay has the best shot among the other nominees to upset the heavyweight Tarantino, and if things fall correctly for Anderson and Coppola, they just may find themselves raising the Oscar statute.  This story is one of a kind.  It tells the story of young love from a unique perspective that only Anderson, one of the most distinctive writer-directors of our time, could do.  It is a refreshingly different film, and it has quickly become one of my favorites of all time.  Anderson was previously nominated for the Oscar for Best Original Screenplay for The Royal Tenenbaums (2001).  Coppola has not previously been nominated.

3. Mark Boal (Zero Dark Thirty)

After Anderson and Coppola, Mark Boal has the next best chance to knock off Tarantino at the top in this category.  This is only Boal’s second screenplay, but just like his previous one for The Hurt Locker, it is action packed and beaming with award-winning quality.  Boal tells the story of the decade-long manhunt for Osama bin Laden, the most dangerous man on earth.  The Kathryn Bigelow/Mark Boal collaboration may not be quite the masterpiece it was for The Hurt Locker, but it is most assuredly not far behind.  I was on the edge of my theater seat throughout the entire film, and a lot of this is due to the spellbinding script Boal has written.  Mark Boal was previously nominated and won for Best Original Screenplay for The Hurt Locker (2009).

4. Michael Haneke (Amour)

Michael Haneke, also the director of the film, has finally been nominated by the Academy for his superb writing abilities.  Haneke is one of the most unknown writer-directors to the general public in the United States, but I have been aware of his work for quite a few years now.  The biggest film festival in the entire world is the Cannes Film Festival, and the top award at this festival is the Palme d’Or, an award given to the top film of the festival.  Only seven filmmakers have won this award twice since 1939—Michael Haneke is one of those (The White Ribbon, 2009, and Amour, 2012).  Haneke’s French-language film is intriguing, matchless, and invigorating.  The words he penned for this film not only earned him an Oscar nomination, but it also resulted in lead actress Emmanuelle Riva being nominated for Best Actress in a Leading Role.  Haneke has not previously been nominated for any Academy Awards in either of the two writing categories.

5. John Gatins (Flight)

Gatins is an established screenwriter, but to be completely honest, none of his scripts have been anything close to award worthy.  His screenwriting filmography includes Summer Catch, Hardball, Coach Carter, and Real Steel, but his big break finally came with the 2012 film Flight.  In this film, Gatins uses an incredibly entertaining story line to keep our attention, but it is the complexities he has created in regards to human morality that truly sets his script apart.  I am surprised that he received a nomination, but after seeing the film, it is definitely justified.  Gatins has not previously been nominated for any Academy Awards in either of the two writing categories.

Writers snubbed in this category: Paul Thomas Anderson (The Master)