Top 10 Films of 2020 (COVID Year)

In advance of tomorrow’s 93rd Academy Awards ceremony, it is time to reveal my ten favorite films from the COVID year in cinema!

My Top 10 Films of 2020 (COVID Year)

No. 10 – I Care A Lot

The Netflix film I Care A Lot (written and directed by J Blakeson) is a very, very dark comedy, which follows Marla Grayson (Rosamund Pike), a charismatic (yet incredibly brash) con artist who preys on elders in assisted living communities to steal their money and valuables. The movie’s plot takes off when Marla rips off the mother of a dangerous crime boss (Peter Dinklage). Although I Care A Lot has been fairly well received from critics (its critic score on Rotten Tomatoes is 80%), it has received surprisingly negative reviews from audiences (its audience score on Rotten Tomatoes is 35%). One of the main criticisms I’ve read is the fact in this film, basically no character has any redeeming qualities. Most audiences want someone to root for, and I will definitely not shy away from the fact this film lacks that traditionally heroic (or at least ethical) character. But for me, that aspect of the film does nothing to change my opinion—this is a biting and ruthless story, told with an almost jolly tone, and I loved every minute of it. Rosamund Pike is stellar in the lead role, embodying Marla’s sociopathy in haunting fashion. Dinklage is also superb as the film’s more traditional “villain.” Additionally, I was in love with the film’s score—its electronic sound gives off serious Drive vibes. To put it plainly: I really loved this movie. Streaming for free for subscribers to Netflix.

No. 9 – Promising Young Woman

Promising Young Woman, written and directed by Emerald Fennell (for all you fans of The Crown, Fennell plays Camilla Parker Bowles in seasons 3 and 4), tells the story of Cassie (Carey Mulligan), a modern-day femme fatale who, motivated by the rape of her best friend Nina, spends her nights pretending to be drunk at bars in an effort to attract morally corrupt men in order to ultimately confront those guys and hold them to account for their behavior. Eventually, Cassie directs her revenge at everybody connected to Nina’s rape, which is where the story takes off. Promising Young Woman is such a great film. Although its setup is fairly straightforward, Fennell keeps us guessing throughout the development of the plot, sending the audience on a weaving path full of unexpected twists and turns. A vital story for the times, Fennell deservedly earned Oscar nominations this year for Best Original Screenplay, Best Director, and Best Picture—it’s great to see the Academy recognizing the immense contributions by a female filmmaker to the silver screen. From an acting standpoint, the film features a number of great cameos (e.g., Alison Brie, Adam Brody, Max Greenfield, and Alfred Molina), as well as fantastic supporting performances from Laverne Cox and funnyman Bo Burnham. However, the movie truly thrives in no small part because of the amazing performance by Carey Mulligan in the leading role. As I pointed out when I reviewed Mulligan’s performance a few days ago, Cassie is an ice-cold character in a darkly comedic thriller, which is staggeringly different compared to the roles Mulligan traditionally plays in bona fide period pieces and hard dramas. Mulligan’s brilliant departure from her comfort zone led to stunning results, and it just may land her an Academy Award tomorrow night. Streaming available for purchase or rent on most major platforms.

No. 8 – The White Tiger

The White Tiger, written and directed by Ramin Bahrani, is a film set in India that examines the country’s brutal caste system from the perspective of its lead character Balram (played by Adarsh Gourav), a young man with dreams of escaping poverty and living a life of luxury in the upper echelon of Indian society. This movie was one of the surprise hits of the film season for me—I really only heard about it following the announcement of its Oscar nomination for Best Adapted Screenplay last month. I am so glad I watched The White Tiger. Not only is the movie an important examination of India’s system of social stratification, but it’s also a wildly entertaining story. At the center of the tale is Balram, portrayed amazingly by breakout star Adarsh Gourav. Balram brims with ambition, and he carefully bides his time and strives to get his at all costs, even if it takes a long time to come to fruition—Gourav is wonderful in his portrayal. In addition to Gourav, Priyanka Chopra Jonas was remarkable as Pinky, the wife of Balram’s master. Although this is Balram’s story, Pinky plays an important role in inspiring Balram to break out from the shadows, and Chopra Jonas nearly steals every scene she is in—she was truly exquisite. I didn’t know what to expect from The White Tiger when I turned it on, but what I do know now is I was thoroughly entertained. Streaming for free for subscribers to Netflix.

No. 7 – Minari

Minari, a semi-autobiographical film by writer and director Lee Isaac Chung, follows South Korean immigrants Jacob Yi (Steven Yeun) and his wife Monica (Han Ye-ri) as they move their family from California to rural Arkansas in the 1980s to fulfill Jacob’s dream of starting a Korean produce farm. Although the dialogue is prominently spoken in Korean, Minari is absolutely an authentic American tale of hopes, dreams, failures, successes, and, above all, perseverance and familial spirit. This film by filmmaker Lee Isaac Chung is beautiful, in every sense of the word—the scenic landscapes are striking and the overall heart of his story is inspiring. Other than Chung’s methodical filmmaking style and deliberate storytelling, the highlight of Minari (that truly makes it a must-see film) is the incredible acting. As the Yi family patriarch, South-Korean born Steven Yeun is first-rate in his thoughtful portrayal of Jacob’s commitment to providing for his family, flaws and all. Additionally, Han Ye-ri poignantly depicts Monica’s emotional struggles to balance her husband’s ambitions against her own happiness and the well-being of her family. Moreover, the young Alan Kim is adorable and charming as David, the youngest of the two Yi children. For me, though, the standout performance came courtesy of veteran South Korean actress, Youn Yuh-jung. Youn plays Soon-ja, Monica’s mother, who comes to stay with the family while Jacob and Monica work, and Youn excels fiercely as a foul-mouthed, blunt, and hilarious character, providing most of the film’s most sweet and funny moments. This is such an emotionally affecting movie, and it is quite deserving of its six Oscar nominations—here’s to hoping it takes home some gold tomorrow night (especially Youn for Best Supporting Actress)! Streaming available for rent on most major platforms (not yet available for digital purchase).

No. 6 – The Vast of Night

The Vast of Night is a science-fiction film by first-time director Andrew Patterson, which is set in New Mexico during the 1950s and follows two teens—Fay (Sierra McCormick), a switchboard operator, and Everett (Jake Horowitz), a DJ for the local radio station—who search for the potentially extraterrestrial source of a mysterious radio frequency. The Vast of Night has easily become one of my favorite sci-fi films, and yet, it was completely devoid of any expensive Spielberg-esque special effects or set pieces. This film is vastly different than your traditional alien flick in that it focuses almost exclusively on the characters and the mystery of its storyline, rather than on any larger-than-life depiction of extraterrestrial beings. Of course, Patterson had no choice, as this film was made with a budget of just $700,000. It feels almost impossible that a filmmaker could create a worthwhile modern science-fiction thriller on such a shoestring budget, but here, Patterson has done just that. He defied the odds and delivered an edge-of-your seat cinematic experience unlike many others in the genre. In addition to his captivating storyline, I was quite taken by Patterson’s filmmaking style. He utilized a long, fast-paced tracking shot in the opening scene, which gives the audience the lay of the land in this mid-century New Mexico town, and a brilliant long take of Fay frenetically working the switchboard. It’s incredible filmmaking, which makes it even more hard to believe this was Patterson’s debut. If you like sci-fi movies, this one is absolutely worth your time. Streaming for free for subscribers to Amazon Prime Video.

No. 5 – Palm Springs

Palm Springs, written by Andy Siara and directed by Max Barbakow, is a romantic comedy that follows Nyles (Andy Samberg) and Sarah (Cristin Milioti), two guests at a wedding in Palm Springs who are stuck together in a time loop, reliving the same day over and over again. If you read that plot summary and watch the trailer, you’ll likely get vibes of Groundhog Day—but Palm Springs is so much more than that. This is a brilliant film, which strikes the perfect balance of comedy, romance, and drama, all without falling victim to the traditional clichés in similar genre flicks. We learn early on that Nyles has been stuck in this time loop for a very, very long time, while Sarah first enters the loop during the early part of the film. Nyles is resigned to simply not giving a fuck anymore, accepting the time loop is now his life and refusing to care what anyone thinks of him at the wedding. On the other hand, Sarah is a newbie to this time-warped situation and constantly seeks a way out, as if Nyles hasn’t already tried that. (There is a section in the middle of the film where Sarah creatively tries out a number of new ways to die, in hopes that it will break the loop, and it is one of the best and most hilarious sequences in the movie.) Barabkow and Siara have together made a movie that explores some very deep themes in such a charming, comedic, and heartfelt manner. Andy Samberg and Cristin Milioti are wonderful together as the two leads, playing off each other entertainingly and demonstrating a beautiful chemistry, which lends to the film’s emotional hook. Palm Springs is the only out-and-out comedy on my Top 10 list, but it is more than deserving of its high ranking—a surprise hit! Streaming for free for subscribers to Hulu.

No. 4 – Tenet

Christopher Nolan’s newest movie Tenet follows The Protagonist (John David Washington), a secret agent who must undertake an incredibly risky and life-threatening assignment (which involves people and objects with inverted entropies moving backward through time) to prevent global annihilation. This past year, Tenet supplied me with one of my most memorable cinematic experiences. At the end of last summer, in the midst of the COVID-19 pandemic, I masked up, sat down in my local socially distanced AMC theater, and watched (in a near-empty screening room) the blockbuster I had been anticipating for a year in glorious IMAX—and for me personally, despite the criticisms it has received, Tenet lived up to the hype. Through his films, Christopher Nolan continually demonstrates why movie theaters are absolutely, unequivocally needed—at least for the traditional big-budget action movies. In Tenet, Nolan expertly delivers a product that is equal parts spy thriller, cerebral sci-fi flick, and gigantic action extravaganza—visually, it is truly a sight to behold. Some of the film’s highlights include an action-packed opening scene at a Ukrainian opera house that punches you in the mouth (setting the tone for what the audience is in for throughout the rest of the film), a wild bungee jump onto a high-rise in Mumbai, a set-piece involving a real Boeing 747, a mesmerizing car-chase spectacle, some fantastic fight scenes, and an immense battle sequence. Again, visually, no one is consistently better than Nolan. It is also worth mentioning that Ludwig Göransson, who won an Academy Award for Black Panther, composes the score, which is phenomenally pulsating and sets the perfect vibe for the movie. Critics and audiences have complained about a number of things in this film, most notably its sound—and these criticisms aren’t invalid, as there are some parts involving vital exposition that are hard to hear in light of Nolan’s (likely very intentional) sound mix. Ultimately, the film’s occasional flaws do nothing to bring its overall value down in my mind. This is by far one of my favorite Nolan movies (probably his best since Inception), and Tenet will always have a special hold over me personally for the experience it gave me during the COVID-19 pandemic. Streaming available for purchase or rent on most major platforms.

No. 3 – The Invisible Man

Writer/director Leigh Whannell’s The Invisible Man (the most recent film adaptation of the acclaimed 1897 H.G. Wells novel of the same name) follows Cecilia Kass (Elisabeth Moss), who leaves her life of luxury to escape from her abusive, gaslighting boyfriend, Adrian Griffin, a wealthy tech entrepreneur. Cecilia believes her nightmare might finally be over when it appears Adrian commits suicide, until a number of strange events occur, leading Cecilia to believe Adrian has created a technology which makes him invisible. I am a bit surprised myself to find this jump-scare filled horror film so high on my list this year, but it is simply a testament to just how good The Invisible Man is. My initial interest in this movie was the filmmaker behind its creation, Leigh Whannell. Just two years ago, my No. 7 favorite film of 2018 was Upgrade, a visually stimulating sci-fi horror action thriller written and directed by Whannell. From that moment on, it was abundantly clear the degree of skill this filmmaker possesses. Here, Whannell puts his experience and background in the genre to good work (Whannell previously penned the scripts for the first three installments of the Saw franchise and all four Insidious films, the last of which he also directed), creating one of the best horror movies I’ve ever seen. Whannell builds up the suspense in The Invisible Man with perfect pace, and the pay-offs are worth it. In conjunction with Whannell, lead actress Elisabeth Moss delivers a performance that is nothing short of sensational. As I discussed a few days ago (when I argued for why Moss should have received an Oscar nomination for this role), Whannell’s rendition of Wells’s classic tale focuses heavily on abuse and the effects it can have on victims—Moss is the perfect vessel through which to tell that story, using her immense acting skill to portray her character’s fear and emotional exhaustion throughout the film. Cecilia is constantly living a nightmare, haunted by a man who simply cannot accept her leaving him, and Moss’s intense, yet meticulously subtle, portrayal of this dynamic is enrapturing. Between Moss’s incredible acting and Whannell’s spine-tingling filmmaking, The Invisible Man has secured a place in horror history. Streaming for free for subscribers to HBO Max.

No. 2 – Judas and the Black Messiah

Judas and the Black Messiah tells the true story of Fred Hampton (the titular Black Messiah, played by Daniel Kaluuya), the real-life chairman of the Illinois chapter of the Black Panther Party and deputy chairman of the national Black Panther Party, who was gunned down by law enforcement in 1969, and William “Bill” O’Neil (the titular Judas, played by Lakeith Stanfield), the criminal-turned-informant who infiltrates the Illinois chapter of the Black Panther Party at the FBI’s behest. On the day Judas and the Black Messiah was released on HBO Max (for its 31-day streaming release in accordance with the HBO Max/Warner Bros. deal), I watched the film twice. And even after that, I routinely went back to it to relive some of its best scenes, as I just simply couldn’t get enough—it’s truly incredible filmmaking. This movie is so very important and should be required viewing as a remarkable depiction of the underlying racial, societal, and political forces which both brought Fred Hampton to prominence and resulted in his assassination by the Chicago police. This story, like so many others in the history of the African-American experience in this country, deserves to be told, and my hope is that folks without a good idea of who Fred Hampton was (or what the Black Panther Party at its core truly believed in) see this movie and gain a greater respect for these freedom fighters and the immense challenges they faced. Aside from the imperative story of the civil rights movement at the heart of the film, Judas and the Black Messiah should be used as a tool in every single acting class. As Fred Hampton, Daniel Kaluuya is electrifying. The film features a number of scenes depicting rallies and speeches, as Hampton was a commanding orator during the civil rights movement, and this is where Kaluuya succeeds the most (although he is also impressive in his character’s quieter, more intimate moments). The church speech alone makes this film one of my favorites of the year, as Kaluuya demonstrates a true embodiment of Hampton’s real-life role as a revolutionary—it is definitely one of my favorite scenes in movie history now. In addition to Kaluuya, Lakeith Stanfield is extraordinary as the controversial Bill O’Neil. This film is at its root a story about O’Neil (for which Stanfield should have been nominated for Best Actor, not Best Supporting Actor), and Stanfield was stunning in his nuanced portrayal of an incredibly complex figure—he delivers the performance of his career with unmistakable precision. Streaming available for rent on most major platforms (not yet available for digital purchase).

No. 1 – Sound of Metal

Sound of Metal, directed by Darius Marder and written by Darius and his brother Abraham Marder (who also composed the film’s score), tells the story of Ruben (Riz Ahmed), a recovering drug addict and drummer in a hard metal band, who suddenly loses his hearing. Eventually, Ruben makes his way to a sober-living community for deaf people, which is run by Joe (Paul Raci), a recovering alcoholic who lost his hearing in the Vietnam War. The tagline for this film is, “Music was his world. Then silence revealed a new one.” This is a perfect description of the film because although Ruben’s hearing loss is set up early in the movie, the heart of Sound of Metal firmly resides in his experience learning to live with his new circumstances. Sound of Metal is an amazing movie and unique cinematic experience, saying so much in the film’s many moments of silence. The story and acting performances go hand in hand, as the performers masterfully breathe life into their characters and capture the audience’s emotions. At the center is one of my favorite acting performances in recent memory from Riz Ahmed, the first Muslim to be nominated for Best Actor at the Academy Awards. Ruben’s arc is complex—he’s understandably overwhelmed by the sudden unrelenting silence in his life and spends the film fighting against addictive-like urges to seek out quick fixes to his circumstances—and Ahmed portrays the character masterfully in heartbreaking fashion. Ahmed delivers an absolute master class in acting. In addition to Ahmed, Paul Raci gives one of the year’s best supporting performances as Joe. As I pointed out a few days ago when I reviewed Raci’s performance, the actor is not deaf, but he has a deeply personal connection to the story, as he is a C.O.D.A. (i.e., child of deaf adults). This fact about Raci, in conjunction with his fluency in American Sign Language, provides an authentic context to the story, which results in Raci’s magnetic performance as the stoic, yet kindhearted, Joe. Had Daniel Kaluuya’s performance not existed this year, it’d be hard for me to accept anyone else taking home the Oscar for Best Supporting Actor other than Raci. Overall, Sound of Metal is a beautiful and emotionally affecting movie, and it is the single best film I saw this past year. Streaming for free for subscribers to Amazon Prime Video.

The 93rd Oscars – Best Actor

In today’s post, I will review the Best Actor category for this year’s Academy Awards. Let’s go!

The Nominees

Riz Ahmed (Sound of Metal)

Filmmaker Darius Marder’s Sound of Metal tells the story of Ruben (played by Riz Ahmed), a recovering drug addict and drummer in a hard metal band with his girlfriend Lou (played by Olivia Cooke), who suddenly loses his hearing. Eventually, Ruben makes his way to a sober-living community for deaf people, which is run by Joe (played by Paul Raci), a recovering alcoholic who lost his hearing in the Vietnam War. Ruben’s hearing loss is set up in the first act of Sound of Metal, and thus, the bulk of the film is substantively focused on Ruben’s experience learning to live with his new circumstances. As I will get to in greater detail when I reveal my Top 10 Films of the Year this Saturday, Sound of Metalis an incredible cinematic experience, and Riz Ahmed is stunning as the movie’s protagonist. Ruben quickly becomes overwhelmed by the sudden and incessant silence associated with his deafness, which ultimately causes him to engage in addictive behaviors that Joe feels threaten Ruben’s sobriety—Ahmed skillfully plunges deep into this portrayal of Ruben’s complex journey to realizing deafness is not a handicap. It is a moving performance that at times will bring you to tears, and although the film as a whole is superb, Ahmed’s depiction of Ruben is the most vital ingredient—a truly impressive display of acting bravura.

Chadwick Boseman (Ma Rainey’s Black Bottom)

In his final film role before his death just 8 months ago, Chadwick Boseman plays Levee Green in Ma Rainey’s Black Bottom, the film adaptation of August Wilson’s acclaimed 1982 play of the same name. In the movie, which tells the story of a turbulent studio recording session with Ma Rainey (played by Viola Davis) and her band in 1920s Chicago, Levee is an ambitious, yet cocky and erratic, trumpet player who ultimately experiences an emotional collapse—Boseman is utterly exceptional, depicting this hot-tempered character with mesmerizing style and fiery flair. This is just the ninth time a performer has received an Academy Award nomination posthumously in an acting category, and only Peter Finch and Heath Ledger have previously won in those circumstances—based on the results at the other major film awards this season, Boseman is sure to become the third such winner.

Anthony Hopkins (The Father)

In Florian Zeller’s film The Father, Sir Anthony Hopkins plays the titular father (whose name is actually Anthony in the movie), an elderly man battling against the degeneration of his own mind at the hands of dementia. It goes without question that Anthony Hopkins is one the greatest actors of all time. This year’s Oscar nomination is the sixth of his career (and second consecutive nomination following his inclusion in the Best Supporting Actor category last year for The Two Popes), and in The Father, Hopkins delivers what is arguably his greatest acting performance, behind only his Academy Award-winning turn as Dr. Hannibal Lecter in Silence of the Lambs. Hopkins’s character in the film is snappy and petulant throughout, clearly struggling to come to grips with his condition. He quickly oscillates between moods, engages in unkind outbursts, and hurls a number of cutting comments at his daughter, Anne (played by Olivia Colman), and yet, he’s also such a sympathetic character. It’s understandable why Anthony is who he is, and Hopkins embodies this character masterfully, giving us a peek into the man’s heartbreaking circumstances. I got choked up a number of times during this movie, but never more so than when Hopkins brought the performance home with a crushing final scene. Anthony Hopkins epitomizes dramatic acting, and even in his early 80s, he’s still showing the industry how it’s done.

Gary Oldman (Mank)

David Fincher’s black-and-white biopic Mank (written by Fincher’s late father Jack, who passed away in 2003) tells the story of famed Hollywood screenwriter Herman “Mank” Mankiewicz (played by Gary Oldman) and his role in developing the screenplay for Orson Welles’s Citizen Kane, often credited as the greatest film in cinematic history. Mank is definitely a love letter to Hollywood’s “Golden Age,” and I had incredibly high hopes for it since Fincher directed it. Unfortunately, for me, the film underwhelmed altogether. Gary Oldman, a master of his craft, was obviously great in his role of the titular Mank, but I never felt while watching it like this was worthy of a surefire Oscar nod—certainly, I expected it to get a nomination, as the film is the prototypical Oscar bait, but I never felt blown away by his performance. Oldman’s spot among the nominees should have gone to more deserving actors this year.

Steven Yeun (Minari)

Minari, a semi-autobiographical film by writer and director Lee Isaac Chung, follows South Korean immigrants Jacob Yi (played by Steven Yeun) and his wife Monica Yi (played by Han Ye-ri) as they move their family from California to rural Arkansas to fulfill Jacob’s dream of starting a Korean produce farm. South-Korean born Steven Yeun, who is best known to audiences as Glenn from the AMC television series The Walking Dead, is stellar as the Yi family’s patriarch in this film, and I was incredibly excited to see him become the first Asian-American of Korean descent nominated for the Best Actor award at the Oscars. Despite Jacob’s painstaking commitment to achieving his piece of the “American dream,” the bullheaded character is also marred by stubborn imprudence. Yeun’s portrait of this complex character is first-rate and exquisitely captures the enduring spirit of an immigrant’s inspirational journey to achieve success for his family in America.

Snubs and Other Performances

Despite the year’s many wonderful acting performances from male leads, it was always going to be difficult snagging an Oscar nomination, as the field was certainly crowded. Other than the nominees, here are a few other performances that caught my eye during the past year in film. First, one of the surprise hits of the film season was The White Tiger, a film set in India that examines the country’s caste system from the perspective of its lead character Balram (played by Adarsh Gourav), who cleverly escapes poverty. Gourav was remarkable in his breakout starring role, and I hope to see much more of him in the future, as he’s proven to the world just how capable of a performer he is. Second, in addition to his blockbuster role as Vision in Marvel’s Disney+ television series Wandavision, Paul Bettany was equally extraordinary in Uncle Frank, a film set in the 1970s, which tells the story of the titular Frank, played by Bettany, a gay man living in New York City who, following the death of his father, must grapple with his past and his South Carolina-based family. Bettany turned in a beautiful performance as Uncle Frank, and although he hasn’t been nominated for too many major acting awards in his career, it’s hard to think he didn’t deserve more attention for this fantastic role. Additionally, Ben Affleck was superb in The Way Back as a former high school basketball star and alcoholic seeking redemption as the coach of his former team. In light of Affleck’s real-life issues with alcoholism, it’s clear this perspective for the role allowed him to uniquely portray the heartbreaking struggles of the addiction—Affleck delivered a great performance.

This year, I believe the biggest snub in any category was Delroy Lindo missing out on a nomination for his stellar performance in Da 5 Bloods. Spike Lee’s latest film tells the story of four African-American veterans of the Vietnam War who reunite to travel back to the Southeast-Asian country to both locate the remains of “Stormin’” Norman (their former squad leader, played by Chadwick Boseman, who died during the war) and to find a massive treasure the group hid during their time in Vietnam. Like most Spike Lee films, Da 5 Bloods explores a number of important themes, including the horrors of war, race relations, and redemption. At the center of the story is Lindo’s emotionally complex character Paul, a cynical Trump supporter whose hostile demeanor is shaped by tragedy and oppression. Lindo, who previously collaborated with Spike Lee on three films in the 1990s, is spectacular in his depiction of Paul. The character is tragic in every sense of the word, and Lindo delivers his performance with heart, passion, and above all, masterful skill. My tweet on the day the Oscar nominations were announced says it all.

Conclusion

Who Could Win: Anthony Hopkins

Sir Anthony Hopkins’s performance in The Father is clearly one of the best of his storied film career, and for that, if anyone is going to overcome Chadwick Boseman’s incredible frontrunner status to pull off an upset on Sunday night, it’ll like be Hopkins. Presently, Hopkins is getting +700 odds, the best of any challenger in the category.

Who Should Win: Riz Ahmed

My personal pick for Best Actor is probably the toughest call in any category, and despite my love for Anthony Hopkins in The Father, if I had a vote, it would go to Riz Ahmed, the first Muslim to receive an Academy Award nomination for Best Actor. Ahmed committed to his role in stunning fashion, spending a great deal of time learning American Sign Language and how to play the drums. His many hours of preparation were well worth it, as Ahmed turned in a perfect performance in a film that highlights a community not often depicted with regularity in film. Although Ahmed won’t win this year, he’d have my vote.

Who Will Win: Chadwick Boseman

I simply cannot see anyone beating the late Chadwick Boseman at this year’s Oscars. The only major award Boseman hasn’t received for his role in Ma Rainey’s Black Bottom is the British Academy Film Award, which went to Anthony Hopkins, although it’s likely due to the fact The Father is a British film and Hopkins is one of the United Kingdom’s most accomplished performers. Currently getting frontrunner odds of -1600, Boseman is set to become just the third performer to posthumously win an Academy Award in an acting category.

The 93rd Oscars – Best Supporting Actor

In today’s post, I will review the Best Supporting Actor category for this year’s Oscars. Let’s go!

The Nominees

Sacha Baron Cohen (The Trial of the Chicago 7)

In Aaron Sorkin’s The Trial of the Chicago 7, which tells the true story of a group of anti-war activists standing trial for allegedly inciting riots at the 1968 Democratic National Convention in Chicago, Sacha Baron Cohen plays Abbie Hoffman, the outspoken Flower Power leader who co-founded the “Yippies” (i.e., the Youth International Party). Baron Cohen is exhilarating as Abbie Hoffman, and his overall fit as a performer for this role is embodied in this quote by Baron Cohen on playing Hoffman: “There’s the public persona of Abbie where he’s trying to inspire people and then there’s the private Abbie. So there’s a balance between the clown and the intellect.” Baron Cohen strikes gold in portraying this dichotomic nature of Hoffman, using his trademark funnyman skills to perfection, while also emoting the superb dramatic elements of the character. In a year where Baron Cohen dominated entertainment headlines for his Borat sequel, his true prowess as an actor was most exemplified by his turn as Abbie Hoffman.

Daniel Kaluuya (Judas and the Black Messiah)

In Judas and the Black Messiah, Daniel Kaluuya portrays Fred Hampton, the real-life chairman of the Illinois chapter of the Black Panther Party and deputy chairman of the national Black Panther Party, who was gunned down by law enforcement in 1969. This film should be required viewing as a remarkable depiction of the underlying racial, societal, and political forces which both brought Fred Hampton to prominence and resulted in his assassination by the Chicago police. And aside from the film as a whole, Judas and the Black Messiah is a must-see for Kaluuya’s awe-inspiring performance. As Fred Hampton, Kaluuya is electrifying. Hampton was clearly a gripping public speaker, and Kaluuya shines the most in the scenes depicting rallies and speeches. The film’s signature scene takes places in a church following Hampton’s release from prison, wherein Hampton delivers an iconic movie speech to his many supporters. It’s single-handedly one of my favorite scenes in movie history, and Kaluuya is front and center. During that speech, Kaluuya masterfully embodies the true essence of Fred Hampton’s vital role as a revolutionary. It’s some of the greatest acting I have ever seen, which only adds to Kaluuya’s other impressive moments in the film’s quieter, more intimate scenes. This year, there simply was not a better supporting performance by an actor than Daniel Kaluuya as the one-of-a-kind Black Panther leader.

Leslie Odom Jr. (One Night in Miami…)

Regina King’s directorial debut One Night in Miami…, written by Kemp Powers and based on his 2013 stage play of the same name, gives a fictionalized version of a meeting between civil rights icons Malcolm X (played by Kingsley Ben-Adir), Cassius Clay/Muhammad Ali (played Eli Goree), Jim Brown (played by Aldis Hodge), and Sam Cooke (played by Leslie Odom Jr.) at a motel in Miami, Florida, following Ali’s title-winning fight against Sonny Liston in 1964. I was personally impressed by each of the four central actors’ performances in this movie, but as the Academy and numerous other award shows have noted via their nominations, Leslie Odom Jr. clearly stands out as the best. Odom Jr. first became a household name a few years ago due to his transfixing performance as Aaron Burr in the critically acclaimed Broadway musical Hamilton, but in One Night in Miami…, he demonstrates why he’s a true force to be reckoned with on the silver screen. In this film, Odom Jr.’s transformation into Sam Cooke is exquisite, and his acting skills are most on display in the scenes debating and arguing with Ben-Adir’s Malcolm X about the strategic ins and outs of the civil rights movement. (Not to mention Odom Jr. utilizes his award-winning vocal skills in a beautiful performance of Cooke’s famed “A Change Is Gonna Come” toward the end of the film.) Leslie Odom Jr. put on a show as Sam Cooke, and for that, he received a deserved first Oscar nomination. (Odom Jr. is actually nominated twice this year, as he also received an Oscar nod for Best Original Song for co-writing “Speak Now” from the same film.)

Paul Raci (Sound of Metal)

Sound of Metal tells the story of Ruben (played by Riz Ahmed), a recovering drug addict and drummer in a hard metal band, who suddenly loses his hearing. Eventually, Ruben makes his way to a sober-living community for deaf people, which is run by Joe (played by Paul Raci), a recovering alcoholic who lost his hearing in the Vietnam War. If it weren’t for Daniel Kaluuya’s justified domination in the Best Supporting Actor category this awards season, I would heavily campaign for Raci to take home all the wins. His acting in Sound of Metal is incredible as he deftly portrays Joe as an unflappable, yet compassionate figure. A performer with over 30 years of acting experience, Raci’s breakout role was a match made in heaven—although Raci isn’t deaf, he is a C.O.D.A. (i.e., child of deaf adults) and is fluent in American Sign Language. This deeply personal context for Raci’s portrayal of Joe only adds to the magnetism of his performance and the authenticity of the film overall. One of the most emotional scenes in the entire movie (a heartbreaking conversation late in the film between Joe and Ruben at a kitchen table) provided Raci his Oscar moment. I couldn’t be more excited to see the Academy bestow this much-deserved nomination on Paul Raci.

Lakeith Stanfield (Judas and the Black Messiah)

In Judas and the Black Messiah, Lakeith Stanfield plays William “Bill” O’Neil (i.e., the titular Judas), the criminal-turned-informant who infiltrates the Illinois chapter of the Black Panther Party for the FBI. I am beyond frustrated by Stanfield’s nomination in the Best Supporting Actor category. It’s not because Stanfield didn’t give us an Oscar-worthy performance—he delivered in this movie some of the year’s best acting, period. Rather, my annoyance resides in the fact every movie has to have a lead, and in this film, it is Stanfield. This is his character’s story. Expectantly, the Judas and the Black Messiah folks campaigned for Stanfield in the Best Actor category (while Kaluuya received support in the Best Supporting Actor category). But apparently Stanfield received more votes from Academy voters in this category, so here we are. Regardless, Stanfield is magnificent as the controversial Bill O’Neil. The character is clearly the film’s antagonist, and yet, it’s clear O’Neil is a complex figure, progressively more tortured by his informant role as time goes by and the stakes get higher. Stanfield walks his character’s moral tightrope between good and bad, right and wrong, with absolute precision. As an audience, it’s easy to be frustrated with O’Neil one moment, while feeling great empathy for him in the next—and it is Stanfield’s expertly nuanced portrayal that makes people care about the character.

Snubs and Other Performances

Other than the Oscar-nominated actors discussed above, this past year featured a number of other noteworthy acting performances from performers in supporting roles. First, the always-impressive Barry Keoghan is fascinating in The Shadow of Violence (titled Calm with Horses outside of the United States) as Dymphna, a member of an Irish family of drug dealers who puts up the front of a tough guy, while truly being a more scared, vulnerable character—the actor plays boss/sidekick to the film’s true hardman lead, played by Cosmo Jarvis, and Keoghan again shows why he is one of the best young actors in the world. Second, in the unfortunately average The Little Things, Jared Leto is definitely one of the best parts in his portrayal of Albert Sparma, an enigmatic man suspected of multiple murders. Even if the film underwhelmed, Leto was great, truly sinking into his character. Additionally, in Minari, aside from the other outstanding performances, a couple of which garnered Oscar nominations, Alan Kim was delightful as David Yi, highlighted by his bantering scenes with his grandmother, played by Youn Yuh-jung. Kim is currently 8 years old, and we are sure to see more of him very soon.

However, the one performance I expected to receive an Oscar nomination which didn’t was veteran of comedy Bill Murray in Sofia Coppola’s Apple TV+ film On the Rocks. Murray and Coppola previous collaborated in 2003’s Lost in Translation, for which Murray received his first Academy Award nomination, and in On the Rocks, Murray is clearly back to his best. Murray plays Felix Keane, the father of Rashida Jones’s character Laura Keane. When Laura experiences some strain in her marriage, suspecting her husband of cheating, she taps Felix for help. Laura clearly gets more than she bargained for, as Felix immediately inserts himself way too far into Laura’s life. The key to Murray’s brilliance in On the Rocks is how Felix interferes with Laura’s personal life in an incredibly charismatic way. This relationship between father and daughter is clearly dynamic, and you cannot help but love Felix, despite all his flaws. And for me, that was all Bill Murray. He’s perfect in this role, almost as if he was made to play the part. And for that, I really wish he could have been rewarded with a second Oscar nomination.

Conclusion

Who Could Win: Sacha Baron Cohen

Sacha Baron Cohen is currently getting odds of +900 to render an upset in this category, better than any of the other three underdog nominees. However, I don’t anticipate a surprise for Best Supporting Actor. the Academy throws us a curveball here, look for Pesci to be the only other nominee with a chance.

Who Should Win: Daniel Kaluuya

This year, for me, who should win isn’t even a question. There were some really great performances worthy of Oscar nominations…and then there was Daniel Kaluuya—a class of his own!

Who Will Win: Daniel Kaluuya

Not only is Daniel Kaluuya currently getting -2000 odds from the bookmakers, but he’s already secured every single win at the major pre-Oscars ceremonies, including the Critics’ Choice Movie Awards, Golden Globe Awards, Screen Actors Guild Awards, and British Academy Film Awards. This is Kaluuya’s second Oscar nomination following his breakout role in 2017’s Get Out, and for his remarkable turn as Chairman Fred Hampton, he will absolutely be heading home with his first Academy Award next Sunday.