Fall Preview 2016: Honorable Mentions

Welcome back, everyone. Usually I release my Fall Preview each year at the end of August to encompass all theatrical releases between September and December; however, due to being a bit busier than usual this—and the fact that September is always the weakest month of the fall in terms of film releases anyways—I have delayed the release of my list until now. With the 89th Academy Awards just 148 days away, the bulk of my research and preparation for the release of a decent chunk of potential Oscar-worthy movies begins now!

Okay, let’s get the fall movie season started. For the fourth consecutive year, I have created a list of my most anticipated movies of the season. My list consists of ten films (plus five honorable mentions) that, on their face, look like they could be very good. I take into account a range of criteria when considering films for this list, including, but not limited to, the cast, director, producers, media hype, trailer, and pure conjecture. Below is the schedule for my three Fall Preview posts, so make sure to be on the lookout this weekend:

Today: Honorable Mentions

Sunday: No. 10 – No. 6

Tuesday: No. 5 – No. 1

Kicking off this year’s Fall Preview are the five films that just missed out on making my list of the Top 10 movies I am most looking forward to seeing (in alphabetical order). Enjoy!

The Accountant

The Accountant is a film about Christian Wolff (Ben Affleck), a mathematics savant with little to no social skills. Although it appears Christian is a small-town CPA, he makes his living as a forensic accountant for dangerous criminal organizations. With the government on his heels, Christian takes on a state-of-the-art robotics company as a legitimate client. As he gets closer to the truth about a discrepancy that involves millions of dollars, the body count starts to rise.

the-accountant-2This film is either going to be really good or really bad. But I cannot help myself from being intrigued by the casting of Ben Affleck in such an atypical role. Whether he is the good guy or the bad guy, Affleck historically portrays characters with copious amounts of charisma—that clearly is not the case here, as Christian Wolff embodies the exact opposite of term “social butterfly.” With the addition to the cast of the firecracker Anna Kendrick, the Oscar-winner J.K. Simmons, and the ever-brooding Jon Bernthal, The Accountant has the dominant “acting” factor on its side.

I am also interested to see what director Gavin O’Connor will bring to the table here. I have not seen his 2011 film Warrior, which featured performances from Tom Hardy and Joel Edgerton, but the praise it received is undeniable nonetheless. Further, he impressed me in 2008 with Pride and Glory, so my hope is that he continues to find his groove, building upon the success of these two particular films. The Accountant is set for a theatrical release on October 14, 2016.

Director: Gavin O’Connor (Jane Got a Gun, Warrior)

Starring: Ben Affleck (Batman v Superman: Dawn of Justice, Gone Girl), Anna Kendrick (Trolls, Mike and Dave Need Wedding Dates), J.K. Simmons (Zootopia, Whiplash), and Jon Bernthal (Sicario, Fury)

Trailer: https://www.youtube.com/watch?v=DBfsgcswlYQ

Billy Lynn’s Long Halftime Walk

Billy Lynn’s Long Halftime Walk is a war drama based on the 2012 award-winning novel of the same name. The film follows Billy Lynn (Joe Alwyn), a 19-year-old Army specialist fighting in Iraq. Following an intense battle where Billy and his comrades barely survive, they are brought back home to the US and celebrated as heroes. Once they are back, they embark on a promotional tour across the country, which ends in a halftime show at the annual Thanksgiving Day football game. There, the film follows Lynn as he recounts the tragic memories of the war and losing his sergeant in a firefight.

billy-lynn-2When I first watched this trailer, I had two distinct thoughts: (1) Wow, this story looks like it is going to be an intense, tear-jerking ride; and (2) Damn, part of this looks like Ang Lee went full-blown Disney. If the latter turns out to be the case (i.e., cheesy melodrama…blahhhhh), I know I will not enjoy the film. Therefore, I am hopeful that Ang Lee is relentless in making this feel-good film all the while intense and dramatic. The veteran director rarely makes mistakes as a filmmaker, which is why I am putting a fair amount of faith in Billy Lynn’s potential to be a sleeper hit this fall.

Despite having Ang Lee at the helm, the film could epically fall flat as a result of its cast. With Chris Tucker, Garrett Hedlund, and Steve Martin on board, the film has hope; however, I still have reservations about Vin Diesel, Kristen Stewart, and the movie’s lead, Joe Alwyn. As far as Diesel goes, I will be frank—other than his motion-capture and voice work as “Groot” in Guardians of the Galaxy, I have little reason to believe he is a worthwhile actor at all, as his filmography epitomizes the term “weak sauce.” Throw Kristen Stewart into the picture, and I become far more concerned—Bella is a complete and utter drag to stomach on the screen. Lastly, the trailer seems to show Alwyn giving a fantastic performance; however, it is his debut performance. Because of that, it only makes sense to exercise caution. How can I have such worrisome thoughts while still having hope for the film? It all comes down to Ang Lee for me. Billy Lynn’s Long Halftime Walk is set for a theatrical release on November 11, 2016.

Director: Ang Lee (Life of Pi, Brokeback Mountain)

Starring: Joe Alwyn (this is Alwyn’s debut film), Kristen Stewart (Café Society, Twilight), Chris Tucker (Silver Linings Playbook, Rush Hour), Garrett Hedlund (Pan, Unbroken), Vin Diesel (Guardians of the Galaxy, Fast and the Furious), and Steve Martin (Love the Coopers, Pink Panther)

Trailer: https://www.youtube.com/watch?v=mUULFJ_I048

The Birth of a Nation

The Birth of a Nation tells the true-life story of the slave rebellion led by Nat Turner (Nate Parker), a literate slave and preacher. The film follows Turner as his financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat’s preaching to subdue unruly slaves. As Turner witnesses countless atrocities—against himself and his fellow slaves—he orchestrates an uprising in the hopes of leading his people to freedom.

I have been awaiting the release of this film for a long time. With such anticipation, what is the reason for only including it on my Honorable Mentions instead of higher up the list? It is simple: It is hard to overlook the sexual assault controversy surrounding the film’s auteur, Nate Parker (I am not going to address it any more than I already have, but I encourage everyone to read into this compelling story at http://www.theatlantic.com/entertainment/archive/2016/08/why-the-debate-over-nate-parker-is-so-complex/496700/).

the-birth-2Back to the film. My interest in the film dates back to the conclusion of the 2016 Sundance Film Festival. After taking home the festival’s most prestigious award­­—the Grand Jury Prize: Dramatic—filmmaker Nate Parker inked the largest film-rights deal in Sundance history: Fox Searchlight Pictures bought the worldwide rights for $17.5 million (Parker also took home the Audience Award: Dramatic, as well). Mix in some serious critical acclaim, and I was hooked. I was also drawn to Parker’s desire to bring about systemic change via the silver screen with his film; in 2015 he stated, “There’s so many things that are happening right now in 2015—100 years after the original ‘Birth of a Nation’ film, here we are. I’d say that is what I hope sets my film apart, is that it’s relevant now—that people will talk about this film with the specific intention of change.” Despite Parker’s personal controversy, I am looking forward to his film’s underlying message of social change in a time where our nation desperately needs it. The Birth of a Nation is set for a theatrical release on October 7, 2016.

Director: Nate Parker (this is his feature-length directorial debut)

Starring: Nate Parker (Beyond the Lights, Red Hook Summer), Armie Hammer (The Man from U.N.C.L.E., The Lone Ranger), Aja Naomi King (How to Get Away with Murder, The Rewrite), and Jackie Earle Haley (RoboCop, Lincoln)

Trailer: https://www.youtube.com/watch?v=C4TTbcXG1GQ 

Fantastic Beasts and Where to Find Them

Fantastic Beasts and Where to Find Them is a fantasy film inspired by J.K. Rowling’s book of the same name, which itself was the supposed textbook in the “Harry Potter” universe authored by fictitious Newt Scamander. The film follows Newt Scamander (Eddie Redmayne) as he arrives in New York City in 1926 to meet with an official from the Magical Congress of the United States of America. At this meeting is a magically expanded briefcase, which houses a number of dangerous creatures and their habitats. When the creatures escape from the briefcase, it sends the American wizarding authorities after Newt.

beasts-2For anyone that knows me well, it is obvious that this film would always be on my radar this fall—I am a devoted fan of the entire “Harry Potter” universe developed by genius author J.K. Rowling. It has been five years since the last Harry Potter film was released, so for me, to come back into Rowling’s magical universe is a dream come true. The film’s director and screenwriter only add to my eagerness: David Yates and J.K. Rowling, respectively. I have extremely high hopes for the film with Yates behind the scenes, as he directed the final four Harry Potter films—those films definitely took the series to a new level, and with Yates’s deep knowledge of Rowling’s universe, he will surely deliver a gem. Speaking of Rowling, the “Harry Potter” mastermind penned her first screenplay with Fantastic Beasts. On paper, Rowling has never let me down—I have the same hope for her debut script. Fantastic Beasts and Where to Find Them is set for a theatrical release on November 18, 2016.

Director: David Yates (The Legend of Tarzan, Harry Potter and the Deathly Hallows)

Starring: Eddie Redmayne (The Danish Girl, The Theory of Everything), Katherine Waterston (Steve Jobs, Inherent Vice), Dan Fogler (Barely Lethal, Take Me Home Tonight), and Colin Farrell (The Lobster, Winter’s Tale)

Trailer: https://www.youtube.com/watch?v=sGNnv_g9h4k 

Manchester by the Sea

Manchester by the Sea, set and filmed in Manchester-by-the-Sea, Massachusetts, tells the story of Lee Chandler (Casey Affleck). Following the sudden and unexpected death of Lee’s older brother Joe (Kyle Chandler), Lee becomes the legal guardian of Patrick, Joe’s son. The story then follows Lee back to his hometown of Manchester-by-the-Sea, Massachusetts, as he must deal with his new role while balancing issues with his separated wife (Michelle Williams) and the North Shore community.

If you have not heard much about this film—which I imagine most haven’t—it is high time to get familiar. I wish I could vouch for Kenneth Lonergan as a film director, but I simply cannot—I have never once seen one of his films (to my credit, he basically hasn’t done anything as a director). However, what will probably pique your interest is a major writing credit on his résumé: Gangs of New York. That film is one of my all-time favorites, and Lonergan’s script was dramatic, intense, and as witty as they come—I sure hope he is able to emulate that dexterity here in Manchester by the Sea (Lonergan also penned this script).

manchester-2As far as acting, this film has a variety of talented actors that will surely put on fantastic performances. But the one person that makes me want to rush out to see this the moment it hits theaters is Casey Affleck. In my opinion, Casey is a far superior actor to his older brother Ben (you know, Batman). He has continually impressed me with well-crafted, nuanced performances in films like The Assassination of Jesse James by the Coward Robert Ford and Gone Baby Gone (the latter of which was directed by Batman Affleck himself), and after watching the Manchester by the Sea trailer, all signs point to another gifted performance. Manchester by the Sea is set for a wide theatrical release on November 18, 2016.

Director: Kenneth Lonergan (Margaret)

Starring: Casey Affleck (Triple 9, The Finest Hours), Michelle Williams (Oz the Great and Powerful, Take This Waltz), and Kyle Chandler (Carol, The Wolf of Wall Street)

Trailer: https://www.youtube.com/watch?v=gsVoD0pTge0

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My Review of the 87th Academy Awards

 

A18

A15Well, this year’s Oscars have officially come and gone, and at this point, I am already excited for next year’s show. But before I start preparing for another amazing year in film, I wanted to share my reactions of last night’s broadcast with all of you. I really enjoyed the look of this year’s show. I could not get over the backdrop that the presenters walked out from to the stage. It looked like an old-school movie theater and included vintage-clothed ushers—it was awesome!! As I have stated in years past, the Academy Awards simply cannot continue lasting 3.5+ hours. By the time it finally gets to the final six awards or so (which are usually the ones people care about anyways), everyone in America is dead tired—yes, that includes me, the giant film fan! I did greatly enjoy Neil Patrick Harris as the host (as I suspected I would), and his vast experience as a showman paid large dividends to the quality of last night’s ceremony. However, his attempt at comedy did not live up to the “gold standard” that Ellen set last year (PLEASE BRING ELLEN BACK).

This year’s Oscars, like most years, had some tremendous moments, some not-so-tremendous moments, and some downright unforgettable moments, and I am pleased to share my reactions to all of the major highlights from a successful Academy Awards ceremony:

Best Moment: (Tie: The show’s opening number AND Julie Andrews)

A7As I predicted about a month ago, Neil Patrick Harris utilized his time during the traditional “monologue segment” to sing and dance—it did not disappoint. NPH performed a song called “Moving Pictures,” a fantastic ode to the movies over the years that spark an undeniable imagination in each of us as viewers of cinema (the song was penned by Robert Lopez and wife Kristin Anderson-Lopez—the couple took home the Oscar for Best Original Song last year for “Let It Go” from Frozen). The song poked some harmless fun at Ben Affleck and Matt Damon and included a fantastic cameo from Into the Woods star Anna Kendrick. One of the funniest parts of the musical number was Jack Black, rising from the crowd to the stage to perform hilariously cynical lyrics about the film industry, only to have Kendrick throw her Cinderella slipper at him for ruining the moment. It was a breath of fresh air compared to the usual joke-filled, completely oratory monologue.

A5Also, let’s give a round of applause for Julie Andrews. When it comes to musicals, Dame Julie Andrews is the best to ever do it! This year is the 50th Anniversary of the iconic film The Sound of Music, and Lady Gaga delivered one of the best musical performances of the night in her tribute to the film’s best songs. Julie Andrews (the star in Mary Poppins and The Sound of Music) long ago set the bar extremely high for what a musical performance on the silver screen should look and sound like. She is one of the greatest actresses in film history, and her presence (and validation of Gaga’s performance) was amazing.

Worst Moment: (Sean Penn’s “green card” comment)

A14Last night Sean Penn brought some actual racism to the show. When announcing the winner of the night’s biggest award (Best Picture), Penn preceded his reading of Birdman director Alejandro González Iñárritu’s name by stating, “Who gave this son-of-a-bitch his green card?” Although Penn and Iñárritu are friends (Penn acted in Iñárritu’s 2003 film 21 Grams) and Iñárritu later called the joke “hilarious,” it was a bit too much. Although some people knew of the two men’s history, most probably did not, and this makes for plenty of material for critics to blast the Oscars for racism.

Most Endearing Moment: (Tim McGraw’s performance)

A16Tim McGraw performed “I’m Not Gonna Miss You,” the final song ever written by country-music legend Glen Campbell (the song was nominated for Best Original Song). Gwyneth Paltrow introduced McGraw by telling the story of Glen Campbell’s diagnosis of Alzheimer’s disease. Campbell wrote the song to tell his family that the one silver lining to his bout with Alzheimer’s is that he will not be able to feel the pain of his loved ones. His family was in attendance, and McGraw delivered one of the most heart-wrenching moments of the entire night.

Most Boring Moment (Neil Patrick Harris’s Oscar-prediction gag)

87th Annual Academy Awards - ShowAt the beginning of the show, NPH teased that he is amazing at predicting the Oscars. He then introduced a briefcase that had been locked and overlooked by PricewaterhouseCoopers, the firm that tabulates the Oscar ballots. He picked out past Oscar winner Octavia Spencer from the crowd to “keep an eye” on the briefcase box during the show (which she awkwardly accepted to do), and every so often, NPH continued to discuss the locked box containing his predictions. At the end of the show, he had the box opened, revealed his predictions (which were 100% spot on about all of the night’s most memorable moments), and the crowd half-heartedly laughed along. Although it sort of had a funny ending, the gag went on way too long, and the ridiculously long ceremony should have cut that completely from the script—it was an utter waste of time.

The Most Awkward Moment: (The “Dress Covered in Balls” Lady and NPH’s subsequent, ill-timed joke)

A13When Ellen Goosenberg Kent and Dana Perry were announced as winners in the Best Documentary – Short Subject category, I could not help but laugh. My amusement had nothing to do with the film but everything to do with Perry’s dress and star-struck demeanor. The two won for their documentary Crisis Hotline: Veterans Press 1, a film about a very serious, touchy subject. Perry, dressed in a black gown that was covered with giant black pom-poms, stood on stage gawking at the stars and awkwardly waving to them. I felt bad about my entertainment with her as she then announced that the film was special to her because her own son committed suicide. It then got noticeably serious in the room. That was until NPH returned to the stage and could not help but to poke fun at Perry, stating, “It takes a lot of balls to wear a dress like that.” Although Perry had just dropped the suicide bombshell on everyone, it was still ridiculously hilarious (which I admit I felt bad about, considering her revelation on stage). NPH’s double entendre was one of the best jokes of the night, but it sort of came at a less-than-opportune time.

Best Joke: (Poking fun at John Travolta’s infamous “Adele Dazeem” moment)

A17The best joke from the entire show was poking fun at John Travolta for his horribly memorable mispronunciation of Idina Menzel’s name (aka Elsa from Frozen) at last year’s ceremony. Neil Patrick Harris made a hilarious reference to Travolta’s mistake by stating that Benedict Cumberbatch is “the sound you get when you ask John Travolta to pronounce Ben Affleck.” I literally fell on the floor laughing. Then, as Idina Menzel came to the stage to announce the winner for Best Original Song, she brought out Travolta for a bit of playful revenge, introducing him as “Glom Gazingo.” Even though Travolta completely blew his chances for redemption (by weirdly stroking Menzel’s face and acting, well, like John Travolta), it was still the most hilarious moment of the night.

Worst Joke: (NPH’s A Million Ways to Die in the West reference)

A19While introducing Idris Elba and Jessica Chastain as presenters, Neil Patrick Harris referred to the two actors’ film successes, while additionally stating his own: he mentioned that he is the guy that pooped in his hat in A Million Ways to Die in the West. Some people laughed, while others did not—I was a proud “did not” laugher. For me, the joke sucked because it forced me to remember that A Million Ways to Die in the West actual was a movie that was made and that I had personally wasted nearly two hours of my precious life watching it—terrible memories, for sure.

The Most Honest Dude in the Room: (Mat Kirkby—Oscar winner for Best Live Action Short)A11

During his acceptance speech for winning an Oscar for his live-action short The Phone Call, writer/director Mat Kirkby was hilariously honest about his giddiness for winning a coveted Academy Award. Kirkby, a native of Suffolk, UK, stated, “I’m particularly happy because this now means I can get a free doughnut at my local bakery, the Pump Street Bakery.” His funny, but honest speech is a reminder that not all of the Oscar winners are multimillionaire film stars—some of these “little guys” are simply happy to be there and revel in their victory in many ways. The name-drop, however, is sure to land Kirkby more donuts from his local bakery than even he expected. A12The owner of the British bakery was later quoted as saying, “I think an Oscar win deserves more than one free coffee or doughnut, so we’re definitely going to be giving him free doughnuts for good now, as a thank you for the mention.” Looks like Kirkby’s honesty earned him a deserved treat!

Best Acceptance Speech: (Paweł Pawlikowski—the director of Ida)

A4For the very first time in Academy Awards history, a Polish film received the Oscar for Best Foreign Language Film; thus, writer and director Paweł Pawlikowski had plenty to be pumped about. He gave a heart-felt speech, that included genuine emotional sentiment and some comedy, and it was the product of a man that was sincerely appreciative of the award he was simultaneously hoisting on the big stage. It had all of the same elements that other great speeches over the course of the night contained, but for me, I was most impressed by Pawlikowski giving the greatest “F.U.” to the orchestra’s “play-off” music (although he did not do it whatsoever in a rude manner). I have long been a critic of the Academy’s direction to the orchestra to cut off speeches that it deems too long because in my opinion, these speeches are not the actual cause of the horrendous length of the ceremony—instead, it is the structure of the ceremony in general by the Academy. The orchestra tried to play Pawlikowski off of the stage, and after a while (when he had not stopped thanking people) they quit. Then, shortly after, the orchestra tried again, and it was only at that point that Pawlikowski finally wrapped up. Winners of these “not-so-significant” awards are never allotted much time anyways, and if the Academy is going to recognize these winners, it needs to show the same amount of respect for them that it does for winners of awards like Best Original Score and the like. Kudos, Pawlikowski.

Best Musical Performance: (The Lego Movie’s “Everything Is Awesome”)

A10You may not believe that The Lego Movie was the best movie of the year (and you would be correct). You also may not believe that it was the best animated feature of the year (which would be debatable, but that view is clearly warranted). But I will wholeheartedly disagree with anyone that believes The Lego Movie was not one of the five best animated movies from 2014—it absolutely was. Despite the snub, “Everything Is Awesome” was still nominated for Best Original Song, and the performance that accompanied this nomination was by far the highlight musical moment from the night. Tegan & Sara and The Lonely Island both brought their respective A-games, and their performance brought an amazing “fun factor” to the traditionally buttoned-up Oscars ceremony. A6The performance included Questlove on the drums and a cameo by Will Arnett as Batman (his character in the film), and the Lego Oscars that were simultaneously handed out to various stars in the crowd added a perfect childlike flare. It was, pun clearly intended, AWESOME!

Worst Musical Performance: (Maroon 5 performing Begin Again’s “Lost Stars”)

A3I have seen Maroon 5 live in concert, so I have firsthand knowledge that lead singer Adam Levine is an impeccable performer outside of the studio. With that said, last night he sounded terrible. Now let’s be honest, I am not Simon Cowell—I simply do not know the technical intricacies of “singing.” But like most laypeople, I know when something sounds blatantly off-pitch and horrendous; unfortunately, that was Adam Levine last night. The performance was restrained and boring to start off with, and the dreadful vocal performance did not help its cause whatsoever. With amazing musical performances from the “Everything Is Awesome” collective, Jennifer Hudson, and Lady Gaga, Levine’s performance stands out—and NOT in a good way!

Top 15 Films of 2014, No. 14 – Gone Girl

Gone Girl1 Gone Girl is a film directed by David Fincher with a screenplay, based on the novel of the same name, by Gillian Flynn, the author of the book version. The film examines the marriage of Nick Dunne (Ben Affleck) and his wife Amy (Rosamund Pike). On his fifth wedding anniversary, Nick reports to the police that Amy has gone missing. Amy is a renowned public figure due to a series of children’s books written about her by her family, and her disappearance causes a tumultuous media frenzy. With cameras and the police constantly causing stress upon him, Nick finds his story of a harmonious marriage to Amy on the verge of collapse due to his mendacity and peculiar behavior. Everyone suspects Nick of killing his wife; thus, the big question is: did he?

Gone Girl2For those of you that follow my blog annually, you will know already that Gone Girl was ranked No. 1 on my list of movies that I was most anticipating during the fall film season. Notwithstanding its position on my year-end list, the movie still lived up to the hype (thus, its No. 14 rank says less about the success of Gone Girl and more about the strength of the year’s other movies). I was most intrigued by Gone Girl because of its lead-man behind the camera, David Fincher—I am a devout fan of anything he is involved with. Not only are many of his pictures part of my personal film collection (e.g., Seven, Fight Club, Panic Room, The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo), but also I am a committed fan of the Netflix original series House of Cards, which is executive produced by the visionary. Gone Girl is well constructed by Fincher, and its subtle hints of dark humor, ominous tone, and inimitable inscrutability are all obvious elements of a classic Fincher film. Although I do not believe this is in the top five of Fincher’s filmography, it is still a movie that I greatly enjoyed and will continue to watch over again for years to come. Gone Girl5

Many of you that have seen Gone Girl (and even some of you that have not) have probably additionally read Gillian Flynn’s novel of the same name. I happen to be one that has not, which is why I was elated that she also penned the screenplay for the film adaptation; this direct and significant involvement in the film’s construction leads me to believe that anything that was vitally important and of note from the book would be included in her script. At times, the dialogue was awkward, though, but the talent of the film’s actors helped make it flow as best as possible. Having known nothing about the plot going into my viewing of the movie, I was blown away by her ability to craft the preeminent thriller. The movie’s twists and turns were never foreshadowed in any sort of heavy-handed way, and for that, the climax was as surprising as one could imagine. Gone Girl3

Back in August when I wrote about my expectations for Gone Girl in my fall preview post, I mentioned that I was looking forward to the performances by an anomalous assortment of actors and actresses that were cast in the various roles. Casting Tyler Perry, Neil Patrick Harris, Casey Wilson, Missy Pyle, and Emily Ratajkowski was a bold move, and those casting decisions paid dividends—everyone played their part spectacularly, and I can finally say that I was not brutally annoyed by the creator of the horrendous Madea character. Also, it is definitely worth noting that Missy Pyle, in her role as Ellen Abbott (a TV host depicted in the same vein as the ever-despicable Nancy Grace), was incredibly spot-on in her performance—it was brilliant.

Ever since The Town, I have become more and more impressed with Ben Affleck’s acting abilities (in addition to his superb filmmaking talents), and I felt like he serviced his character well. It was not a performance that blew me out of the water, but it was well acted enough to make me engage with Nick. Gone Girl4The highlight of the film was Rosamund Pike. I have been familiar with her work over the years in films like Die Another Day, Fracture, An Education, and The World’s End, but in her debut role as a true leading lady, Pike absolutely killed it. She was in rare form, evoking so many emotions at once out of a single character; at times I found her incredibly attractive and empathized with her plight, and at other times I wanted to bash (figuratively) her head in. Amy is an incredibly complex character, and Rosamund Pike gave, in my opinion, the year’s most outstanding performance by an actress—her Oscar nomination is quite deserved. Gone Girl is rated R for a scene of bloody violence, some strong sexual content/nudity, and language.

Gone Girl trailer: https://www.youtube.com/watch?v=esGn-xKFZdU

Academy Award nominations for Gone Girl:

Best Actress: (Rosamund Pike)

Previous movies on the countdown of the Top 15 Films of 2014:

  1. The Lego Movie

My Review of the 85th Academy Awards

Aaron Tveit, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Samantha Barks, Hugh Jackman, Helena Bonham Carter, Sacha Baron Cohen, Russell Crowe

Well, this year’s Oscars have officially come and gone, and at this point, I am already excited for next year’s show.  But before I start preparing for another amazing year in film, I wanted to share my reactions of last night’s broadcast with all of you.  Even though Seth MacFarlane provided some hilarious laughs, in the end I felt he was just another average host.  I hope next year the Academy employs someone that can keep me feeling pleasantly entertained for the entire show.

Speaking of the entire show, once again, this year’s broadcast was WAY too long.  This is one thing the Academy needs to continue working on fixing because by the end, most viewers were bored and tired.  One of my favorite things about this year’s show, though, was dedicating the ceremony’s theme to music in film.  As you probably saw in an earlier post of mine, I truly feel music is the most important part of a movie in regards to creating feeling and emotion within the viewer.  The various musical performances added an authentic flare to the Oscars.

This year’s Academy Awards had some awesome moments, some not-so-awesome moments, and some downright unforgettable moments, and I am using this post to share my reactions to some of these moments with you:

Best Moment: (Les Misérables performance)

In a night centered on the theme of music in movies, the cast of Les Misérables stole the show.  Hugh Jackman, Anne Hathaway, Russell Crowe, Helena Bonham Carter, Sacha Baron Cohen, Samantha Barks, Amanda Seyfried, Eddie Redmayne, and Aaron Tveit all reunited on stage to perform a combination of three songs from the film: “Suddenly,” “I Dreamed a Dream,” and “One More Day.”  I enjoyed each of these songs in the actual movie, but I was quite glad to see these amazing songs performed once more by this astounding ensemble—definitely the highlight of the show for me.

Worst Moment: (Catherine Zeta-Jones’ performance)

Catherine Zeta-Jones returned to the Oscars stage a decade after her musical film Chicago took home six Academy Awards, including Best Picture.  Adding to the theme of music in movies, Zeta-Jones performed “All That Jazz” from Chicago.  Even though she did an amazing job in the original film and has put together a pretty successful Broadway career, her performance at the Oscars was beyond dreadful.  She was clearly lip-synching and her faux singing was even more horrendous than Ashlee Simpson on Saturday Night Live a few years ago.  It was most definitely a forgettable portion of the show last night.

Most Endearing Moment: (Acceptance Speech for Inocente)

When the filmmakers for the winner of Best Documentary Short gave their acceptance speech, they included a heartfelt sentiment: they brought the subject of their short film on stage.  The short film is about a teenage artist, Inocente Izucar, who is living homeless in San Diego, California.  Through the attention she has received from the short movie, she is no longer homeless and is making progress as a professional artist.  The filmmakers brought her on stage to recognize the way she has turned her life around in such a short time, and the moment was genuinely endearing.

Most Boring Moment (Barbara Streisand’s performance)

After an already long presentation of this year’s “In Memoriam,” songstress Barbara Streisand performed “The Way We Were” in a special tribute to Marvin Hamlisch.  Even though her rendition of this song originally won the Academy Award for Best Original Song nearly 40 years ago, I was bored out of my mind by her 2013 performance.  I understand it is a sentimental song and added to the “In Memoriam” moment, but this portion of the show dragged on way too long and the song virtually put me to sleep.

WTF Moment: (Tie for Best Sound Editing)

Even though I am a dedicated fan of the Oscars, I was just as shocked as everyone when the Best Sound Editing category ended in a tie.  Yes, a tie with two winners—the sound editors for both Zero Dark Thirty and Skyfall received the award.  After doing some research, it turns out that this was actually the sixth occurrence of a tie at the Academy Awards.  The first tie was in 1932 when Frederic March from Dr. Jekyll & Mr. Hyde and Wallace Beery from The Champ each shared the Oscar for Best Actor.  The most recent tie was in 1995 when Frank Kafka’s It’s a Wonderful Life and Trevor tied for Best Live Action Short Film.

Best Monologue Joke: (Ben Affleck and Argo)

Seth MacFarlane began the show discussing some of the films up for major awards.  He commented on the snubbing of Ben Affleck for Best Director: “Argo tells the previously classified story about an American hostage rescue in post-revolutionary Iran.  The film was so top-secret that the film’s director is unknown to the Academy.”

Worst Monologue Joke (Tarantino and his usage of the “N” word)

Seth MacFarlaneWhile discussing the controversy Django Unchained has received for its usage of the “N” word, MacFarlane said, “I’m told it’s actually okay for Quentin Tarantino to use that word because he thinks he’s black.”  Hardly anyone laughed and Seth quickly jumped to the next joke after realizing this one was a dud.

Monologue joke I hated to laugh at, but did anyway: (Chris Brown and Rihanna)

While explaining the storyline of Django Unchained, MacFarlane said, “This is the story of a man fighting to get back his woman, who’s been subjected to unthinkable violence.  Or as Chris Brown and Rihanna call it, a date movie.”

Best Acceptance Speech: (Daniel Day-Lewis for Best Actor)

Becoming the first actor in the history of the Oscars to win the Academy Award for Best Actor three times, Daniel Day-Lewis had plenty to be happy about.  His acceptance speeches have always been more than eloquent, and this one was no different; however, he showed a lighter side of himself by joking with presenter Meryl Streep, stating that he was actually supposed to play Margaret Thatcher in The Iron Lady and she was supposed to play Honest Abe in Lincoln.  He has always been a stand-up professional, and even though I felt a couple other nominees should have won this award, he gave a humble speech celebrating his win.

Worst Acceptance Speech: (Claudio Miranda for Best Cinematography)

The cinematographer for Life of Pi received his first Academy Award last night.  And if he wins in the future, hopefully he learns to make a better speech.  He was breathing as if he had just run a marathon, and he was staring into space and making odd noises in between sentences.  He started getting way too much into detail about specific camera shots from the film and could hardly get his words out.  I know he was happy and overwhelmed, but it was odd to watch.

Biggest Surprise (Ang Lee for Best Director)

85th Annual Academy Awards - ShowWhile most people were angry that Ben Affleck was snubbed in this category, it was a common consensus that this award was Steven Spielberg’s to lose.  Lincoln has been one of the most recognized films of the year, and with Affleck out of the category, it seemed like a guarantee that Spielberg would go home with the gold.  However, Ang Lee, the director of Life of Pi, shocked everyone by winning over the heavyweight favorite.  Also, for the first time since the Oscars ceremony held in 2006, the winner of the Best Director award was not the winner of the Best Picture award—interestingly enough, the last time this happened, it was in fact Ang Lee who won Best Director for Brokeback Mountain but lost to Crash in the Best Picture category.

Best Quotes from my family’s Oscar Watch Party: (Leslie Froman and Marcia Towle)

While watching the Academy Awards with my family, some unforgettable quotes were uttered, and I feel the need to share these with you as an added bonus.  During William Shatner’s cameo appearance in the monologue, he mentioned the Academy Awards, to which my girlfriend Leslie remarked, “Hang on, rewind that.  He messed up.  He said ‘Academy Awards’ instead of ‘Oscars.’”  Yes, she learned last night for the first time that the Academy Awards and the Oscars were actually one in the same.  The next best quote was from my own mother.  As they announced the nominees for Best Supporting Actor, they showed a clip from Tommy Lee Jones’ role as Congressional leader Thaddeus Stevens in Lincoln.  During the clip, my mom said, “He is an ugly Lincoln!”  No, Mom, that’s not Lincoln, that’s a congressman.