The Martian is a science-fiction film directed by Ridley Scott, with a screenplay by Drew Goddard, which is adapted from Andy Weir’s award-winning novel of the same name. The film follows Astronaut Mark Watney (Matt Damon) and his crew during a manned mission to Mars. In the midst of a ferocious storm, the crew presumes Watney dead, and they are forced to abandon the mission and leave Watney behind. However, it turns out Watney survived. Stranded on Mars with only limited supplies, Watney must utilize his cleverness and resourcefulness in order to signal to his counterparts on Earth that he is still alive.
Back in August, I ranked The Martian #7 on my list of most-anticipated films for the fall movie season. Rightfully so—this movie did not disappoint. Director Ridley Scott is one of Hollywood’s kings of science fiction (having directed Alien, Blade Runner, and Prometheus), and The Martian could be his best yet. Last year’s Interstellar was a science-fiction film that I greatly enjoyed, mainly because filmmaking genius Christopher Nolan was behind it. However, my only beef with it was that it was a bit too convoluted and highbrow—understanding the science was unfathomable. That complexity is what makes The Martian work. Ridley Scott did not reinvent the wheel (I mean, this movie is basically Interstellar on Mars), and yet it works on a level that most science-fiction films can never reach. That is due to the brilliant filmmaking combination of the legendary Scott and screenwriter Drew Goddard. Goddard’s script is at times thrilling, but all the while humorous; it delves into scientific intricacies but keeps the tone light with constant wit. The Martian is a tasty concoction of comedy and drama, and Scott and Goddard hit this one out of the park.
Matt Damon received an Oscar nomination for Best Actor for his performance in The Martian, and the Academy could not have gotten this one more correct. Despite an ensemble cast, Damon rarely spends any time on screen with any of those actors and actresses; his performance is as “solo” as Harrison Ford in Star Wars (bad joke, I know). In order for a movie to work where its main character spends 90% of the film alone in solitude, it has to have a remarkable performance from its lead—Matt Damon, a seasoned veteran, supplied just that. Over the course of the film, we watch him display a wide variety of emotions: he moves from scared, to humored, to terrified, to hopeful, to exhausted, to thrilled, and Damon does so with skill and radiance. He is obviously one of the better actors of his generation, and I am hard-pressed to find any performance in his film arsenal that rivals his acting in The Martian—he gave us the perfect blend of comedic and dramatic acting.
In the previous paragraph, I mentioned the film’s ensemble cast; this stellar group of actors aided in the movie’s success. When we are not with Watney on Mars, we are in one of two places: (1) with Watney’s crew as it travels back towards Earth, or (2) with NASA staff back on Earth as they plot a way to rescue Watney. Those respective segments of the film work flawlessly because of the performers assembled. Watney’s crew includes Jessica Chastain and Kate Mara, and both of these stunning actresses shined in their limited screen time. Back on Earth, we see some outstanding performances from Jeff Daniels, Chiwetel Ejiofor, and Kristen Wiig. However, my favorite supporting performance was from Donald Glover (also known as “Childish Gambino,” one of my favorite rappers in the game). Glover portrays an astrodynamicist that masterminds the plan to bring Watney home, and he hilariously and charmingly portrays his character as a socially awkward savant—a genius with some fumbling eccentricities. Glover definitely stole the show in each of his scenes. The Martian is rated PG-13 for some strong language, injury images, and brief nudity.
The Martian trailer: https://www.youtube.com/watch?v=ej3ioOneTy8
Academy Award nominations for The Martian:
Best Picture (Simon Kinberg, Ridley Scott, Michael Schaefer, and Mark Huffam, producers)
Best Actor in a Leading Role (Matt Damon)
Best Production Design (Celia Bobak and Arthur Max)
Best Sound Editing (Oliver Tarney)
Best Sound Mixing (Paul Massey, Mark Taylor, and Mac Ruth)
Best Visual Effects (Anders Langlands, Chris Lawrence, Richard Stammers, and Steven Warner)
Best Adapted Screenplay (Drew Goddard)