Best Picture

This year, one of nine nominated films will be inducted into an exclusive society of movies that have received the Academy’s greatest honor, the Oscar for Best Picture.  Some of the films that this year’s winner will be joining include Gone With the Wind, The Sound of Music, The Godfather, Rain Man, Gladiator, The Artist, and many more; needless to say, this year’s Best Picture winner will be joining an elite collection of the world’s greatest films of all time.  The following is my Oscars ballot for this category, Best Picture:

WINNER: Silver Linings Playbook

2. Zero Dark Thirty

3. Django Unchained

4. Life of Pi

5. Amour

6. Les Misérables

7. Beasts of the Southern Wild

8. Argo

9. Lincoln

Films snubbed in this category: Moonrise Kingdom


Top 15 Films of the Year, No. 3 – Zero Dark Thirty

Zero Dark Thirty is a film directed by Kathryn Bigelow, with a screenplay written by Mark Boal.  The film tells the story of Maya, a CIA operative who, for over a decade, is dedicated to a single mission—to find Osama bin Laden.  She spends every waking moment interrogating detainees and doing intense research in order to track down the world’s most wanted man.  After years of devoted work, some clues to the whereabouts of bin Laden emerge, and even though most high-ranking officials in the US government do not fully trust her about his location, Maya remains steadfast in her belief that she has finally found the infamous terrorist.

This is the second collaboration between Bigelow and Boal, the first being their Best Picture-winning film The Hurt Locker (2008).  After seeing their latest partnership at work, it is clearly evident that these two have an uncanny knack for creating spellbinding war-related movies.  Even though there are stark similarities between the two films, Zero Dark Thirty is based around true events of the manhunt for Osama bin Laden.  The movie was met with controversy due to its take on torturing detainees, but I quite enjoyed the veracity of these scenes, and without those, I feel the movie would have been significantly lacking a punch.  I truly believe this was one of the year’s most amazing films, and it will definitely be a top contender for the highest Oscar honors; with that said, it still does not quite meet the standards that The Hurt Locker originally set.

The story behind the creation of this film is fascinating.  Bigelow and Boal had originally written a screenplay about the notorious Battle of Tora Bora, and they had planned to tell the story of the long, but unsuccessful hunt for Osama bin Laden.  They were actually about to begin filming when news of bin Laden’s death broke.  Immediately, they stopped working on their original film and began to work on a brand new original screenplay about the killing of bin Laden.

Just like The Hurt Locker focused most of the movie on one particular character and his life during the war, Zero Dark Thirty concentrates on the emotional and professional growth of a single character, Maya (Jessica Chastain).  Even though there are some key supporting characters, like Dan (Jason Clarke), Patrick (Joel Edgerton), and George (Mark Strong), Maya’s character is the central figure the film uses to develop the plot.

Chastain is an actress who is rapidly gaining immense popularity due to some impressive performances in The Tree of Life (2011), The Help (2011), and Lawless (2012), and in this movie, she shows everyone why she is an Oscar-nominated actress.  She begins the movie as a shy, reluctant character, but quickly she becomes a fiery force to be reckoned with.  I was blown away by her portrayal of Maya, and this striking depiction may just earn her an Academy Award for Best Actress.  Zero Dark Thirty is rated R for strong violence, including brutal disturbing images, and language.

Academy Award nominations for Zero Dark Thirty:

Best Picture (Mark Boal, Kathryn Bigelow, and Megan Ellison, Producers)

Actress in a Leading Role (Jessica Chastain)

Film Editing (Dylan Tichenor and William Goldenberg)

Sound Editing (Paul N.J. Ottosson)

Best Original Screenplay (Mark Boal)

Previous movies on the countdown of the Top 15 Films of the Year:

4. Skyfall

5. Django Unchained

6. Life of Pi

7. Amour

8. Les Misérables

9. Beasts of the Southern Wild

10. Looper

11. The Perks of Being a Wallflower

12. The Dark Knight Rises

13. Flight

14. The Master

15. Argo

Best Original Screenplay

The Oscar for Best Original Screenplay is awarded to the writer(s) of a particular screenplay that is not based upon any prior published work.  This year’s group of nominees features some established, acclaimed writers and a couple Academy Award newcomers.  Between the nominated writers, they have been nominated for four writing Oscars and have won two.  Although there are some great scripts up for the award this year, one writer has already been sweeping the award shows for his screenplay, winning the BAFTA, Golden Globe, and Critics’ Choice Award—this year, it just so happens that I am in full agreement with the major award shows on this category.  The following is my Oscars ballot for this category, Best Original Screenplay:

WINNER: Quentin Tarantino (Django Unchained)

Tarantino, also the director of the film, has created one of the greater scripts in modern cinema.  It has created a significant amount of controversy, but it has also been met with rave reviews from the critics—Quentin would not want it any other way.  Even though he did not win the Oscar in this category for Inglourious Basterds, which is by far my favorite movie of all time, he still has penned another masterpiece in Django.  Tarantino has a knack for creating some of the most remembered characters in the history of film, such as Mr. Blonde in Reservoir Dogs, Vincent Vega in Pulp Fiction, and Col. Hans Landa in Inglourious Basterds, and in Django, he does not disappoint, creating unbelievably dynamic characters like Dr. King Schultz and Calvin Candie.  I will never know how the inner workings of Tarantino’s mind operate, but I am most unquestionably thankful for the written work he has given us.  Tarantino was previously nominated for two writing Academy Awards, both in the Best Original Screenplay category, and he won for Pulp Fiction (1994).

2. Wes Anderson and Roman Coppola (Moonrise Kingdom)

Wes Anderson, also the director of the film, and Roman Coppola have collaborated for their second screenplay together—their first was The Darjeeling Limited, a film they also co-wrote with Jason Schwartzman.  The end result of their most recent work together is an incredibly hilarious, wildly entertaining script.  This screenplay has the best shot among the other nominees to upset the heavyweight Tarantino, and if things fall correctly for Anderson and Coppola, they just may find themselves raising the Oscar statute.  This story is one of a kind.  It tells the story of young love from a unique perspective that only Anderson, one of the most distinctive writer-directors of our time, could do.  It is a refreshingly different film, and it has quickly become one of my favorites of all time.  Anderson was previously nominated for the Oscar for Best Original Screenplay for The Royal Tenenbaums (2001).  Coppola has not previously been nominated.

3. Mark Boal (Zero Dark Thirty)

After Anderson and Coppola, Mark Boal has the next best chance to knock off Tarantino at the top in this category.  This is only Boal’s second screenplay, but just like his previous one for The Hurt Locker, it is action packed and beaming with award-winning quality.  Boal tells the story of the decade-long manhunt for Osama bin Laden, the most dangerous man on earth.  The Kathryn Bigelow/Mark Boal collaboration may not be quite the masterpiece it was for The Hurt Locker, but it is most assuredly not far behind.  I was on the edge of my theater seat throughout the entire film, and a lot of this is due to the spellbinding script Boal has written.  Mark Boal was previously nominated and won for Best Original Screenplay for The Hurt Locker (2009).

4. Michael Haneke (Amour)

Michael Haneke, also the director of the film, has finally been nominated by the Academy for his superb writing abilities.  Haneke is one of the most unknown writer-directors to the general public in the United States, but I have been aware of his work for quite a few years now.  The biggest film festival in the entire world is the Cannes Film Festival, and the top award at this festival is the Palme d’Or, an award given to the top film of the festival.  Only seven filmmakers have won this award twice since 1939—Michael Haneke is one of those (The White Ribbon, 2009, and Amour, 2012).  Haneke’s French-language film is intriguing, matchless, and invigorating.  The words he penned for this film not only earned him an Oscar nomination, but it also resulted in lead actress Emmanuelle Riva being nominated for Best Actress in a Leading Role.  Haneke has not previously been nominated for any Academy Awards in either of the two writing categories.

5. John Gatins (Flight)

Gatins is an established screenwriter, but to be completely honest, none of his scripts have been anything close to award worthy.  His screenwriting filmography includes Summer Catch, Hardball, Coach Carter, and Real Steel, but his big break finally came with the 2012 film Flight.  In this film, Gatins uses an incredibly entertaining story line to keep our attention, but it is the complexities he has created in regards to human morality that truly sets his script apart.  I am surprised that he received a nomination, but after seeing the film, it is definitely justified.  Gatins has not previously been nominated for any Academy Awards in either of the two writing categories.

Writers snubbed in this category: Paul Thomas Anderson (The Master)

Best Cinematography & Best Film Editing

The Oscar for Best Cinematography is awarded to a particular film for the finest artistic and technical decisions in regards to the creation of the moving images on the screen.  The award is presented to the Director of Photography (Cinematographer) from the film.  The following is my Oscars ballot for this category, Best Cinematography:

WINNER: Skyfall (Roger Deakins)

2. Life of Pi (Claudio Miranda)

3. Anna Karenina (Seamus McGarvey)

4. Django Unchained (Robert Richardson)

5. Lincoln (Janusz Kaminski)


The Oscar for Best Film Editing is awarded to a particular film for the finest post-production digital editing.  The award is given to the film’s principal editor.  The following is my Oscars ballot for this category, Best Film Editing:

WINNER: Zero Dark Thirty (Dylan Tichenor and William Goldenberg)

2. Life of Pi (Tim Squyres)

3. Silver Linings Playbook (Jay Cassidy and Crispin Struthers)

4. Argo (William Goldenberg)

5. Lincoln (Michael Kahn)