Fall Preview 2016: No. 5 – No. 1

Time to go up…cause it’s TUESDAY! More importantly, the conclusion to my “Fall Preview 2016” is finally here. Over the past few days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2016 list. Enjoy!

No. 5 – La La Land

La La Land is a film set in Los Angeles where aspiring actress Mia (Emma Stone) serves lattes to movie stars in between auditions, while dedicated jazz musician Sebastian (Ryan Gosling) plays in dingy bars in order to scrape by. The two meet and fall in love, but, as success mounts, the dreams they worked so hard to maintain threaten to rip them apart.

la-la-land-2I have been awaiting the release of La La Land for quite some time because of the man sitting in the director’s chair: Damien Chazelle. In 2014, Chazelle broke out with his critically acclaimed debut Whiplash, one of the best movies I have seen in years (Whiplash ranked No. 1 on my list of Top 15 Films of 2014). Considering Chazelle’s masterful filmmaking in Whiplash, it was impossible for me not to be excited for his sophomore effort. La La Land finds itself in the No. 5 slot on my list on the strength of Chazelle’s previous film, so I truly hope that it does not fall flat due to failing to meet expectations. However, rumors are that La La Land is just as good as Whiplash, garnering an immense amount of Oscar support months in advance of its release. If this thing turns out to be as good as it is being hyped up to be, Damien Chazelle will cement himself as one of the very elite filmmakers in the business today.

Part of Whiplash’s success was due to wonderful performances from its cast: J.K. Simmons delivered an Oscar-winning performance that will forever be one of my all-time favorites, and Miles Teller portrayed a determined, yet wildly intense jazz student with absolute precision. I am optimistic about La La Land’s potential because Chazelle has again assembled a top-notch cast. The aforementioned Simmons is back in a supporting role, but the film’s leads have a history of on-screen chemistry, which gives the film an extra boost. Ryan Gosling and Emma Stone previously starred together in a romantic capacity in Crazy, Stupid, Love and Gangster Squad, and their relationships in these films were incredibly real and believable—I cannot wait to watch them interact again here. La La Land is set for a theatrical release on December 2, 2016.

Director: Damien Chazelle (Whiplash)

Starring: Ryan Gosling (The Nice Guys, The Big Short), Emma Stone (Aloha, Birdman), and J.K. Simmons (Zootopia, Whiplash)

Trailer: https://www.youtube.com/watch?v=DBUXcNTjviI

No. 4 – Passengers

Passengers follows the spaceship, Starship Avalon, on its 120-year voyage to a distant colony planet known as “Homestead II.” The Starship Avalon, transporting 5,259 people, has a malfunction in two of its sleep chambers. As a result, two hibernation pods open prematurely and the two people (Chris Pratt and Jennifer Lawrence) that awoke are stranded on the spaceship, still 90 years from their destination. The two soon discover that the malfunction that caused them to be awoken prematurely is not the only problem afflicting the huge spaceship.

passengers-2Passengers is one of those movies that has blockbuster hit written all over it. Jennifer Lawrence and Chris Pratt are arguably two of the most “big time” actors currently in the business, and their collaboration here is sure to drive up ticket sales this Christmas. And rightfully so—Lawrence is a three-time Oscar-nominated actress and Pratt has ascended to mainstream stardom with performances in Guardians of the Galaxy and Jurassic World. Notwithstanding the hype that this duo has and will to continue to garner in the lead up to the film’s release, I truly believe this pairing will make waves via pure acting ability, too. Lawrence is easily one of the top three or four actresses in Hollywood, and here I expect her to combine her proficient dramatic/comedic acting skills (see Silver Linings Playbook and American Hustle) with her knack for adventure (see The Hunger Games). And although he has not garnered any award-worthy praise yet, Chris Pratt is definitely one of the brightest stars in Hollywood. I expect the same sharp wit from Pratt that we have grown accustomed to seeing (see Guardians of the Galaxy), and that is never a bad thing.

As far as the filmmaking, Passengers has plenty going for it. Manning the director’s chair is Morten Tyldum, the filmmaker behind the Norwegian hit Headhunters and the Oscar-nominated The Imitation Game. Headhunters is absolutely incredible and, although I was not a massive fan of The Imitation Game, I simply cannot deny the stunning meticulousness with which Tyldum crafted the film; thus, I feel comfortable with him leading Passengers, a big-budget sci-fi thriller. The fact that Jon Spaihts penned the screenplay only adds to my excitement, as he wrote the screenplay for 2012’s Prometheus, one of my favorite science-fiction films in recent memory. Passengers is set for a theatrical release on December 21, 2016.

Director: Morten Tyldum (Midnight Special, Mud)

Starring: Jennifer Lawrence (X-Men Apocalypse, Joy), Chris Pratt (The Magnificent Seven, Jurassic World), and Michael Sheen (Nocturnal Animals, Far from the Madding Crowd)

Trailer: https://www.youtube.com/watch?v=7BWWWQzTpNU

No. 3 – Silence

Set in the 17th century, Silence tells the story of two Jesuit priests (Andrew Garfield and Adam Driver) who face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Christianity.

Without a doubt, Martin Scorsese is one of the greatest directors of all time. From Taxi Driver to Goodfellas, Gangs of New York to The Wolf of Wall Street, Scorsese has been lighting up the silver screen for decades with remarkable, high-quality films. Clearly, it is not hard to see why Silence finds itself in the top three of my list of most anticipated films this fall. In Silence, we have what can only be described as Scorsese’s true “passion project”—he began developing the film in 1990! Very few people—let alone filmmakers—could retain an interest in something for over 20 years, but that is what sets Martin Scorsese apart. The man is a cinematic visionary, and he has never once let me down with a project—I do not expect him to start now.

silence-2Aside from his filmmaking skills in general, Scorsese’s movies work on so many levels because of his ability to always get the most out of his actors. From Robert De Niro to Leonardo DiCaprio, Scorsese has worked with the best actors in the business, and those stars always seem to shine their brightest while working at Scorsese’s direction. With that said, I cannot wait to see what this iconic filmmaker has done with the pieces that he has assembled (i.e., Andrew Garfield, Adam Driver, and Liam Neeson). Garfield and Driver are two of the most polished up-and-comers in Hollywood, and both of their careers have produced a number of outstanding performances—I am hopeful that they both deliver their best ones to date in Silence. What I am most excited for from a casting standpoint, however, is Liam Neeson. The Oscar-nominated actor had a supporting role in Scorsese’s Gangs of New York and knocked his limited time on the screen out of the park—I cannot wait to see the two reunite with Neeson in a starring role. It goes without saying: I expect big things! Silence is set for a theatrical release on December 23, 2016.

Director: Martin Scorsese (The Wolf of Wall Street, Hugo)

Starring: Andrew Garfield (Hacksaw Ridge, 99 Homes), Liam Neeson (A Monster Calls, Non-Stop), and Adam Driver (Paterson, Midnight Special)

Trailer: n/a

No. 2 – The Girl on the Train

The Girl on the Train follows Rachel Watson (Emma Blunt), an alcoholic who divorced her husband Tom (Justin Theroux) after she caught him cheating on her. Rachel takes the train to work daily. She fantasizes about the relationship of her neighbors, Scott and Megan Hipwell (Luke Evans and Haley Bennett), during her commute. That all changes when she witnesses something from the train window and Megan is found to be missing, presumed dead.

Back in 2014, the number one movie on this very list was Gone Girl, the film adaptation of Gillian Flynn’s best-selling novel. Two years later (albeit in the number two spot), here I am writing about The Girl on the Train. Now I know, they are two separate movies with two separate premises. But it is hard not to want to compare them in some form: They are both mystery thrillers with similar themes derived from books that took the world by storm. Gone Girl was one of the best movies I saw in 2014, and it definitely lived up to the hype for me—I sure hope The Girl on the Train does this year, too.

girl-train-2Aside from the attention the film is getting due to its source material’s acclaim, I have been awaiting the release of The Girl on the Train because of Emily Blunt. For those that have read my reviews in the past for Looper, Edge of Tomorrow, and Sicario, what I am about to say is old news: Emily Blunt is one of my top two favorite actresses currently in the movie business, and I have gotten to the point where I will watch anything she makes. This is not (just) because of some love affair with her on a purely shallow basis; rather, I believe she has developed into one of the premier female talents in Hollywood. On the strength of my fandom for Blunt, I am more than ready to plop down in a seat at my local theater this Friday to see what I hope turns out to be a thrilling ride (on a train, of course). The Girl on the Train is set for a theatrical release on October 7, 2016.

Director: Tate Taylor (Get On Up, The Help)

Starring: Emily Blunt (The Huntsman: Winter’s War, Sicario), Rebecca Ferguson (Florence Foster Jenkins, Missions: Impossible – Rogue Nation), Haley Bennett (The Magnificent Seven, Hardcore Henry), Justin Theroux (Zoolander 2, Wanderlust), and Luke Evans (High-Rise, Furious 7)

Trailer: https://www.youtube.com/watch?v=y5yk-HGqKmM

No. 1 – Arrival

Arrival follows an elite team that is put together to investigate when multiple mysterious spacecraft touch down across the globe. Mankind teeters on the verge of global war as everyone scrambles for answers—and to find them, team members Louise Banks (Amy Adams), Ian Donnelly (Jeremy Renner), and US Army Colonel Weber (Forest Whitaker) will take a chance that could threaten their lives, and, quite possibly, humanity.

arrival-2Science-fiction is nowhere near the top of my list of favorite film genres. Don’t get me wrong, I do like them—but if I had to pick a range of 4-5 types of movies to watch on a Friday night, science-fiction would not be one of them. But Arrival is peak alien sci-fi…so how can it rank so high on this list? The answer is simple: Denis Villeneuve. Although I still have not seen Villeneuve’s Maelstrom (the winner of the International Federation of Film Critics Award at the Berlin Film Festival) or Incendies (the Oscar-nominated foreign language film), I still view the French-Canadian filmmaker to be one of the best in the business—this is because of Prisoners and Sicario. While in Prisoners Villeneuve crafted a film that was emotionally complex and disturbing at times, yet all the while encapsulating, he truly blew me away with last year’s Sicario, a tightly wound drug cartel thriller that put Villeneuve’s brazen filmmaking on full display for the world to see. Needless to say, his involvement with Arrival makes it a no-brainer for me to be so interested!

In Prisoners, Villeneuve truly directed his balls off in getting the most from his actors (Hugh Jackman, Jake Gyllenhaal, Paul Dano, and Terrence Howard absolutely killed it), and in Sicario, the very same was true (Emily Blunt and Benicio Del Toro delivered unbelievably outstanding performances). Here, I am anxious to see what Villeneuve does with another stellar cast. Amy Adams is one of my favorite actresses (and by far one of the best in the business), Jeremy Renner always does a great job, and Forest Whitaker is a veteran in the game who still treats every performance as if it is his last. The talent is there from both an acting and directorial standpoint—I am confident that the two will intersect beautifully and Arrival will meet all of its undeniably high expectations. Arrival is set for a theatrical release on November 11, 2016.

Director: Denis Villeneuve (Sicario, Prisoners)

Starring: Amy Adams (Nocturnal Animals, Big Eyes), Jeremy Renner (Captain America: Civil War, Mission: Impossible – Rogue Nation), and Forest Whitaker (Rogue One: A Star Wars Story, Southpaw)

Trailer: https://www.youtube.com/watch?v=tFMo3UJ4B4g

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Review: My Ballot and Countdown

NomineesWith my third annual countdown in the books, we have finally reached the big day: the Academy Awards.  In preparation for tonight’s ceremony, I am providing all of you with a review of my blog from these past few weeks.  This review includes all of the winners of the 14 categories in which I have seen each nominated film/performance and have subsequently blogged about (my personal ballot), and it also includes my list of the “Top 15 Films of the Year.”

Get caught up on my picks, and feel free to look back over any of my past posts featuring much more in-depth commentary on each of these films and performances.  And make sure to tune into the 87th Academy Awards tonight at 7:30pm (CST) on ABC, live from the Dolby Theatre in Los Angeles, CA.  Enjoy, everyone!

My Oscar Winners:

Best Picture: Whiplash

Actor in a Leading Role: Eddie Redmayne (The Theory of Everything)

Actor in a Supporting Role: J.K. Simmons (Whiplash)

Actress in a Leading Role: Rosamund Pike (Gone Girl)

Actress in a Supporting Role: Patricia Arquette (Boyhood)

Best Director: Alejandro G. Iñárritu (Birdman)

Best Cinematography: Emmanuel Lubezki (Birdman)

Best Film Editing: Joel Cox and Gary D. Roach (American Sniper)

Best Makeup and Hairstyling: Elizabeth Yianni-Georgiou and David White (Guardians of the Galaxy)

Best Original Score: Jóhann Jóhannsson (The Theory of Everything)

Best Production Design: Nathan Crowley and Gary Fettis (Interstellar)

Best Sound Mixing: Craig Mann, Ben Wilkins, and Thomas Curley (Whiplash)

Best Adapted Screenplay: Damien Chazelle (Whiplash)

Best Original Screenplay: Dan Gilroy (Nightcrawler)

Top 15 Films of the Year:

  1. Whiplash
  2. Locke
  3. Nightcrawler
  4. Starred Up
  5. The Theory of Everything
  6. Boyhood
  7. Blue Ruin
  8. American Sniper
  9. Guardians of the Galaxy
  10. Birdman
  11. Fury
  12. Calvary
  13. Interstellar
  14. Gone Girl
  15. The Lego Movie

 

Best Picture

87th Academy Awards Nominations AnnouncementThis year, one of eight nominated films will be inducted into an exclusive society of movies when it receives the Academy’s greatest honor: the Oscar for Best Picture.  Some of the films that this year’s winner will be joining include Lawrence of ArabiaKramer vs. KramerPlatoonForrest GumpCrash12 Years a Slave, and many more; needless to say, this year’s Best Picture winner will be joining an elite collection of the world’s greatest films of all time.  The following is my Oscars ballot for this category, Best Picture:

WINNERWhiplash

2. The Theory of Everything

3. Boyhood

4. American Sniper

5. Birdman

6. The Imitation Game

7. Selma

8. The Grand Budapest Hotel

 

Best Adapted Screenplay

Best Adapted Screenplay Nominees

This year (just like last year), nearly every single writer nominated in this category will be attending the Academy Awards for the very first time. In fact, the only writer in this year’s group that has ever been nominated before is Paul Thomas Anderson (he has received three previous writing nominations), nominated this year for Inherent Vice. The following is my Oscars ballot for this category, Best Adapted Screenplay:

Damien ChazelleWINNER: Damien Chazelle (Whiplash)

Damien Chazelle (also the director of Whiplash) adapted this screenplay from his screenplay for a short film of the same name. Chazelle has never previously been nominated for an Academy Award.

  1. Anthony McCarten (The Theory of Everything)

Anthony McCartenAnthony McCarten adapted this screenplay from Jane Wilde Hawking’s book Travelling to Infinity: My Life with Stephen. McCarten has never previously been nominated for an Academy Award.

  1. Jason Hall (American Sniper)

Jason HallJason Hall adapted this screenplay from the autobiography American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History, co-written by Chris Kyle, Scott McEwan, and Jim DeFelice. Hall has never previously been nominated for an Academy Award.

  1. Graham Moore (The Imitation Game)

Graham MooreGraham Moore adapted this screenplay from Andrew Hodges’s book Alan Turing: The Enigma. Moore has never previously been nominated for an Academy Award.

  1. Paul Thomas Anderson (Inherent Vice)

PTAPaul Thomas Anderson adapted this screenplay from Thomas Pynchon’s novel of the same name. Anderson has previously been nominated for three Academy Awards in writing categories: Best Original Screenplay (Boogie Nights and Magnolia) and Best Adapted Screenplay (There Will Be Blood).

Best Supporting Actor

Best Supporting Actor NomineesThis year’s category features five very familiar faces. Other than the veteran Robert Duvall (receiving his sixth Oscar nomination), the other four men have varying experience at the Academy Awards, escalating from zero previous nominations (J.K. Simmons) to one (Mark Ruffalo) to two (Edward Norton) and to three (Ethan Hawke; only one previous acting nomination). The following is my Oscars ballot for this category, Best Actor in a Supporting Role:

WINNER: J.K. Simmons (Whiplash)

JKIn my opinion, J.K. Simmons delivered the most extraordinary acting performance of any kind in 2014. I have been eagerly awaiting the release of my “Best Supporting Actor” ballot simply because of Simmons’s tour de force in Whiplash as Terence Fletcher, the conductor of New York’s most prestigious music school. Fletcher is totalitarian, bullying, and without any charismatic quality, and Simmons breaks free from his seemingly charming persona (as depicted in most of his films) to breathe life into this despotic conductor—for the sake of cinema, Simmons thrives in this newfound “asshole” role. Never once did I say, “I just cannot buy into Simmons as this tormenting, crass character,” which would be easy to do considering he is the Farmers Insurance guy. From the moment Fletcher stepped into his first scene, I was completely on board with Simmons’s harrowing portrayal. He owns every single scene that he is featured in, and I would watch Whiplash (an absolutely spellbinding film unto itself) over and over again just to see Simmons. His terrifying nature in this film had me on the edge of my seat, and this is almost exclusively due to one of the best acting performances of the past decade. Simmons has never previously been nominated for an Academy Award.

  1. Edward Norton (Birdman) 

EdIn Birdman, Edward Norton plays Mike Shiner, a volatile method actor that is hired at the last minute to play a key role in failing actor Riggan Thompson’s Broadway adaptation of Raymond Carver’s What We Talk About When We Talk About Love. This movie is about as odd as it gets, but it succeeds in more ways than one—one of those ways is via Norton’s hilarious performance. Shiner is one of the cockiest SOBs you will ever see on the big screen, and Norton delivers this not-so-subtle swagger with ostentatious vigor. Some of the film’s most hilarious scenes are a result of Norton’s spirited performance. During the Broadway show’s preview before opening night, Shiner gets so “method” that he actually gets drunk (his character is seen drinking alcohol in this particular scene) and embarks on an inebriated rant in front of the crowd. In another scene, he is supposed to be pretending to engage in “coitus” with Naomi Watts’s character, but instead of “acting,” Shiner attempts to actually have intercourse with her on stage. These scenes are downright hilarious, and Edward Norton’s performance is spot-on. With a long career featuring amazing performances, this is by far one of his best. Norton was previously nominated for Best Actor for Primal Fear (1996) and for Best Supporting Actor for American History X (1998).

  1. Robert Duvall (The Judge)

BobDIn The Judge, Robert Duvall portrays the titular “judge.” Judge Joseph Palmer, a respected man in a small town, is thrust into a nightmarish whirlwind as he is arrested and charged with murder. Robert Duvall is clearly one of Hollywood’s most enduring performers, and with a career (spanning over 50 years) full of memorable roles, the 84-year-old veteran adds another spectacular performance to his already incredible filmography. Judge Palmer is a complicated character. He has just lost his wife, is suspected of murdering a local man, and is battling illness—this is by far the most trying time in his life. I could not imagine anyone else making this performance work as well as Duvall. In recent years, he always plays the smart-mouth, grumpy character well, but it is in the most emotional of Judge Palmer’s scenes that Duvall most flourishes. I was not a massive fan of this movie, but I was more than impressed by the way Duvall carried the story throughout. Robert Duvall has been previously nominated five times in acting categories at the Oscars, winning the Academy Award for Best Actor for Tender Mercies (1983). 

  1. Mark Ruffalo (Foxcatcher) 

MarkIn Foxcatcher, Mark Ruffalo plays the real-life Olympic champion Dave Schultz. I enjoyed Foxcatcher (not as much as I was hoping for, though), and it is most due to the remarkable acting performances from Steve Carell, Channing Tatum, and Mark Ruffalo. Carell plays the consistently mysterious and disturbing John du Pont and Tatum plays the macho, but unassuming Mark Schultz; however, the most intriguing character is Dave Schultz. He is by far the most levelheaded of the film’s main cast, and Ruffalo portrays the character amazingly. According to Ruffalo in an interview with Entertainment Weekly, the physical and emotional preparation for Foxcatcher was intense: “I’ve never done anything harder in my life[.] I’ve never been pushed more. It was literally blood, sweat, and tears on this movie. Every part of it.” In some of the most vexing scenes of this movie, it is Ruffalo who delivers the most truthful of performances, and it is part of the reason Foxcatcher is so good from an acting standpoint. Ruffalo was previously nominated for Best Supporting Actor for his role in 2010’s The Kids Are All Right.

  1. Ethan Hawke (Boyhood)

EthanIn Richard Linklater’s 12-year epic Boyhood, Ethan Hawke portrays Mason, the divorced father of Samantha and Mason, Jr. Boyhood is an unbelievable film, but I have Hawke in last place in this category because I do not agree with his nomination. Yes, he gives a great performance, but it was nothing memorable in my opinion—he is merely serviceable in his role. Fresh off of his Oscar nomination for 2001’s Training Day, Hawke’s performance in those initial scenes (filmed first back in 2002) is stellar. He is everything you would expect from an Oscar nominee. However, like his acting career since 2002, his performance seems to go downhill throughout the rest of the film. It never borders on a “bad” performance, but it is not anything that sticks out as Oscar-worthy. He seems like he is just playing Ethan Hawke, which is not compelling enough for me to believe his inclusion in this category is justified. Although Hawke has received two Oscar nominations for screenwriting, his only previous nomination in an acting category was for Best Supporting Actor for his role in Training Day (2001).

Actors snubbed in this category: Shia LaBeouf (Fury), Jon Bernthal (Fury) Riz Ahmed (Nightcrawler), Ben Mendelsohn (Starred Up), and Chris O’Dowd (Calvary)

Best Film Editing

Best Film Editing NomineesTom CrossThe Oscar for Best Film Editing is awarded to a particular film for the finest post-production digital editing.  The award is presented to the film’s principal editor(s).  This is the sixth consecutive year that the category is made up entirely of Best Picture nominees. The following is my Oscars ballot for this category, Best Film Editing:

WINNERWhiplash (Tom Cross)

  1. American Sniper (Joel Cox & Gary D. Roach)
  1. The Grand Budapest Hotel (Barney Pilling)
  1. Boyhood (Sandra Adair)
  1. The Imitation Game (William Goldenberg)

Best Sound Mixing

Best Sound Mixing Nominees

The Oscar for Best Sound Mixing is awarded to a particular film featuring the finest and most melodious sound mixing and recording. The award is usually presented to the film’s production sound mixers and re-recording mixers. The following is my Oscars ballot for this category, Best Sound Mixing:

Whiplash2WINNERWhiplash (Craig Mann, Ben Wilkins, and Thomas Curley)

  1. Interstellar (Gary A. Rizzo, Gregg Landaker, and Mark Weingarten)
  1. American Sniper (John Reitz, Gregg Rudloff, and Walt Martin)
  1. Birdman or (The Unexpected Virtue of Ignorance) (Jon Taylor, Frank A. Montaño, and Thomas Varga)
  1. Unbroken (Andy Nelson, Gary Rydstrom, and Ronald Judkins)