Closing the Door on the 2022 Film Season: My Favorite Movies of the Year

With the conclusion of the Academy Awards this past Sunday, the 2022 film season is officially over. Now, to complete my own movie-watching journey from the past year, I present here a brief summary of my favorite films from 2022, along with a complete ranking of each movie I saw from the 2022 Oscars-eligibility period. See you next year!

My Top 15 Films of the Year

No. 1 – Aftersun

I will cut right to the chase on Aftersun—this is one of the greatest films I have ever had the pleasure to experience. The movie is one of the most unique coming-of-age stories I can recall, and writer/director Charlotte Wells delivers an unfathomable masterpiece in—get this—her debut feature film. Aftersun follows a father and daughter on a holiday in Turkey in the early 2000s, and it explores generational depression, grief, and the complexity of time and memories. This movie wrecked me in every possible way—during the final few scenes, I was sobbing. After I finished the movie, I emotionally paced around my living room for 30 minutes, processing what I’d just watched. No film had ever affected me like that. Until Aftersun. I imagine the fact I have a child and my own history with mental health issues contributed to my experience with this film. Oscar nominee Paul Mescal is fantastic, but newcomer Frankie Corio clearly stood out as the most impressive performance. The film also includes my favorite scene of the year (and one of my favorites of all time) in an emotional sequence, which features a deftly edited/remixed version of “Under Pressure” by David Bowie and Queen—it is pure perfection. I have not stopped thinking about Aftersun since I first watched it. It will stick with me forever, which exemplifies the beauty of film. Streaming available for purchase or rent on most major platforms.

No. 2 – Everything Everywhere All at Once

Had I not experienced such an intense emotional response to Aftersun, there is absolutely no doubt Everything Everywhere All at Once would have been my No. 1 film of the year—this is a perfect movie. For some reason, the “multiverse” is popping up in so many films in recent memory, especially Marvel properties (e.g., Spider-Man: No Way Home, Doctor Strange and the Multiverse of Madness, Spider-Man: Into the Spider-Verse, etc.), but EEAAO is the single best example of what an exploration of multiple universes can be. This movie is fun. The editing is rapid-fire. The acting is phenomenal. But at its core, the most impressive part of EEAAO is its beautiful examination of generational trauma, depression, and identity. How is it that a movie which depicts a parallel universe wherein people have hot dogs for fingers can be so philosophical? How do you explain the emotional gravity of this movie when there is a scene (one of the film’s very best) depicting the characters as rocks? Writer/director team Daniel Kwan and Daniel Scheinert somehow make it all work despite the absurdity. If you haven’t seen this movie yet and are wondering whether it is worth the hype (the film led the Oscars with eleven nominations and seven wins), I assure you it definitely is. Streaming for free for subscribers to Showtime.

No. 3 – Top Gun: Maverick

One of my dad’s favorite movies (if not his absolute favorite) is Top Gun. Thus, I grew up watching it a lot. Like so many other people, I really love that movie. However, I cannot help but admit I was worried about Maverickbecause legacy sequels are of such hit-or-miss quality. For every Creed or Blade Runner 2049, there’s an Indiana Jones and the Kingdom of the Crystal Skull. Mad Max Fury Road was in all ways flawless, yet Wall Street: Money Never Sleeps was atrocious. (And let’s not even talk about Space Jam: A New Legacy.) In the end, Top Gun: Maverick excels in ways of which so many other films (legacy sequels or otherwise) could only dream. Is the story a bit gimmicky and unrealistic at times? Sure. But since film itself as an artform has evolved so much since 1986, Maverick benefits from the technical advancements in cameras and visual effects. This movie blows the original out of the sky. Streaming for free for subscribers to Paramount+.

No. 4 – All Quiet on the Western Front

I love debating which movie can call itself the greatest war film of all time. Over the years, in terms true depictions of the horrors of war, there have certainly been some serious contenders: The Deer Hunter (1978), Apocalypse Now (1979), Platoon (1986), Full Metal Jacket (1987), Saving Private Ryan (1998), The Thin Red Line (1998), Downfall (Der Untergang) (2004), Letters from Iwo Jima (2006), Zero Dark Thirty (2008), Dunkirk (2017), and 1917 (2019). After this year, we can definitely add German-language film All Quiet on the Western Front—the second feature-length adaptation of Erich Maria Remarque’s 1929 novel of the same name—to that list. It is grueling and chaotic, yet it is masterfully crafted. Streaming for free for subscribers to Netflix.

No. 5 – Pearl

In 2022, writer/director Ti West proved that despite the uptick of films produced in the newer “elevated horror” genre (which I love), there are still good-old-fashioned slasher movies out there, waiting to be made. In March, West released X, a slasher film about a group of aspiring porn stars in the 1970s in rural Texas, which featured Mia Goth in the leading role. I loved X. It was certainly one of my favorite movies of the year, just missing out on cracking my top 15. West then released a prequel film, Pearl (co-written by and starring Goth), a mere six months later. Although the two films are starkly different (X looks and feels like a ‘70s movie, while West stylizes Pearl to look and feel like 1918), Pearl is the superior picture. Not only is the character’s origin story compelling, but Mia Goth was sensational. I honestly cannot believe she wasn’t in contention for Best Actress awards this film season (although she did secure a nomination for Pearl at the Independent Spirit Awards). The highlight of the movie is a scene toward the end at a dinner table, which features a single shot of Goth delivering a chilling monologue to her character’s sister-in-law. Streaming available for purchase or rent on most major platforms.

No. 6 – Babylon

While critics (and audiences) were sharply divided over Damien Chazelle’s latest feature (the film holds a critics score of 56% and audience score of 52% on Rotten Tomatoes), I fell in love with it. Sure, at three hours and nine minutes, the runtime is certainly intimidating. However, this movie never once felt that long. Depicting the transition in Hollywood from silent films to the start of the “Golden Age” of sound films in the late 1920s, this movie is fast-paced, frenetic, and downright depraved. But it works. This movie is also hilarious—I laughed out loud many, many times. Clearly the film is not for everyone, but I do believe it is worth a shot for any film lover.  Streaming for free for subscribers to Paramount+.

No. 7 – The Banshees of Inisherin

In 2008, Colin Farrell and Brendan Gleeson collaborated with British-Irish director Marin McDonagh in the dark dramedy In Bruges, which I thoroughly enjoyed. Fourteen years later, the three joined forces again for the charming, yet tragic, dark dramedy The Banshees of Inisherin. The story is simple: The lifelong friendship of Pádraic (Farrell) and Colm (Gleeson) is interrupted when Colm abruptly decides he no longer wants to be friends with Pádraic. Farrell and Gleeson are phenomenal, sparring back and forth on screen like Ali and Frazier in Manila. Kerry Condon is also great in a supporting role, as is Barry Keoghan. This movie is fantastic and very funny in such subtle ways. I also cannot stop saying “fecking,” a delightful version of “fucking” in the characters’ thick Irish accents. Streaming for free for subscribers to HBO Max.

No. 8 – Cha Cha Real Smooth

If I could give an award to the most unexpectedly touching and purposefully funny movie of the year, I’d give it to Cha Cha Real Smooth without hesitation. Writer/director Cooper Raiff (who also stars as the aimless and awkward Andrew) is clearly a very talented young filmmaker (he just turned 26), and with this movie, he has added an essential entry to the romantic dramedy genre. I laughed repeatedly at Raiff’s quirky script, and yet I also cried during some surprisingly heartfelt scenes. This is such a great movie, and if you have an Apple TV+ subscription (I know you all do because everyone is watching Ted Lasso), do yourself a favor and watch it ASAP. Streaming for free for subscribers to Apple TV+.

No. 9 – Triangle of Sadness

I love when filmmakers satirize the 1%. Those folks are surely an easy target, but when done well, it is always a fun time. In Triangle of Sadness, Swedish writer/director Ruben Östlund may have effectively perfected this subgenre of darkly comedic satire. This film won the Palme d’Or (the prestige award) at the 2022 Cannes Film Festival, and for good reason. The movie takes place in three distinct, yet related, parts, and each one is brilliant. I need someone I know to see this movie soon so I can chat about paying for meals, food poisoning, whistles, and donkeys. I also cannot stop saying “In den Wolken.” Enough with the inside jokes from the film—just go watch it!  Streaming for free for subscribers to Hulu.

No. 10 – The Northman

One of my favorite movie-watching experiences last year was seeing Robert Eggers’s The Northman in the Dolby Cinema at AMC. An epic action tale of revenge set during the age of Vikings in Scandinavia, The Northman is marvelously surreal—I’ve really never seen a movie quite like this one. The cast is first-rate (I mean, when you put Alexander Skarsgård in a movie with Anya Taylor-Joy, Ethan Hawke, and Nicole Kidman, what else would you expect?), and Eggers’s precise direction and creation of such a grisly atmosphere are unmistakable. What an adventure! Streaming for free for subscribers to Amazon Prime Video.

No. 11 – Dinner in America

I really don’t know quite how to describe Dinner in America, but here is my best shot: It’s like if you re-made Napoleon Dynamite into a filthy, R-rated punk-rock film. The movie is about an anarchist on the run who unexpectedly meets and befriends (in a very weird, unique way) an awkward (understatement of the century) young woman. It has all the quirk of Napoleon Dynamite and yet all the vulgarity of The Wolf of Wall Street. And in every way possible, this outlandish blend of genres works so well. The film originally premiered at Sundance in January of 2020, but, given the Covid-19 pandemic, it did not see a theatrical release until this past year. Streaming for free for subscribers to Hulu.

No. 12 – Barbarian

Barbarian is such a wild ride, and I loved every minute of it. I cannot say too much about the film and its plot, as it is quite easy to accidentally reveal too much. What I can say is this movie was both exactly what I thought it might be and unlike anything I had ever anticipated it to be. It feels like three separate stories told respectively in each act, but all the while the film maintains an intriguing through line. If you like horror movies, this one is a must-see! Streaming for free for subscribers to HBO Max.

No. 13 – Nope

Following Get Out (2017) and Us (2019), Jordan Peele unveiled Nope, the third film in which he directed, wrote, and produced. I loved Get Out, but Us didn’t quite land for me in the same way. Regardless, I was always going to see Nope, as the Mad TV and Key & Peele alum clearly maintains a knack for horror. Ultimately, Nopeexceeded my expectations. The cinematography was captivating, the production design was stunning, and the acting was stellar, especially Keke Palmer’s performance. Further, Nope featured one of my favorite scenes of the year—Gordy the chimpanzee stole the show. Streaming for free for subscribers to Peacock.

No. 14 – Watcher

In 2014, actress Maika Monroe had her breakthrough performance in It Follows, one of the best horror films of the past ten years—she was a revelation in that movie. Eight years later, Monroe delivered another brilliant performance in Watcher, an eerily deliberate psychological thriller about Julia, a young woman who relocates from the United States to Romania with her husband for his job, who constantly feels watched by a man across the street. Writer/director Chloe Okuno, in her feature film debut, crafts an incredibly chilling, anxiety-inducing tale. Streaming for free for subscribers to Hulu.

No. 15 – The Fabelmans

One year after giving audiences an amazing West Side Story remake, Steven Spielberg delivered his most personal movie ever—The Fabelmans, which was loosely based on his own childhood. Each of these two films received seven Oscar nominations, including back-to-back Best Picture and Best Director nominations for Spielberg. Despite being over 50 years into his filmmaking career, Spielberg proves with The Fabelmans why he’s still got it! Streaming available for purchase or rent on most major platforms

Complete Ranking of All Films Seen from 2022

  1. Aftersun
  2. Everything Everywhere All at Once
  3. Top Gun: Maverick
  4. All Quiet on the Western Front (Im Westen nichts Neues)
  5. Pearl
  6. Babylon
  7. The Banshees of Inisherin
  8. Cha Cha Real Smooth
  9. Triangle of Sadness
  10. The Northman
  11. Dinner in America
  12. Barbarian
  13. Nope
  14. Watcher
  15. The Fabelmans
  16. X
  17. Navalny
  18. Living
  19. Don’t Worry Darling
  20. Hustle
  21. The Batman
  22. Bullet Train
  23. Nitram
  24. Resurrection
  25. RRR
  26. Tár
  27. Elvis
  28. Fresh
  29. The Unbearable Weight of Massive Talent
  30. Fire of Love
  31. Dive (La caída)
  32. The Whale
  33. Women Talking
  34. Till
  35. Avatar: The Way of Water
  36. Smile
  37. Glass Onion: A Knives Out Mystery
  38. The Innocents (De uskyldige)
  39. The Black Phone
  40. Dual
  41. The Volcano: Rescue from Whakaari
  42. Brian and Charles
  43. Marcel the Shell with Shoes On
  44. Black Panther: Wakanda Forever
  45. The Gray Man
  46. The Inspection
  47. Thor: Love and Thunder
  48. Bodies Bodies Bodies
  49. The Lost City
  50. The Menu
  51. The Stranger
  52. Emily the Criminal
  53. This Place Rules
  54. Good Luck to You, Leo Grande
  55. Jackass Forever
  56. Bones and All
  57. After Yang
  58. The Woman King
  59. Downfall: The Case Against Boeing
  60. The Good Nurse
  61. Significant Other
  62. The Sky Is Everywhere
  63. Blonde
  64. Three Thousand Years of Longing
  65. Amsterdam
  66. Causeway
  67. Men
  68. On the Count of Three
  69. The Tinder Swindler
  70. Anaïs in Love (Les Amours d’Anaïs)
  71. To Leslie
  72. Empire of Light
  73. Emergency
  74. Nanny
  75. She Said
  76. Girl in the Picture
  77. Doctor Strange in the Multiverse of Madness
  78. Sonic the Hedgehog 2
  79. Fall
  80. Saloum
  81. Mad God
  82. Our Father
  83. Pleasure
  84. Black Adam
  85. Jurassic World Dominion
  86. Honk for Jesus. Save Your Soul.
  87. Lyle, Lyle, Crocodile
  88. Dashcam
  89. The Ice Age Adventures of Buck Wild

Everything to Know About Tonight’s 95th Academy Awards

In advance of tonight’s 95th Oscars (which will honor the films released in 2022), I present to you: (1) my predictions for the biggest awards of the night (Best Picture, Best Actress, Best Actor, Best Supporting Actress, and Best Supporting Actor), including a discussion of the current betting odds in each of those categories; (2) a list of Oscar acting snubs and other noteworthy performances from 2022; and (3) my personal ballot for all categories in which I have seen each film/performance (14 of the 23 total categories, with a total of 91 of the 120 nominees and 86.67% of the non-short nominees).

Rather than releasing the list of my favorite films from 2022 with this post, I will publish it separately this week. So be on the lookout for that post, which will provide reviews of my 15 favorite movies of the year and include a complete ranking of all 89 films I saw from this year’s Oscars eligibility period. With that said, check out this post in greater detail below, and make sure to tune into the 95th Academy Awards tonight at 7:00 p.m. (CST) on ABC, live from the Dolby Theatre in Hollywood, California. Enjoy the show, film fans!

Who Could, Should, and Will Take Home Film’s Biggest Awards

Best Picture

Who Could WinAll Quiet on the Western Front OR The Banshees of Inisherin OR Top Gun: Maverick

This year, the Best Picture category has a clear frontrunner: Everything Everywhere All at Once. However, if there’s a chance any film could score an upset, it is unclear which one would do it. All Quiet on the Western Front, The Banshees of Inisherin, and Top Gun: Maverick are all tied at +1400 for the second-best odds.

Who Should WinEverything Everywhere All at Once

This is now one of my favorite movies of all time. Enough said.

Who Will WinEverything Everywhere All at Once

At -1500 frontrunner odds, the Daniels have already secured this award at the British Academy Film Awards, Critics’ Choice Movie Awards, and the Golden Globe Awards. A24 is hours away from securing its second Oscar win for Best Picture, after Moonlight won six years ago.

Best Actress in a Leading Role

Who Could Win: Cate Blanchett

There is a clear two-horse race in this category, and either Michelle Yeoh or Cate Blanchett will take home the Academy Award. Blanchett won at the British Academy Film Awards, Critics’ Choice Movie Awards, and the Golden Globes (in the drama category). While Michelle Yeoh is a slight betting favorite, Blanchett is scoring +190 odds to win her third Oscar.

Who Should Win: Michelle Yeoh

This is simply a perfect movie, and one of its greatest strengths is its acting performances. The core in that department is Michelle Yeoh, who delivers one of the most exceptional performances of the year.

Who Will Win: Michelle Yeoh

I truly think this category could go either way, but in the end, with -275 betting odds, I’m taking Michelle Yeoh to land her first Oscar.

Best Actor in a Leading Role

Who Could Win: Austin Butler

Another tight race this year is for Best Actor, where Brendan Fraser (-200) and Austin Butler (+150) will duke it out. Fraser is currently the frontrunner, but don’t count Butler out—his performance as Elvis Presley has already secured him awards at the British Academy Film Awards and the Golden Globe Awards (in the drama category).

Who Should Win: Colin Farrell

Although I really did enjoy both performances from Austin Butler and Brendan Fraser this year, if I had a vote, it would go to Colin Farrell for his stellar and profound work in The Banshees of Inisherin. Although Farrell won’t land the award (he’s currently getting third-best odds at +1400), he deserves it (in my opinion).

Who Will Win: Brendan Fraser

Talk about a comeback for the ages. Brendan Fraser was sublime in The Whale, and I really think the 54-year-old will leave the ceremony tonight with his first career Academy Award.

Best Actress in a Supporting Role

Who Could Win: Jamie Lee Curtis OR Angela Bassett OR Kerry Condon

The most wide-open race this year in an acting category is Best Supporting Actress, as there is no clear betting “favorite.” One of three performers will win out for the award—Jamie Lee Curtis (+120), Angela Bassett (+135), and Kerry Condon (+260). The actresses have split the awards this season, with Curtis winning at the Screen Actors Guild Awards, Bassett taking home the prize at both the Critics’ Choice Movie Awards and the Golden Globe Awards, and Condon landing a victory at the British Academy Film Awards.

Who Should Win: Stephanie Hsu

Despite the tight race among the top three in this category, my favorite performance came courtesy of 32-year-old performer Stephanie Hsu. Everything Everywhere All at Once is a beautifully wild tale of intergenerational trauma, and although Michelle Yeoh and Ke Huy Quan are the most impressive actors in the film, Hsu is very, very close behind. At +2000 odds, Hsu won’t win tonight, but that shouldn’t diminish her shine in any way.

Who Will Win: Angela Bassett

Again, this category is a toss-up, but I think Angela Bassett ultimately wins.

Best Actor in a Supporting Role

Who Could Win: Barry Keoghan OR Brendan Gleeson

This category is all but locked up, but just for fun, the two supporting actors in The Banshees of Inisherin are getting the next-best odds at +1400. I loved this film, and I loved both performances immensely.

Who Should Win: Ke Huy Quan OR Barry Keoghan

I simply cannot decide who I’d vote for if given the chance this year. On the one hand, Ke Huy Quan is absolutely legendary in Everything Everywhere All at Once. On the other hand, Barry Keoghan is perfect in Banshees. Either of these two performers would make a worthy winner tonight.

Who Will Win: Ke Huy Quan

After tonight, Ke Huy Quan will be etched into the history books, no longer known simply for playing Short Round in 1984’s Indiana Jones and the Temple of Doom or Data in 1985’s The Goonies. At -4000 frontrunner odds, the only major award Quan didn’t land was the BAFTA, which went to Keoghan.

Snubs and Other Performances

Last year, I said the following: “If you think the nominees in the acting categories at the Academy Awards are always the five best from the previous year, you’re greatly mistaken.” That could not be truer this year. Here are my thoughts on some of the best performances of 2022, which should have landed an Oscar nomination:

Lead Actress: Not only did Mia Goth provide a wonderful performance in Ti West’s X this year, but she co-wrote and again starred in West’s prequel Pearl. In Pearl, Goth gives one of the single best performances from any actor in 2022. Further, I am stunned that Danielle Deadwyler was snubbed for her heart-wrenching performance in Till. My other favorite lead actress performances of 2022 were (alphabetically) Olivia Colman in Empire of Light, Rebecca Hall in Resurrection, Maika Monroe in Watcher, Florence Pugh in Don’t Worry Darling, Margot Robbie in Babylon, Taylor Russell in Bones and All, and Emma Thompson in Good Luck to You, Leo Grande.

Lead Actor: Despite the polarizing critic reviews, I loved Babylon, and although the film features stellar performances from Brad Pitt, Margot Robbie, Jovan Adepo, and Jean Smart, the breakthrough role was Manuel, played by Diego Calva—he delivered a lights-out performance. Another under-appreciated performance this year was Jeremy Pope in The Inspection, wherein Pope played the role of Ellis French, a gay Black man who endures a brutal experience at a Marines boot camp—the film is based on writer/director Elegance Britton’s real-life experience, and Pope played it masterfully. My other favorite lead actor performances of 2022 were (alphabetically) Christian Bale in Amsterdam, Nicolas Cage in The Unbearable Weight of Massive Talent, David Earl in Brian and Charles, Caleb Landry Jones in Nitram, Felix Kammerer in All Quiet on the Western Front, Cooper Raiff in Cha Cha Real Smooth, Adam Sandler in Hustle, Alexander Skarsgård in The Northman, and Sebastian Stan in Fresh.

Supporting Actress: I loved Jordan Peele’s newest film Nope this year, and the standout performer was Keke Palmer—she absolutely brought this film to life. Further, although I am glad Paul Mescal was nominated for Best Actor for Aftersun, the greatest performance in that film comes from the young breakthrough actress Frankie Corio. She was truly brilliant. My other favorite supporting actress performances of 2022 were (alphabetically) Jessie Buckley in Women Talking, Claire Foy in Women Talking, Thuso Mbedu in The Woman King, Sadie Sink in The Whale, and Jean Smart in Babylon.

Supporting Actor: Two actors who definitely deserved more awards love this year were Mark Rylance, who portrayed quite possibly the creepiest film character of 2022 in Bones and All, and Micheal Ward, who was a revelation in an otherwise average film Empire of Light. My other favorite supporting actor performances of 2022 were (alphabetically) Jovan Adepo in Babylon, Sean Harris in The Stranger, Rory Kinnear in Men, Daryl McCormack in Good Luck to You, Leo Grande, Pedro Pascal in The Unbearable Weight of Massive Talent, Brad Pitt in Babylon, Eddie Redmayne in The Good Nurse, Seth Rogen in The Fabelmans, and Ben Whishaw in Women Talking.

My Personal Ballot for the 95th Academy Awards

Best Picture

  1. Everything Everywhere All at Once
  2. Top Gun: Maverick
  3. All Quiet on the Western Front
  4. The Banshees of Inisherin
  5. Triangle of Sadness
  6. The Fabelmans
  7. Tár
  8. Elvis
  9. Women Talking
  10. Avatar: The Way of Water

Best Director

  1. Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once
  2. Martin McDonagh – The Banshees of Inisherin
  3. Steven Spielberg – The Fabelmans
  4. Ruben Östlund – Licorice Pizza
  5. Todd Field – Tár

Best Actor in a Leading Role

  1. Colin Farrell – The Banshees of Inisherin
  2. Brendan Fraser – The Whale
  3. Austin Butler – Elvis
  4. Paul Mescal – Aftersun
  5. Bill Nighy – Living

Best Actress in a Leading Role

  1. Michelle Yeoh – Everything Everywhere All at Once
  2. Cate Blanchett – Tár
  3. Ana de Armas – Blonde
  4. Michelle Williams – The Fabelmans
  5. Andrea Riseborough – To Leslie

Best Actor in a Supporting Role

  1. Ke Huy Quan – Everything Everywhere All at Once
  2. Barry Keoghan – The Banshees of Inisherin
  3. Brendan Gleeson – The Banshees of Inisherin
  4. Brian Tyree Henry – Causeway
  5. Judd Hirsch – The Fabelmans

Best Actress in a Supporting Role

  1. Stephanie Hsu – Everything Everywhere All at Once
  2. Kerry Condon – The Banshees of Inisherin
  3. Jamie Lee Curtis – Everything Everywhere All at Once
  4. Hong Chau – The Whale
  5. Angela Bassett – Black Panther: Wakanda Forever

Best Original Screenplay

  1. Everything Everywhere All at Once – Daniel Kwan and Daniel Scheinert
  2. The Banshees of Inisherin – Martin McDonagh
  3. Triangle of Sadness – Ruben Östlund
  4. Tár – Todd Field
  5. The Fabelmans – Steven Spielberg and Tony Kushner

Best Adapted Screenplay

  1. Top Gun: Maverick – Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie (screenplay); Peter Craig and Justin Marks (story); based on the film Top Gun (1986) written by Jim Cash and Jack Epps Jr.
  2. Living – Kazuo Ishiguro; based on the original motion picture screenplay Ikiru (1952) by Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni
  3. Women Talking – Sarah Polley; based on the 2018 novel of the same name by Miriam Toews
  4. All Quiet on the Western Front – Edward Berger, Lesley Paterson, and Ian Stokell; based on the 1929 novel of the same name by Erich Maria Remarque
  5. Glass Onion: A Knives Out Mystery – Rian Johnson; based on characters created by Johnson and the film Knives Out (2019)

Best Original Score

  1. Babylon – Justin Hurwitz
  2. All Quiet on the Western Front – Volker Bertelmann
  3. Everything Everywhere All at Once – Son Lux
  4. The Fabelmans – John Williams
  5. The Banshees of Inisherin – Carter Burwell

Best Sound

  1. Top Gun: Maverick – Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor
  2. All Quiet on the Western Front – Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel, and Stefan Korte
  3. The Batman – Stuart Wilson, William Files, Douglas Murray, and Andy Nelson
  4. Avatar: The Way of Water – Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers, and Michael Hedges
  5. Elvis – David Lee, Wayne Pashley, Andy Nelson, and Michael Keller

Best Production Design

  1. Babylon – Production Design: Florencia Martin; Set Decoration: Anthony Carlino
  2. All Quiet on the Western Front – Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
  3. Elvis – Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
  4. Avatar: The Way of Water – Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
  5. The Fabelmans – Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Makeup and Hairstyling

  1. Elvis – Mark Coulier, Jason Baird, and Aldo Signoretti
  2. The Whale – Adrien Morot, Judy Chin, and Anne Marie Bradley
  3. The Batman – Naomi Donne, Mike Marino, and Mike Fontaine
  4. Black Panther: Wakanda Forever – Camille Friend and Joel Harlow
  5. All Quiet on the Western Front – Heike Merker and Linda Eisenhamerová

Best Film Editing

  1. Everything Everywhere All at Once – Paul Rogers
  2. Top Gun: Maverick – Eddie Hamilton
  3. The Banshees of Inisherin – Mikkel E.G. Nielsen
  4. Elvis – Matt Villa and Jonathan Redmond
  5. Tár – Monika Willi

Best Visual Effects

  1. Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett
  2. Black Panther: Wakanda Forever – Geoffrey Baumann, Craig Hammack, R. Christopher White, and Dan Sudick
  3. Top Gun: Maverick – Ryan Tudhope, Seth Hill, Bryan Litson, and Scott R. Fisher
  4. All Quiet on the Western Front – Frank Petzold, Viktor Müller, Markus Frank, and Kamil Jafar
  5. The Batman – Dan Lemmon, Russell Earl, Anders Langlands, and Dominic Tuohy