Welcome back, everyone. Usually I release my Fall Preview each year at the end of August to encompass all theatrical releases between September and December; however, due to being a bit busier than usual this—and the fact that September is always the weakest month of the fall in terms of film releases anyways—I have delayed the release of my list until now. With the 89th Academy Awards just 148 days away, the bulk of my research and preparation for the release of a decent chunk of potential Oscar-worthy movies begins now!
Okay, let’s get the fall movie season started. For the fourth consecutive year, I have created a list of my most anticipated movies of the season. My list consists of ten films (plus five honorable mentions) that, on their face, look like they could be very good. I take into account a range of criteria when considering films for this list, including, but not limited to, the cast, director, producers, media hype, trailer, and pure conjecture. Below is the schedule for my three Fall Preview posts, so make sure to be on the lookout this weekend:
Today: Honorable Mentions
Sunday: No. 10 – No. 6
Tuesday: No. 5 – No. 1
Kicking off this year’s Fall Preview are the five films that just missed out on making my list of the Top 10 movies I am most looking forward to seeing (in alphabetical order). Enjoy!
The Accountant is a film about Christian Wolff (Ben Affleck), a mathematics savant with little to no social skills. Although it appears Christian is a small-town CPA, he makes his living as a forensic accountant for dangerous criminal organizations. With the government on his heels, Christian takes on a state-of-the-art robotics company as a legitimate client. As he gets closer to the truth about a discrepancy that involves millions of dollars, the body count starts to rise.
This film is either going to be really good or really bad. But I cannot help myself from being intrigued by the casting of Ben Affleck in such an atypical role. Whether he is the good guy or the bad guy, Affleck historically portrays characters with copious amounts of charisma—that clearly is not the case here, as Christian Wolff embodies the exact opposite of term “social butterfly.” With the addition to the cast of the firecracker Anna Kendrick, the Oscar-winner J.K. Simmons, and the ever-brooding Jon Bernthal, The Accountant has the dominant “acting” factor on its side.
I am also interested to see what director Gavin O’Connor will bring to the table here. I have not seen his 2011 film Warrior, which featured performances from Tom Hardy and Joel Edgerton, but the praise it received is undeniable nonetheless. Further, he impressed me in 2008 with Pride and Glory, so my hope is that he continues to find his groove, building upon the success of these two particular films. The Accountant is set for a theatrical release on October 14, 2016.
Director: Gavin O’Connor (Jane Got a Gun, Warrior)
Starring: Ben Affleck (Batman v Superman: Dawn of Justice, Gone Girl), Anna Kendrick (Trolls, Mike and Dave Need Wedding Dates), J.K. Simmons (Zootopia, Whiplash), and Jon Bernthal (Sicario, Fury)
Billy Lynn’s Long Halftime Walk
Billy Lynn’s Long Halftime Walk is a war drama based on the 2012 award-winning novel of the same name. The film follows Billy Lynn (Joe Alwyn), a 19-year-old Army specialist fighting in Iraq. Following an intense battle where Billy and his comrades barely survive, they are brought back home to the US and celebrated as heroes. Once they are back, they embark on a promotional tour across the country, which ends in a halftime show at the annual Thanksgiving Day football game. There, the film follows Lynn as he recounts the tragic memories of the war and losing his sergeant in a firefight.
When I first watched this trailer, I had two distinct thoughts: (1) Wow, this story looks like it is going to be an intense, tear-jerking ride; and (2) Damn, part of this looks like Ang Lee went full-blown Disney. If the latter turns out to be the case (i.e., cheesy melodrama…blahhhhh), I know I will not enjoy the film. Therefore, I am hopeful that Ang Lee is relentless in making this feel-good film all the while intense and dramatic. The veteran director rarely makes mistakes as a filmmaker, which is why I am putting a fair amount of faith in Billy Lynn’s potential to be a sleeper hit this fall.
Despite having Ang Lee at the helm, the film could epically fall flat as a result of its cast. With Chris Tucker, Garrett Hedlund, and Steve Martin on board, the film has hope; however, I still have reservations about Vin Diesel, Kristen Stewart, and the movie’s lead, Joe Alwyn. As far as Diesel goes, I will be frank—other than his motion-capture and voice work as “Groot” in Guardians of the Galaxy, I have little reason to believe he is a worthwhile actor at all, as his filmography epitomizes the term “weak sauce.” Throw Kristen Stewart into the picture, and I become far more concerned—Bella is a complete and utter drag to stomach on the screen. Lastly, the trailer seems to show Alwyn giving a fantastic performance; however, it is his debut performance. Because of that, it only makes sense to exercise caution. How can I have such worrisome thoughts while still having hope for the film? It all comes down to Ang Lee for me. Billy Lynn’s Long Halftime Walk is set for a theatrical release on November 11, 2016.
Director: Ang Lee (Life of Pi, Brokeback Mountain)
Starring: Joe Alwyn (this is Alwyn’s debut film), Kristen Stewart (Café Society, Twilight), Chris Tucker (Silver Linings Playbook, Rush Hour), Garrett Hedlund (Pan, Unbroken), Vin Diesel (Guardians of the Galaxy, Fast and the Furious), and Steve Martin (Love the Coopers, Pink Panther)
The Birth of a Nation
The Birth of a Nation tells the true-life story of the slave rebellion led by Nat Turner (Nate Parker), a literate slave and preacher. The film follows Turner as his financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat’s preaching to subdue unruly slaves. As Turner witnesses countless atrocities—against himself and his fellow slaves—he orchestrates an uprising in the hopes of leading his people to freedom.
I have been awaiting the release of this film for a long time. With such anticipation, what is the reason for only including it on my Honorable Mentions instead of higher up the list? It is simple: It is hard to overlook the sexual assault controversy surrounding the film’s auteur, Nate Parker (I am not going to address it any more than I already have, but I encourage everyone to read into this compelling story at http://www.theatlantic.com/entertainment/archive/2016/08/why-the-debate-over-nate-parker-is-so-complex/496700/).
Back to the film. My interest in the film dates back to the conclusion of the 2016 Sundance Film Festival. After taking home the festival’s most prestigious award—the Grand Jury Prize: Dramatic—filmmaker Nate Parker inked the largest film-rights deal in Sundance history: Fox Searchlight Pictures bought the worldwide rights for $17.5 million (Parker also took home the Audience Award: Dramatic, as well). Mix in some serious critical acclaim, and I was hooked. I was also drawn to Parker’s desire to bring about systemic change via the silver screen with his film; in 2015 he stated, “There’s so many things that are happening right now in 2015—100 years after the original ‘Birth of a Nation’ film, here we are. I’d say that is what I hope sets my film apart, is that it’s relevant now—that people will talk about this film with the specific intention of change.” Despite Parker’s personal controversy, I am looking forward to his film’s underlying message of social change in a time where our nation desperately needs it. The Birth of a Nation is set for a theatrical release on October 7, 2016.
Director: Nate Parker (this is his feature-length directorial debut)
Starring: Nate Parker (Beyond the Lights, Red Hook Summer), Armie Hammer (The Man from U.N.C.L.E., The Lone Ranger), Aja Naomi King (How to Get Away with Murder, The Rewrite), and Jackie Earle Haley (RoboCop, Lincoln)
Fantastic Beasts and Where to Find Them
Fantastic Beasts and Where to Find Them is a fantasy film inspired by J.K. Rowling’s book of the same name, which itself was the supposed textbook in the “Harry Potter” universe authored by fictitious Newt Scamander. The film follows Newt Scamander (Eddie Redmayne) as he arrives in New York City in 1926 to meet with an official from the Magical Congress of the United States of America. At this meeting is a magically expanded briefcase, which houses a number of dangerous creatures and their habitats. When the creatures escape from the briefcase, it sends the American wizarding authorities after Newt.
For anyone that knows me well, it is obvious that this film would always be on my radar this fall—I am a devoted fan of the entire “Harry Potter” universe developed by genius author J.K. Rowling. It has been five years since the last Harry Potter film was released, so for me, to come back into Rowling’s magical universe is a dream come true. The film’s director and screenwriter only add to my eagerness: David Yates and J.K. Rowling, respectively. I have extremely high hopes for the film with Yates behind the scenes, as he directed the final four Harry Potter films—those films definitely took the series to a new level, and with Yates’s deep knowledge of Rowling’s universe, he will surely deliver a gem. Speaking of Rowling, the “Harry Potter” mastermind penned her first screenplay with Fantastic Beasts. On paper, Rowling has never let me down—I have the same hope for her debut script. Fantastic Beasts and Where to Find Them is set for a theatrical release on November 18, 2016.
Director: David Yates (The Legend of Tarzan, Harry Potter and the Deathly Hallows)
Starring: Eddie Redmayne (The Danish Girl, The Theory of Everything), Katherine Waterston (Steve Jobs, Inherent Vice), Dan Fogler (Barely Lethal, Take Me Home Tonight), and Colin Farrell (The Lobster, Winter’s Tale)
Manchester by the Sea
Manchester by the Sea, set and filmed in Manchester-by-the-Sea, Massachusetts, tells the story of Lee Chandler (Casey Affleck). Following the sudden and unexpected death of Lee’s older brother Joe (Kyle Chandler), Lee becomes the legal guardian of Patrick, Joe’s son. The story then follows Lee back to his hometown of Manchester-by-the-Sea, Massachusetts, as he must deal with his new role while balancing issues with his separated wife (Michelle Williams) and the North Shore community.
If you have not heard much about this film—which I imagine most haven’t—it is high time to get familiar. I wish I could vouch for Kenneth Lonergan as a film director, but I simply cannot—I have never once seen one of his films (to my credit, he basically hasn’t done anything as a director). However, what will probably pique your interest is a major writing credit on his résumé: Gangs of New York. That film is one of my all-time favorites, and Lonergan’s script was dramatic, intense, and as witty as they come—I sure hope he is able to emulate that dexterity here in Manchester by the Sea (Lonergan also penned this script).
As far as acting, this film has a variety of talented actors that will surely put on fantastic performances. But the one person that makes me want to rush out to see this the moment it hits theaters is Casey Affleck. In my opinion, Casey is a far superior actor to his older brother Ben (you know, Batman). He has continually impressed me with well-crafted, nuanced performances in films like The Assassination of Jesse James by the Coward Robert Ford and Gone Baby Gone (the latter of which was directed by Batman Affleck himself), and after watching the Manchester by the Sea trailer, all signs point to another gifted performance. Manchester by the Sea is set for a wide theatrical release on November 18, 2016.
Director: Kenneth Lonergan (Margaret)
Starring: Casey Affleck (Triple 9, The Finest Hours), Michelle Williams (Oz the Great and Powerful, Take This Waltz), and Kyle Chandler (Carol, The Wolf of Wall Street)